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Journal articles on the topic 'Stylistic analysis'
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GEBAUER, ANNE BIRGITTE. "Stylistic Analysis." Journal of Danish Archaeology 6, no. 1 (January 1987): 223–29. http://dx.doi.org/10.1080/0108464x.1987.10589990.
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Fadhil Kadhum Al-Janabi, Suadad, and Nawar Hussein Rdhaiwi Al-Marsumi. "Doing Stylistic Versus Critical Stylistic: An Analysis of If by Rudyard Kipling." Arab World English Journal 12, no. 1 (March 15, 2021): 239–52. http://dx.doi.org/10.24093/awej/vol12no1.17.
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This paper displays the ideological positioning as found in Rudyard Kipling’s poem If. It is a poem published in 1910. It presents the embedded ideologies and shows how the poet used the available linguistic resources to achieve his goal. The models of analysis adopted are Critical Stylistics as proposed by Lesley Jeffries (2010) and Stylistic Analysis as submitted by McIntyre (2010). The paper aims at identifying the poet’s beliefs to show that success is the outcome of self-control and a real sense of the values of things. It is a try to discover how the poet used various linguistic choices to build a message telling us how to deal with life confidently and identify a line of ideological positioning through Critical Stylistic strategies. The paper presents a theoretical background of the term stylistics and critical stylistics, explaining the adopted models; Analyzing the poem stylistically with a focus on critical stylistic regarding two tools: Representing and Negating for their dominant use in the poem and their effectiveness in interpreting the hidden ideologies. Stylistic devices are used because they steer the text to enable the writer to reach the intended goal. In conclusion, the paper displays that the poet uses the stylistic tools in a brilliant way that leads All, not only his son, to follow and consider it a moral lesson of life.
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Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).
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Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
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McIntyre, Dan. "Towards an integrated corpus stylistics." Topics in Linguistics 16, no. 1 (December 1, 2015): 59–68. http://dx.doi.org/10.2478/topling-2015-0011.
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Abstract Over recent years, the use of corpora in stylistic analysis has grown in popularity. However, questions still remain over the remit of corpus stylistics, its distinction from corpus linguistics generally and its capacity to explain complex stylistic effects. This article argues in favour of an integrated corpus stylistics; that is, an approach to corpus stylistics that integrates it with other stylistic methods and analytical frameworks. I suggest that this approach is needed for two main reasons: (i) it is analytically necessary in order to fully explain stylistic effects in texts, and (ii) integrating corpus methods with other stylistic tools is what will distinguish corpus stylistics from corpus linguistics. My argument is supported by reference to examples from Mark Haddon’s no vel The Curious Incident of the Dog in the Night-time and the HBO TV series Deadwood. Both these examples rely for their explanation on a combination of corpus stylistic analytical techniques and other stylistic methods of analysis.
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Gargesh, Ravinder. "Stylistics and Stylistic Analysis of a Modern Hindi Poem." Journal of Indian Studies 12, no. 1 (May 2007): 267–313. http://dx.doi.org/10.21758/jis.2007.12.1.267.
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Kang, Chuanmei. "Stylistics and the Teaching of Advanced English for Senior English Majors." Theory and Practice in Language Studies 8, no. 10 (October 1, 2018): 1346. http://dx.doi.org/10.17507/tpls.0810.13.
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This paper first briefly reviews that stylistics is applied to the teaching of English by scholars both abroad and in china, then discusses what and how to do stylistic analysis, and then by means of three sample analyses it aims at illustrating the view that as an effective method, stylistic analysis is conducive to improving students’ abilities of reading and appreciation, and it concludes that it is both necessary and practical to apply stylistics to Advanced English teaching.
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Iermolenko, Svitlana, Svitlana Bybyk, Tetiana Kots′, Halyna Siuta, and Anhelina Hanzha. "The modern Ukrainian academic linguistic stylistics: A strategy of the integrative development." Ukrainska mova, no. 4 (2021): 3–23. http://dx.doi.org/10.15407/ukrmova2021.04.003.
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This article offers an analytical review of the Department of Stylistics, Culture of Language, and Sociolinguistics’ study outcomes in 1991—2021. It focuses on the publications with the expanded linguo-stylistic analysis and the developing of the terminological system of Ukrainian stylistics. The authors reinterpret a term style and concept of language culture and outline the contribution to the development of structural stylistics, i.e., linguistic text analysis, and interpretive stylistics from the Department staff also naming major studies which determined the connection of linguistic stylistics with the history of Standard Ukrainian and establishing the significant role of historical stylistics. Being determined by the view of language as a system of signs the structural approach in linguistic stylistics dominated at early stages the Ukrainian stylistics formation. The paper advances a new idea regarding the fluidity of the modern system of functional styles and the need to revise and restructure their socially significant hierarchy with respect to the linguo-cultural and communicative-pragmatic reinterpretation of integrative linguo-stylistics. The interdisciplinary aspects of functional-stylistic and genre-stylistic researches are the following: linguoculturology, linguofolkloristics, linguosophy, linguopersonology, linguoconflictology, discourseology, media stylistics, legal linguistics, psycholinguistics, ethnolinguistics, and linguistic expertise. The conclusion evaluates the digital methods to process texts in Standard Ukrainian and the need to create lexicographic sources of stylistic terminology and expand the aspects of stylistic lexicography. Keywords: linguo-stylistics, style, culture of language, norm, interdisciplinarity, research method, integrative linguo-stylistics
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Isti'anah, Arina, Caecilia Riris Krismarini, and Elisabet Ayu Pramesthi Lebdo Putri. "Stylistic Analysis of Maya Angelou’s “Woman Work”." ENGLISH FRANCA : Academic Journal of English Language and Education 4, no. 1 (May 11, 2020): 55. http://dx.doi.org/10.29240/ef.v4i1.1460.
