Dissertations / Theses on the topic 'Stylistic functions'

The paper focuses on the analyses of stylistic peculiarities in newspaper headlines. It provides an overview of stylistics, functional styles (newspaper style in more detail), and features of headlines. Also stylistic devices are reviewed and classified. In the empirical part 150 headlines are analyzed while 56 of them are provided as illustrative examples and analyzed in greater detail. Stylistic devices found in the newspaper headlines are allocated to the group they belong to and where it is possible classification of a stylistic devices is provided.<br>Darbo paskirtis - stilistinių ypatybių analizė laikrščių antraštėse. Yra pateikiama teorinė medžiaga apie stilistiką, funkcinius stilius (laikraštinis stilius aptariamas smulkiau) ir antraščių savybės. Taip pat apžvelgtos stilistinės priemonės ir pateikta jų klasifikacija. Empirinėje dalyje yra išanalizuota 150 antraščių ir 56 pateiktos kaip pavyzdžiai ir išanalizuoti detaliau. Stilistinės priemonės rastos laikraščių antraštėse priskirtos grupei kuriai jos priklauso ir kur yra įmanoma, pateikiama stilistinės priemonės klasifikacija.

Great design is often the result of intelligent balancing of tradeoffs and leveraging of synergies between multiple product goals. While the engineering design community has numerous tools for managing the interface between functional goals in products, there are currently no formalized methods to concurrently manage stylistic form and functional requirements. The purpose of the work in this dissertation is to formalize ways to coordinate seemingly disparate but highly related goals of stylistic form and functional constraints in both computational design and for human designers. This work aims to provide a cohesive framework where both computational and cognitive findings are brought together to mutually inform and inspire the design process. First, this problem was approached computationally with the development of an Artificial Neural Network based machine learning system that allows consumer judgments of stylistic form to be modeled quantitatively. Coupling this quantitative model of stylistic form with a Genetic Algorithm enables computers to concurrently account for multiple objectives in the domains of stylistic form and function within the same quantitative framework. This coupling then opens the door for computers to automatically generate products that not only work well, but also look good doing it. Second, this problem was approached cognitively to explore ways to help human designers manage different goals of stylistic form and function more efficiently and effectively. An experiment was conducted which suggests that designers may sometimes have trouble fully utilizing knowledge they already have for managing different goals in design problems. This experiment shows evidence that analogical inspiration can help designers to overcome this knowledge block to more intelligently balance tradeoffs and leverage synergies in engineering design.

En aquesta tesi estudiem els neologismes des de la perspectiva de la seva funció comunicativa. Més concretament, revisem els conceptes neologia denominativa i neologia estilística, que es corresponen amb la classificació més estesa per agrupar els neologismes d’acord amb la seva funció. Tanmateix, aquesta proposta ha rebut diverses crítiques tant en relació amb els trets utilitzats per caracteritzar tots dos tipus de neologismes, com la seva conceptualització com a categories oposades i l’exclusió o subordinació d’altres funcions dels neologismes. Per aquest motiu, el nostre objectiu consisteix a estudiar els conceptes utilitzats per caracteritzar els neologismes des del punt de vista de la seva funció, que inclou aspectes lingüístics i extralingüístics, és a dir, funcionals, sociolingüístics, discursius i pragmàtics. A partir d’aquí, dissenyem una proposta metodològica per identificar els neologismes amb valors prototípicament denominatius, estilístics, de tots dos tipus o no prototípics de cap d’aquests dos valors. Els resultats de l’anàlisi mostren que, per una banda, els criteris aïllats es complementen entre si per caracteritzar un conjunt de neologismes en relació amb la seva funció i, de l’altra, permeten observar que aquestes categories no es comporten de forma oposada ni són suficients per explicar aquest fenomen.<br>This PhD dissertation is devoted to the study of neologisms from the perspective of their communicative function. In particular, it reviews the concepts denominative neology and stylistic neology, which make up the classification most widely used to sort neologisms according to their function. However, this classification has received criticism regarding the features used to characterise both types of neologisms, their representation as opposing categories and the exclusion or subordination of other functions of neologisms. For this reason, our goal is to study the concepts used to characterise neologisms from the point of view of their function, which include linguistic and extra-linguistic aspects such as functional, sociolinguistic, discursive and pragmatic features. As a result, we have designed a methodological proposal in order to identify prototypical neologisms with either denominative or stylistic values, with both values, or with neither. The results of the analysis show that, on the one hand, the isolated criteria complement each other and they help to characterise a group of neologisms according to their function and, on the other hand, we can see that these two categories are not opposing and they are not enough to explain this phenomenon

The up-to-date scientific and technical language changes permanently due to increasing influence of technology and that of the scientific and technical texts in everyday communication. Due to the growing number of scientific publications, to find the necessary information is becoming ever complicating task. Annotation texts (AT) of scientific- technical articles signal about publishing of new researches, articles and help readers to find out article they are interested in. When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/34691

