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Books on the topic 'Stylistic-Discourse Analysis'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Chhibber, S. D. S. Poetic discourse: An introduction to stylistic analysis. Sterling Publishers Private Ltd., 1987.

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2

Naciscione, Anita. Stylistic use of phraseological units in discourse. John Benjamins Pub. Co., 2010.

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3

Marley, Carol Nicola. Stylistic implications of discourse analysis: With special reference to R.E. Longacre's theory of narrative analysis. University of Birmingham, 1987.

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4

Kadhim, Kais A. A discourse analytical approach to stylistic variations employed in Arabic translation of English news stories: Transmitting political news across linguistic and cultural boundaries. Edwin Mellen Press, 2011.

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5

Kislicyna, Natal'ya, and Ekaterina Novikova. Genres sports discourse: linguistic and cognitive aspect. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1077732.

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The monograph is devoted to the study of the phenomenon of "discourse" from the perspective of its institutionality. The focus of research interest is sports discourse, presented in the form of a complex conceptual space with a particular genre-stylistic and pragmatic characteristics. As a material of study are sports articles, sports interviews and sports commentary, considered as genres of sports discourse, allocated according to criteria focus of the text and its function. The use of frame analysis, content analysis and conversational analysis have shown the peculiarities of represent

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6

Boccali, Giuliano, and Elena Mucciarelli. Stylistic devices in Indian literature and arts: Gargnano del Garda, September 16-18, 2010. Cisalpino, Istituto editoriale universitario, 2013.

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7

Chibber, S. D. S. Poetic Discourse: An Introduction to Stylistic Analysis. Stosius Inc/Advent Books Division, 1987.

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8

On the discourse of satire: Towards a stylistic model of satirical humor. John Benjamins, 2003.

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9

Simpson, Paul. On the Discourse of Satire: Towards a Stylistic Model of Satirical Humour. Benjamins Publishing Company, John, 2003.

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10

Simpson, Paul. On the Discourse of Satire: Towards a Stylistic Model of Satirical Humour. Benjamins Publishing Company, John, 2003.

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11

On the Discourse of Satire: Towards a Stylistic Model of Satirical Humour. Benjamins Publishing Company, John, 2003.

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12

Theory of Stylistic Rules in English. Taylor & Francis Group, 2013.

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13

Rochemont, Michael. Theory of Stylistic Rules in English. Taylor & Francis Group, 2015.

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14

Style-shifting in public: New perspectives on stylistic variation. John Benjamins Pub. Co., 2012.

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15

Language of Suspense in Crime Fiction: A Linguistic Stylistic Approach. Palgrave Macmillan Limited, 2017.

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16

Rochemont, Michael. Theory of Stylistic Rules in English (RLE Linguistics a: General Linguistics). Taylor & Francis Group, 2014.

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17

Rochemont, Michael. Theory of Stylistic Rules in English (RLE Linguistics a: General Linguistics). Taylor & Francis Group, 2014.

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18

Agawu, Kofi. Topics and Form in Mozart’s String Quintet in e Flat Major, k. 614/i. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0018.

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This chapter explores the nature of the relationship between topics (understood, following Leonard Ratner, as “subject[s] to be incorporated into a musical discourse”) and form. An introductory section notes the sometimes precarious disposition of topics and acknowledges the heterogeneous nature of the topical universe. This is followed by a description of the role of topics in each of the fifteen periods that make up this sonata-form movement. In addition to confirming that topics typically give profile to tonal-harmonic and phrase-structural processes, the analysis notes the relationship bet

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19

Branham, R. Bracht. Inventing the Novel. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841265.001.0001.

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Bakhtin as a philosopher and a student of the novel is intent upon the novel’s role in the history of consciousness. His project fails if he is wrong about the dialogic nature of consciousness or the cultural centrality of the novel as the only discourse that can model human consciousness and its intersubjective character. Inventing the Novel is an argument in four stages: the Introduction surveys Bakhtin’s life and his theoretical work in the 1920s, which grounded his work on the novel, as investigated in following chapters. Chapter 1 sketches Bakhtin’s view of literary history as an agonisti

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20

Türk, Johannes. At the Limits of Rhetoric. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.40.

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This chapter analyzes the systematic relationship of Carl Schmitt’s oeuvre to rhetoric, arguing that his work cannot be detached from its engagement in a simultaneously metaphysical and historical polemic. The encounter between history and metaphysics manifests in the dimension of the commonplace. Schmitt’s contributions to political theory can be understood as attempts to shift the commonplaces through which his time defines itself. Tracing the influence of Schmitt’s early literary criticism on his legal writing, the chapter demonstrates that for him, literature is a school of rhetoric, an ex

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21

Dinter, Martin T., Charles Guérin, and Marcos Martinho dos Santos, eds. Reading Roman Declamation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.001.0001.

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Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity. In so doing, it draws attention to the complexity of these texts, and maps out, for the first time, the socio

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22

Pescarini, Diego. Romance Object Clitics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864387.001.0001.

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This book focuses on the evolution of object clitic pronouns in the Romance languages. It aims to explore the empirical facets of cliticization and elaborate on the theoretical ramifications of the topic. On the empirical side, the book deals with data ranging from Latin to modern languages and less well-known dialects from all areas of Romance. Medieval vernaculars take centre stage both in the reconstruction of the evolution from Latin to Romance and in the modelling of clitic placement in the modern languages. Syntactic, phonological, and morphological aspects are examined, but the main foc

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