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This paper presented the stylistic analysis of a poem by Maya Angelou, “Woman Work”. This stylistic analysis focused on analyzing two language levels, phonology and syntax, covering the study of sound repetition, transitivity, and pronoun. The phonological features employed in the poem were assonance and consonance. On the other hand, the syntactic features were in the form of material processes that described the works of a woman. The employment of pronoun referred to the poet and nature. This analysis found that Angelou positioned nature as an essential part of a woman's life as it helped her to provide a living to her family. Further, nature was placed as an Actor that helped her face her world as a woman. This paper concludes that stylistics is applicable to analyse literary works in an objective way as it provides the hard data. Keywords: stylistics, poem, woman, Angelou
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Walidah, Ziana, Muslim Yanuar, Dyah Nurul Azizah, and Syihabuddin Qalyubi. "Stylistic Analysis in Surah Al-Najm." Izdihar : Journal of Arabic Language Teaching, Linguistics, and Literature 3, no. 2 (August 31, 2020): 129–46. http://dx.doi.org/10.22219/jiz.v3i2.11624.
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Stylistic is a multidisciplinary approach that aims to foreground the peculiar properties of texts on the basis of language and derive hidden and in-depth meaning to figure out major and minor themes. The evident fact that makes Stylistic a multidisciplinary approach is its retrievable, rigorous, and replicable principles. With Stylistic science, someone can reveal the secrets of the Qur’an as a whole by analyzing all aspects of the Qur’anic linguistics. This article aimed to analyze Surah al-Najm with the Stylistic theory. The research was qualitative research with library research or literature study. The analysis was carried out using an objective approach and descriptive analysis method by reading Surah al-Najm repeatedly then collecting relevant data. So, the data that has been found was analyzed with the two terms of Stylistics, they are semantics and imagery. From this study, it was concluded that in Surah al-Najm there were (1) nouns and verb preferences, various sentence structures and sentence confirmation in syntactic aspects, synonyms and antonyms in semantic aspects, and (2) several kinds of language styles such as isti'arah, majaz, and kinayah in imagery.
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Isti'anah, Arina. "Stylistic Analysis of Maya Angelou’s Equality." Lingua Cultura 11, no. 2 (November 30, 2017): 85. http://dx.doi.org/10.21512/lc.v11i2.1602.
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This research presented the stylistic analysis of a poem by Maya Angelou, Equality. The poem was chosen as it became Angelou’s one of well-known poems. The Stylistic analysis aimed at comprehending the meanings of either literary or non-literary text by means of observing the language device used in the texts. In this article, the stylistic analysis was conducted to analyze Maya Angelou’s Equality. To achieve the goal of stylistic analysis, there were some language levels to observe; they were phonological, graphological, grammatical, and semantic levels. In the phonological level, the repetition of rhyme in some stanzas, assonance, consonance, and alliteration were used to voice Angelou’s dream about freedom for black people. In the graphological level, the use of prominent punctuation in stanzas 3, 6, and 9 stressed equality as the requirement for the freedom she expected. In the grammatical level, Angelou used pronoun I and you as the dominant words in the poem, revealed different class the poet experienced in the country. The use of metaphors in the poem brought the same meaning as freedom, voice, effort, and racism that black people experienced in America. This research concludes that stylistics applies to analyze literary work so that thorough appreciation to it can be achieved.
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Al- Erjan, Rasha Sh. "A Stylistic Analysis of John Keats’s Poem “Ode to Psyche”." Theory and Practice in Language Studies 12, no. 7 (July 4, 2022): 1378–85. http://dx.doi.org/10.17507/tpls.1207.18.
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John Keats is an English poet whose works profoundly influenced English Romantic poets of the nineteenth century. His poems have attracted many literary critics who have approached Keats’s texts with an aim to analyzing them; however, few approaches have questioned his literary texts from a stylistic point of view. This paper offers a stylistic reading of Keats’s “Ode to Psyche” (1819) that uses linguistic methods to analyze the poem so as to highlight certain features that enhance the text, making it more insightful, attainable, and explicit. This stylistic analysis focuses on repetition, parallelism, sound parallelism or phonetic schemas, style variation, and linguistic deviation, and it pursues the impact of foregrounded features and their contribution to understanding the text. It proves that stylistics plays an essential role in understanding literary texts as it unleashes hidden, fuzzy, and even contradictory meanings. This study shows that Keats employed stylistics devices in a way that differed from his peers of the 19th century, and, moreover, that his form and style lend themselves to concealed and ambiguous thoughts that come together to create a harmonious work of art. By drawing attention to the unique aspects of Romanticism through stylistic features in the poem, the analysis demonstrates that the aesthetic dimension and form of a literary work remain inseparable from a fuller
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Whiteley, Sara, and Patricia Canning. "Reader response research in stylistics." Language and Literature: International Journal of Stylistics 26, no. 2 (May 2017): 71–87. http://dx.doi.org/10.1177/0963947017704724.
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This article introduces the special issue. In it, we argue that research into reader response should be recognised as a vital aspect of contemporary stylistics, and we establish our focus on work which explicitly investigates such responses through the collection and analysis of extra-textual datasets. Reader response research in stylistics is characterised by a commitment to rigorous and evidence-based approaches to the study of readers’ interactions with and around texts, and the application of such datasets in the service of stylistic concerns, to contribute to stylistic textual analysis and/or wider discussion of stylistic theory and methods. We trace the influence of reader response criticism and reception theory on stylistics and discuss the productive dialogues which exist between stylistics and the related fields of the empirical study of literature and naturalistic study of reading. After offering an overview of methods available to reader response researchers and a contextualising survey of existing work, we argue that both experimental and naturalistic methods should be regarded as ‘empirical’, and that stylistics is uniquely positioned to embrace diverse approaches to readers and reading. We summarise contributions to the special issue and the valuable insights they offer into the historical context of reader response research and the way readers perceive and evaluate texts (either poetry or narrative prose). Stylistic reader response research enables both the testing and development of stylistic methods, in accordance with the progressive spirit of the discipline, and also the establishment of new and renewed connections between stylistic research and work in other fields.
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Saputra, Johanes Rhana, and Fithriyah Inda Nur Abida. "Stylistics Analysis of The Poem “An Old Man’s Winter Night” by Robert Frost." ELS Journal on Interdisciplinary Studies in Humanities 4, no. 4 (December 22, 2021): 501–9. http://dx.doi.org/10.34050/elsjish.v4i4.19152.
