Journal articles: 'Stylistic characteristics'

1

Atamuratova, Munira Makhamadievna. "The Semantic And Functional Characteristics Of Syntactic Stylistic Devices In The Example Of Repetition." American Journal of Social Science and Education Innovations 02, no. 10 (October 16, 2020): 70–74. http://dx.doi.org/10.37547/tajssei/volume02issue10-11.

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This article aims to indicate the importance of syntactic stylistic devices mainly repetition in textual formulation that is based on the characteristics of the oral form of speech and syntactic stylistic devices which is expressed the structural meanings of the syntactic stylistic devices. In the aspects of this problem, it is important to analyze the role of syntactic stylistic devices in the formation of functional styles of the language, to justify the importance of syntactic stylistic devices in the presenting the main logic and contextual meanings in the literary texts. As analyzing any kind of literary text syntactic stylistic devices, that is repetition, chiasmus, stylistic inversion, gradation, ellipsis, antithesis, parallel construction, detached construction and enumeration have the greatest impact. However, according to results of analyzing, repetition is one of the widely used within these syntactic stylistic devices by contrast other models of speech.

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Goshylyk, N. S., and G. М. Yakymyk. "STYLISTIC CHARACTERISTICS OF ANNA TODD’S NOVELS." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 2, no. 4 (2020): 22–26. http://dx.doi.org/10.32838/2663-6069/2020.4-2/04.

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Yasin, Dhimas Muhammad. "KAJIAN STILISTIKA DALAM TEKS AL-MUTAWASSIMĪN SEBAGAI BAHAN PEMBELAJARAN MATA KULIAH WAJIB STILISTIKA." LINGUA: Journal of Language, Literature and Teaching 13, no. 2 (August 3, 2016): 195. http://dx.doi.org/10.30957/lingua.v13i2.175.

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This article discusses stylistic in Al-Mutawassimīn text, a Malay text manuscript. This study used qualitative descriptive design. The manuscript was evaluated its stylistics aspects and its characteristics were elaborated. The findings of analysis indicate that characteristics stylistic Al-Mutawassimīn text use a style of a hallmark of a genre of religious literature. The styles of genre were identified thorugh vocabulary, phrases, syntax, rhetoric or language means rhetorical and figurative language. Stylistics of Al-Mutawassimin are five kinds: (1) kinds of vocabulary are Indonesian, Arabic, Java, and some phrases in Arabic; (2) syntactics are in the form of the use of the conjunction "and" and "then"; (3) rhetoric means consist of polisindeton, (4) euphemism and litotes are used; and (5) figurative languages such as simile are present.

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4

Prihodko, Anna. "GENERAL NOTES ON STYLE AND STYLISTICS." Studia Philologica 1, no. 14 (2020): 23–30. http://dx.doi.org/10.28925/2311-2425.2020.143.

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In the proposed text the basic concepts of stylistics as a branch of linguistics are considered. The focus is made on the characteristics of stylistic devices, their nature and functions in different language styles, as well as the principles of their decoding in the text.

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Feruza, Abdurakhimova. "ON THE METHODOLOGICAL CHARACTERISTICS OF SOME STYLISTIC MEANS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 68–75. http://dx.doi.org/10.26739/2181-9297-2020-6-10.

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This article defines the terms hyperbola and the stylistic trope anti-hyperbola as opposed to it, and illustrates the differences in English and Uzbek with examples. The linguistic field of the conceptual semantics of anti-hyperbole "understatement" is illustrated by comparison in Uzbek and English with the help of examples of verbal means.

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6

Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (December 4, 2015): 215–30. http://dx.doi.org/10.4312/ah.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.

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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (December 4, 2015): 215–30. http://dx.doi.org/10.4312/ars.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”, romanticists not only paved the way for Modernism, but also thwarted the application of a newly risen stylistic methodology concerned with the cultural codification of style. The disagreement between the “classicists”, and “romanticists”, eventually culminated in the schism of the Paris Salon and the emergence of a wide range of new trends, heterogeneous conceptions and avant-garde movement, all in a very short space of time. The concept of “the style of epoch” has been staggered by the challenges of the 20th century. The function of culture within the stylistic characteristics of the 19th century art production was appropriated by artists, whose artwork acquired total objectual autonomy. The cultural and stylistic codification of of historical periods conceived in the 18th century could no longer be applied to the heterogeneous art produced during the Modernist era. By affirming the obviousness of the visual, Modernism eluded all the semantic, functional, utilitarian, narrative and symbolic burdens of earlier periods. This article endeavours to show how, subsequent to the epoch of Modernism, style can be discussed exclusively at a level of the apparent expressed features of an artwork. Codification which follows the principle of temporal “anchoring” in the cultural context of the Modernits era of Modernism remains both risky and ineffective stylistic strategy.

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8

Курило, Л. В. "Structural and stylistic characteristics of scientific articles in English." Scientific and methodological journal "Foreign Languages", no. 1 (February 29, 2016): 18–23. http://dx.doi.org/10.32589/im.v0i1.122583.

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Kolantaevskaya, A. S., N. V. Grishina, and T. Yu Bazarov. "Stylistic Characteristics of Self-Determination in Life Changes Situations." Vestnik of Saint Petersburg University. Psychology 6, no. 4 (2016): 51–62. http://dx.doi.org/10.21638/11701/spbu16.2016.404.

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10

Chen, Xi. "Academic origins and characteristics of the Chinese stylistic restoration." Frontiers of Architectural Research 5, no. 3 (September 2016): 353–59. http://dx.doi.org/10.1016/j.foar.2016.04.004.

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11

Ochilova, Aygul. "STYLISTIC CHARACTERISTICS OF THE TEXT OF JAMES JOYCE`"ULYSSES"." INTERNATIONAL JOURNAL OF WORD ART 2, no. 3 (February 28, 2020): 58–67. http://dx.doi.org/10.26739/2181-9297-2020-2-8.