The ancient Egyptians portrayed themselves as more than adept at preparing and executing a battle plan and this is clearly shown in the archaeological and textual record. There is, however, a tendency by the Egyptians to oversimplify the nature of battle, depicting an idealisation of the real situation, purely focused on the role of the king or the service to the king by an elite individual. This is best portrayed in royal mortuary complexes, such as that of Ramesses III at Medinet Habu, where a series of depictions and associated inscriptions on the walls of the temple display the king fighting the might of the Sea People and Libyan invaders, all but single handedly. In a similar vein high officials, such as Ahmose-Pen-Nekhbet from EI-Kab (Urk IV: 32-39), describe how they contributed to the king's army and how their personal prowess on the battlefield had expanded the borders of Egypt. These texts and depictions are often the subject of modern scholarly analyses (such as Goedicke 1985: Shaw 1996: Spalinger 2005), with the material of the battlefield confined to technological analyses (Shaw 2001), typological assessments (Davies 1987) and general discussions (including Littauer and Crouwe11979: McLeod 1982: Shaw 1991). The capabilities of the weapons themselves are rarely considered to any great degree, largely as a result of most of the weaponry being found in a funerary context, and as a consequence are more readily thought to be ceremonial in function rather than a representation of military activity. In fact some scholars have been actively downplaying the evidence for warfare in the Bronze Age, instead describing weapons as having an almost entirely ceremonial purpose, only occasionally (if at all) being used for fighting. Philip (1989, 2003) and Whittle (1985) in particular focus on the social, religious and ceremonial aspects with Philip (2003: 186) noting that styles and fashions may have been as important as mechanical efficiency. This is especially true for weapons of the elite, who may have had weapons designed for semi-ritualised combat between champions, rather than for largescale battles. These ideas have led to the commonly discussed concept of the 'peaceful savage' though this has become less popular in recent years with Bridgford (1997: 7) considering it to be a result of a misplaced scholarly nicety and Keeley (1996), among others, being keen to move away from this perceived idealisation. Instead more practical assessments of weaponry have emerged, with Hulit (2002), Molloy (2007) and Peatfield (2007) attempting to determine how effective their respective weapons were as fighting instruments. These analyses very much return to the concepts established by Yadin (1963) who established a function-efficiency focused model, with civilisations developing weapons on the basis of whom they were fighting and the capacity of these artefacts to demonstrate their ability to successfully attack their enemies. It is certainly true that some weapons would have been status symbols, others used for hunting, and possibly worn for ceremonial purposes, but to what degree distinctions were made between a fighting weapon and a ceremonial one is unclear. Were they the same thing or was a specially produced version utilised in 'ritualised warfare'? To what extent these ideas have merit are the subject of this thesis. Studying weapons from Bronze Age Egypt and the Near East the production and design of individual weapons will be considered in the context of function and use within the ancient culture. Chemical analysis and a metallographic study of a number of weapons will be utilised to determine how these weapons were produced, why certain styles were utilised, and whether these weapons were merely religious and social representations of masculinity or whether they had the capability to be successfully used in a battle.

Like any other sphere of linguistic use, the media language reflects the mobility and variability of the system, which is marked not only by the national color, but also deepened by the communicative element, the peculiarities of stylistic use, the connotative nuances of the use of words, anthropocentric paradigm.

This study analyzes the register of television sports announcers in Major League Soccer broadcasts, based on six 20-minute transcription samples. The first part considers individual linguistic features and inquires whether they fulfill a communicative function or whether they are of stylistic nature. In an effort to attract more viewers in the United States, production companies had originally adopted the duality model of a play-by-play announcer and a color commentary from other American sports, while many other countries traditionally feature only one commentator. Consequently, the second part of this discourse analysis will focus on the cooperative interactional behavior. The conclusion will be drawn that the register of live action announcing, in contrast to halftime as well as pre- and post-game reporting, is based on cooperative principles. Moreover, both the individual and the collaborative linguistic variables mostly reflect an effort to protect one’s own and the colleague’s public image.

У центрі уваги дослідження постає прагматична сторона перекладу звертань і завершальних формул ділових листів з урахуванням фактора адресата і внутрішньостильових зміщень німецької та української мов. На матеріалі зіставного аналізу паралельних текстів німецькомовних та україномовних ділових листів відзначено їх характерні особливості функціонування і відтворення у відповідній мовній культурі.<br>The research focuses on pragmatic aspects of translation of introduction and conclusion phrases in business letters inclusive of the factor of an addressee and inner stylistic shifts of German and Ukrainian languages. Based on the material of parallel texts analysis of German and Ukrainian business letters their typical peculiarities of functioning and rendering in appropriate language culture are pointed out.