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Stylistics analysis gives an impartial and scientific opinion based on solid quantifiable data and methodical application. It makes use of specific technical vocabulary and notions derived from linguistics. The four layers of language aspects that can be studied stylistically are phonology, graphology, grammar, and semantics. The purpose of this research is to examine the stylistic features of Robert Frost's poem "An Old Man’s Winter Night" through the lens of stylistic analysis. The structure and style of Robert Frost's writing, as well as his subjects, viewpoints, and themes are all examined in this study. Each level has been thoroughly investigated, with attention paid to the phonetic, phonological, graphitic, semantic, and grammatical aspects of language choice. This research is descriptive qualitative with content analysis approach. To attain the purpose, the data is analysed through stylistics devices. Frost employed a variety of stylistic elements to emphasize his point, including alliteration, assonance, tone modulation, denotation, connotation, metaphor, personification, symbolism, and imagery.
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Adil Jaafar, Eman. "Corpus Stylistic Analysis of Thomas Harris' The Silence of the Lambs." Khazar Journal of Humanities and Social Sciences 20, no. 1 (April 2017): 25–42. http://dx.doi.org/10.5782/2223-2621.2017.20.1.25.
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This paper aims to employ one of the corpus stylistic methods to analyze Thomas Harris's novel, The Silence of the Lambs. Recently, technology has invaded our lives. To put it differently, researchers depend highly on computers to access and gain information about certain data. Thus, it is crucial to keep up with the up-to-date developments concerning computational methodologies and toolkits. Corpus stylistics helps to find certain features that cannot be understood without using the techniques of computers. In order to achieve this goal, a quantitative and qualitative methodology is applied. Corpus stylistics helps to analyze lengthy texts more efficiently. This is not to say that it substitutes the manual stylistic one. In fact, both the corpus and manual stylistic analyses work hand in glove, and they complement each other. The tool that is used to conduct the analysis by examining keywords and key semantic domains is Wmatrix3. In addition to the previous tool, AntConc is a complementary tool to investigate n- grams in the novel and to point out their significance to the overall interpretation.
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Simpson, Paul, and Geoff Hall. "7. DISCOURSE ANALYSIS AND STYLISTICS." Annual Review of Applied Linguistics 22 (March 2002): 136–49. http://dx.doi.org/10.1017/s0267190502000077.
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This review focuses on contemporary work in discourse stylistics, defined here as that designated branch of stylistics which draws specifically on the techniques and methods of discourse analysis. The review acknowledges a key assumption in modern discourse stylistic research, namely that the distinction between ‘literary’ and ‘nonliterary’ discourse, if tenable at all, is drawn not on a purely linguistic basis but in terms of multiple intersections among texts, readers, institutions, and sociocultural contexts. In spanning studies of both literary and nonliterary discourse, therefore, the coverage of the present review is intended to reflect this axiom. It also attempts to foreground the diversity of method and approach in contemporary discourse stylistics. Given that the techniques of discourse analysis are themselves many and various, the survey seeks to cover stylistic work that offers productive applications of the many available models in pragmatics, conversation analysis, cognitive linguistics, speech act theory, and discourse psychology. Finally, in covering a selection of important monographs, articles, and book chapters, the review seeks both to highlight some of the critical, cultural, and ideological frameworks currently employed by discourse stylisticians and to demarcate, in more general terms, the current state-of-play in this research tradition.
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Zeb, Shaista. "Pedagogical Stylistics: Cognitive Stylistic Analysis of Simon’s The Sound of Silence." Pakistan Social Sciences Review 5, no. II (June 30, 2021): 887–99. http://dx.doi.org/10.35484/pssr.2021(5-ii)69.
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Mackay, Ray. "Who needs stylistic analysis?" Language & Communication 14, no. 2 (April 1994): 193–202. http://dx.doi.org/10.1016/0271-5309(94)90013-2.
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Saymanova, Shaxzada Sultanbaevna. "PHONETIC STYLISTIC DEVICES." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 10 (October 1, 2021): 98–103. http://dx.doi.org/10.37547/philological-crjps-02-10-19.
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This article deals with the analysis of phonetic stylistic devices and expressive means in the works of poets. Examples from poetry are given in this research work and they are of great importance for learning stylistics
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Chandio, Fozia, Zia Ahmed, and Akbar Sajid. "Theme of Isolation and Child versus Adult Feelings: Stylistic Analysis of Alice Munro’s Short Story “The Eye”." Review of Education, Administration & LAW 3, no. 3 (December 31, 2020): 485–94. http://dx.doi.org/10.47067/real.v3i3.94.
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Analysis of the stylistics features of any author has been very interesting technique to explore themes depicted by him/her. This paper examines a short story of Alice Munro titled ‘The Eye’, from stylistic perspective. ‘The Eye’ is the opening tale of the set of four stories, in a style of memoir that is titled as ‘Finale’. This set of four stories appears in her collection of short stories titled “Dear Life” (2012. ) The paper presents the stylistics analysis of the story keeping the stylistic approach in focus suggested by Leech and Short in Style in Style in Fiction (2007). The story is analyzed stylistically in terms of character and characterization, point of view and speech, thought and writing presentation. Stylistic study of any text effectively provides comprehension of the base of the text particularly and its evaluation generally (Peer 2008). In order to carry this out, the method of textual analysis of Qualitative research approach is conducted. The end of the analysis is to have a turnout of a deeper comprehension of the relationship between style and literary aesthetics in ‘The Eye’ by studying the stylistic patterns behind Munro’s narrative, in order to find out her creative approach. Paul Simpson maintains, “Stylistics serves to inquire into the language of the text and on a broader level to investigate creativity in the use of language (2004:3). The endeavor made in the paper explores that Munro has an ambivalent and complicated technique of presentation, both structurally and thematically. Here, the argument is that the stylistic analysis of the story reveals that Munro has high artistic approach towards the short story; she narrates the fiction with such an ambiguous approach that it welcomes more than one interpretations of the story.
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O’Halloran, Kieran. "Creating a film poem with stylistic analysis: A pedagogical approach." Language and Literature: International Journal of Stylistics 24, no. 2 (May 2015): 83–107. http://dx.doi.org/10.1177/0963947015571022.