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Although the work of James Joyce has been studied in English and Russian literature and translation, it has not been studied in detail in Uzbek literature and translation studies. In this work, along with revealing the problems of tradition and innovation in the work of J. Joyce, we study how the stylistic means used in the text of the novel "Ulysses" are preserved in the Russian and Uzbek translations by means of comparative-typological analysis of the original and translated texts. We identify alternatives and non-alternatives to the original Russian and Uzbek translations

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12

Bohunická, Alena. "Pragmatization of stylistics." Journal of Linguistics/Jazykovedný casopis 71, no. 2 (December 1, 2020): 281–91. http://dx.doi.org/10.2478/jazcas-2020-0027.

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Abstract The pragmalinguistic approach to the relationship between language and human is also reflected in the stylistic research. In this paper, we aim to clarify the sense of pragmatization in stylistics and outline the new stimuli for such a perspective. This goal assumes a brief analysis of implementations of pragmatic ideas in distinct Slovak stylistic paradigms and a presentation of a perspective for further reflections. We understand pragmatization in stylistics as a change of the interpretative model of language; a shift away from perception of language in the frame of an instrumental paradigm towards the perception of linguistic activity as social action. When clarifying the specificity of the language activity, which we call social action, we will apply H. Arendt’s ideas in her theory of action, specifically on the distinction between the terms labor, work and action. In line with the pragmalinguistic focus on a cognition of the human from the language perspective, and referring to the Arendt’s concept of the self-manifestation in speech, we find an anthropic approach to the language style and the authenticity as its most significant characteristics (especially in regard to public sphere) as viable for current stylistics.

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13

Golovina, Elena Viktorovna. "LEXICO-STYLISTIC CHARACTERISTICS OF THE ENGLISH-SPEAKING TOURIST’S INTERNET COMMENTARY." Philological Sciences. Issues of Theory and Practice, no. 9 (September 2019): 302–6. http://dx.doi.org/10.30853/filnauki.2019.9.62.

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14

McIntyre, Dan. "Prototypical Characteristics of Blockbuster Movie Dialogue: A Corpus Stylistic Analysis." Texas Studies in Literature and Language 54, no. 3 (September 2012): 402–25. http://dx.doi.org/10.7560/tsll54307.

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15

Malyuga, Elena N., Maria Ivanova, and Rita Feigina. "British and Australian Corporate Communication: A Socio-Linguistic Perspective." International Journal of English Linguistics 10, no. 5 (July 14, 2020): 125. http://dx.doi.org/10.5539/ijel.v10n5p125.

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In this study, the corpora of British and Australian corporate communications were compared with the aim of specifying their sociolinguistic features in the context of five lexical and stylistic markers: professional jargon, as well as expressive, colloquial, uncodified and evaluative lexis. Lexical and stylistic characteristics of corporate communication from the point of view of a sociolinguistic approach were analyzed using transcripts of British and Australian communicative corporate interactions. The methods of continuous sampling, comparative, lexical-stylistic and sociolinguistic analysis were implemented to process an assembled corpus of 158 authentic transcripts. Based on the results of the analysis, quantitative data were compared, reflecting the volume of use of the indicated lexical-stylistic markers in the two samples. Quantitative data were subsequently analyzed to determine sociolinguistic characteristics that can be assessed as specific features of the communicative behavior of British and Australian superiors in dealing with subordinates. For each of the markers of lexical-stylistic differentiation under consideration, the two samples analyzed in the work showed differing results of a varied and at the same time exponential degree of discrepancy.

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16

Zhang, Shеngwen. "FORMATION OF STYLE CULTURE OF PERFORMANCE OF MUSICAL WORKS IN FUTURE TEACHERS OF MUSICAL ART: METHODOLOGICAL ASPECTS." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 208–11. http://dx.doi.org/10.36550/2415-7988-2021-1-195-208-211.

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The article is devoted to the coverage of methods of formation of stylistic culture of performance of musical works at future teachers of musical art. Attention focused on the practical advantages of the proposed methods. The use of methods of sketchy-stylistic processing of musical material, stylistic analysis and stylistic comparisons, as well as the method of variant-stylistic processing of music in systematic interaction contribute to the expansion of musical-cognitive capabilities of students, activation of their evaluative-interpretive actions and creative self-expression. The practical solution of the problem of formation of stylistic culture of performance of musical works of students provides expansion of musical-theoretical erudition of students in the historical-stylistic aspect; strengthening the analytical and evaluative orientation of stylistic elaboration of educational material, stimulating future teachers in the process of interpreting music to creative self-expression on the basis of deep comprehension and adherence to the stylistic basis of the composer's work. An indispensable condition for stylistic analysis is the consideration of stylistic features of the form of a musical work in unity with the stylistic characteristics of its figurative content. The practical application of stylistic analysis also takes into account the influence of the historical context of the development of musical culture on the stylistic features of composer's thinking, reproduced in music. The article presents an analytical understanding of scientific and methodological literature, the results of executive training of students, analogies, comparison of experimental data, modeling, generalization. Methods and techniques of formation of stylistic culture of the future teacher of musical art in the course of performance of musical works are offered. The need for further research in identifying methods and techniques for forming a stylistic culture of future teachers to perform works of school repertoire emphasized.

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17

YILDIRIM, Kübra. "The Stylistic Characteristics of a Commentary Belonging to Old Anatolian Turkish." Journal of Turkish Studies Volume 7 Issue 2, no. 7 (2012): 1217–27. http://dx.doi.org/10.7827/turkishstudies.3056.

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18

Baydikova, N. L. "Formal and Stylistic Characteristics of Discourse Representation Modes in English Fiction." Nauchnyy dialog, no. 3 (2018): 19–31. http://dx.doi.org/10.24224/2227-1295-2018-3-19-31.

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19

Ryabova, Marina Yu. "Graphic-Stylistic Expressivity in Media Discourse." SHS Web of Conferences 50 (2018): 01151. http://dx.doi.org/10.1051/shsconf/20185001151.

