Academic literature on the topic 'Stylistic and pragmatic analysis'

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Journal articles on the topic "Stylistic and pragmatic analysis"

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Abushihab, Ibrahim. "A Pragmatic Stylistic Framework for Text Analysis." International Journal of Education 7, no. 1 (January 27, 2015): 110. http://dx.doi.org/10.5296/ije.v7i1.7015.

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Srailova, Akmaral B., Kseniia M. Baranova, Alexander K. Kalioppin, Yelena G. Knyazeva, and Olga V. Sergeeva. "Linguostylistic specifics of the pragmatical and symbolic realization of the English poetic discourse." XLinguae 14, no. 2 (April 2021): 215–26. http://dx.doi.org/10.18355/xl.2021.14.02.16.

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The article examines linguostylistic specifics of the pragmatical and symbolic realization of the poetic discourse based on English. As the purpose of the work, we analyzed the use of linguistic means of symbolization in the English poetic discourse in the linguopragmatic aspect. The article discusses the importance of stylistic means in English for poetic influence on the addressee. In analyzing verses from pragmalinguistic side is necessary to show their stylistic peculiarities. We did a contextual analysis of poetic works at the text and hypotext levels using the method of symbolic interpretation, stylistic analysis, and linguopragmatic analysis. As the material of the study, we analyzed the poetic works of English poets. The theoretical significance of research results is to identify linguistic specifics of pragmatic and symbol realization of the poetic discourse in the English linguoculture. The study contributes to the development of discursive linguistics, pragmalinguistics, lexicology and stylistics of English, theory of linguistics, linguoculturology. In practical terms, results can be used in teaching the theory of discourse, pragmalinguistics, linguistic analysis of the poetic text, lexicology, and stylistics of English.
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Bourne, Julian. "He said, she said." Target. International Journal of Translation Studies 14, no. 2 (December 31, 2002): 241–61. http://dx.doi.org/10.1075/target.14.2.04bou.

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In this article it is suggested that the translation of speech-act report verbs may provide scope for achieving stylistic and pragmatic aims. Analysis of the translation of fictional dialogues from a contemporary English novel reveals considerable diversity in the choice of Spanish verbs used to render ‘said’ in the context of impositive directive speech acts. While the choice of a speech act with similar illocutionary force to “said” may fulfil only stylistic objectives, a pragmatic dimension is introduced by the selection of a speech-act verb with a different force. In the context of impositive directive speech acts such a choice may be viewed as an aspect of “pragmastylistics”, defined in Hickey et al. (1993) as “the area where pragmatic and stylistic considerations converge.”
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Bakhronovich, Pardaev Azamat, and Odinaev Bekkul Imamkulovich. "The Importance Of Functional Words Categories In Uzbek Language And Their Lingvo-Pragmatic Analysis." American Journal of Social Science and Education Innovations 2, no. 09 (September 26, 2020): 323–28. http://dx.doi.org/10.37547/tajssei/volume02issue09-50.

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Identify the role of functional words in Uzbek language system, relation to content words, sources of enrichment and methods, historical and evolutionary development and determination of functional-stylistic and substantial-pragmatic features in speech.
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Bakhronovich, Pardaev Azamat, and Odinaev Bekkul Imamkulovich. "The Importance Of Functional Words Categories In Uzbek Language And Their Lingvo-Pragmatic Analysis." American Journal of Social Science and Education Innovations 2, no. 09 (September 30, 2020): 632–37. http://dx.doi.org/10.37547/tajssei/volume02issue09-96.

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Identify the role of functional words in Uzbek language system, relation to content words, sources of enrichment and methods, historical and evolutionary development and determination of functional-stylistic and substantial-pragmatic features in speech.
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Smirnova, Tatjana. "HOW TO TRANSLATE A DREAM : PRAGMATIC ASPECTS OF PROMOTIONAL TEXT TRANSLATION." Vertimo studijos 5, no. 5 (April 6, 2017): 90. http://dx.doi.org/10.15388/vertstud.2012.5.10562.

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The present article provides some insights into the issues concerning the translation of advertising slogans. Application of phonetic stylistic devices and the effects their usage cause are studied analyzing slogans in English, Latvian and Russian. The analysis is undertaken with an aim to consider the role of phonetic stylistic devices in operative texts, with the focus on advertising slogans, and to identify the most appropriate translation methods to be applied in the rendition of these devices in operative texts across the working languages to ensure the equivalence of the intended effect of the source and target message.
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Rong, Jianan. "An Analysis on Stylistic Features of Donald Trump’s Speech." International Journal of English Linguistics 11, no. 3 (March 8, 2021): 11. http://dx.doi.org/10.5539/ijel.v11n3p11.

