Relevant bibliographies by topics / Stylistic characteristics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Stylistic characteristics'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Stylistic characteristics"

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Atamuratova, Munira Makhamadievna. "The Semantic And Functional Characteristics Of Syntactic Stylistic Devices In The Example Of Repetition." American Journal of Social Science and Education Innovations 02, no. 10 (October 16, 2020): 70–74. http://dx.doi.org/10.37547/tajssei/volume02issue10-11.

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This article aims to indicate the importance of syntactic stylistic devices mainly repetition in textual formulation that is based on the characteristics of the oral form of speech and syntactic stylistic devices which is expressed the structural meanings of the syntactic stylistic devices. In the aspects of this problem, it is important to analyze the role of syntactic stylistic devices in the formation of functional styles of the language, to justify the importance of syntactic stylistic devices in the presenting the main logic and contextual meanings in the literary texts. As analyzing any kind of literary text syntactic stylistic devices, that is repetition, chiasmus, stylistic inversion, gradation, ellipsis, antithesis, parallel construction, detached construction and enumeration have the greatest impact. However, according to results of analyzing, repetition is one of the widely used within these syntactic stylistic devices by contrast other models of speech.
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Goshylyk, N. S., and G. М. Yakymyk. "STYLISTIC CHARACTERISTICS OF ANNA TODD’S NOVELS." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 2, no. 4 (2020): 22–26. http://dx.doi.org/10.32838/2663-6069/2020.4-2/04.

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Yasin, Dhimas Muhammad. "KAJIAN STILISTIKA DALAM TEKS AL-MUTAWASSIMĪN SEBAGAI BAHAN PEMBELAJARAN MATA KULIAH WAJIB STILISTIKA." LINGUA: Journal of Language, Literature and Teaching 13, no. 2 (August 3, 2016): 195. http://dx.doi.org/10.30957/lingua.v13i2.175.

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This article discusses stylistic in Al-Mutawassimīn text, a Malay text manuscript. This study used qualitative descriptive design. The manuscript was evaluated its stylistics aspects and its characteristics were elaborated. The findings of analysis indicate that characteristics stylistic Al-Mutawassimīn text use a style of a hallmark of a genre of religious literature. The styles of genre were identified thorugh vocabulary, phrases, syntax, rhetoric or language means rhetorical and figurative language. Stylistics of Al-Mutawassimin are five kinds: (1) kinds of vocabulary are Indonesian, Arabic, Java, and some phrases in Arabic; (2) syntactics are in the form of the use of the conjunction "and" and "then"; (3) rhetoric means consist of polisindeton, (4) euphemism and litotes are used; and (5) figurative languages such as simile are present.
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Prihodko, Anna. "GENERAL NOTES ON STYLE AND STYLISTICS." Studia Philologica 1, no. 14 (2020): 23–30. http://dx.doi.org/10.28925/2311-2425.2020.143.

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In the proposed text the basic concepts of stylistics as a branch of linguistics are considered. The focus is made on the characteristics of stylistic devices, their nature and functions in different language styles, as well as the principles of their decoding in the text.
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Feruza, Abdurakhimova. "ON THE METHODOLOGICAL CHARACTERISTICS OF SOME STYLISTIC MEANS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 68–75. http://dx.doi.org/10.26739/2181-9297-2020-6-10.

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This article defines the terms hyperbola and the stylistic trope anti-hyperbola as opposed to it, and illustrates the differences in English and Uzbek with examples. The linguistic field of the conceptual semantics of anti-hyperbole "understatement" is illustrated by comparison in Uzbek and English with the help of examples of verbal means.
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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (December 4, 2015): 215–30. http://dx.doi.org/10.4312/ah.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.
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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (December 4, 2015): 215–30. http://dx.doi.org/10.4312/ars.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.
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Курило, Л. В. "Structural and stylistic characteristics of scientific articles in English." Scientific and methodological journal "Foreign Languages", no. 1 (February 29, 2016): 18–23. http://dx.doi.org/10.32589/im.v0i1.122583.