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The article deals with the analysis of graphic-stylistic means of the language, such as punctuation, functioning in modern English based on the language material of literary and media texts (on-line site of The Guardian). The aim of the paper is to reveal some actual functional characteristics of punctuation marks compared with their traditional syntactic and stylistic usage. The linguistic analysis is conducted within the methodology of semantic and syntactic interpretation and description. The following new functional usage of punctuation marks is described: the playing (ludic) function (creating an ironic, comic or parody effect in communication) and the expressive function emphasizing the semantics of an element in a communicative context. The importance of the undertaken analysis is to show the necessity of studying the English punctuation functions from the point of view of modern theory of communication and media linguistics as well as with an empirical educational purpose of teaching the English grammar.

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Zaynullin, Gabdulzyamil G., and Alfiya M. Khabibullina. "Stylistic Features of Comment in Arabic Blogosphere." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 285. http://dx.doi.org/10.7596/taksad.v6i5.1290.

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<p>One of the most important issues in the study of the functioning of the Internet language is the definition of the features of each Internet genre presented in online communication, taking into account the linguocultural features of the language in question. This paper studies the genre of the Internet comments of the Arabic-speaking blogosphere and reveals its stylistic features. The most common goal of the comment is gratitude, followed by praise. We created a corpus of comments from blogs of various subjects, and then conducted the tagging, having identified the group to which we attributed a comment, depending on the subject and the communicative goal. With the help of the Lexico 3 software, the most frequent lexical units were identified, the lexical features of the comments were described, the main one being the widespread use of religionyms, and the relationship between the blog subject and the stylistic characteristics of communication was revealed. The article traces the correlation between the literary and colloquial functional style in the comments, and also draws a conclusion that the comments are of a conversational, informal character. The main devices of expressiveness that are characteristic for both network and pre-network communication were revealed, and the tendency of the analysts to observe in the comments a stable three-part composition (greeting, message, final formula). The influence of traditional Arabic rhetoric, as well as the epistolary genre, was preserved. The results of the paper can be used when studying other genres of Internet communication in Arabic and in comparative studies to create the linguistic software.</p>

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21

Igolkin, N. "ARCHITECTURE OF MURMANSK IN THE 1930s-1950s." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 6, no. 2 (March 5, 2021): 60–72. http://dx.doi.org/10.34031/2071-7318-2021-6-2-60-72.

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The article is a continuation of the research devoted to the development of the spatial -planning structure of Murmansk in the 1920s – 1950s. The stages of development of architecture and the logic of its historical development are determined on the basis of an analysis of the stages of development of the urban structure, the historically established urban planning situation and the archival documents of Murmansk. The article describes the specifics and defines the stylistic features of the Murmansk architecture of the identified periods on the example of characteristic buildings on separate segments of the main city highway – Lenin Prospekt. A brief architectural analysis of the buildings that are valuable elements of the spatial-planning structure of the historical center of Murmansk is carried out: spatial, stylistic dominants and accents, plastic accents. The objects under consideration form the planning units, the street rhythm and the building. To identify the specificity and value characteristics of Murmansk architecture, a brief comparison of the compositional techniques and stylistics of the buildings of Murmansk and Leningrad in the 1930s - 1950s is carried out. The contribution of Leningrad architects to the design of Murmansk and the formation of its spatial and planning structure and architectural appearance is noted. The article contains schematic diagrams of separate segments of the building, photographic materials, archival photographs and documents.

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Ponomarenko, Elena B., Gennady G. Slyshkin, Ekaterina A. Baranova, Irina G. Anikeeva, and Yelena V. Sausheva. "Linguistic and cultural analysis of the gender characteristics of British song slang." XLinguae 14, no. 2 (April 2021): 169–84. http://dx.doi.org/10.18355/xl.2021.14.02.13.

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The article establishes the linguacultural gender specifics of the British song slang. All languages are constantly changing, slang invades the vocabulary of people (male and female). Of research, interest is the definition of slang, its origin, the vital need for human communication. The purpose of the study is to identify the gender characteristics of British song slang. Slang as a language system of modern linguistics is considered. In the article, main features and gender characteristics of British slang are described. The authors analyze the song slang of female and male performers and compare the song slang of performers of both sexes. The methods of research are descriptive method, comparative analysis, definitional analysis, lexical and semantic analysis, lexical and grammatical analysis, stylistic analysis, interpretive analysis, quantitative analysis, involving a continuous sample. The material of the study was songs by modern British male and female performers. The theoretical significance of the study is to identify the features of modern British song slang. Research results contribute to the development of lexicology and stylistics of the English language, to contrastive linguistics, linguoculturology. The establishment of the gender specificity of British musical slang contributes to the development of linguistic gender studies. The practical application of the research results is revealed in the possibility of teaching courses in English lexicology, stylistics, and gender linguistics, as well as compiling a linguistic dictionary of modern musical culture.

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Albukova, Olga V. "Functional and Stylistic Characteristics and Translation of Terms in English Newspaper Articles." Vestnik of Saint Petersburg University. Language and Literature 13, no. 2 (2016): 85–98. http://dx.doi.org/10.21638/11701/spbu09.2016.208.

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Pervukhina, S. V. "LINGUISTIC AND PRAGMATIC, FUNCTIONAL AND STYLISTIC CHARACTERISTICS OF ADVERTISING AND MEDICAL SUBDISCOURSE." Учёные записки Петрозаводского государственного университета 178, no. 1 (January 2019): 51–56. http://dx.doi.org/10.15393/uchz.art.2019.270.

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25

Mehriban Jabit gizi, Orujov. "LEXIC STYLISTIC CHARACTERISTICS IN MODERN POETRY LANGUAGE (BASED ON SOHRAB TAHIR’S POEMS)." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 3, no. 2 (2020): 137–40. http://dx.doi.org/10.32838/2663-6069/2020.2-3/23.