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For government or leaders, public speaking is an important way to show the statesmanship and eloquence. It is a means of attracting groups of people who come from different classes. As the president of the United States, Donald Trump’s speaking talent plays an important role in the general election. Stylistics, which uses theories of modern linguistics to solve problems, aims at studying linguistic features and revealing the effect and function of pragmatic expression. This article selected Donald Trump’s three typical speeches, which studies from the perspective of stylistics on three major aspects—language description, textual analysis and contextual analysis. The analysis yielded the following results, 1) Language description consists of lexical analysis and syntactic analysis. On lexical level, Trump tends to use more abstract nouns and first person plural pronoun to make the addresses persuasive and more acceptable. Syntactically, for the sake of expressing information effectively and attracting more support, simple sentences and declarative sentences are prevailing in the speeches; 2) On the aspect of textual analysis, Trump employs topical division, problem-solution division and chronological division in an overlapping way in main body of speeches and creates crescendo in closure; 3) Contextual analysis shows that language varies from situations and they are formal and highly-structured. In a word, to analyze Donald Trump’s speech on stylistic features is significant for us on observing the features of his speeches and word-using habits.
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Иванова, Елена Викторовна, Екатерина Владимировна Оботнина, and Марина Юрьевна Евпак. "PECULIARITIES OF RENDERING STYLISTIC CONVERSION (ON THE BASIS OF L. TOLSTOY’S “ANNA KARENINA” AND ITS TRANSLATION IN ENGLISH)." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 57–64. http://dx.doi.org/10.23951/1609-624x-2020-5-57-64.

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Введение. Проанализированы способы передачи стилистической конвергенции при переводе с русского языка на английский. Явление конвергенции стилистических приемов недостаточно подробно изучено ни стилистикой с точки зрения ее языковой реализации, ни переводоведением в плане передачи в переводе всего объема семантической, стилистической и прагматической информации, транслируемой автором с использованием указанного феномена. В научных исследованиях нередко рассматривается проблема передачи того или иного стилистического приема, но не их совокупности, что, несомненно, усложняет работу переводчика. Постановка такой проблемы в рамках данного исследования необходима для определения наиболее эффективной переводческой стратегии передачи конвергенции стилистических приемов в тексте перевода. Цель статьи – выявить и проанализировать способы передачи конвергенции стилистических приемов с языка-источника на язык перевода в плане сохранения ее прагматической функции. Материал и методы. Материалом исследования послужил роман Л. Толстого «Анна Каренина» и его перевод на английский язык, выполненный Маргарет Ветлин и опубликованный изданием Progress Publishers в 1978 г. Объектом исследования является конвергенция стилистических приемов, предметом – способы ее передачи с русского языка на английский. В работе нашли применение общенаучные и лингвистические методы исследования, в том числе описательный и сравнительно-сопоставительный. Результаты и обсуждение. Выявлено, что полное сохранение конвергенции в переводе встречается редко в силу лексических и структурных особенностей двух языков. Из 70 выявленных единиц текста 24 % составляют те, в которых стилистическая конвергенция была полностью сохранена при переводе. Передача стилистической конвергенции методом замещения или добавления некоторых ее элементов при переводе также встречается довольно редко (12 и 17 % соответственно). Наиболее частотным является способ передачи стилистической конвергенции с опущением при переводе тех или иных стилистических приемов оригинала (47 %). Что касается прагматических функций стилистической конвергенции, то они, в большинстве своем, сохраняются при переводе, при этом усиливая или, наоборот, ослабляя стилистический эффект текста оригинала. Заключение. В работе дан краткий обзор истории изучения явления стилистической конвергенции и приведены основные определения данного феномена. В ходе анализа материала исследования рассмотрены стилистические приемы, формирующие стилистическую конвергенцию в художественном тексте, проведен сопоставительный анализ текстовых единиц с применением конвергенции стилистических приемов в тексте оригинала и тексте перевода, выявлены наиболее частотные способы передачи стилистической конвергенции с русского языка на английский. Кроме того, проанализированы прагматические функции стилистической конвергенции и рассмотрены возможности их сохранения при переводе. Introduction. This article carries out the analysis of the ways the stylistic convergence is rendered from Russian into English. The phenomenon of convergence has been thoroughly studied neither by the stylistics as far as its speech implementation is concerned, nor by the theory of translation taking into account all the semantic, stylistic and pragmatic information expressed by the author by means of convergence that needs to be rendered in translation. Quite often, scientific research studies the problem of transferring a particular stylistic device rather than their converged group which obviously complicates the translator’s work. The problem thus stated is aimed at revealing the most effective translation strategy for rendering the stylistic convergence in the target text. Aim and objectives. The aim of the article is to single out and analyze the ways the convergence of stylistic means is rendered from the source language into the target language maintaining its pragmatic function. Material and methods. The material for the study is the novel “Anna Karenina“ by L. Tolstoy and its translation in English by Margaret Wettlin published by Progress Publishers in 1978. The object of the research is convergence of stylistic means, the subject is the ways of its transference from Russian into English. The basis of the methodology lies in the scientific and linguistic methods including the descriptive and comparative ones. Results and discussion. The research has shown that the complete transference of the convergence is rather rare due to the lexical and structural peculiarities of the two languages. Having analyzed 70 text units we have come to the conclusion that 24 % of them are those in which the stylistic convergence is preserved in the target text. The stylistic convergence is rendered by substituting or adding some of its components in 12 % and 17 % of units respectively. The most frequent (47 %) are the cases when some of the converged stylistic means of the source text are omitted in translation. As for the pragmatic functions of the stylistic convergence, they are in most cases retained in the target text enhancing or, on the contrary, weakening the stylistic effect of the original text. Conclusion. The article gives a short historical overview of studying stylistic convergence and covers its main interpretations. The analysis of the research material includes the study of stylistic means that form the stylistic convergence in the literary text, the comparative analysis of the text units containing the stylistic convergence both in the source text and in the target text. We revealed the most frequent ways of rendering the stylistic convergence from Russian into English. In addition, we analyzed the pragmatic functions of the stylistic convergence as well as the ways they can be retained in translation.
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Simpson, Paul, and Geoff Hall. "7. DISCOURSE ANALYSIS AND STYLISTICS." Annual Review of Applied Linguistics 22 (March 2002): 136–49. http://dx.doi.org/10.1017/s0267190502000077.