This study examines the female protagonist Petra von Pahlen in Agnes von Krusenstjerna’s novel Den blå rullgardinen (The blue blind). The aim of the study is to make a stylistic examination of narrative perspective, relations, and agency in several text passages from the novel, to find out how the language of the text shapes Petra von Pahlen as a female character. To see whether the linguistic choices and functions of the text form Petra as an active or passive person, her relation to four other characters in the novel are examined. The material consists of 39 passages of text taken from 10 chapters of the novel, all of which dealing specifically with Petra’s part of the story. Literary theories used for the study are narratology and systemic-functional grammar. The applied methods for analysing the passages are a selection of syntactic and semantic markers compiled by Staffan Hellberg (1985) for stylistic analysis of narrative perspective in Swedish literary texts, and a selection of the tools for investigation of transitivity and ergativity in texts available through the systemic-functional theory of grammar by Michael Halliday (2014). The results show that the narrative perspective used in the text passages are mostly internal focalization, and that the most frequently used stylistic markers are expressions for perception and reflection, similes, metaphors, and words expressing value. The results also show that Petra is most frequently realized through the participant roles of Senser in mental processes, and Goal in material processes. In the ergative analysis Petra is most frequently realized in non-ergative clauses through the participant role as Medium, both in terms of first and second participant; she is seldom realized as Agent. From the quantitative results of the study, Petra can be viewed as a passive character, however an argumentation based on previous research from the fields of literary science and feminist literary stylistics also suggests an interpretation, where the context and themes in the novel, together with an awareness of the different ‘meanings’ of linguistic features, provide a less powerless position for Petra.

Dans la thèse sont étudiées les particularités lexico-sémantiques et les fonctions stylistiques de l'argot utilisé dans le théâtre et le cinéma français contemporains, les transformations que subit l'argot dans les adaptations des récits littéraires au cinéma. Principalement stylistique, la thèse s'inscrit également dans les problématiques de la sociologie<br>The thesis is about lexico-semantic properties and stylistic functions of slang used in contemporary French theatre and cinema, its transformations in movies adapted from literature. The research is focused mainly on stylistic aspects, but also refers to sociolinguistics

The present study investigates the translation of dialectal elements in literary texts from the German and Swedish linguistical and cultural areas. Translation theory generally advises against the translation of dialectal elements in standard language texts thereby implicitly questioning their creative and communicative function. The aim of the study is to investigate to what extent the dialectal elements in the source text are translated by corresponding dialectal elements in the target text thereby promoting a "cultural transfer" or whether a translation method based on translation theory is used. The linguistic material from the novels Die Räuberbande by the German author Leonhard Frank, Tjärdalen by the Swedish author Sara Lidman and Kapten Nemos bibliotek by the Swedish author Per Olov Enquist is microanalyzed. In doing so, the phonetical-phonological, morphological and syntactical dialectal features in the three source texts are treated methodically and are exemplarily and systematically presented together with their translation variants in the target language. The study focuses mainly on the translations of dialectal lexicology, which is investigated according to its contrastive function regarding the translations of standard language, thereby examining its adequacy. By including all the dialectal lexemes appearing in the works and their translations empirical dates have been compiled as a result of the translation methods. The study´s analyses demonstrate that dialectal elements are mainly translated into standard language, that a large part of dialectisms is paraphrased and that a small part is rendered by spoken language without regional limits. A tendency towards increasing use of dialectal elements through the times can be detected as well as a propensity to adapt the translation to the stylistical preferences in the receiving country. Thus, "cultural transfer" is not promoted.

Univerzita Karlova v Praze Filozofická fakulta Ústav germánských studií Oddělení skandinavistiky Diplomová práce Taťána Hušková ZPRÁVA A REPORTÁŢ - STYLISTICKÁ ANALÝZA ZPRAVODAJSKÝCH ÚTVARŮ V DÁNŠTINĚ (NEWS REPORT AND REPORTAGE - STYLISTIC ANALYSIS OF NEWSPAPER REPORTING GENRES IN DANISH) Vedoucí diplomové práce: Doc. PhDr. Marie Vachková, Ph.D. Praha, srpen 2012 Za pomoc při vypracování diplomové práce děkuji Doc. PhDr. Janě Hoffmannové, DrSc. a za laskavé vedení Doc. PhDr. Marii Vachkové, Ph.D. Prohlašuji, že jsem diplomovou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. ................................................ V Praze, dne 15. srpna 2012 Resumé Tato diplomová práce si klade za cíl zmapovat hlavní rysy zpravodajského stylu v dánštině srovnáním vybraných zpravodajských útvarů - zprávy a reportáže - a uplatněním metody stylistické analýzy několika zpravodajských textů, které popisují shodnou událost, což je nezbytným předpokladem pro komparativní stylistickou analýzu. Samotné analýze předchází teoretická část, v níž se snažím vymezit základní terminologii stylistiky, která vychází z funkčního přístupu ke stylu. Zde čerpám především ze stylistických...