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26

Park, Jin-Ho. "The Stylistic Characteristics of the Shampay House of 1919: A Formal Analysis." Nexus Network Journal 8, no. 1 (June 2006): 17–32. http://dx.doi.org/10.1007/s00004-006-0002-1.

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27

Sofronova, Larisa Vladislavovna. "DISCURSIVE AND STYLISTIC CHARACTERISTICS OF PRESIDENTIAL POLITICAL SPEECHES DEPENDING ON THEIR ADDRESSEE." Политическая лингвистика, no. 3 (2020): 110–18. http://dx.doi.org/10.26170/pl20-03-12.

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Burtnyk, Anna, and Marta Karp. "LEXICO-SEMANTIC STYLISTIC DEVICES IN POLITICAL SPEECHES BY BILL CLINTON." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (January 30, 2020): 172–75. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-172-175.

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The research deals with the study of stylistic and lexical peculiarities of political speeches of American ex-president Bill Clinton. Special attention is given to the individual characteristics of the language of the orator. The novelty of the study concerns detailed analysis, classification and comparison of lexico-semantic stylistic devices based on the speeches of B. Clinton. The object of the research deals with political speeches of B. Clinton including the first inaugural speech (January 20, 1993), farewell address (January 18, 2001), speech on Democratic National Convention (July 26, 2016). The information obtained through the analysis of political speeches helps to trace the influence of the words of a politician used in one context or another in order to establish power, influence and control of the people, as well as to understand the goals and intentions of a politician. The subject of the study describes lexico-semantic stylistic devices of the speeches. The practical value of the work highlights the ability to detect and interpret the use of linguistic means in political speeches. In the paper the main features of B. Clinton’s political speeches and their influence on people’s opinion have been revealed.

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Будяк, В. В. "ОСОБЛИВОСТІ ФОРМОУТВОРЕННЯ ГЛАМУРНОГО КОСТЮМА 1930–1950-х РОКІВ." Art and Design, no. 3 (December 11, 2018): 65–74. http://dx.doi.org/10.30857/2617-0272.2018.3.6.

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To analyze the costumes of Hollywood actresses in the period 1930 – 1950's, which became the basis for the formation of typical structures of a glamor costume in the XX century; to establish the peculiarities of their formation and to determine their place in the structure of a fashionable costume of the beginning of the XXI century. The stylistic and associative methods of studying the artistic compositional features of the glamorous outfit of actresses as a creative source in contemporary design practice have been used, the comparative-historical method and the method of system-comparative analysis have been applied, which allowed to carry out the general typology of structures of a glamor suit of a certain period and to establish the peculiarities of its formation. The research shows how in 1930 – 1950's designers of American film studios developed stylistics of a glamorous suit, focusing on the individual characteristics of the body of the structure and appearance of the actresses, their role in the film industry. The results obtained concerning the structures of costumes of actresses and the peculiarities of their formation make it possible to characterize the artistic and compositional features of a glamorous costume and to show that they became the basis for the formation of typical images, and eventually – the typological structures of a glamor style suit, which before that time remain relevant and practically unchanged in the design of promising forms of clothing in stylistics of glamor. The peculiarities of the formation of a glamor suit in a certain period are established; outlined the formative searches of the designers of the cinema industry in the development of stylistics of glamor, which was reflected, first of all, in the formation of typical costume structures, its silhouette forms, constructive-compositional solution, the application of materials and their decorating; the basic means of embodiment of typical figurative-stylistic and formal-compositional signs of style of glamor in modern design practice are established. The practical significance of the work lies in the fact that the main results of the study may be useful for the development and production of clothing collections in the style of glamor; Provide capacious information on figurative-stylistic and formally-constructive characteristics of the typical glamor style of costume structures, silhouette forms and methods of shaping in general. The results can be used in the professional training of designers in order to improve the quality of design and art solutions in the development of collections of fashionable clothing that meet the aesthetic demands of contemporaries.

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Chandio, Muhammad Tufail, Faraz Ali Bughio, Abdul Hameed Panhwar, and Sikander Munir Memon. "Stylistic Analysis of Ahmed Ali’s Short Story Our Lane." Journal of Education and Educational Development 4, no. 2 (November 14, 2017): 200. http://dx.doi.org/10.22555/joeed.v4i2.1139.

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The undertaken study is based on stylistic analysis of Ahmed Ali’s short story Our Lane. The study analyzes how the author has used linguistic features like noun, adjective, conjunction, sentence complexity to portray the social, political, economic, religious, psychological and cultural conditions of the colonized natives of the Indian subcontinent in the wake of the British colonial rule. The story portrays how the colonial rule has deteriorated the people socially, economically, politically and psychologically. Ahmed Ali’s use of adjective is in consonant with the established norm of using 7 to 8% of the total text (Hofland & Johansson, 1987:6). Whereas, the median of 343 sentences is 13, which is shorter than the length of an average modern sentence, which according to Ellegard is 17.8 words. While rebutting colonial narrative, he deviates from the standards of English language: excessive use of coordinating conjunction ‘and’ is evidence to it. Most adjectives of positive characteristics qualify to the past, whereas the adjectives referring to present are either of negative or of neutral characteristics, and thus the writer recognizes the glory of the past and condemns the disintegrating present and uncertain future in the colonized land.

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Parshak, Kateryna, and Yaroslava Kalynovska. "SEMANTIC-FUNCTIONAL CHARACTERISTICS OF CONCEPTUAL METAPHOR IN THE LANGUAGE OF WORKS OF POSTMODERNISTS POETS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 29 (2021): 24–26. http://dx.doi.org/10.17721/1728-2659.2021.29.6.