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This review focuses on contemporary work in discourse stylistics, defined here as that designated branch of stylistics which draws specifically on the techniques and methods of discourse analysis. The review acknowledges a key assumption in modern discourse stylistic research, namely that the distinction between ‘literary’ and ‘nonliterary’ discourse, if tenable at all, is drawn not on a purely linguistic basis but in terms of multiple intersections among texts, readers, institutions, and sociocultural contexts. In spanning studies of both literary and nonliterary discourse, therefore, the coverage of the present review is intended to reflect this axiom. It also attempts to foreground the diversity of method and approach in contemporary discourse stylistics. Given that the techniques of discourse analysis are themselves many and various, the survey seeks to cover stylistic work that offers productive applications of the many available models in pragmatics, conversation analysis, cognitive linguistics, speech act theory, and discourse psychology. Finally, in covering a selection of important monographs, articles, and book chapters, the review seeks both to highlight some of the critical, cultural, and ideological frameworks currently employed by discourse stylisticians and to demarcate, in more general terms, the current state-of-play in this research tradition.
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Bohunická, Alena. "Pragmatization of stylistics." Journal of Linguistics/Jazykovedný casopis 71, no. 2 (December 1, 2020): 281–91. http://dx.doi.org/10.2478/jazcas-2020-0027.

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Abstract The pragmalinguistic approach to the relationship between language and human is also reflected in the stylistic research. In this paper, we aim to clarify the sense of pragmatization in stylistics and outline the new stimuli for such a perspective. This goal assumes a brief analysis of implementations of pragmatic ideas in distinct Slovak stylistic paradigms and a presentation of a perspective for further reflections. We understand pragmatization in stylistics as a change of the interpretative model of language; a shift away from perception of language in the frame of an instrumental paradigm towards the perception of linguistic activity as social action. When clarifying the specificity of the language activity, which we call social action, we will apply H. Arendt’s ideas in her theory of action, specifically on the distinction between the terms labor, work and action. In line with the pragmalinguistic focus on a cognition of the human from the language perspective, and referring to the Arendt’s concept of the self-manifestation in speech, we find an anthropic approach to the language style and the authenticity as its most significant characteristics (especially in regard to public sphere) as viable for current stylistics.
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Dissertations / Theses on the topic "Stylistic and pragmatic analysis"

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Owiti, Beatrice. "Courtroom interpretation from Dholuo to English : a stylistic and pragmatic analysis." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/30239/.

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Earlier studies on interpretation such as Garcés (1996) and Hale (2004) show that interpreters often make the mistake of conveying only the semantic meaning; ignoring, misunderstanding or simply not conveying the pragmatic meaning of utterances. Other studies have also touched on issues of the classification of the types of errors made during interpretation Mead (1985), Karton (2008) and Kiguru (2008); they do not, however, provide a good understanding of errors that lead to stylistic and pragmatic modifications in interpretation from and to indigenous African languages. Research on interpretation in Kenyan courts is limited and there is none that examines Dholuo-English interpretations. Consequently, there is a need to have a broad and deep understanding of the stylistic and pragmatic meaning of modifications involving Dholuo-English data. The literature reviewed includes literature on courtroom interpreting and literature on meaning shifts in the courtroom. This study investigates courtroom interpretation using critical stylistic tools to determine the stylistic and pragmatic changes and their impact on ideation and interpersonal communication in the Target Text. The critical stylistic tools used from Jeffries (2010) are: presenting other people’s speech and thoughts, presenting actions and state, as well as naming and describing. In the data analysis, for presenting the speech of others, I use the reported speech categories by Short (2012) to examine fidelity to the text, for the description of actions and states I ground my work in the transitivity model by Halliday as explained by Simpson (1993) and for naming and description I use Halliday’s Functional Grammar to describe the Noun group. For analysis of pragmatic modifications during interpretation, the research is grounded in Austin’s (1962) Speech Act Theory and Grice’s (1975) Cooperative Principle. The data analysed consists of 12 court cases. The data collected is analysed using qualitative methods of analysis in order to determine inferences, give explanations and make conclusions. The results show changes in the Target Text which include: modifications to adhere to felicity conditions, passivisation to conform to how Dholuo reports speech from senior people, misreporting while using direct speech, distortion of facts, expansion of meaning, vagueness, changes to the verb processes, use of explanations, use of euphemisms that obscure meaning, changes in the tone of the source text and changes in the pre and post modifications of nouns that cause meaning loss. Reasons for these changes are: culturally bound words and phrases, legal jargon which has no Dholuo equivalents, specialised Kenyan English vocabulary, the nature of courtroom interpretation, the additional duties courtroom interpreters in Kenya carry out, as well as lack of training. This research uncovered a new role for interpreters in the courtroom of striving to maintain the dignity of the court as well as a new feature of adherence to felicity conditions in judgements.
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Hopp, Christelle. "La place de l’adjectif épithète dans deux romans du XIXe siècle : El Señor de Bembibre d’Enrique Gil y Carrasco et Los Pazos de Ulloa d’Emilia Pardo Bazán." Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0136/document.