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Kolantaevskaya, A. S., N. V. Grishina, and T. Yu Bazarov. "Stylistic Characteristics of Self-Determination in Life Changes Situations." Vestnik of Saint Petersburg University. Psychology 6, no. 4 (2016): 51–62. http://dx.doi.org/10.21638/11701/spbu16.2016.404.

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Chen, Xi. "Academic origins and characteristics of the Chinese stylistic restoration." Frontiers of Architectural Research 5, no. 3 (September 2016): 353–59. http://dx.doi.org/10.1016/j.foar.2016.04.004.

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Dissertations / Theses on the topic "Stylistic characteristics"

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Winterbach, Veranza. "Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7979.

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Includes bibliographical references.
Gabriel Fauré has been neglected as composer in terms of international recognition. It is indeed true that the art of his music is not revealed at first sight: one must take time to discover the beauty and authentic meaning concealed in the depths thereof. While it is relatively true that musicians recognize the originality of his melodies, there seems to be a lack of appreciation of his contributions in the field of chamber music.
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Williams, Nicholas 1974. "Primary Stylistic Characteristics of Cindy McTee's Music as found in Timepiece, Ballet for Band and Finish Line." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc28375/.

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Cindy McTee, Regents Professor of Composition in the College of Music at the University of North Texas, is one of America's leading composers. Her music is an eclectic blend of the "American" sound that is created by the use of a multiplicity of techniques. This document uses three of McTee's most recent (to date) works for wind band: Timepiece, Ballet for Band and Finish Line, to identify the primary stylistic characteristic's of the composer's music, which include: jazz influence; use of ostinati, pseudo-ostinati and machine-like rhythmic patterns and figures; creation of extended and angular melodic lines; progressive "walking" bass lines; and the use of octatonic and chromatic collections. Through the identification of stylistic characteristics, concise stylistic analysis of the works, interview transcript, list of composer's works to date, and selected discography, this document will add to the limited body of scholarly writing on the composer.
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Dobbs, Benjamin Michael. "Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33142/.

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Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of the early seventeenth century such as Heinrich Schütz, Johann Hermann Schein, and Michael Praetorius in music lexica through the nineteenth century, he has almost disappeared from modern scholarship. However, a resurgence in Grimm studies has begun in recent years, especially in the areas of biographical study and compositional output. In this study, I examine the yet unexplored music-analytic perspective by investigating the stylistic characteristics of Grimm's 1631 motet, Unser Leben wehret siebenzig Jahr'. Furthermore, I compare his compositional technique to that of his contemporaries and predecessors with the goal of examining the work from both Renaissance and Baroque perspectives.
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雪琴, 劉., and Xueqin Liu. "宇野浩二の文体的特徴に関する計量的研究 : 文体変化を中心に." Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13087997/?lang=0, 2019. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13087997/?lang=0.

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宇野浩二は精神病や挫折による執筆の空白期間を経るたびに異なる文体を編み出すと言われる作家である。本研究は、作品からデータを抽出し、計量的分析手法を用いて、宇野浩二の文体変化に関する諸問題を解明することを目的とする。文芸評論を踏まえ、病気後の文体変化、文体変化の時期、戦後の文体変化、同時代作家との比較の四つの問題を取り上げ、客観的なデータの分析結果に基づき、宇野浩二の文体特徴、文体変化の時期および戦後作品の独特性を明らかにした。
Kouji Uno is a well-known Japanese littérateur, whose creative activity was interrupted twice because of a mental illness and frustrations. It was reported that his writing style had changed when he resumed writing. The study aims to investigated the differences of Kouji Uno's writing style in his different stages by using quantitative analysis. We demonstrated Uno's stylistic changes after the mental illness, the exact time of these changes, and the characteristics of works published after the War based on the literary criticism and statistical results. In addition, we clarified the uniqueness of his postwar works through a comparative analysis with contemporary writers.
博士(文化情報学)
Doctor of Culture and Information Science
同志社大学
Doshisha University
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Taheri, Saeedeh. "Cognitive stylistics approach to cinematic characterization." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/79240/.