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The article is devoted to the study of the peculiarities of the functioning and creation of metaphors in the poetry of Oksana Zabuzhko, Yuri Izdrik and Serhiy Zhadan. The main contradiction in the understanding of metaphor lies in the ambiguous essence of this phenomenon: on the one and, metaphor is a means of speech, a linguistic unit, and on the other – it belongs to the figurative figures of language. A number of linguistic works in both Ukrainian and foreign linguistics are devoted to the study of metaphors. In particular, the language metaphor became the subject of scientific interest of N. Harutyunova; metaphor, its nature and role in language, and speech were studied by A. Gavrilyuk, the means of expression of metaphor became the main topic of research G. Sklyarevskaya and others. One of the important problems of linguistic stylistics is the study of the linguistic personality of writers, whose works are one of the stylistic sources of development of Ukrainian poetic language, so the importance of metaphor in poetic texts remains a relevant object of modern linguistic studies. The purpose of the article is to determine the features of semantics and the functioning of conceptual-semantic and structural-grammatical types of metaphors in the collections "Second Attempt" by Oksana Zabuzhko, "Quote Book" by Serhiy Zhadan and "Lazy and Gentle" by Yuri Izdryk. In accordance with the purpose, the following research methods were used: descriptive, using the methods of comparison and observation, as well as external and internal interpretation of linguistic material to determine the associations underlying metaphorical transference, contextual, conceptual and semasiological to analyze metaphor in the context of a poetry of postmodern writers. The article also clarifies the concept of metaphor and establishes its feature as a semantic linguistic unit. The focus is on the classification of metaphors used in the works of postmodern poets. The stylistic role and functions of language metaphors in poetic texts are investigated. This article can be used for further research in the field of conceptual metaphors in novel or poems.

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Alimi, Modupe M. "A study of the stylistic markers of the language of cartoons in Nigeria." Studies in African Linguistics 22, no. 2 (April 15, 1991): 190–206. http://dx.doi.org/10.32473/sal.v22i2.107424.

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This paper discusses the stylistic characteristics of the language of cartoons in some Nigerian newspapers. The analysis focuses on printing styles, stylistic registers, and textual features. The author concludes that the informal style (exemplified by the occurrence of Pidgin English, colloquial forms, loan blends, ellipsis, and telegraphic sentences) characterizes the language of the cartoons. Thus, cartoonists use language as an artistic medium in which various options of language are explored for effective communication.

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Dykstra, Alan. "Critical reading of online news commentary headlines: Stylistic and pragmatic aspects." Topics in Linguistics 20, no. 2 (December 1, 2019): 90–105. http://dx.doi.org/10.2478/topling-2019-0011.

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Abstract In doing a critical reading of news commentary headlines drawn from a corpus, this study uses critical stylistics as an initial tool for delineating the headlines’ textual, ideational and interpersonal features and also for categorizing them according to the main type of triggering located in their respective textual-conceptual functions. Presuppositions are found to be a key device in constructing the headlines’ ideational “text-worlds”, which can strategically activate readers’ “belief systems knowledge” and rapidly validate or shape their attitudes regarding social reality, even when a headline is being scanned and read autonomously on a mobile device platform. To better understand the contextual and representational role of these news commentary headlines in contemporary journalistic knowledge production and reception, this research examines their stylistic and syntactic design, identifying accompanying characteristics such as embedded ideological perspectives and propositional interpretive frameworks, while noting the headlines’ specialized positioning as cohesive interpolating texts in the digital news ecosystem.

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Шидловская, Диана, and Diana Shidlovskaya. "Translation of Tropes and Stylistic Devices in Jonathan Safran Foer’s Novel “Everything Is Illuminated”." Scientific Research and Development. Modern Communication Studies 8, no. 5 (September 24, 2019): 18–25. http://dx.doi.org/10.12737/article_5d775faa003d04.79926851.

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Stylistic devices and tropes are the elements of style that give an extra, figurative meaning to a written or oral text. They include metaphors, simile, allegory, paradox, word game and so on. Each author uses them in different ways to make their works more expressive and emotionally dense. Sometimes stylistic devices and tropes can manifest themselves as the characteristics of an author’s individual style. Metaphoric language and bizarre manner of representation are particularly common for the authors of the postmodern era. When it comes to translation of these works from one language to another the process is fraught with pitfalls and challenges for the translator. In the translation studies it’s believed that literary translation requires not only precise rendition of the contents but also conveyance of the stylistic features of a work. This article is dedicated to the analysis of the stylistic devices and tropes used in the novel “Everything Is Illuminated” by Jonathan Safran Foer and their translation from English into Russian. The aim of this work is to identify what kind of translation techniques are used by the translator V. A. Arkanov to render the linguistic and stylistic properties of the original text.

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Vüqar qızı Əsgərli, Xəyal. "The stylistic status of the Direct Address in the book of “Genesis”." SCIENTIFIC WORK 15, no. 2 (March 9, 2021): 124–27. http://dx.doi.org/10.36719/2663-4619/63/124-127.

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“Genesis” is the first book of the Torah, the oldest religious material of the Jews.The book of Genesis describes the creation of the first man and the ancestors of the nation of Israel. At the same time, this book gives us information about the structure and characteristics of the ancient Hebrew language. Direct Address plays an important role in communication. Addresses are used at the beginning, middle and end of a sentence, however there is no difference in meaning. This article is given the types of direct adress in the book, the content of their stylistic qualities. There have also been explained the issues of homogeneity and stylistic repetition of Addresses. Key words: genesis, adresses, old hebrew, stylistic-expressive functions

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Kahan, James P., David E. Kanouse, and John D. Winkler. "Stylistic Variations In National Institutes Of Health Consensus Statements, 1979–1983." International Journal of Technology Assessment in Health Care 4, no. 2 (April 1988): 289–304. http://dx.doi.org/10.1017/s0266462300004098.

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This paper describes a content analysis of the statements of 24 Consensus Development Conferences conducted by the Office of Medical Applications of Research (OMAR) of the National Institutes of Health in the years 1979–1983. The goal was to understand the potential influence of the consensus statements by identifying characteristics that might determine whether and how physicians become aware of their findings and adopt their recommendations. Three characteristics emerged, each suggestive of a different style of consensus statement: discursiveness, didacticism, and scholarliness. Variations in style among consensus statements may affect their acceptance by the medical profession

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Reshef, Yael. "The historical composition of the lexicon as a stylistic factor in a text-oriented culture: a case-study from Modern Hebrew." Language and Literature: International Journal of Stylistics 12, no. 1 (February 2003): 57–70. http://dx.doi.org/10.1177/096394700301200104.