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Ce travail de recherche consiste à démontrer que la place de l’adjectif dépend de contraintes syntaxiques, mais également de contraintes sémantiques et pragmatiques.L’analyse comparative entre un roman romantique et un roman naturaliste vise à montrer l’importance de la place de l’adjectif épithète au sein du texte, car ce phénomène permet à chaque écrivain de produire certains effets sur les lecteurs qui dépendent des intentions recherchées et par conséquent de l’œuvre étudiée.L'objectif de notre thèse consiste avant tout à montrer que l’adjectif, selon la place qu’il occupe, va permettre non seulement d’apporter différents types de précisions sur le référent désigné par le substantif, mais aussi de transmettre le point de vue du locuteur et de persuader le récepteur.Si bien que ce phénomène permet de montrer que chaque discours littéraire est unique et d’en expliquer le pourquoi
This research project consisted of showing that the place of the adjective depends not only on syntax but also on semantic and pragmatic constraints.A comparative analysis between a romance novel and a naturalist novel aims to show the importance of the place of the attributive adjective within a text, as this phenomenon allows each writer to produce certain effects on their readers which depend on the intention sought and, consequently, on the work studied.The objective of this thesis consists above all in showing that the adjective, depending on the place that it has, will not only allow for different types of precisions to be brought to the referent as designated by the substantive, but moreover to fulfil a macro-speech-act which constitutes a discourse act and also to transmit the speaker’s point of view and to convince the receiver. This phenomenon allows us to show that each literary discourse is unique and to explain the reasons for this
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Pankhurst, Anne Fisher. "Metonymy : semantic, pragmatic, cognitive and stylistic perspectives." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/22540.

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The present research is concerned to define metonymy and discuss its functions in discourse. The theoretical background to the research is pluralist, including semantic, pragmatic, cognitive and stylistic approaches. Different theories are shown to account for conventional and creative realisations of metonymy in everyday discourse, as well as its functions in literary texts. Metonymy is traditionally described in rhetoric and poetics as a figure of speech but the scope of the term has been extended. It is used to describe a means of structuring narrative discourse (Jakobson 1956), and a generalised cognitive mechanism (Lakoff 1987). Recent claims that metonymy is itself a universally valid explanatory principle, based on the evidence of psycholinguistic experiments (Gibbs 1994), lead to consideration of how metonymy affects semantic and syntactic features of language. The thesis considers typological descriptions and explanations of metonymy in terms of general semantic relationships such as part for whole and cause for effect. Metonymy, traditionally a property of noun phrases, is shown to be present in different word categories and at different levels of discourse. Contiguity, a general principle on which metonymic relationships are based, is revised to include contiguity between physical entities and in their perception and interpretation. Metonymy as a naming and referring mechanism is shown to be a shortening device with cohesive functions, related to ellipsis. Contextualisation is reviewed and theories of domain presented. Referentiality is reconsidered with respect to the effects of metonymy. The thesis investigates whether principled distinctions may be made between metonymy and metaphor, and discusses the functions of metonymy in symbolic language. Arguments for its metafunctions in narrative structure are presented taking into account the presence of metonymy at word, phrase and sentence levels. A new way of analysing narrative through metonymy is proposed, and illustrated from literary works.
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Fisher, Justin. "Pragmatic Conceptual Analysis." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195796.

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Pragmatic Conceptual Analysis is a proposed methodology for attributing correct application conditions, or 'meanings', to concepts. This methodology involves two stages: first, we seek an empirical understanding of the ways in which usage of a given concept has regularly delivered benefits, and, second, we seek an explication of that concept which is optimally capable of delivering benefits in these ways. Such an explication captures the 'pragmatic meaning' of a given concept. Chapters 1-3 articulate Pragmatic Conceptual Analysis and the notion of pragmatic meaning, and show how these are related to other philosophical methodologies and accounts of concept-meaning.Chapter 4 uses a 'bootstrapping argument' to establish that Pragmatic Conceptual Analysis has two important virtues. The first phase of this argument establishes that Pragmatic Conceptual Analysis has normative authority - it reveals explications that we have practical and epistemic reason to adopt, whether we take these explications to be semantically revisionary or not. This normative authority licenses using Pragmatic Conceptual Analysis, in the second phase, to explicate our shared concept of concept-meaning. This yields the conclusion that we have epistemic reason to adopt the notion of pragmatic meaning as our explication of 'concept-meaning'. Having explicated our concept in this way, we see that Pragmatic Conceptual Analysis also has descriptive authority - it is a semantically conservative tool that reveals concept-meaning, thus explicated.The initial presentation of the bootstrapping argument considers only one sort of work that our concept of concept-meaning does - helping to guide our application of other concepts. But this concept also regularly delivers benefits in a second way - by helping us to give good explanations for the behavior and behavioral success of various concept-users. Chapter 5 uses the normative authority of Pragmatic Conceptual Analysis to justify a particular account of how good explanations work. Chapter 6 draws upon this account to argue that, in order best to explain people's behavioral successes, we need an explication of concept-meaning that is closely related to the one presented in Chapter 4.Chapter 7 considers several objections and hard cases, and argues that Pragmatic Conceptual Analysis weathers these storms in good shape.
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Véron, Laélia. "Le trait d’esprit dans "La Comédie humaine" de Balzac : étude stylistique." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN003.