Лисенко В. В. Стилістичні функції ускладнювальних компонентів у романі В. Шкляра “Ностальгія” : кваліфікаційна робота магістра спеціальності 035 «Філологія» / наук. керівник Л. М. Стовбур. Запоріжжя : ЗНУ, 2020. 58 с.<br>UA : Текст роботи містить 58 сторінок Для виконання кваліфікаційної роботи дібрано 150 синтаксичних одиниць, опрацьовано 52 наукових джерела. Об’єктом дослідження були однорідні члени речення, відокремлені, уточнювальні, вставні та вставлені конструкції, звертання у романі В. Шкляра «Ностальгія». Предмет дослідження – стилістичні особливості вживання ускладнювальних компонентів у романі В. Шкляра «Ностальгія». Метою роботи стало дослідження стилістичних можливостей однорідних членів речення, відокремлених, уточнювальних членів речення, вставних і вставлених конструкцій, звертань у творі. Завдання роботи: простежити динаміку дослідження стилістичного синтаксису; з’ясувати роль ускладнювальних компонентів у тканині художнього твору; виявити синтаксичні особливості ідіостилю В. Шкляра; дослідити стилістичну роль ускладнювальних компонентів у романі В. Шкляра «Ностальгія». Дослідження велося із застосуванням описового методу, що передбачає лінгвістичне спостереження, узагальнення та класифікацію матеріалу.<br>EN : Thesis of the educational and qualification level “Master” “Stylistic functions of complicating components by V. Shklyar novel “Nostalgia”” contains 58 pages. 150 syntactic units were selected for the qualification work, 52 scientific sources were processed. The object of the study were homogeneous members of the sentence, introduced and introduced constitutions, constituent components, appeals in the novel by V. Shklyar “Nostalgia”. The subject of research - stylistic features of the placement of complex components in the novel by V. Shklyar “Nostalgia”. The aim of the work was to study the stylistic possibilities of homogeneous members of the sentence, insert and insert constructions, appeals in the work. Tasks of work: to trace the dynamics of the study of stylistic syntax; cancel the role of complicating components in the tissues of the work of art; to identify syntactic features by V. Shklyar idiostyle; to investigate the stylistic role of complicating components by V. Shklyar novel “Nostalgia”. The study was conducted using a descriptive method which provides for linguistic observation, generalization and classification of the material.

Дем'яненко А. Е. Лінгвостилістика портретопису в оригіналі і перекладі роману В. С. Моема «Театр» : кваліфікаційна робота магістра спеціальності 035 "Філологія" / наук. керівник І. М. Шама. Запоріжжя : ЗНУ, 2021. 70 с.<br>EN : The work is presented on 70 pages of printed text. The list of references includes 84 sources. In the course of the linguistic and stylistic analysis of the portrait of Julia Lambert, certain features of the portrait of William Somerset Maugham were identified. Having considered the definitions of the portrait, we found out that at first the definition of the portrait was narrow and meant only the appearance of the person being portrayed, and then other features of the character began to be added to the portrait, bringing the portrait closer to creating the image of the character. In general, the functions of the portrait are almost identical with the functions of the text and are reduced to such a representative or informational function, an appellative or motivating function and an expressive function. And after analyzing Julia's portrait at a hypothetical level, we highlighted that the author uses a description of a certain characteristic instead of using one adjective, and also that the author of the fictional work "Theater" almost does not use the description of Julia's figurative data, separating only with short phrases about what is suitable her data. The author characterizes Julia not as a person, but as a professional actress, for whom life is a game. At the textual level of the artwork "Theater", we came to the conclusion that Julia's portrait painting is connected with the plot of the work and one cannot consider the plot separately from the portrait painting, or portrait painting separately from the plot. At the extra-textual level of linguistic-stylistic analysis, certain patterns of the artistic work "Theater" with the private life of the author, William Somerset Maugham, were revealed.<br>UA : Робота викладена на 70 сторінках друкованого тексту. Перелік посилань включає 84 джерела. Об’єктом дослідження є портрет персонажу в художньому творі з огляду на потреби перекладацької практики. Предметом дослідження є лінгвостилістичні особливості портретопису Джулії Ламберт в оригіналі і перекладах художнього твору «Театр» В. Сомерсета Моема. Мета дослідження – дослідити, яким чином формується портрет персонажу засобами лінгвостилістики і як це сприяє створенню адекватного перекладу. Відповідно до мети достідження ми ставимо такі задачі: 1) розглянути дефініції портрету та функціональні особливості портрету і з’ясувати, що таке лінгвостилічний аналіз; 2) зробити лінгвостилістичний аналіз портретопису Джулії Ламберт. У роботі використано загальнонаукові методи дослідження. Методологічну основу дослідження складають праці вчених, які досліджували проблему портретопису (А. Н. Беспалов, Е. А. Ведерніков, В. М. Мініна), тексту ( Л. Ю. Максимов, Ю. М. Лотман) та адекватного перекладу (В. Н. Комісаров). Практичне значення одержаних результатів. Матеріали дипломного дослідження можуть бути використані під час подальших наукових розробок, у вивченні перекладознавства (теорії і практики перекладу), стилістики, інтерпретації тексту, теорії художнього твору, практики англійської мови.