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This article studies the relevance of an historical lexical analysis to the stylistic description of Modern Hebrew texts. The examination of the lexical make-up of two distinct genres - administrative language and folksong - reveals a correlation between the social functions of the corpora and their formal characteristics. The administrative corpus reflects the lexical structure of standard Modern Hebrew. The folksong, on the other hand, is influenced by literary and ideological considerations. Consequently, it gives expression to the cultural ties with the traditional Hebrew sources by an abundant use of inherited lexicon. The findings suggest that in text-oriented cultures such as Hebrew, stylistic description can benefit from an historical analysis. Such an analysis responds to an intrinsic socio-linguistic characteristic of the language, and complements the structural stylistic analysis. Following Sarfatti (1990), the lexical analysis is based on distinctions drawn within each lexical item between three elements - root, form and meaning. Such a distinction takes account of diachronic changes in the semantic value of lexical items. It pinpoints factors characterizing the corpora’s lexical composition and enables multi-level distinctions between different types of discourse. As a result, it sheds light on one aspect of genre differentiation in the language.

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Gasparyan, Naira, and Arevik Ajamoghlyan. "On Some Functional-Stylistic Peculiarities of the Language of Religion." Armenian Folia Anglistika 5, no. 1-2 (6) (October 15, 2009): 84–92. http://dx.doi.org/10.46991/afa/2009.5.1-2.084.

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Research on the functional-stylistic belonging of different religions has become quite actual. The article examines issues related to this sphere. An attempt has been made to determine important functional-stylistic characteristics of the language of religion through the research of the interrelation of various religions, common language symbols, similarities in the way of thinking of people having different religions, as well as the expressive language and other linguistic phenomena. This can shed light on certain phenomena in this sphere that have not been investigated yet.

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이철희. "Origins of Stylistic and Characteristics of the Poems on Fall by Jeong Hakyeon." DAEDONG MUNHWA YEON'GU ll, no. 92 (December 2015): 229–50. http://dx.doi.org/10.18219/ddmh..92.201512.229.

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Fomin, Andrey G., and Nadezhda S. Karacheva. "Stylistic Characteristics of the Linguosemiotic Model of the Prophetic Text in Synodal Bible." Yazyk i kul'tura, no. 52 (December 1, 2020): 110–22. http://dx.doi.org/10.17223/19996195/52/7.

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Xiaofei, Ren, Li Lanlan, Zhang Chuanrui, Lu Jing, and Liu Feng. "Corpus stylistics of drama in drama translation studies." Babel. Revue internationale de la traduction / International Journal of Translation 60, no. 4 (December 31, 2014): 425–44. http://dx.doi.org/10.1075/babel.60.4.02xia.

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Drama translation studies used to be the most neglected area in translation studies due to its prescriptive approaches and reductionist illusion of polarization of performability and readability. Corpus stylistics of drama, with the aid of computer technology as well as the understanding of the true nature of drama as the dialectical combination of both literary and theatrical characteristics, appears to be a remarkable theoretical framework and methodology for drama translation studies. The study of (im)politeness in Death of a Salesman and its two Chinese versions is undertaken as a case study. ICTCLAS and Concordance 3.0 were used to calculate the high frequent expressions concerning (im)politeness in both the original text and the Chinese versions, followed by the analysis of their stylistic function. It is found that modal particles and slang expressions in Chinese are useful to reconstruct the characterization, plot as well as performability of the translated drama. In conclusion, corpus stylistics of drama is of high feasibility in drama translation studies.

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Hakobyan, Anna. "The Syntactic-Stylistic Devices in the Texts of Constitutions." Armenian Folia Anglistika 4, no. 1-2 (5) (October 15, 2008): 35–38. http://dx.doi.org/10.46991/afa/2008.4.1-2.035.

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Regardless of certain common linguostylistic characteristics typical of all formal texts, each domain, however, possesses a set of features that is specific to it only. In this regard, the linguistic factor in the perception of the constitution is of certain interest. The presence of a number of linguo-stylistic peculiarities can be explained by the communicative function of the language which obtains certain importance here.The article can interest both a linguist and a lawyer, since the knowledge of the peculiarities of the official style and their appropriate application is necessary to ensure successful work in legal procedures.

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Egbert, Jesse, and Luke Plonsky. "Success in the abstract: exploring linguistic and stylistic predictors of conference abstract ratings." Corpora 10, no. 3 (November 2015): 291–313. http://dx.doi.org/10.3366/cor.2015.0079.

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The purpose of this study is to examine the relationship between features of conference abstracts and reviewer scores. Previous researchers have described the discourse structures of abstracts (e.g., Blanco, 2005 ) and have reported on the characteristics of successful abstracts ( Cutting, 2012 ; and Kaplan et al., 1994 ). We build on this research by considering both accepted and rejected abstracts, investigating the relationships between a wide range of linguistic and stylistic features and reviewer scores. The corpus used in this study consists of 287 abstracts submitted to the 2009 Second Language Research Forum. Each abstract was scored according to four criteria by three independent abstract reviewers. Additional coding was carried out by the researchers to measure ten stylistic features (e.g., word counts and number of citations). The Biber Tagger was used to annotate grammatical and lexico-grammatical features. A series of t-tests and Pearson's correlations revealed a number of significant relationships between linguistic and stylistic features and abstract ratings. The results of a stepwise multiple regression showed that 31 percent of the variance in abstract scores can be predicted by a combination of the following: more words, citations, the presence of a Results section, more nouns, no errors, and fewer first-person pronouns. In addition to presenting a comprehensive description of the stylistic and linguistic characteristics of conference abstracts, the findings from this study offer practical recommendations for successful abstract writing in applied linguistics.