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A film poem is a cinematic artwork that takes a written, often canonical, poem as its stimulus. Many are imaginative and arresting performances of poems, going far beyond the likely intentions of the poet into something completely new. However, with this genre, the poem’s stylistic detail is largely irrelevant to its visual realisation. I highlight how this limitation can be addressed by bringing film poems into stylistics teaching and assessment. After providing background on the film poem genre, I model an assignment where students draw on their cinematic literacy to dramatise a poem imaginatively. As with other film poems, the student creates a series of cinematic images and connects them to the poem’s lines, activating new meanings in them. In contrast with the traditional construction of film poems, the procedure involves another stage – the student also connects the images they have created to the poem’s stylistic detail. In turn, as I show, this extra connection helps drive the film’s narrative, adding to the creativity of the film. This staged procedure is different from established (pedagogical) stylistic practice where interpretation and stylistic analysis of a poem are simultaneous, with the stylistic analysis providing support for the burgeoning interpretation. To model this student assignment, I produce a film script of Philip Larkin’s poem, ‘Wants’. The script depicts the activities of a serial killer; some readers may find the script graphic.
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Saleem, Mian Muhmmad, Ayaz Ahmad, and Sana Hussain. "The Construction of Factuality in Pakistan’s Legal Discourse: A Stylistic Analysis of Logical Fallacies." Review of Economics and Development Studies 5, no. 2 (June 4, 2019): 397–404. http://dx.doi.org/10.26710/reads.v5i2.630.
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Factuality remains the highest virtue of a legal text. The paper finds how this virtue is jeopardized by the presence of logical fallacies. The stylistics analysis is performed for identification of linguistic features of logical fallacies in legal language. Two randomly selected verdicts of the Supreme Court of Pakistan are selected for analysis. Analysis of verdicts reveals that factuality is compromised by fallacies with distinctive stylistic features. These features include the fallacies of relevance, defective induction and ambiguity. Lexical choices, syntactically complicated structure and graphological markers of style contribute to the formation of these fallacies. The findings establish that stylistic aspect themselves contribute to the projection of fallacies in verdicts, therefore, the study recommends avoiding stylistic formulae of the legalese or legal registers which lead to the formation of logical fallacies in the legal language.
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Ibrahim Ali, Habibullah Ali. "DIRASAH AL-USLUB WA AL-USLUBIYAH FI NAQD AL-ARABY." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 10, no. 1 (August 13, 2015): 45. http://dx.doi.org/10.18860/ling.v10i1.3033.
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In this study, we addressed method and style in Arabic criticism. By the efforts of Arab critics of old and new issue, the subjects of study were as follows: First, the stylistic origins. It means a stylistic in linguistic and rhetoric and literary criticism and other related; Second, analysis of stylistic levels where we focus on stylistic study premises for literary texts; Third, a study of the method in the old Arab criticism, in this part of the study, we noted some efforts by Arab critics about stylistic and their relevance studies in this stylistic aspect; Fourth, the stylistic of contemporary Arab criticism. This aspect of the survey stood at some critics of contemporary Arab studies in Stylistics, as stated what distinguishes each study than other studies. It is included as an appendix in whale most important results achieved in this study.
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Římalová, Lucie Saicová. "Developmental Stylistics." Journal of Linguistics/Jazykovedný casopis 73, no. 1 (June 1, 2022): 65–77. http://dx.doi.org/10.2478/jazcas-2022-0028.
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Abstract Developmental stylistics, a sub-discipline of stylistics, studies the development of and changes in stylistic competence during a speaker’s life. This developmental perspective is under-used in stylistic research. The article summarises current definitions of developmental stylistics and proposes a set of new and complex parameters for a discipline that studies stylistic competence at all stages of life, in both production and reception, and in typical and less typical contexts. It discusses the main factors which make ‘developmental’ research within stylistics problematic, and which may contribute to the fragmented nature of the discipline. The wide range of topics within developmental research often calls for an interdisciplinary approach. The great variability in the way speakers communicate and interact with one another, the limited capacity to make generalisations from the research, and the analysis of various types of ‘imperfect’ language all present significant methodological challenges.
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Maryanchik, Victoria. "Implicit Meanings of the Discourse of Fiction: Linguistic-And-Stylistic Analysis of the Story by I.A. Bunin “The Murderess”." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (August 2021): 109–19. http://dx.doi.org/10.15688/jvolsu2.2021.3.10.
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The theme of the work is the mechanisms of implicit meanings verbalization infiction. The aim is to analyze stylistic convergence in the story of I.A. Bunin "The murderess" as an explication of subtext. The main methods are the following: denotative, chronotopic, stylistic, narrative, conceptual analysis. The main results identify stylistic mechanisms that provide an appropriate interpretation of the literary text. It is revealed that the stylistic convergence includes colorative gradation, parcelling, semantic-syntactic verbalization of perceptual concept, semantic-stylistic actualization of the "golden section", conceptual antonymy, semantic sound images. Implicit meanings are identified in the narrative development: stylistic techniques and mechanisms of implicit artistic meanings verbalization are distinguished in each macrosituation. The term "method" traditionally refers to the conscious using of stylistic means by the author; the term "mechanism" is understood as a synergistic process of organizing the text space as a result of interpretative operations. The described techniques and mechanisms add to the repertoire of artistic stylistics. The means of fiction temporality are nominated; the vertical chronotope in macrosituations is modelled. The special feature of Bunin's story composition is "the effect of eversion": it transfers the semantic emphasis from the criminal action to the assessment of this action. The analysis confirms ecphrasticityand visualization of the image of an icon of the phenomenon within the analyzed story. The main oppositions power / people is distinguished in the conceptual field. The role of stylistic device in the synergetic organization of the text is shown. The main conclusion is drawn that the implicitness, ambiguity and "multi-focus" of the author's assessment as a feature of Bunin's idiostyle is realized through the mechanism of stylistic convergence.
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Malmkjær, Kirsten. "What happened to God and the angels." Target. International Journal of Translation Studies 15, no. 1 (November 20, 2003): 37–58. http://dx.doi.org/10.1075/target.15.1.03mal.
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The paper which follows uses a set of translations by Henry William Dulcken of stories written by Hans Christian Andersen and published in Danish between 1835 and 1866 as the object of an exercise in translational stylistic analysis. Section 1 presents the author, Section 2 discusses translational stylistics, Section 3 sets the scene for the stylistic study by outlining the impact of fairytale translations on the literary polysystem in Britain in the 19th Century and the reception in Victorian Britain of Andersen’s stories, and by introducing the translator and comparing his translations briefly with other early translations. Section 4 is devoted to the stylistic study, while Section 5 suggests that translational stylistics can be an important component in comparative cultural studies.