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This thesis deals with the cognitive process of cinematic character construal and explores the question of how narrative film viewers presumably understand characters and make impressions about them as a result of the interplay of different types of schema. Based on the cognitive concept of schema (Barlett [1932] 1995), Speech Act Theory (Austin, 1962; Searle, 1969) and cognitivist film theory (Bordwell,1985), a cognitive framework, which is inscribed within the cognitive stylistics theories and analytical frameworks, is proposed for character impression formation. The model posits that viewers understand characters in terms of the interactions between three planes of background knowledge: 1. Social knowledge (knowledge of real-life people, social roles, and interpersonal relations), 2. Narrative film knowledge (knowledge of film narrative, style and techniques), 3. Pragmalinguistic knowledge (knowledge of linguistic and pragmatic norms. The focus of the linguistic plane is on Speech Act Theory). This research argues that film draws on medium-specific, multimodal devices to tell the story and create characters. With regard to the multimodality of film discourse, this thesis suggests a toolkit for character creation and comprehension. The three planes of social, film and pragmalinguistic schemas and also the marked aspects of the suggested cinematic character creation toolkit are all applied to three art auteur films: The Piano Teacher (2001), Autumn Sonata (1987), and Ten (2001), whose comprehension is challenging for viewers Pragmalinguistic because of their deviations from the conventional norms of Hollywood cinema in terms of narrative, characterization, cinematic style and techniques. Methodologically, this analysis is informed by multimodal analysis (Kress and van Leeuwen, 1996), and multimodal transcription (Baldry and Thibault, 2006) in particular, which consider text as an ensemble of different communication modes all of which contribute to meaningmaking. Thus, this analysis presents a detailed account of viewers' plausible understanding trajectory, and an explanation of linguistic and visual/cinematic strategies to narrative (as the context in which characters are created and developed), and particularly character creation within the scope of the films mentioned above.
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Carter, Paul Scott. "Retrogressive Harmonic Motion as Structural and Stylistic Characteristic of Pop-Rock Music." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116202928.

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Trivette, Joseph R. Thomas Andre J. "Stylistic characteristics of specific keyboard genres as determined by piano professors in the United States." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-11132003-174627/.

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Thesis (Ph. D.)--Florida State University, 2003.
Advisor: Dr. Andre J. Thomas, Florida State University, School Music. Title and description from dissertation home page (viewed Feb. 25, 2004). Includes bibliographical references.
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Trivette, Joseph R. Thomas André J. McArthur Victoria. "Stylistic characteristics of specific keyboard genres as determined by piano professors in the United States." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-11132003-174627/.

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Dissertation (Ph. D.) -- Florida State University, 2003.
Advisors: André J. Thomas, Victoria McArthur, Florida State University, School of Music. Title and description from dissertation home page (viewed 9-23-04). Document formatted into pages; contains 197 pages. Includes biographical sketch. Includes bibliographical references.
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Pires, Cristina Dias. "Alfreda ou la Chimière de Vasco Graça Moura : uma tradução comentada." Master's thesis, 2014. http://hdl.handle.net/10400.3/3190.

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Dissertação de Mestrado em Tradução e Assessoria Linguística
A presente dissertação de mestrado apresenta um projeto de tradução comentada dos dez primeiros capítulos da obra Alfreda ou a Quimera de Vasco Graça Moura. A reflexão sobre as especificidades da tradução literária e as dificuldades inerentes à mesma é tida como ponto de partida do comentário. Os principais obstáculos encontrados ao longo deste trabalho são também aqui apresentados. Relativamente a este último aspeto, são abordadas algumas questões que mereceram particular atenção aquando da tradução: as características estilísticas do texto e as referências culturais presentes nesta obra. Tentou-se que, sempre que possível, o comentário da tradução apresentasse casos específicos, devidamente exemplificados e fundamentados em pressupostos teóricos.
ABSTRACT: The following master’s degree thesis presents a commented translation project of the first ten chapters of the work Alfreda ou a Quimera by Vasco Graça Moura. A reflection about the specificities of literary translation and its inherent difficulties are the starting point of the commentary. The main obstacles found throughout this translation project are also presented. Thus, some of the questions that deserved special attention during the translation process are also approached: the stylistic characteristics of the text and the cultural references present in this work. Whenever possible, specific cases, properly exemplified and based in theoretical assumptions, are presented in the translation commentary.
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Kalajdžievová, Natalie. "Abreviace v současné bulharštině ve srovnání s češtinou." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322552.