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Basalaeva, Elena G., Elena Yu Bulygina, and Tatiana A. Tripolskaya. "Stylistic Qualification of Colloquial Vocabulary in the Database of Pragmatically Marked Vocabulary of the Russian Language." Voprosy leksikografii, no. 20 (2021): 5–22. http://dx.doi.org/10.17223/22274200/20/1.

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The article focuses on the issue of the stylistic ranking (clarification of the system of stylistic labels) and correlation of stylistic labels with emotional and evaluative ones in the electronic lexicographic resource Database of Pragmatically Marked Vocabulary. The resource pursues the goal of the most complete lexicographic portraiture of the lexical meaning that contains pragmatic semantics (ideological, gender, national-cultural and emotional-evaluative). The macrostructure of the Database, criteria for the formation of the glossary, ways of interpreting the pragmatic content are described in the works of the participants in the lexicographic project E.G. Basalaeva, E.Yu. Bulygina, T.A. Tripolskaya. The material of the research is emotional-evaluative vocabulary (mrak, mychat’ (about human speech), vkalyvat’, uzhas, balbes, nytik, myam-lya, etc.) in need of special stylistic (colloquial, vernacular, rude, everyday, etc.) quali-fication. The authors relied on definitional, component and corpus analysis in the study. The study of the main explanatory dictionaries of the Russian language from the stand-point of the placement and correlation of stylistic and semantic labels allows obtaining the following information: 1) about lexicographic traditions relevant to the development of a new dictionary resource; 2) about possible dynamic processes in the field of stylis-tically marked vocabulary; 3) about the hybrid nature of stylistic and semantic labels: in some cases, stylistic labels (without emotional-evaluative ones) are designed to com-bine information about the sphere of use and emotional-evaluative semantics; and sometimes semantic labels, for example, contemptuous or abusive, serves as an indica-tor of colloquial or vernacular use. One of the primary tasks in the lexicography of these lexemes is the development of a possibly consistent system of stylistic and semantic labels. In the Database of Pragmatically Marked Vocabulary, the authors pro-pose to use semantic and stylistic labels in parallel in relation to each other. The created Database makes it possible to present a lexicographic portrait of a pragmatically marked word, the presence and interaction of pragmatic microcomponents, their dy-namics manifested in modern communication. Thus, the article analyzes the systems of vocabulary labels. The stylistic and semantic (emotional-evaluative) labels have been correlated, considering the seme and semantic variation of a pragmatically marked word; the algorithm for the lexicographying of emotional-evaluative semantics, which determines the stylistic characteristics of a word, has been developed.

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Tokaryeva, Tetyana. "PHRASEOLOGISMS AS A MEANS OF STYLISTIC EXPRESSION." Research Bulletin Series Philological Sciences 1, no. 193 (April 2021): 265–72. http://dx.doi.org/10.36550/2522-4077-2021-1-193-265-272.

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The article considers and summarizes the main groups of phraseology in view of their ability to create a stylistic effect in the texts of different functional styles of the German language/ Attention is focused on such types of phraseological inversions as phraseologies that have the feature of a group of words, which include idioms, double forms, and inversions that have the characteristics of sentences, which include proverbs, sayings, aphorisms, winged expressions, sentences and slogans. It is emphasized, that, mainly, phraseology serves in the stylistic arrangement of texts of certain functional styles to express the image-emotional assessment of objects and phenomena. An important aspect is the definition of stylistic functions of phraseology, as they depend on various factors. By areas of use, functional-colored phraseology (phraseology of scientific style, non-terminological phraseology, official-business phraseology) is distinguished. According to the functional style, type of text, stylistic color and other connotations, phraseology can have the following functions: 1) enhancement of clarity and emotionality; 2) expression of personal attitude; 3) strengthening pragmatic influence; 4) euphemistic function. Emotionally expressively colored phraseological units are widely used on oral and written speech, in all functional styles. Phraseology is an effective means of artistic representation. The ability of phraseological units to perform one or another pictorial function is based on their connotative meaning. Phraseologisms are characterized by great imagery, emotionality, expressiveness, stylistic color, potential ability to modify. All this contributes to the dynamism of phraseology, defines them a certain place in the texts of fiction. As a result of the processed material it was found, that neutral phraseology is used in different functional styles, and a group of expressive-phraseological units is used mainly in everyday speech, as well as in texts of fiction and non-fiction.

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Liu, Hu. "An exploration of poetological manipulation on Howard Goldblatt’s translation of Mo Yan’s Life and Death Are Wearing Me Out." Translation and Translanguaging in Multilingual Contexts 7, no. 2 (July 19, 2021): 200–223. http://dx.doi.org/10.1075/ttmc.00071.liu.

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Abstract Drawing on André Lefevere’s rewriting theory, this paper explores how Howard Goldblatt translates Mo Yan’s novel Life and Death Are Wearing Me Out (hereafter referred to as L&D) with regard to poetological manipulation. The paper analyses in detail how the translator rewrites the novel’s poetological features, including its unique linguistic, stylistic and narrative features, to produce a translation which is accessible to the intended audience. On the basis of this analysis, the paper identifies three characteristics of Goldblatt’s poetological rewriting: (1) macro-stylistic consistency with the source text, i.e. overall stylistic conformity to the original work; (2) simplification principle; (3) typical features of authentic English writing. The analysis reveals poetological manipulation in the translation process, from which we infer that rewriting in favour of the target poetological currents is the best way to achieve reader acceptance.

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Safonova, Tatyana. "Functions of Phraseological Units in Detective Prose of B. Akunin." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (November 2019): 130–39. http://dx.doi.org/10.15688/jvolsu2.2019.3.10.