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Egbert, Jesse. "Style in nineteenth century fiction." Scientific Study of Literature 2, no. 2 (December 31, 2012): 167–98. http://dx.doi.org/10.1075/ssol.2.2.01egb.
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Recent years have seen substantial advances in ‘corpus stylistics’, which is the use of corpora and computational techniques to study literary style. Corpus stylistics has produced analyses of otherwise imperceptible features of literary style. However, studies in corpus stylistics have rarely considered the full set of core linguistic features. The present study explores literary style through the application of Multi-Dimensional analysis. Stylistic variation along three dimensions is accounted for using a large, principled corpus of fiction. The dimensions of variation are interpreted as ‘Thought Presentation versus Description’, ‘Abstract Exposition versus Concrete Action’, and ‘Dialogue versus Narrative’. These three dimensions are then used to compare the styles of nineteenth-century fiction between authors, and the range of stylistic variation among the novels of individual authors. The findings are interpreted qualitatively and with reference to previous analyses of author style.
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Perveen, Shahida, and Aisha Farid. "Language and Identity of Colonized: A Stylistic Analysis of Poetic Work of Agha Shahid Ali." Journal of South Asian Studies 10, no. 3 (December 29, 2022): 369–77. http://dx.doi.org/10.33687/jsas.010.03.4304.
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Stylistics as an interdisciplinary field of study has evolved over the years as it encompasses theories and approaches of contemporary times from language, literature, sociology, pedagogy, psychology, and anthropology. Since the core to stylistics is language, the present research aims to address the ramifications of Colonization in the poetic works of Agha Shahid Ali. The sample for the study to explore the stylistic features is Language Games. The selected text has been investigated on graphological, phonological, lexical, syntactical, pragmatics and discourse levels of stylistic analysis to expose the hidden and profound meanings. The expressive means of the selected work have been interpreted using lens of Postcolonialism to relate the work with larger socio-cultural contexts. The poem’s stylistic analysis reveals the lament of the poet for his lost language and identity. The cost of learning a new language is the loss of one's native language. The lexical choices, parallel structures, and foregrounding function effectively highlight the major and minor themes of the selected text. This study also exposes Agha Shahid’s unique poetic style that distinguishes him as a great poet. This study affirms that stylistics links as a bridge two vital disciplines i.e., linguistics and literature. Language carries thoughts which need to be explored. This study has focused on all such features that the poet, knowing the importance of language, selected very carefully to carry his message. This research helps students understand the significant connection and bondage between language features and literature.
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O’Halloran, Kieran. "Performance stylistics: Deleuze and Guattari, poetry and (corpus) linguistics." International Journal of English Studies 12, no. 2 (December 1, 2012): 171. http://dx.doi.org/10.6018/ijes/2012/2/161811.
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<p>Taking as stimulus some key ideas of the French philosopher, Gilles Deleuze, and his collaborator the psychoanalyst, Félix Guattari, I demonstrate an alternative interpretative engagement with poetry. In this approach, a poem is seen as an invitation to the reader to be creative via a web-based, interpretative journey which is individual, edifying and refreshing. This approach allows a poem’s obliqueness and suggestiveness to trigger, randomly, knowledge and resources on the world-wide-web that are new for the reader; in turn, these can be used as fresh perspectives on the poem in order to perform it in individual ways, to ‘fill in’ creatively personas and scenarios in the poem. This web-based engagement with a poem involves stylistic analysis.</p><p>The web-based element of performance stylistics is centrifugal, taking the reader outside of the poem, travelling from website to website. This centrifugal movement is balanced by a centripetal one which takes the reader into the patterns of the poem. Stylistic analysis meets this centripetal need effectively. Traditionally, stylistic analysis has been used to provide linguistic evidence for interpretation of a literary work. However, influenced by ideas in the work of Deleuze and Guattari, I also use stylistic analysis in a non-traditional way - to <em>mobilise</em> interpretation of a poem. In this article, the poem I use to demonstrate performance stylistics is Robert Frost’s, ‘Putting in the Seed’. Performance stylistics can draw on corpus analysis too.</p>
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Faber, Pamela. "Stylistic Analysis in Poetic Translation." Meta: Journal des traducteurs 34, no. 4 (1989): 805. http://dx.doi.org/10.7202/002714ar.
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Romero González, Esther, and Belen Soria Clivillés. "Stylistic analysis and novel metaphor." Pragmalinguistica, no. 5 (1997): 373–89. http://dx.doi.org/10.25267/pragmalinguistica.1997.i5.16.
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Clark, Billy. "Stylistic analysis and relevance theory." Language and Literature: International Journal of Stylistics 5, no. 3 (August 1996): 163–78. http://dx.doi.org/10.1177/096394709600500302.
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Ratajczyk, Krystyna. "Kontrasty kak stilisticheskoye sredstvov proizvedeniyakh Viktorii Tokarevoy." Językoznawstwo 17, no. 2 (December 2022): 21–36. http://dx.doi.org/10.25312/2391-5137.17/2022_02kr.
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Contrasts as a stylistic means in the works by Viktoria Tokareva The article is devoted to the linguistic analysis of contrasts in selected works by V. Tokareva. The theory of contrasts is based on the theory of antonymy with its initial concept of contrast. A characterization of the linguistic and contextual antonyms in the writer’s works is carried out, as well as an analysis of the stylistic figures based on the opposition – antithesis, diathesis, acrothesis, amphithesis, oxymoron and gradation. The role and significance of given stylistic figures as an expressive means of an individual-author’s style is presented. Keywords: contrasts, antonymy, opposition, V. Tokareva, stylistics, author’s style
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Srailova, Akmaral B., Kseniia M. Baranova, Alexander K. Kalioppin, Yelena G. Knyazeva, and Olga V. Sergeeva. "Linguostylistic specifics of the pragmatical and symbolic realization of the English poetic discourse." XLinguae 14, no. 2 (April 2021): 215–26. http://dx.doi.org/10.18355/xl.2021.14.02.16.