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ABBREVIATION IN CONTEMPORARY BULGARIAN LANGUAGE IN COMPARISON WITH THE CZECH LANGUAGE Dissertation work is aimed at confrontation study of abbreviation in Bulgarian in comparison with Czech and at the description of abbreviations as specific language symbols. Contemporary language tendencies and the changes in the field of abbreviation in relation to the language typology are taken into account. The work is dedicated to the grammatical, stylistic and semantic characteristics of the abbreviations, while a substantial part of the confrontation description addresses the graphical and initial abbreviations, which create a central part of the partial system of abbreviation formations. From the confrontational aspect, there is also described the ability of abbreviations to serve as word-formation base for derivatives. The dissertation work also includes the results of socio-linguistic research made by questionnaire method, where the respondents evaluated the abbreviations of an international character and the words containing abbreviated bases implemented into the text written in Cyrillic.
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Books on the topic "Stylistic characteristics"

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Towards a stylistic approach to character in literature. Udine: Forum, 2008.

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Trevisan, Piergiorgio. Towards a stylistic approach to character in literature. Udine: Forum, 2008.

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Kislicyna, Natal'ya, and Ekaterina Novikova. Genres sports discourse: linguistic and cognitive aspect. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1077732.

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The monograph is devoted to the study of the phenomenon of "discourse" from the perspective of its institutionality. The focus of research interest is sports discourse, presented in the form of a complex conceptual space with a particular genre-stylistic and pragmatic characteristics. As a material of study are sports articles, sports interviews and sports commentary, considered as genres of sports discourse, allocated according to criteria focus of the text and its function. The use of frame analysis, content analysis and conversational analysis have shown the peculiarities of representation of speech and thoughts of individuals, operating in the conditions of specific discursive practices. Addressed to specialists in the field of language theory, cognitive linguistics, decorology, pragmatics, teachers, postgraduates and students.
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Payne, William Gwinn. Stylistic characteristics of short sacred choral compositions published and performed in the United States, 1960-1985. 1986.

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Axel-Tober, Katrin. Origins of verb-second in Old High German. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813545.003.0003.

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This chapter investigates the characteristics of the left sentence periphery in Old High German. In the earlier OHG prose texts we still find some archaic characteristics of a non- or pre-verb-second grammar. These include residual and partly productive features of a non-conflated C-domain arguably inherited from Proto-Germanic or even Proto-Indo-European. On the other hand, there is ample evidence that the precursor of the so-called prefield position already existed in OHG and that it was already a target for both operator movement and Stylistic Fronting. All these phenomena shed interesting light on the question of which syntactic steps the language had to take in order consolidate its verb-second grammar.
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Horowitz, Joshua. The Klezmer Accordion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037207.003.0010.

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This chapter takes a closer look at the role of the accordion in klezmer music. Like the pioneering Italian American virtuoso accordionists, Jewish musicians felt equally at home playing classical and folk music. The select analysis of early accordion playing styles and stylistic characteristics sheds light on the interaction and interplay of klezmer musicians with their surrounding worlds—Old and New. A distinctive feature of the early “klezmer sound” was the accordion's imitation of the human voice heard in liturgical, paraliturgical, and Yiddish song. By the late 1930s, the accordion was often used for chordal accompaniment (rather than as a solo instrument). It was an integral element of the popular Hasidic bands of the 1960s and the “klezmer ensembles” that embraced the new Israeli music as well as earlier “Palestinian” music. Although it was often deemed “an outsider,” for the revivalists of the 1980s and beyond, the accordion has been characteristic of the klezmer style.
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Braae, Nick. Rock and Rhapsodies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.001.0001.

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Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group’s songs and illuminates the varied stylistic and historical contexts in which Queen’s music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen’s idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen’s place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen’s idiolect and songs, before analysing the voices of Queen’s singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury’s death in 1991.
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Grätz, Sebastian. The Literary and Ideological Character of the Letters in Ezra 4–7. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804208.003.0009.