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L’esprit, comme forme de la conversation, est au XIXe siècle une notion fondamentalement ambiguë. Hérité du XVIIe siècle et de l’âge d’or de la conversation, profondément marqué par les bouleversements de l’âge post-révolutionnaire, bousculé par le développement de la mystification, du persiflage, de la blague, et de la raillerie journalistique, le trait d’esprit prend tendanciellement un tour agonistique et instrumental dans les luttes sociales de l’époque. Balzac, journaliste, blagueur, mais aussi conservateur et amoureux des « conversation[s] entre onze heures et minuit » paraît emblématique de cette ambiguïté. Le trait d’esprit, parole brillante et concise, qui se veut singulière, peut être appréhendé comme un énoncé détachable. Notre approche stylistique sera donc en premier lieu celle d’une analyse des figures, au niveau de l’unité-énoncé et des catégories syntactico-sémantico-lexicales de la phrase. Cependant, suite aux acquis de la grammaire du texte, il apparaît que la signification même de ces catégories ne peut être comprise que par rapport à des structures extra-énoncives : nous tenterons ainsi de replacer systématiquement ces énoncés dans leur contexte discursif. Considérant que le trait d’esprit, en tant que performance sociale, doit être défini en partie par les conditions mêmes de son énonciation, nous tenterons de comprendre le fonctionnement de cet acte socio-discursif grâce aux acquis de l’analyse du discours. Notre travail privilégiera donc une approche conversationnelle (ou interactionnelle, selon les terminologies) et pragmatique, en s’attachant à étudier non seulement ce que dit le trait d’esprit, mais aussi ce qu’il communique, qu’il s’agisse des traits d’esprit des personnages ou de ceux du narrateur. L’interaction dialectique de ces deux niveaux nous permettra d’interroger la valeur romanesque du trait d’esprit, parole ambiguë, entre référence sérieuse et jeu métalinguistique, caractéristique du réalisme paradoxal de La Comédie humaine
The notion of “esprit” (French wit), a feature of the art of conversation, was, all through the 19th century, an ambiguous one. The art of witticism – a legacy of the 17th century and of the golden age of conversation – was, however, deeply altered by the advent of other forms of wit such as mystification, persiflage, jokes and journalistic banter : “traits d’esprit” (witticisms) gradually took on an agonistic dimension and became instruments in the social struggles of the time. Balzac, a journalist, a joker but also a conservative writer and a lover of “conversations between eleven o'clock and midnight” is emblematic of this ambiguity. “Traits d’esprit” (Witticisms) – short and clever statements aimed at being remarkable – can be studied as stand-alone utterances. That is why I shall first proceed to an analysis of the stylistic devices at work at the level of utterance, and relying on syntactic, semantic and lexical categories. However, drawing from the findings of text grammar, it appears that the meaning of these categories can only be understood in relation to an extra-utterance context and structures. Therefore, I shall systemically attempt to contextualize these utterances within a larger discursive framework. “Traits d’esprit” being social performances, they have to be defined in regard to the situation of utterance. I shall therefore use the tools of discourse analysis in order to break down the mechanisms of such a socio-discursive act. The present work thus relies on a conversational (or interactional) and pragmatic approach. It attempts to tackle not only what is said but also what is conveyed in those “traits d’esprit”, whether they belong to the characters’ or the narrator’s discourse. It is through the dialectic interaction between these two levels of wit that I intend to assess the role of witticisms. Ambiguous utterances, “traits d’esprit” pertain to serious references as well as to metalinguistic games, and are thus characteristics of the paradoxical realism to be found in La Comédie humaine
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S'hiri, Sonia. "Verbal irony in literary discourse : a pragmatic-stylistic study with particular emphasis on contemporary narrative fiction." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/29363.

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This thesis attempts to shed new light on the functioning of verbal irony in literary discourse and contemporary narrative fiction in particular, adopting a pragmatic stylistic approach to the topic. It argues in favour of Sperber and Wilson's pragmatic account of verbal irony which it deems extendable and generalisable, despite its two main shortcomings concerned with the basically one-to-one situation analysis it offers and its disregard for components (of a psycho-sociolinguistic nature) which are essential for explaining and securing the existence of irony. The defence of this argument follows two steps. The first (Chs. I, II, III, IV) is concerned with the exploration of the potential that discourse as a whole and literary discourse in particular offer for warranting such a view of irony. Tremendous support has been unravelled from the notions of intertextuality, recontextualisation and re-attribution which readily accommodate the proposed view of irony and help to elucidate it. The second step explores irony in contemporary narrative fiction taking into consideration aspects of its discourse, and the way it can be reconciled with Sperber and Wilson's account. Chapter V singles out some paratextual elements (the title, the epigraph and the note) as instantiating intertextuality par excellence and therefore offering a fertile ground for the communication of irony, at the periphery of the body of the fictional text. Chapters VI and VII scrutinise the organisation of the narrative both as report of events and as report of speech in order to single out the potential each narrative technique offers for the generation and comprehension of irony. It is argued that the duplicity between 'story' and 'discourse' is at the heart of a great deal of the possibilities open for irony in narrative fiction given what it offers for the manipulation of the organisation of the events in terms of time, focalisation and narration as well as speech and thought presentation. This investigation is further accompanied by an exploration of the pragmatic or rhetorical purposes behind the use of irony through the manipulation of these techniques. Characterisation, thematic reinforcement and self-conscious criticism are found to be the elements of narrative that seem to benefit most from ironic communication.
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Hill, Chris. "A pragmatic analysis of family mediation." Thesis, Bangor University, 2007. https://research.bangor.ac.uk/portal/en/theses/a-pragmatic-analysis-of-family-mediation(c7c254b4-b9f8-4c94-8f98-9a2f5e0fd9e5).html.