Проблеми синтаксису здавна привертали до себе увагу лінгвістів, адже саме речення найшвидке та найчуттєвіше реагує на мовленнєві зміни. Речення – найгнучкіша та найбільш змінна структура. Це призводить до появи нових питань та явищ, які потребують докладного пізнання та аналізу. До таких актуальних проблем належить і питання категорії вставності, оскільки на сьогодні дослідження, пов’язані зі вставними та вставленими конструкціями, не розв’язують повністю проблему їх становлення та розвитку у системі мови. Мета магістерської роботи – описати різновиди вставних та вставлених конструкцій, репрезентованих у лінгвостилі Г. Тютюнника, з`ясувати їх стилістичні функції у мовотворчості митця. Для досягнення мети дослідження нами були поставлені наступні завдання: 1. З`ясувати природу вставних та вставлених структур; 2. Схарактеризувати історію вивчення вставних та вставлених конструкцій; 3. Виявити різновиди вставних та вставлених конструкцій, реалізованих у творчості Г. Тютюнника, описати особливості їх репрезентації; 4. З`ясувати стилістичні функції означених структур мовотворчості письменника.<br>Problems of syntax have long attracted the attention of linguists, because the sentence itself is the fastest and most sensitive to speech changes. Sentences are the most flexible and variable structure. This leads to the emergence of new issues and phenomena that require detailed knowledge and analysis. Such topical issues include the question of the category of insertion, because today research related to inserted and inserted constructions does not completely solve the problem of their formation and development in the language system. The goal of the master's work is to describe the types of inserted and inserted constructions represented in the linguistic style of G. Tyutyunnyk, to find out their stylistic functions in the artist's language creation. To achieve the goal of the study we set the following tasks: 1. To find out the nature of inserted and inserted structures; 2. Describe the history of the study of inserted and inserted structures; 3. Identify the types of inserted and inserted constructions, realized in the work of G. Tyutyunnik, describe the features of their representation; 4. To find out stylistic functions of the specified structures of language creation of the writer.

The Master's thesis studies the genre of promotional booklet of educational institutions. Promotional booklet is considered as a complex speech genre, based on information speech genres. The research formulates the concepts of the author and the recipient of these texts, the author characterizes promotional booklets of educational institutions from the perspective of functional stylistics and stylistic tools. The author carried out a comparative diachronic analysis of promotional booklets of USU, Ural State Technical University and UFU.<br>Магистерская диссертация посвящена изучению жанра рекламного буклета образовательного учреждения. Рекламный буклет описан как комплексный речевой жанр, в основе которого — информационные речевые жанры. В работе сформулирована концепция автора и адресата данных текстов, дана характеристика рекламных буклетов образовательных учреждений с точки зрения функциональной стилистики и стилистики средств. Автором проведен сопоставительный диахронный анализ рекламных буклетов УрГУ, УГТУ-УПИ и УрФУ.

1 Summary The thesis entitled Diminutives and Augmentatives in Contemporary Romanian Language and their Stylistic Use is focused on determining a classification which could describe every stylistic function of expressive words. The method I chose was to analyze three stylistic areas, create lists of expressive words with context and evaluate the results. From the beginning, it was evident that there were many connections between diminutives, augmentatives on one part and pejoratives on the other. That is a reason why I extended this thesis to cover also pejorative words. Firstly, I would like to describe the structure of this study. I decided to divide it into two parts. The first one is theoretical (1.0), and its aim is to synthesize information about suffix derivation and about diminutives, augmentatives and pejoratives in the Romanian language. In different linguistic studies, we find different classifications of observed suffixes and also their different quantities. Having reviewed these linguistic studies, I chose one which I found the best organized and, based on my own analysis, I also added some observations regarding the theory (2.4.5). Basically, there are two more suffixes which should be classified as diminutive (-ež, -uşă) and two as augmentative (-ime, - andru). Next theoretical topic to...