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The author considers the problem of stylistic functions of linguistic units in modern Russian prose works through analyzing phraseological units in the detectives of B. Akunin. The article presents the most frequent types of phraseological units (idioms, set phrases, proverbs, sayings, popular expressions and other types of clichéd utterances) as representation of a personal literary style of this author. The research results point to their stylistic variety with high literary, colloquial, low colloquial, and slang units among them. The major types of phraseological unit conversion are distinguished as a prove of the writer's personal style, including, complete deformation of a component composition of a set phrase, reduction of the lexical length of phraseological units (implication), distribution of any component composition of the unit (explication), combining two or more phraseological units into a single set expression (contamination), replacement of a component in the composition of phraseological units with words of general literary layers (lexical variation), etc. The stylistic functions of all phraseological units under study are interpreted as retro-representation of the language of a certain time period, stylistic imitation of the communicative tone of oral speech, verbal characteristics of the characters who are referred to various social groups, and creation of humorous tone of the story. A comprehensive description of phraseological units used in modern fiction has revealed their artistic and stylistic potential.

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Bahri, Syamsul. "The Different Types of Words Meaning in Minangkabau Proverbs: A Stylistics Approach." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 2 (May 10, 2020): 695–705. http://dx.doi.org/10.33258/birle.v3i2.898.

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The objective of this study is to find out the description of several different types of words meaning in Minangkabau Proverbs based on a stylistic approach. This research uses descriptive qualitative method in which the description and interpretation on the real fact or object of the research done by using Minangkabau proverbs recorded from about 8 respondents of Minangkabau Natives. The library study is also done to find several sources focused on stylistic devices based on different types of word meaning in Minangkabau proverbs. This research uses the theory from (Lethsalu, Liiv, & Mut, 1973). There are two types of stylistic devices, the first types of stylistic devices based on the interaction of lexical and contextual meaning consist of metaphor, metonymy, antonomasia, and irony.The second types of stylistic devices based on different types of word meaning consist of epithet, oxymoron, hyperbole, and meiosis. The findings show that there are several types of word meaning in Minangkabau Proverbs, namely Metaphor 68%, Metonymy 6%, Irony 8%, Epithet 2%, Hyperbole 6%, and Zeugma 10%. The dominant types of word meaning in Minangkabau Proverbs is Metaphor. It shows that people in Minangkabau always use decorated language that uses nature as its object, to show the nature, characteristics or condition of something. Minangkabau people learn about life from nature, the process of something become something better.

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Lebedeva, Ekaterina S., and Tatyana A. Lupacheva. "Linguistic and Stylistic Features of Translingual Writers: Comparative analysis." Polylinguality and Transcultural Practices 16, no. 3 (December 15, 2019): 347–57. http://dx.doi.org/10.22363/2618-897x-2019-16-3-347-357.

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The present research is conducted within the frameworks of language contacts theory, intercultural communication theory, text linguistics and linguacontactology. Creative translingualism is the object of the research. Linguacreative characteristics of translingual fiction are the subject of the research. Fiction written by Russian and Chinese authors in English (Olga Grushin, Irina Reyn, Lara Vapnyar, Anya Ulinich, Gish Jen, Ha Jin, Amy Tan, Jade Snow Wong, Frank Chin, etc.) has served as the material for the analysis. Within the scope of the present research the similarities and differences of linguacreativity in the fiction written by authors belonging to unrelated linguacultures were determined. The range of native culture description means used by translingual writers is very diverse: loan-words, code switching and code mixing, native literature and songs allusions, contaminated speech, usage of English lexical units to transmit significant for native culture events (by attributing culturally specific meanings).

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Bal, Vera Yu, and Elizaveta E. Gutkevich. "Genre and Stylistic Features of the Modern Audiobook." Tekst. Kniga. Knigoizdanie, no. 25 (2021): 156–70. http://dx.doi.org/10.17223/23062061/25/9.

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Modern technological conditions make it possible to create, quickly replicate and use audio books conveniently. Audio books are one of the fastest growing segments of the global publishing market. Informative issues of creating audio books, not technological ones, are in the research focus of the article. The content of an audiobook is a voiced text that refers to the “auditory literature”. Assessments of the quality of the auditory literature are polar. On the one hand, it is considered secondary to the original literary text; on the other hand, it is a self-contained artistic phenomenon with its own aesthetic nature. In this article, an audiobook is considered precisely in the aspect of its artistic value, which is highlighted when speaking about the genre nature of the voiced text. The genre features of the voiced text in this study are identified taking into account the communicative features of its formal-stylistic features. The communicative nature of the audiobook genre is associated with two types of reading, which reflect the opposite positions of the two participants in communication. On the one hand, this is an expres-sive reading aloud, which can also be defined as staged reading. Genetically, this type of reading is associated with public performances of artists and initially assumed live reading. Further, this type of reading is transformed into the genre of radio plays, called “theater at the microphone”. In modern communicative practices of creating and repli-cating audio content, including one related to the actor’s readings of works of art, there is no binding to time and place. On the other hand, this is auditory reading, a modifica-tion of which is audio reading in modern technological conditions. If auditory reading is the first reading practice of a child mastering books from the voice of a parent, then audio reading is the choice of an adult who can read. The acoustic representation of a literary work is associated not only with the performance of elementary technical characteristics of sound, but also with the introduction of a certain aesthetic value into it. The creative translation of a literary text from verbal to acoustic should preserve its value in the aesthetic plane, without reducing it to a purely pragmatic one. Actualization of the aesthetic value of an audiobook outside of its paper format is associated with the principles of its directing and editorial preparation – the principles associated with the implementation of the stylistic characteristics of the genre form of an audiobook. Translation of a verbal literary text into an audio one is carried out as a result of comparing reading a book to dramatic action. In this case, the forming element of the genre becomes the sounding text itself. In the case of audio books, the reader’s voice as a performer’s instru-ment and the musical noise accompaniment of the text read is a style-forming genre element. The article traces the publishing strategies for the embodiment of the formal-stylistic features of the audiobook genre in the context of modern audio cultural practices.

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Journal articles on the topic 'Stylistic characteristics'

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