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At first glance, the Aramaic letters embedded in the biblical book of Ezra look like authentic documents issued in favour of the Judaeans by the Achaemenid chanceries. This chapter shows that the letters display formulaic and stylistic features differing from authentic imperial Persian royal correspondence, that the contents of these letters are influenced by other biblical texts, chiefly Deutero-Isaiah and the books of Chronicles, and that the image of the king in these letters comprises aspects of the euergetism characteristic of Hellenistic monarchs. Grätz therefore suggests that the letters in Ezra 4–7 are fictitious and serve certain literary and ideological purposes: they present the Persian period as a time of divinely monitored reconstruction after the exile, and they emphasize God’s lasting election of Judah and the Jerusalem temple. The deployment of letters for such purposes can be compared with similar practices in Hellenistic historiography.
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Wahrhaftig, Alexandre de Macêdo. La portada del corregidor. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-060-1.

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This is a preliminary examination related to a portal faced of a public building in the city of La Laguna, Tenerife, Spain, carved in the mid-sixteenth century, of rich lines and architectural symbols characteristic of the Renaissance early stage. It was set up in ashlars, of chemical composition and granulometry that gave to it the classification of toba basaltic volcanic, compact granular, reddish in colour. Its high chemical resistance was not able to withstand the 450 years of exposure and at the time of diagnosis its surface had a high degree of dirt adhered and a profound loss of material by disaggregation and breakdowns, what had partially destroyed valuable elements of its characterization. This preliminary investigation fell exclusively on the stone material that composed the faced, although could be observed other elements like roof tile in the ceiling, and carpentry on the window and door. For that reason, the focus of this work has been directed to the stylistic symbolism and diagnose of the main element, being restricted to the stonework, where was the essence of the centennial facade. Therefore, this previous analysis was performed objecting to prepare the base for a restoration work considering the archaeological line of thought, in order to retrieve and maintain its forms and volumes, working on fundamental architectural elements to rescue and ensure to future generations the true message that was exteriorized.
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Shippey, Tom. Hard Reading. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382615.001.0001.

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This book makes an argument for the intellectual ambition and intellectual achievement of science fiction, a genre consistently undervalued by professional literary critics. It is pointed out repeatedly how much the genre owes to developments in anthropology, history, and other “soft sciences”; how the authority of the hard sciences is both asserted and challenged; and how the authority of ancient myths and modern values are likewise interrogated, with widely variant results. Science fiction, it is argued, has been a collective “thinking machine” for authors and readers alike, often (and especially in its early years) people without academic experience or intellectual support. It has been (but increasingly less so) a genre for autodidacts. Reading and writing it is nevertheless an education in itself, as the author shows with repeated personal prefaces both to the book as a whole and to each chapter. Science fiction, finally, has its own rhetoric, seen in neologisms, paratextual devices, anachronisms, breaches of stylistic decorum, and the manipulation of degraded information, techniques little understood by and often incomprehensible to critics used only to the conventions of mainstream literature. All these features contribute to the description of science fiction as hard reading, but correspondingly rewarding reading. They have made science fiction the most characteristic literary genre of the twentieth and now the twenty-first centuries.
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Book chapters on the topic "Stylistic characteristics"

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Morton, Drew. "Comics Are in Right Now." In Panel to the Screen. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496809780.003.0001.

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This book examines the intricacies of the American film's stylistic remediation of comics. Stylistic remediation refers to the stylistic practice by films (both adaptations of comics and original properties), in which they have increasingly relied on the formal characteristics of comic books (such as panels, speed lines, the dissection of motion, flat compositions). For their part, comics have drawn upon formal devices derived from film (such as the film noir compositional technique of high-contrast lighting and Photoshop assisted motion blurring to produce a more cinematic look). The book explores how stylistic remediation complicates the idea of media specificity, the role of horizontal integration and conglomeration in the process of stylistic remediation, the industrial motivation behind remediation in films and comics, and whether the remediation of comic book stylistics into films is fundamentally a by-product of technologies and an indication of a larger ontological shift from cinema to digital cinema.
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Douven, Igor. "Style and Supervenience." In The Paideia Archive: Twentieth World Congress of Philosophy, 35–40. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199815.