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The article examines linguostylistic specifics of the pragmatical and symbolic realization of the poetic discourse based on English. As the purpose of the work, we analyzed the use of linguistic means of symbolization in the English poetic discourse in the linguopragmatic aspect. The article discusses the importance of stylistic means in English for poetic influence on the addressee. In analyzing verses from pragmalinguistic side is necessary to show their stylistic peculiarities. We did a contextual analysis of poetic works at the text and hypotext levels using the method of symbolic interpretation, stylistic analysis, and linguopragmatic analysis. As the material of the study, we analyzed the poetic works of English poets. The theoretical significance of research results is to identify linguistic specifics of pragmatic and symbol realization of the poetic discourse in the English linguoculture. The study contributes to the development of discursive linguistics, pragmalinguistics, lexicology and stylistics of English, theory of linguistics, linguoculturology. In practical terms, results can be used in teaching the theory of discourse, pragmalinguistics, linguistic analysis of the poetic text, lexicology, and stylistics of English.
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Nurhadi, Muizzu, and Linusia Marsih. "STYLISTIC ANALYSIS OF EARLE BIRNEY’S THE BEAR ON THE DELHI ROAD." PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan 22, no. 1 (June 8, 2022): 122–33. http://dx.doi.org/10.30996/parafrase.v22i1.6632.
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Stylistics study provides a different way of approaching literary analysis to examine poetic expression, point of view, meaning, and themes. By using the linguistics approach, stylistics helps to objectively disclose literal meaning and poetic expression in the text. Thus, this research attempts a stylistic analysis of Earle Birney’s poem The Bear on the Delhi Road and examines how language features affect the poetic expression and literal meaning in the poem. Furthermore, this research is a content analysis approach that is analyzed through the stylistics analysis. Stylistics analysis in this research focuses on the three language levels, phonology, syntactic, and lexical. In the part of phonology levels, the researchers focus on the rhyme scheme, alliteration, assonance, and consonance. While syntactic levels focus on the transitivity patterns, affixes, and pronouns. Then, lexical levels focus on figurative language and imagery.
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Ali, Kainat, Shadab Fatima, Tarique Tarique, and Rashid Ali Chandio. "Stylistic analysis of charles lamb’s essay dream children-reverie." International journal of linguistics, literature and culture 5, no. 6 (October 26, 2019): 68–77. http://dx.doi.org/10.21744/ijllc.v5n6.760.
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The study has been designed to analyze a literary piece that is “Dream Children Reverie” written by Charles Lamb via stylistics. The stylistic study deals with linguistic, graphological, phonological, grammatical, syntactical and structural aspects of the essay. In the study, the text has been explicated via stylistics analysis of the literary devices and style in which the text has been composed of. The study excavates various literary devices from the essay like symbolism, imagery, humor, and pathos that provides ancillary support to the overall meaning and impact of the essay. The present paper is a comprehensive study of literary text via a linguistic perspective. In addition, the study is also useful to find out themes in the essay Dream Children Reverie and it ensures to depict the self-portraying nature of the composition.
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Tribunal-Nemenzo, Ruth. "Stylistic Analysis on Selected Literary works of Alicia Tan-Gonzales." Journal of Humanities and Education Development 5, no. 1 (2023): 44–52. http://dx.doi.org/10.22161/jhed.5.1.7.
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This study looked into the stylistic analysis of the selected literary works of Alicia Tan-Gonzales. Specifically, this study analyzed three of her Hiligaynon literary works using frameworks for stylistic analysis. Using descriptive research design, this study examined phonetic structures and figures of replacement in the poem, Sentensya (Sentence); semantic structures and stylistic deviations in the short story, Mga Luha Para Kay Tatay Jose (Tears for Papa Jose); and turn-taking patterns and topic control that determined power and politeness strategies in the play, Pinustahan Nga Gugma (Betting Love). The stylistic analysis of the poem reveals that (1) for phonetic structures, the rhythmical description and effect of the syllables depended on the divisions of the word structure and grammatical structure; (2) for metrical structures in the poem, unstressed syllables were predominantly used rather than stressed syllables; and (3) for figures of replacement, the significant use of metonymy gave the poem an exaggerated impact. The stylistic analysis of the short story shows that (1) semantic structures based on emotive meaning disclosed the inner mind of the characters; (2) expressive meanings exposed the negative emotional state of the characters; (3) evaluative meanings depicted the characteristics and choices of a strong family woman in society; and (4) as to the reduction on sentence constructions, nominative sentences and ellipsis were evident in the short story, while simple repetition was present, indicating redundancy of sentence construction. The stylistic analysis of the play indicates that (1) the characterizations of different strong women made intuitive descriptions of power based on turn-taking patterns and topic control, although they may not be true in all circumstances in the conversations; and (2) politeness strategies were evident in the play, with positive politeness strategies as the most frequently used, followed by bald on-record, negative politeness, and off-record. Based on the overall results of the study, an instructional module in teaching Stylistics was designed to help students understand the literary style of Alicia Tan-Gonzales in fashioning her selected literary pieces, as well as styles of other literary writers.
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Nikmah, Khoirin. "Stilistika dan Ideologi Hanada Taha Thomure dalam Pidato di TED Talks: ‘Al Lughah Al ‘Arabiyyah, Wathan’." Uktub: Journal of Arabic Studies 2, no. 2 (November 21, 2022): 94–106. http://dx.doi.org/10.32678/uktub.v2i2.7023.
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When it comes to public speaking, one of the keys to success is stylistics. In this case, the ability to play the stylistic aspect has an effect on the process of persuasion for the audience. This research paper is about Dr. Hanada Taha Thomure's TED Talk, "Al Lughah Al'Arabiyah, Wathan," which took place at Zayed University in Dubai. It aims to explain the stylistic strategy and ideology of Hanada Taha Thomure in the speech. This is a descriptive qualitative study. There are three steps used, including data collection, data analysis, and exposure to data analysis research. The listening method is used to collect data, along with recording and note-taking technique. Meanwhile, data analysis is conducted by analysing stylistics and interpreting ideology. The research shows that there are a large number of stylistic variations in Hanada’s speech, such as repetition, kiasmus, epizeukis, epistrofa, asonansi, simile, metaphor, personification, sinestesia, hyperbole, klimaks, rhetoric, and code switching. Then, the nationalist ideology can be seen in every sentence presented by Hanada, either explicitly or implicitly.