This paper analyzes the functions of stylistic figures in the Russian newspaper text. Material was from the texts of different genres, published in the Central Newspapers of Russia. We analyze anaphora, syntactic parallelism, parcelling. Different logical and expressive function of the mentioned figures. We identify and describe the semantic and stylistic varieties of each figure.<br>Работа посвящена анализу функционирования стилистических фигур в русском газетном тексте. Материалом послужили тексты разных жанров, опубликованные в центральных газетах России. Анализируются фигуры анафора, синтаксический параллелизм, парцелляция. Различаются логическая и экспрессивная функция названных фигур. Выделены и описаны семантико-стилистические разновидности каждой из них.

The dissertation surveys the use of expressions of futurality in professional economic texts (the linguistic part). In addition, it investigates didactic aspects of futurality in the process of English as a second language acquisition, focusing on undergraduates in the study programme B 6208 - Economy and Management (the didactic part). The topic was chosen on the basis of the author's empirical experience and the results of pre-tests in the target group. The research is based on a corpus-based linguistic study. Seven representative monographs written by native speakers were selected as a source of relevant information about the use of futural constructions in a written economic text. All the sources were explored by means of corpus query software and instances of selected futural constructions (will, shall, be going to, be about to, be on the point of, be (due) to and the present tense) were excerpted. Functions of the futural constructions were elaborted on the basis of the numerous excerpts and confronted with English for specific (economic) purpose textbooks that are used widely at Czech economic universities. To prove or disaprove their mutual interdependence, the correlation of general language and specific language proficiencies of undergraduates from two universities was measured....

The aim of this thesis is to contribute to the knowledge of linguistic tools typical for French political discourse. The thesis is based on an analysis of selected political speeches of former French President Nicolas Sarkozy. It tries to capture how a change in a specific political situation of a particular author can affect communicative strategies, discursive practices, and then select the linguistic tools due to the addressee in a particular communicative situation and the communicative intention. The first part of the thesis is focused on the rhetoric and stylistics, which contribute to the typological definition of texts falling within the French political discourse. The second part is based on an analysis of three essential political speeches Nicolas Sarkozy.

Фокіна М. Л. Експресивні засоби впливу в текстах всеукраїнських газет 2014-2020 рр. : кваліфікаційна робота магістра спеціальності 035 ‟Філологіяˮ / наук. керівник С. В. Сабліна. Запоріжжя : ЗНУ, 2020. 66 с.<br>UA : Текст роботи містить 66 сторінок. Для виконання кваліфікаційної роботи опрацьовано 64 наукові джерела. Об’єктом дослідження була система засобів вираження мови української преси XXI століття (матеріали всеукраїнських газет за 2014-2020 рр.). Предметом вивчення – експресивне словотворення, морфологічні та синтаксичні засоби експресивізації мови української преси XXI століття. Мета роботи: аналіз експресивного словотворення та морфологічних і синтаксичних виразних засобів у мові української преси XXI століття (2014 – 2020 років). У процесі дослідження виконано такі завдання: 1) обґрунтовано теоретичні засади витлумачення категорії експресивності; 2) виявлено особливості словотворчих і морфологічних засобів в українських газетах; 3) встановлено стилістично-синтаксичні маркери газетного дискурсу; 4) доведено залежність семантики виразності від контексту, частота використання стилістично виразних одиниць. Методи дослідження – описовий метод, систематизації, порівняння і статистична обробка практичного матеріалу.<br>EN : Qualification work of the bachelor ‟Expressive means of influence in the texts of all-Ukrainian newspapers of 2014-2020ˮ; contains 66 pages. 64 scientific sources have been processed to perform the qualification work.The object of the study is the system of means of expression of the language of the Ukrainian press of the XXI century (materials of all-Ukrainan newspapers for 2014-2020). The subject of study is expressive word formation, morphological and syntactic means of expressing the language of the Ukrainian press of theXXI century. Purpose of the study: analysis of expressive word formation and morphological and syntactic means of expression in the language of the Ukrainian press of the XXI century (2014 - 2020). The following tasks were performed during the research: 1) the theoretical bases of interpretation of the category of expressiveness are substantiated; 2) features of word-forming and morphological means in Ukrainian newspapers are discovered; 3) stylistic and syntactic markers of newspaper discourse are established; 4) the dependence of the semantics of expressiveness on the context, the frequency of use of stylistically expressive units is proved. Research methods - descriptive method, systematization, comparison and statistical processing of practical material.