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Family (or divorce) mediation aims to assist couples who are separating or divorcing to come to agreed arrangements regarding children, property and finances. In the UK it is a service which is offered as an alternative to litigation and is not, at this stage, compulsory. Family mediation is an interactional setting which combines elements of both formality and informality: in theory mediators control the process of the encounter, whilst clients control the outcome. Mediators are also charged with conducting themselves in a manner which is neutral as to outcome, and impartial as to process. In reality, of course, the language behaviours of both practitioners and clients are not so clearly delineated. This research is based upon audio recordings of mediation sessions in the North Wales Service and takes an interactional pragmatic approach. The primary analytic `tools' are the concepts of complex illocutionary acts and discourse roles as developed by Thomas (1995,2004,2006 and forthcoming). A number of topics are considered, in particular the verbal enactment of mediator impartiality and neutrality, and of power and politeness by both clients and practitioners.
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Simpson, Lisa. "Supporting decision analysis : a pragmatic approach." Thesis, University of Leeds, 1998. http://etheses.whiterose.ac.uk/1277/.

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Decision making is a practical task. Clearly, all aspects of any approach to decision analysis and decision support should be considered with respect to their ease of application as well as their value. The work presented in this thesis is motivated by such a viewpoint. The field of decision analysis is broad, and this is reflected by the consideration of four linked aspects. Cross-sections have been taken through the research literature in an attempt to consider the most important aspects of decision analysis and decision support. These research findings are examined with respect to how things might function in practice. Specifically the aspects which I consider are: a comparison of underlying mathematical theories; the elicitation and application of preference data; facilitation as a group decision support tool; and the development of hypothetical scenarios. The purpose of decision analysis and decision support is to improve problem solving. With a pragmatic approach in mind, two normative models are compared on the basis of the assumptions they make about a decision maker. Further, how these alternative techniques have worked in practice is discussed. In order to make use of such methods, particular data are required. Perhaps a major criticism of decision analysis concerns its use of subjective preference data. Therefore, an investigation of the ease with which these data can be elicited is conducted. The nature of the data is considered via an application. Having concentrated upon decision analysis, i.e. the examination of a formulated problem, I take a broader view of the field by considering decision support. Supporting decision making requires the setting of aims and objectives in addition to establishing a problem model from a problem mess. Supporting a group adds complexity to the analysis's role. Group decision making and group decision support are examined. Particular attention is given to the technique of group facilitation and some pertinent issues for successful decision support are established. In order to strengthen these findings a further study of group decision making is made. Case study work provides a more realistic view of supporting an actual group in a live setting. In addition, I am able to describe the development and use of hypothetical scenarios to promote decision analysis and decision support. Decision analysis and decision support is no different from any other technology in that it is not a 'quick fix'. Users are faced with a learning curve as they are required to approach their problem in a novel way. From an analysis's perspective, the needs of each decision maker may be different, so any technique must be flexible. This thesis demonstrates the ability of both decision makers and analysts to rise to such challenges, resulting in successful applications of decision analysis and support. It also reinforces the value of employing these techniques. Further, I identify aspects which can make this undertaking easier.
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Lin, Shen-An. "The Lieder of Beethoven: A Stylistic Analysis." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500227/.

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Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder style based on analysis, a number of aspects shall be examined: (1) the harmonic idiom and key relationships; (2) the role of the piano; and (3) other stylistic features.
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Wagner, Manuela. "First steps to communication a pragmatic analysis." Tübingen Narr, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2778174&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Stylistic and pragmatic analysis"

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Jane Austen's narrative techniques: A stylistic and pragmatic analysis. Aldershot, Hants, England: Ashgate, 2009.

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Kislicyna, Natal'ya, and Ekaterina Novikova. Genres sports discourse: linguistic and cognitive aspect. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1077732.

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The monograph is devoted to the study of the phenomenon of "discourse" from the perspective of its institutionality. The focus of research interest is sports discourse, presented in the form of a complex conceptual space with a particular genre-stylistic and pragmatic characteristics. As a material of study are sports articles, sports interviews and sports commentary, considered as genres of sports discourse, allocated according to criteria focus of the text and its function. The use of frame analysis, content analysis and conversational analysis have shown the peculiarities of representation of speech and thoughts of individuals, operating in the conditions of specific discursive practices. Addressed to specialists in the field of language theory, cognitive linguistics, decorology, pragmatics, teachers, postgraduates and students.
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Rubin, Geetha. Emma: A stylistic analysis. Calcutta: Writers Workshop, 1996.

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Stanley Kubrick: A narrative and stylistic analysis. Westport, Conn: Greenwood Press, 1994.