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Javed, Noveen, Ezzah Shakil, and Fiza Ali Beenish. "A Stylistic Analysis of The Good-Morrow by John Donne." Global Language Review V, no. III (September 30, 2020): 258–66. http://dx.doi.org/10.31703/glr.2020(v-iii).26.
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The present paper aims to analyze John Donne's poem "The Good-Morrow" stylistically. Being a branch of applied linguistics, Stylistics scrutinizes the literary and non-literary texts in terms of their tonal and linguistic style. Donne's poem, being rich in hyperboles and conceits, depicts the universal theme of undying love where Donne welcomes new dawn and is optimistic for upcoming years of adoration and is exuberant over the magical union of two soulmates. The paper in hand adopts the stylistic analysis as a research methodology to unveil the basic theme of the poem and analyses the poem on the grammatical, phonological and graphological levels. The theoretical framework incorporates the main tenets of Geoffrey N. Leech (1969) from his well-known work "A Linguistic Guide to English Poetry", and also this work focuses on the notions of Mick Short (1996). Stylistic analysis of the chosen poem portrays how the poet, via the use of striking stylistic devices, communicates the central concept of the poem and how the poet has adorned the poem with various elements of style on the levels of grammar phon and graphology.
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Ahmed, Instructor Munna Ibrahim. "STYLISTIC ANALYSIS “THE SNAKE”– BY D.H. LAWRENCE." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 60, no. 1 (March 13, 2021): 143–56. http://dx.doi.org/10.36473/ujhss.v60i1.1298.
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Stylistic analysis implies analyzing a poem from the linguistic as well as critical point of view. While the former leads to a better understanding of the devices used and the construction of the poem, the latter enables one to look at the poem from a critical angle. Together, one gets a complete and comprehensive picture of the poem. In stylistics, it is possible to look at a poem from the point of view of graphology, morphology, phonology and lexico-syntactic level. In this paper, the poem “the Snake’ by D. H. Lawrence has been analysed stylistically. It helps the reader to notice the unique features of the poem that may be otherwise missed and leads to a better understanding of the poem.
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Obayes Al-Azzawi, Prof Dr Qasim, and Kadhim Ketab Rhaif. "A COGNITIVE STYLISTIC ANALYSIS OF PERSONAL NARRATIVES ABOUT COVID-19 PANDEMIC." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 04 (2022): 870–88. http://dx.doi.org/10.37648/ijrssh.v12i04.046.
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This paper explores how the stylistic framework of Text World Theory can be applied to personal narratives. This approach falls within the scope of the discipline of cognitive stylistics. In order to explore the similarities and differences between readers' experiences, cognitive stylistics draws on cognitive scientific insights into the relationship between the mind, language, and the world, going beyond the traditional method of stylistic accounting for literary interpretation through linguistic models. A qualitative study within an appropriate model is conducted to three narratives collected from Story Center website about COVID-19 pandemic. The purpose of this study is to demonstrate that context-dependent text world analysis of narratives is an effective method for depicting the participants' senses. It gives an explanation of how readers construct mental models based on the linguistic elements that are offered to them. It provides an explanation of the progression that readers go through as they move from textual information to the profound nature of text worlds. It can be concluded that Text World Theory provides evidence of the cognitive processes that take place during the act of reading, the process that ultimately results in interpretation of the text and the acquisition of meaning.
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Ircham, M. "Educational Values in The Arabic Imperatives (A Stylistic Analysis of the Qur'an)." ALSINATUNA 4, no. 2 (June 25, 2019): 229. http://dx.doi.org/10.28918/alsinatuna.v4i2.2045.
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This study aims to reveal the education values in al-Qur’an through its stylistics (a linguistic aspect), such as imperative (al-amr). So far, the exploration of values in al-Qur’an still has a lot to do with the substance of the verse. This study uses a stylistic analysis of al-Qur’an, which is descriptive and theoretical, with a literature approach. The results of this study include, first, the stylistics of al-Qur’an implies educational values and explains how these values are internalized. Second, the stylistics of al-Qur’an in imperative form (al-amr) contains educational values that enable a person to become a better, more developed and mature human being. The education values meant here are obedience, affection and responsibility.
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Mao, Mengying. "Lexical and Rhetorical Features in The Time Machine: A Corpus-stylistic Analysis." International Journal of Linguistics, Literature and Translation 5, no. 3 (March 16, 2022): 151–57. http://dx.doi.org/10.32996/ijllt.2022.5.3.19.
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Corpus stylistics is the study of style by applying linguistic theory and the corpus-based approach. Therefore it combines qualitative and quantitative study. This study adopts the stylistic theory of Leech and Short (2007) and the corpus-based approach to analyze the science fiction The Time Machine. By using the corpus tools WordSmith 7.0 and AntConc, the lexical features and rhetorical features are extracted. Then the writing style and the theme are discussed. Therefore, the research enriches the empirical study of corpus-based fiction stylistics and encourages the appreciation of science fiction in the early times.
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O’Halloran, Kieran. "Filming a poem with a mobile phone and an intensive multiplicity: A creative pedagogy using stylistic analysis." Language and Literature: International Journal of Stylistics 28, no. 2 (May 2019): 133–58. http://dx.doi.org/10.1177/0963947019828232.
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A film poem is a cinematic work which uses a written, often canonical poem as its inspiration. Film poems frequently exceed the likely intentions of the poet, becoming something new; one creative work is used as a springboard for another. Typically, however, in film poems the poem’s stylistic detail is largely irrelevant to its cinematic execution. In a previous article, I spotlighted how this oversight/limitation can be addressed by bringing film poems into stylistics teaching and assessment. That article showed how stylistic analysis of a poem can be used to drive generation of a screenplay for a film of the poem. But, it did not show how the film could be produced on that basis. In contrast, this article does just that, modelling how a student could make a film from a poem, with their mobile device, where stylistic analysis has been used to stimulate the screenplay. Accompanying this article is a film that I made on a mobile phone. This is of Michael Donaghy’s poem, Machines. In developing this approach for producing film poems via stylistic analysis, I incorporate ideas from the philosopher, Gilles Deleuze, and from his collaboration with the psychoanalyst, Félix Guattari, in their book A Thousand Plateaus. In particular, I make use of their concept of ‘intensive multiplicity’. Generally, this article highlights how common ownership of mobile devices by university students, in many countries, can be used, in conjunction with stylistic analysis, to foster a different approach to interpreting poetry creatively which, in turn, can extend students’ natural capacity for creative thinking.