The topic of the present graduation thesis is “Compound Adjectives in English-language and German-language Printed Media Texts and the Means of Their Translation into Russian”. The purpose of the investigation lies in revealing the functional and stylistic properties of compound adjectives in English- and German-language printed media texts and analyzing the means of their translation into Russian with regard to the abovementioned features. The subject of the research is compound adjectives in English- and German-language printed media texts and their correspondences in the translations of such texts into Russian published at http://inosmi.ru/. The scope of the research includes functional and stylistic properties of compound adjectives in English- and German-language printed media texts and the means of their translation into Russian with regard to the abovementioned features. The methodic system applied results from the targets set and has a complex character. The leading method is a comparative research. The linguistic description is based on general scientific techniques such as induction and deduction as well as synthesis, analysis and classification. Separate tasks of the research required the use of a stylistic and functional analysis of the translation units and statistic method. The linguistic material was collected with the use of the simple random sampling. The research reveals and systemizes the functions and stylistic properties of compound adjectives in English- and German-language printed media texts and the means of their translation into Russian with regard to the properties revealed. The results of the research may be used as a teaching material for students majoring in translation at stylistics and translation practice classes and also as a guidance for translation of publicistic texts from English and German into Russian.<br>Тема выпускной квалификационной работы – «Композитные прилагательные в англоязычных и немецкоязычных печатных медийных текстах и способы их передачи при переводе на русский язык». Цель исследования заключается в выявлении функциональных и стилистических особенностей сложных прилагательных в англо- и немецкоязычных печатных медийных текстах и анализ способов передачи таких сложных прилагательных при переводе на русский язык с учётом выявленных особенностей. Объектом исследования данной работы послужили сложные прилагательные в англо- и немецкоязычных печатных текстах СМИ и их соответствия в переводах таких текстов на русский язык, опубликованных на сайте http://inosmi.ru/. Предметом исследования явились функционально-стилистические характеристики сложных прилагательных в англо- и немецкоязычных печатных медийных текстах и способы передачи таких сложных прилагательных при переводе на русский язык с учётом вышеуказанных характеристик. Методика исследования вытекает из сути поставленных задач и носит комплексный характер. Работа выполнена в русле сопоставительного метода. Лингвистическое описание базируется на общенаучных методах индукции и дедукции, а также анализа, синтеза и классификации. Для решения отдельных задач исследования использованы функционально-стилистический анализ единиц перевода и оригинала, а также статистический метод. Сбор языкового материала осуществлялся методом простой случайной выборки. В ходе исследования впервые выявляются и систематизируются функции и стилистические черты композитных прилагательных в печатных текстах СМИ и приёмы передачи при переводе таких прилагательных с учётом указанных особенностей. Результаты исследования могут быть применены для целей обучения студентов переводческих специальностей на занятиях по стилистике и практике перевода, а также при переводе публицистических текстов с английского и немецкого языков на русский язык.