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Cope’s Computers and Musical Style (1991) describes a computer program that allegedly can represent and replicate musical styles solely on the basis of compositions that have been entered into it. If this claim is correct, then it must be that an oeuvre’s stylistic characteristics locally supervene on its textual features, which roughly means that its stylistic properties are entirely determined by its textual properties. In my paper I argue that stylistic properties do not locally supervene on textual properties, and thus that neither Cope’s program nor any other that essentially works like it can represent or replicate styles.
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Rocco, Marco. "The leges regiae in Livy: Narratological and Stylistic Strategies." In Roman Law before the Twelve Tables, 77–96. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443968.003.0006.

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This chapter discusses how Livy in his first book presents the leges regiae (some of which can be found exclusively in Ab Urbe condita) in light of the following categories: religious life; civitas’ fundamental institutions; political life; war and army; agrarian laws; granting of citizenship. It appears that in Livy the leges are straightforward and detailed when they are related to the religious sphere, while they appear more concise and vague when they are measures of a heterogeneous nature. Livy also systematically adjusts his narrative technique on the basis of the function assigned to a law. He shows particular care in reporting technical formulas when he wishes to emphasize the sacredness and longevity of laws concerning founding traditions and “constitutional norms”; on the other hand, Livy emphasizes those aspects of the laws that would appear in line with the characteristics that he wants to attribute to the kings.
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Lobanova, Svitlana, Valentyna Tryndiuk, and Alla Martyniuk. "LEXICO-GRAMMATICAL AND STYLISTIC FEATURES OF ENGLISH ADVERTISING SLOGANS." In European vector of development of the modern scientific researches. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-077-3-16.

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The aim of the article is to generalize and present the lexico-grammatical and stylistic features of English-language advertising slogans. The study allows us to determine the need of society to understand and conceptualize advertising, the mechanisms of verbal influence of advertising texts, analysis of language tools on which are based logical and emotional argumentation in advertising to persuade and motivate the audience to action, ensuring the ability of advertising text to remember . Methodology. The survey is conducted on the basis of a comparison of the data of the respondents (using the same questionnaire) on the impact of advertising slogans on the consumer, both popularity and brand. The survey also covered the family of students, which made it possible to compare these options for answering the survey questions. The results of the survey showed that younger respondents adopted English-language advertising slogans to choose about the benefits of the product and its brand. However, the older generation was more likely to be driven by savings and proven brands. Advertising for them is a show and does not deserve trust but carries the impetus for further study. Practical consequences. As the younger generation is effectively influenced by advertising slogans, modern advertising compositions take into account the characteristics of this audience. What do they aim for their income, exclusivity, price variations. As for the senior respondents, they demonstrated time-tested thrift and a scrupulous approach to pricing strategies for advertising slogans. Thus, the experimental study showed a multi-vector feature of the respondents' attitude to advertising slogans.
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Turner, Andrew D. "The Murals of Cacaxtla." In Migrations in Late Mesoamerica, 205–40. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066103.003.0008.

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The sudden appearance of Maya-style characteristics in the art of Epiclassic sites in Central Mexico has sparked debate regarding the relationship between the polity of Cacaxtla and the distant Maya Lowlands. Early studies linked these developments, described in ethnohistoric sources, to migrations of the Olmeca-Xicalanca of the southern Gulf Coast. Recent studies assert that Cacaxtla’s artists adopted an “eclectic” assortment of foreign stylistic elements in order to proclaim ties to distant sources of wealth and power that were not necessarily rooted in historic reality. This study argues that Cacaxtla’s artists deployed stylistic, technical, and iconographic conventions in a manner that reflects deep and sustained engagement with specific Maya cities rather than superficial claims of aggrandizement. Evaluation through current anthropological understandings of how and why people migrate and how group identity is expressed in the midst of population movements suggests that Cacaxtla’s monumental art programs constitute an additional line of evidence in support of Epiclassic migration from the southern Gulf Coast, or western Maya Lowlands, to Central Mexico.
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Waller, Gary. "The Labyrinthine Baroque." In The Female Baroque in Early Modern English Literary Culture. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721431_ch01.