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Stanley Kubrick: A narrative and stylistic analysis. 2nd ed. Westport, Conn: Praeger, 2001.

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Falsetto, Mario. Stanley Kubrick: A narrative and stylistic analysis. Westport, Conn: Praeger, 1994.

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Bhelande, Anjali. Lord of the flies: A stylistic analysis. Calcutta: Writers Workshop, in association with S.N.D.T. Women's University, Mumbai, 1996.

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Chhibber, S. D. S. Poetic discourse: An introduction to stylistic analysis. New Delhi: Sterling Publishers Private Ltd., 1987.

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How Spanish works: A pragmatic analysis. Bristol, IN: Wyndham Hall Press, 2000.

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Bhabani Bhattacharya: A stylistic analysis of his novels. New Delhi: Sterling Publishers, 1994.

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Book chapters on the topic "Stylistic and pragmatic analysis"

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Abdul-Raof, Hussein. "Stylistic and pragmatic analysis of Q18." In New Horizons in Qur'anic Linguistics, 338–53. Milton Park, Abingdon, Oxon; New York: Routledge, 2017. | Series: Culture and civilization in the Middle East; 56: Routledge, 2017. http://dx.doi.org/10.4324/9781315670911-8.

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Nahajec, Lisa. "Negation, Expectation and Characterisation: Analysing the Role of Negation in Character Construction in To Kill a Mockingbird (Lee 1960) and Stark (Elton 1989)." In Pragmatic Literary Stylistics, 111–31. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137023278_7.

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Burden, Robert. "Stylistic analysis." In Heart of Darkness, 45–53. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21294-1_5.

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Jordan, Michael P. "Pragmatic, stylistic and grammatical limitations on choice." In Linguistic Choice across Genres, 65. Amsterdam: John Benjamins Publishing Company, 1998. http://dx.doi.org/10.1075/cilt.158.07jor.

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Duffy, Gavan. "Pragmatic Analysis." In Qualitative Methods in International Relations, 168–86. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584129_11.

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Nahler, Gerhard. "pragmatic analysis." In Dictionary of Pharmaceutical Medicine, 144. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-89836-9_1091.

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Culpeper, Jonathan, and Merja Kytö. "Modifying Pragmatic Force." In Historical Dialogue Analysis, 293. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/pbns.66.12cul.

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Short, Mick, and Elena Semino. "7. Evaluation and stylistic analysis." In Linguistic Approaches to Literature, 117–37. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/lal.4.09sho.

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Abdul-Raof, Hussein. "Stylistic analysis of Qur’anic discourse." In New Horizons in Qur'anic Linguistics, 140–214. Milton Park, Abingdon, Oxon; New York: Routledge, 2017. | Series: Culture and civilization in the Middle East; 56: Routledge, 2017. http://dx.doi.org/10.4324/9781315670911-5.

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Mignot, Elise. "Chapter 14. Pragmatic and stylistic uses of personal pronoun one." In Studies in Language Companion Series, 275–310. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/slcs.171.14mig.

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Conference papers on the topic "Stylistic and pragmatic analysis"

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Panchenko, Svetlana. "Mental Map of Yekaterinburg in the Book 'The Drawn City' By A. Ryzhkov: Linguistic Analysis." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-42.

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The article contains a linguistic analysis of the book ‘The Drawn City’ by A. Ryzhkov; the book comprises reproductions of pictures and respective text in the context of a mental map of the city of Yekaterinburg. In approaching the mental map as spatial information in people’s minds, reflecting the image of the city, the goals of linguistic analysis are to show the vision of the metropolis and the linguistic ways of verbally expressing the thoughts and feelings of the landscape artist; to determine the value to society of the private perception of the city through artistic representation and textual expression. Stylistic analysis of the text reveals the dominant features regarding the lexical, morphological and syntactic levels, while the pragmatics of the text consider its social relevance. Peculiar traits of the author’s style of the artist and the writer, as perceived by readers, have been listed; important points of the mental map of the city have been defined accounting for the book’s content: architecture, dominant idea, eclectics. The perception of time in synchronicity and diachronicity in the narrative regarding Yekaterinburg is considered, the motif of transition from reality to imagery is shown. Examples are given of positive, negative and contradictory evaluations of architectural objects, verbally influencing readers through the creation of visual images. There are linguistic tricks listed which were used in the book by A. Ryzhkov uses language techniques that hold the attention of the recipient of the text: comparison, personification, the use of colloquial language, humour and wordplay, and dialogisation. Methods of the creation of an imagery-geographic map of urban space have been shown in the author’s iconic-symbolic form. A conclusion was made on the significance of the book of A. Ryzhkov having used a visual-verbal method for the creation of a sustainable and replicable image of the city in the human mind. The artist’s civic stance on city protection has been set forth.
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Geim, Ekaterina. "Lexical And Stylistic Features Of Newspaper Headlines Of Modern Italian Press." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.32.

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Basovskaya, E. N. "Radio Discourse Of The Xxi Century: The Loss Of Stylistic Identity?" In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.63.

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Fan, Chulin, and Ying Liu. "A Stylistic Analysis on the Shijing." In 7th Annual International Conference on Language, Literature & Linguistics (L3 2018). GSTF, 2018. http://dx.doi.org/10.5176/2251-33566_l318.320.