Rozprawa doktorska „Język i styl młodego pokolenia Białorusinów w kontekście przemian kulturowych” jest poświęcona dyferencjacji stylistycznej współczesnej białoruszczyzny w rzeczywistości wirtualnej. Autorka w tym celu rozpoczyna rozprawę od rozdziału teoretycznego, w którym prezentuje rozwój terminów język i styl na przestrzeni czasu w różnym ujęciu teoretycznym. Drugi rozdział przedstawia w ujęciu historycznym proces kształtowania się poszczególnych stylów funkcjonalnych w języku białoruskim oraz rozwój normy językowej. Powyższe aspekty wraz z omówioną w kolejnym podrozdziale sytuacją językową na Białorusi są niezbędne do prawidłowego zrozumienia specyfiki wewnętrznej dyferencjacji współczesnej białoruszczyzny. Trzeci rozdział rozprawy doktorskiej poświęcony jest charakterystyce komunikacji w internecie. Rozpoczyna go opis dynamiki rozwoju białoruskiego segmentu internetu oraz przedstawienie nowych możliwości komunikacyjnych, powstałych wraz z pojawieniem się internetowych komunikatorów, poczty, czatów, forów itd. Dalsza część rozdziału jest efektem przeprowadzonego badania sondażowego rozesłanego do białoruskojęzycznych internautów. W oparciu o zebrane w ten sposób dane w kolejnych podrozdziałach prezentowana jest charakterystyka białoruskojęzycznego internauty oraz deklarowane użycie języka białoruskiego w przestrzeni wirtualnej w zależności od rodzaju sytuacji komunikacyjnej. Odpowiedzi respondentów zostały zestawione z wynikami przeprowadzonej w kolejnym podrozdziale analizy dostępności i popularności białoruskojęzycznego kontentu w przestrzeni wirtualnej, ze szczególnym uwzględnieniem treści zamieszczanych i odbieranych na portalach społecznościowych, forach internetowych, mass-mediach i stronach administracji państwowej. Dzięki wykorzystaniu powyższych metod badawczych na końcu rozdziału trzeciego możliwe było przedstawienie wniosków dotyczących dynamicznego rozwoju stylu potocznego, artystycznego, publicystycznego i naukowego oraz rzadszego wykorzystania stylu urzędowego w przestrzeni wirtualnej. Po stwierdzeniu różnorodności stylistycznej i gatunkowej końcowa część rozprawy doktorskiej jest poświęcona szczegółowej charakterystyce białoruszczyzny funkcjonującej w internecie. Czwarty rozdział rozpoczyna przegląd literatury prezentującej cechy języka białoruskiego w rzeczywistości wirtualnej. Poglądy cytowanych autorów dotyczące warstwy fonetycznej, graficznej, leksykalnej, składniowej i morfologicznej zostały uzupełnione o przykłady zebrane na portalach społecznościowych i forach omawianych w poprzednim rozdziale, a następnie porównane z wynikami badania przeprowadzonego przez autorkę rozprawy, które polegało na analizie korpusu tekstów pochodzących z forum portalu informacyjnego Tut.by. Wypowiedzi użytkowników forum zostały przeanalizowane pod kątem ich staranności i poprawności leksykalnej, interpunkcyjnej i ortograficznej, stopnia interakcji z innymi internautami, kultury konwersacji, sposobu werbalizacji znaków niewerbalnych, różnorodności leksykalnej, a także wykorzystania klasycznej i współczesnej normy języka białoruskiego. Dzięki temu możliwe było potwierdzenie części cech wymienianych jako charakterystyczne dla odmiany języka używanego w internecie, część cech nie znalazła jednak potwierdzenia w przeprowadzonej analizie. Wykorzystanie powyższych metod badawczych umożliwiło w zakończeniu rozprawy doktorskiej przedstawienie różnorodności stylów, odmian i wariantów języka białoruskiego funkcjonującego w przestrzeni wirtualnej oraz wskazanie dominujących tendencji w rozwoju współczesnej białoruszczyzny. Tym samym rozprawa stanowi kompleksową analizę warunków funkcjonowania języka białoruskiego w nowej sferze komunikacyjnej, jaką jest przestrzeń cyfrowa, ukazując jednakową różnorodność odmian języka w rzeczywistości realnej i wirtualnej, przy jednoczesnym wskazaniu specyficznych cech stylów współczesnej białoruszczyzny w internecie.<br>The doctoral dissertation Language and style of the young generation of Belarusians in the context of a cultural transformation covers an analysis of the stylistic differentiation of the contemporary Belarusian language in the online world. This dissertation begins with a theoretical chapter which presents the development of linguistics terms and styles throughout time from different theoretical perspectives. Chapter two begins with a presentation of the process of forming individual functional styles in the Belarusian language and development of a linguistic norm in the historical context. The above aspects combined with the language situation in Belarus presented in the following subchapter are essential for correct understanding of the characteristics of the internal differentiation of the contemporary Belarusian language. Chapter three of this thesis is focused on the differentiation of the language used online. It begins with a description of the development of a Belarusian segment of the internet, presenting new communication opportunities, which emerged with creation of e-mail, chats, forums, etc., and virtual stylistic and social variants of language developed this way. The subsequent part of this chapter is a result of a survey questionnaire distributed among Belarusian-speaking internet users. Based on the data collected in this way, the following sections present the characteristics of the Belarusian-speaking internet user and the declared use of the Belarusian language in the virtual space. Responses were benchmarked against the availability and popularity analysis of the Belarusian content of the websites, presented in the following subchapter. Particular attention was given to content posted and received on social media, internet forums and the official government websites. Thanks to the application of the above research methods, it was possible to collect sufficient data to present and analyse specific stylistic, social and territorial variants of the Belarusian language on the internet. After recognising the stylistic and genre diversity, the final part of this doctoral dissertation is devoted to the detailed characteristics of the online variant of the Belarusian language. Chapter four begins with a review of literature presenting features of the Belarusian language in the online world. The views of the cited authors regarding the phonetic, graphic, lexical, syntactic and morphological layers have been supplemented with examples collected from social media and forums presented in the previous chapter and then compared with the results of the research conducted by the author of the dissertation, which consisted in the analysis of the corpus of texts from the forum of the Tut.by news portal.Comments of the Tut.by forum users were analysed for their elaborateness in terms of vocabulary, punctuation and spelling, as well as level of interaction with other internet users, standard of speech, the way of verbalising non-verbal signs, lexical diversity and use of classical and reformed norm of the Belarusian language. Thanks to this, it was possible to confirm some of the features listed as characteristic of the variety of the Belarusian language used on the internet, however, some features proved to be ungrounded in the analysis. Thanks to the application of the above research methods, the author was able to present her conclusions at the end of the dissertation. These conclusions concern diversity of styles, varieties and variants of the language functioning on the internet, and identifying dominant tendencies of the development of the Belarusian language. Thus, this dissertation is a comprehensive analysis of the functional conditions of the Belarusian language in the new sphere of communication, namely the digital space, showing the same diversion of language varieties in both actual and online reality, while pointing out the specific features of the contemporary Belarusian styles on the internet.