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This chapter surveys current theories of the Baroque, distinguishing between those that see it historically and those that view it as a recurring stylistic quirk. I draw particularly on José Antonio Maravall to advance a schema of recurring Baroque characteristics – fictionalising, hyperbole, melancholy, kitsch and plateauing. Some concepts will seem unfamiliar to scholars used to considering the Baroque as primarily concerned with music, painting or sculpture, or inextricably connected with the Counter-Reformation. These concepts are concerned less with the surface characteristics of the period’s culture and more with underlying ideological trends. I also ask how we can speak of the ‘English’ Baroque, since it has long seemed an alien concept to the residual tradition of English literary and cultural history.
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Meconi, Honey. "Hildegard’s Music: An Overview." In Hildegard of Bingen, 84–99. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252033155.003.0008.

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This chapter provides an overview of Hildegard’s music, beginning with an examination of the way in which musical ideas and imagery pervade all of her writings. A discussion of the Dendermonde and Riesencodex collections of her music is followed by a summary of stylistic traits, including characteristics of her poetry (e.g. fascination with viriditas), her choice of subject matter, the use of models, melodic practices, fondness for melisma, and extremes of length and range in selected works. The chapter concludes with her conception of mode and use of accidentals. Throughout comparisons are made with both traditional plainchant (which Hildegard’s music resembles only imperfectly) and contemporary regional practice (which her music does reflect).
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Braae, Nick. "The Musical World(s) of Queen." In Rock and Rhapsodies, 174–89. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.003.0008.

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This chapter begins from the premise that’s Queen idiolect or ‘sound’ was distinct in popular music. Using the concept of ‘style planets’, the idiolect characteristics are connected to numerous and varied stylistic sources including 1970s hard rock, 1970s Baroque pop, 1960s pop, soul, and pre-WWII American popular song. These influences are identified in the textural structures, performance gestures, and harmonic choices. Using the concept of ‘musical worlding’, it is suggested that a hypothetical listener might regard Queen’s idiolect as predominantly placed within the world of hard rock, but made to sound distinct and unique because of the integration of seemingly incongruous style influences within their songs. This analysis is conducted with primary reference to ‘We Are the Champions’
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Balbo, Andrea. "Between Real and Fictional Eloquence." In Reading Roman Declamation, 134–48. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.003.0007.

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In his critical edition of fragmentary Roman oratory of the Augustan and Tiberian periods, Andrea Balbo has dealt with many declaimers who were active both in the schools and the forum or during centumviral trials. We know about their activity in particular from Seneca the Elder: among those are L. Arruntius Pater, C. Albucius Silus, M. Porcius Latro, and T. Labienus, as well as Cassius Severus. This chapter examines some of the school speeches witnessed by Seneca with regard to their stylistic features and compares the characteristics of these fictional orations with fragments of real oratory, giving particular attention to rhetorical elements that can be ascribed to actio, and special emphasis on the declamatory contributions of Albucius Silus and Porcius Latro.
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Garcês, Sara, Hipólito Collado, José Júlio García Arranz, Luiz Oosterbeek, António Carlos Silva, Pierluigi Rosina, Hugo Gomes, et al. "O projeto FIRST-ART – conservação, documentação e gestão das primeiras manifestações de arte rupestre no Sudoeste da Península Ibérica: as grutas do Escoural e Maltravieso." In Arqueologia em Portugal 2020 - Estado da Questão - Textos, 513–21. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa40.

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The caves of Escoural and Maltravieso are the only caves with Palaeolithic rock art in the Southwest Peninsula. These two contexts are similar in their geological characteristics, circumstances of their discoveries, state of conservation, location outside the preferential territorial scope of Palaeolithic art and in the absence of a tradition of scientific research. This set of factors is governed by the need to prioritize the conservation of both cavities in the context of the growing social interest in the first manifestations of rock art. The FIRST-ART project intends to improve the knowledge of both caves taking into account their technical, stylistic and iconographic aspects through multidisciplinary research and the application of new analysis and documentation technologies using digital and 3D.
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Conference papers on the topic "Stylistic characteristics"

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"Analysis on Individual Characteristics of Stylistic Differences in Speech." In 2020 International Conference on Social Sciences and Social Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0001106.