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Zhou, Wei. "Stylistic Analysis of English Advertising Language." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.89.

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Tleulesova, A. Sh, and A. N. Nugumanova. "STYLISTIC FEATURES OF RUSSIAN AND KAZAKHSTAN PRE-ELECTION POLITICAL SLOGANS." In Proceedings of the XXIII International Scientific and Practical Conference. RS Global Sp. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal_conf/25112020/7257.

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Such a specific element of political communication as a slogan, which is often used within the election campaign, has been to the present day a less studied issue in the Russian and Kazakh political linguistics. Nowadays this genre of political text is being mainly mastered by the sociologists, politologists, image-makers, etc., dealing with the issues of electoral technologies. This article deals with the study of stylistic features of a political slogan which are characteristic for the election campaigns of Russia and Kazakhstan held in the period of recent decades. The results of the study show that the main purpose of their use is to enhance the expressiveness of the statement. This allows us to conclude that the language of political slogans has great opportunities and resources to implement this impact. It also becomes apparent that persuasiveness is one of the key functions of the slogan's pragmatic functions.
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Kuchkina, Anna S., and Anna M. Ivanova. "NEGATIVE CONSTRUCTIONS: TYPES, STYLISTIC AND PRAGMATIC FUNCTIONS (ON THE MATERIAL OF ‘WATCHING THE ENGLISH’ BY K. FOX)." In Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-225-232.

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The paper outlines some peculiarities of the English language concerning the use of explicit and implicit forms of negation that may prove to be translation difficulties as well as their stylistic and pragmatic functions. The author focuses on different types of negations frequently used in the Russian and English languages in order to offer workable approaches to rendering English negative constructions into Russian on the example of modern-day British popular science literature.
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Triantafyllou, Michael, George Triantafyllou, Y. S. David Tein, and Bill D. Ambrose. "Pragmatic Riser VIV Analysis." In Offshore Technology Conference. Offshore Technology Conference, 1999. http://dx.doi.org/10.4043/10931-ms.

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Biallas, Sebastian, Mads Chr Olesen, Franck Cassez, and Ralf Huuck. "PtrTracker: Pragmatic pointer analysis." In 2013 IEEE 13th International Working Conference on Source Code Analysis and Manipulation (SCAM). IEEE, 2013. http://dx.doi.org/10.1109/scam.2013.6648186.

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Shaharban, T. A., and Rosna P. Haroon. "Pragmatic analysis of malayalam sentences." In 2016 International Conference on Inventive Computation Technologies (ICICT). IEEE, 2016. http://dx.doi.org/10.1109/inventive.2016.7830067.

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Reports on the topic "Stylistic and pragmatic analysis"

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GANTER, JOHN H., CRAIG D. DEAN, and BRYON K. CLOER. Fast Pragmatic Safety Decisions: Analysis of an Event Review Team of the Aviation Safety Action Partnership. Office of Scientific and Technical Information (OSTI), May 2000. http://dx.doi.org/10.2172/759430.

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Yatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.

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The article explores the key vocabulary of 2020 in the network space of Ukraine. Texts of journalistic, official-business style, analytical publications of well-known journalists on current topics are analyzed. Extralinguistic factors of new word formation, their adaptation to the sphere of special and socio-political vocabulary of the Ukrainian language are determined. Examples show modern impressions in the media, their stylistic use and impact on public opinion in a pandemic. New meanings of foreign expressions, media terminology, peculiarities of translation of neologisms from English into Ukrainian have been clarified. According to the materials of the online media, a «dictionary of the coronavirus era» is provided. The journalistic text functions in the media on the basis of logical judgments, credible arguments, impressive language. Its purpose is to show the socio-political problem, to sharpen its significance for society and to propose solutions through convincing considerations. Most researchers emphasize the influential role of journalistic style, which through the media shapes public opinion on issues of politics, economics, education, health care, war, the future of the country. To cover such a wide range of topics, socio-political vocabulary is used first of all – neutral and emotionally-evaluative, rhetorical questions and imperatives, special terminology, foreign words. There is an ongoing discussion in online publications about the use of the new foreign token «lockdown» instead of the word «quarantine», which has long been learned in the Ukrainian language. Research on this topic has shown that at the initial stage of the pandemic, the word «lockdown» prevailed in the colloquial language of politicians, media personalities and part of society did not quite understand its meaning. Lockdown, in its current interpretation, is a restrictive measure to protect people from a dangerous virus that has spread to many countries; isolation of the population («stay in place») in case of risk of spreading Covid-19. In English, US citizens are told what a lockdown is: «A lockdown is a restriction policy for people or communities to stay where they are, usually due to specific risks to themselves or to others if they can move and interact freely. The term «stay-at-home» or «shelter-in-place» is often used for lockdowns that affect an area, rather than specific locations». Content analysis of online texts leads to the conclusion that in 2020 a special vocabulary was actively functioning, with the appropriate definitions, which the media described as a «dictionary of coronavirus vocabulary». Media broadcasting is the deepest and pulsating source of creative texts with new meanings, phrases, expressiveness. The influential power of the word finds its unconditional embodiment in the media. Journalists, bloggers, experts, politicians, analyzing current events, produce concepts of a new reality. The world is changing and the language of the media is responding to these changes. It manifests itself most vividly and emotionally in the network sphere, in various genres and styles.
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