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Gul, Sana, Kamal Saeed, and Nimra Tariq. "Stylistic Analysis of Ode to the West Wind by PB Shelley." Global Language Review VI, no. II (June 30, 2021): 310–16. http://dx.doi.org/10.31703/glr.2021(vi-ii).33.
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Stylistics is concerned with the analysis of variation and characteristics of language. Stylistics has gathered imminent role in ascertaining language use, especially poetic language. In this research paper,I have explored the intentional deviation from the conventional rules in the poem Ode to West Wind by P.B Shelly. The poem is rich from a stylistic point of view because the application of deliberate misspellings, creativity in style, the irregularity in the syntax patterns, and the phonological and graphological deviations make the poem a fascinating read. I have noticed that Shelly has freed himself from the structural and traditional norms of language and has presented a new dimension in poetry.This article is the analysis done against the backdrop of deviations at syntactical, morphological, and grammatical levels.
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Orwin, Martin. "A literary stylistic analysis of a poem by the Somali poet Axmed Ismaciil Diiriye ‘Qaasim’." Bulletin of the School of Oriental and African Studies 63, no. 2 (January 2000): 194–214. http://dx.doi.org/10.1017/s0041977x00007187.
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This article presents a stylistic analysis of a poem which we shall call Macaan iyo Qadhaadh, ‘Sweet and bitter’ by the Somali poet Axmed Ismaciil Diiriye ‘Qaasim’. It will show ways in which the language has been crafted syntactically, metrically, alliteratively and in other ways so as to contribute to the power and meaning of the poem as a whole. A stylistics-based approach has been followed looking at the actual language structures and stylistic devices used in the poem and ideas are proposed on their contribution to the meaning and power of the poem. Cureton (1992) has been influential in the way grouping of lines has been dealt with and in how prolongation in the poem has been presented and discussed.
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Mohammed, Ali Albashir, Majda Babiker Ahmed, and Dina Ali Abdullah. "A Pragma-stylistic-assessment of Three Translations of the Meanings of Surratt Fatir into English." Theory and Practice in Language Studies 9, no. 1 (January 1, 2019): 18. http://dx.doi.org/10.17507/tpls.0901.03.
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The current paper aims at investigating the stylistic constrains encounter the translators of the Holy Qura'n into English, through analysis and comparison, the incongruities and disparities of meaning and style in translating the Qur'anic pragama- stylistic expressions into English, that is in the work of Mohammed Abdel Haleem, Pickthall and Mohammed Khan and Taj Al-Din Al-Hilalim (.http://www.aijcrnet.com/journal/index/1128.The study found that different translation strategies could lead to different translated versions of the same Qur'anic pragama-stylistics. Also, Qur'anic pragma-stylistic differences between Arabic and English languages seem to give rise to mistranslations as far as the religious text of Qur'anic texts. It is hoped that the study will cast new light on main important idea that the translators of the Holy Qur'an should consult the main books of exegesis, linguistics, philosophy, intertextuality, jurisprudence and history, etc., when he/she tries to render the Qur'anic prgama-stylistics.
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Hussein, Abbas Lutfi, and Raad Mohammed Hussein. "Speaking Loudly: Critical Stylistic Analysis of Selected Soliloquies in Hamlet." International Journal of Linguistics, Literature and Translation 4, no. 6 (June 30, 2021): 183–95. http://dx.doi.org/10.32996/ijllt.2021.4.6.21.
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Critical Stylistics is concerned with the study of ideology in literary and political texts. It draws on certain criteria from the stylistic analysis. Thus, this paper attempts to apply Jeffries’ (2010) model of critical stylistics to soliloquies of Shakespearean Hamlet. It specifically aims at analyzing the two soliloquies made by the character Hamlet using only three textual-conceptual functions of the model: Representing Actions/ Events/ States; Exemplifying and Enumerating; and Hypothesizing. These functions are adopted here because they somehow represent what the character is saying loudly. The data is analyzed qualitatively to show how the tools are used and then quantitatively to show how many times these same tools are used. This paper concludes that Shakespeare’s language is ideologically loaded and there are discrepancies in the frequency and function of these tools. Besides, the frequency of these tools proves how the ideology is enforced through the language of the text.
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Ghofur, Abdul, Nur Huda, and Ali Ja'far. "Stylistic Analysis of Surah Al-Zalzalah." ALSINATUNA 6, no. 2 (June 28, 2021): 187–203. http://dx.doi.org/10.28918/alsinatuna.v7i2.3575.
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This study aims to describe the various kinds of language styles in surah al-Zalzalah. This research is classified as a qualitative research and it uses descriptive methods by describing as well as analyzing the data in surah al-Zalzalah. Meanwhile, it applied stylistic approach which aims to explore the characteristics of the text based on the language style used in surah al-Zalzalah. In addition, the stylistic approach is used to obtain hidden meanings in surah al-Zalzalah so that the minor and major themes of the surah are revealed. This research confirms the existence of rhetorical language in various forms of language style spread in surah al-Zalzalah which are able to have greater influence and effect on the hearts and minds of the readers. From this research, it is concluded that there are twelve language styles in surah al-Zalzalah that are grouped into three stylistic levels. Among those twelve styles, three language styles are at the phonological level (al-mustawÄ al-sawti), four language styles are at the syntactic level, and five language styles are at the imagery level (al-mustawÄ al-taá¹£wÄ«ri).
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DIERKS, K. "Automatic Stylistic Analysis of Lyrical Texts." Literary and Linguistic Computing 1, no. 3 (July 1, 1986): 129–35. http://dx.doi.org/10.1093/llc/1.3.129.
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Christiansen, Nancy Lee. "Revisioning Stylistic Analysis and Renaissance Elocutio." Style 53, no. 2 (2019): 157–84. http://dx.doi.org/10.1353/sty.2019.0012.
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