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"Stylistic Characteristic of English for Business Contract." In 2018 International Conference on Economics, Finance, Business, and Development. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icefbd.18.020.

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Köksal, Fatma Nazlı, and Hasan Doğan. "VISUAL SEMIOLOGY IN ARCHITECTURAL DESIGN." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.004.

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Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual’s essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology.. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.
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Köksal, Fatma Nazlı, and Hasan Doğan. "Visual Semiology in Architectural Design." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.002.

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Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual's essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.
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Yusupov, M. G. "Features of self-regulation of students’ mental states: operational aspect." In INTERNATIONAL SCIENTIFIC AND PRACTICAL ONLINE CONFERENCE. Знание-М, 2020. http://dx.doi.org/10.38006/907345-50-8.2020.756.766.

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The instability of modern social conditions, informational and emotional richness of learning contribute to the emergence of negative states of fear, uncertainty, aggression, and provokes psychosomatic disorders of students. In order to satisfy the requirements of society, it is necessary to have a high level of development of the ability to control oneself, allowing self-regulation of the mental state within certain social frameworks. In everyday life, students use sets of techniques developed in individual experience that allow them to cope with negative conditions, enter the educational rhythm or relieve stress. Therefore, it is relevant to study spontaneously developing methods and techniques for self-regulation of states that help prevent the negative dynamics of the current state and provide an acceptable level of adaptation. In this regard, the article aims at studying ordinary ways of self-regulation of negative states of students and their relationship with the productivity of cognitive processes and individual cognitive styles. According to the results of the study, we found that typical negative states of students are fatigue, laziness, frustration. The most frequent methods of their regulation are communication, music, walking, sleeping. The relationship between the productive, stylistic characteristics of cognitive processes and the choice of self-regulation methods is shown. Thus, respondents with a high level of imagination and heuristic cognitive style choose a method of communication. Differences in the methods of self-regulation and experienced states in boys and girls were revealed. The results can be of interest to teachers and practical psychologists in education.
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Noskov, R. D., and I. V. Gerasimenko. "Punctuation as a means of enhancing the expressiveness of English-language advertising text on the example of targeted Internet advertising." In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.111.118.

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The article identifies the characteristic features of expressive punctuation of English-language advertising, analyzes the syntactic structures in advertisements used for targeted Internet advertising. We examined punctuation syntactic stylistic means, their role in the construction of an effective advertising text in the conditions of its application in the Internet.
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GROKHOVSKAYA, I. A. "LEXICAL AND SEMANTIC FEATURES OF PERSONAL WEB PAGE OF A.L. KUDRIN IN INTERNET COMMUNITY TWITTER." In The main issues of linguistics, lingvodidactics and intercultural communications. Astrakhan State University, 2020. http://dx.doi.org/10.21672/978-5-9926-1237-0-034-038.

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The article considers lexical and semantic peculiarities of A. L. Kudrin 's publications on the pages of the Internet community Twitter. Lexical and stylistic techniques used by the politician in the texts of messages are analyzed, characteristic features of personal blog of A.L. Kudrin on Twitter are highlighted.
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Tleulesova, A. Sh, and A. N. Nugumanova. "STYLISTIC FEATURES OF RUSSIAN AND KAZAKHSTAN PRE-ELECTION POLITICAL SLOGANS." In Proceedings of the XXIII International Scientific and Practical Conference. RS Global Sp. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal_conf/25112020/7257.

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Such a specific element of political communication as a slogan, which is often used within the election campaign, has been to the present day a less studied issue in the Russian and Kazakh political linguistics. Nowadays this genre of political text is being mainly mastered by the sociologists, politologists, image-makers, etc., dealing with the issues of electoral technologies. This article deals with the study of stylistic features of a political slogan which are characteristic for the election campaigns of Russia and Kazakhstan held in the period of recent decades. The results of the study show that the main purpose of their use is to enhance the expressiveness of the statement. This allows us to conclude that the language of political slogans has great opportunities and resources to implement this impact. It also becomes apparent that persuasiveness is one of the key functions of the slogan's pragmatic functions.
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