Academic literature on the topic 'Stylistic manners'
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Journal articles on the topic "Stylistic manners"
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Eftimova, Andreana. "Styles of Political Populism: Plain Languages for Ordinary People." Filosofiya-Philosophy 33, no. 3S (2024): 47–59. https://doi.org/10.53656/phil2024-03s-05.
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The report draws attention to the lack of a single and exclusive populist style, as populism can manifest itself on both the left and the right political spectrum. The existence of more than one populist style is defended by arguing that in different sociocultural contexts meanings are produced by mobilizing a range of different stylistic resources. The styles of political populism are analyzed in the text as discourse practices in different contexts of interaction, i.e. Linguistic and contextual analysis is applied. The paper examines the use of various stylistic resources in the core and periphery of stylistic fields. A distinction is made between styles of good manners and styles of bad manners. Each of these fields is filled with different stylistic devices of populist speaking, since the influence of the sociocultural context is essential in the selection of alternative semiotic resources.
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Bezrukov Nikolaevich, Andrey. "Reception of Individual Stylistic Manners the Lyrics of K.D. Balmont." Issledovatel'skiy zhurnal russkogo yazyka i literatury 11, no. 1 (2018): 115–37. http://dx.doi.org/10.29252/iarll.11.1.115.
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Gajda, Stanisław. "The faces of style and stylistics." Journal of Linguistics/Jazykovedný casopis 73, no. 1 (2022): 7–26. http://dx.doi.org/10.2478/jazcas-2022-0024.
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Abstract The starting point for the author’s considerations is the conception of style as the humanistic structure of text, which he uses as the foundation of integrating stylistic synthesis. The synthesis is to be characterized by the following: 1) holism (moderately and functionally directed, brought down to a system in which relations connecting different manners of the existence and functioning of language in text are exposed); 2) integrationism (integrating knowledge of language reality, primarily of the functioning of language in text); 3) intermethodologism and transdisciplinariness. Acceptance of this conception of style offers – regarding the understanding of it – a very broad and open cognitive space. There may appear in it different frameworks which present diverse faces of style and stylistics. Their cognitive use enriches the integrative synthesis.
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Al sunboly, Entisar, and Mirza Sultan Baig. "A Stylo - Pragmatic Analysis of Nadia Hashimi’s ‘The Pearl That Broke Its Shell’." Social Science and Humanities Journal 8, no. 07 (2024): 4197–202. http://dx.doi.org/10.18535/sshj.v8i07.1180.
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Abstract: Linguistic features are intended to be investigated in some literary works as carried out in the current study. This study conducted a stylo-pragmatic investigation of linguistic characteristics in the debut work of Nadia Hashimi, The Pearl that Broke Its Shell. The primary objective of this research is to focus on the pragmatic analysis of the chosen speech acts in various contexts, in addition to exploring the stylistic techniques utilized in those specific texts. Pragmatics elucidates that the utilization of language in unconventional manners is deemed permissible, on the condition that language users possess an understanding of their actions. Linguistic stylistics delves into the linguistic characteristics of a given text, focusing predominantly on the utilization of language and its impact on said text. Hence this paper investigates the selected contexts in the mentioned novel by Hashimi where the texts are analyzed pragmatically besides the stylistics investigation. The study spots light on the enriched style of Nadia Hashimi in the novel “The Pearl That Broke Its Shell”.
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Majhad, Khalid, Chakib Bnini, and Mohammed Kandoussi. "Style Translation in an English Version of Tunisian Mustapha Tlili’s novel The Lion Mountain: A Cognitive Basis to Assessment." Journal of English Language Teaching and Linguistics 4, no. 1 (2019): 21. http://dx.doi.org/10.21462/jeltl.v4i1.177.
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<em>Style is every literary author’s identity marker. No translation can ever claim success if it does not reflect the marked stylistic features of the original. This paper assesses the English translation of Tunisian Mustapha Tlili’s novel Lion Mountain in terms of its reproduction of the spirit of the source text, that is the totality of effects generated by the author’s stylistic manners. A cognitive basis to assessment means that the author’s style is a direct expression of his state of mind, his attitudes and beliefs. This model, inspired by the work of Chinese translator and theorist Jin Di (2003), uses a hermeneutic four-stage analysis of literary texts (i.e. penetration, acquisition, transition and presentation), that makes it possible to deal in a rather systematic manner with every aspect of the literary text, namely its spirit, substance, overtone, flavor and imagery. The assessment will demonstrate how translating successes or failures result directly from successes or failures in applying one or more of these hermeneutics-inspired four stages. </em>
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Syed, Ali Furqan, Muhammad Junaid, Muhammad Usman Haider, Rabia Hashim, and Muhammad Akram Khan. "Critical Discourse Analysis of Pakistani Foreign Minister Qureshi’s Speech at UN in 2021: A Sociopolitical Perspective." International Journal of Linguistics Studies 1, no. 2 (2021): 22–28. http://dx.doi.org/10.32996/ijls.2021.1.2.4.
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This paper is based on the Critical Discourse Analysis approach to explore Pakistani Foreign Minister Shah Mehmood Qureshi’s speech at the UN in 2021 in a sociopolitical context. The researchers, by applying Fairclough’s 3D model, investigate Arab Israel community reflection through textual or stylistic strategies in speech and explore the level of Islamic ideology reflected in Shah Mehmood Qureshi speech through linguistic choices. The study further explores the representation of stylistic features in a speech that depicts the political and socio-cultural relationship between Palestine and the Israeli community. Findings of the study suggest that Foreign Minister Shah Mehmood Qureshi used different devices like textual and stylistic to give his ideology more explicatively. The sophisticated manners of ideology are propagated through the speech with all its prerequisites. It was syntactically well organized and produces a thematic message that was based on religious sociocultural and political discrimination and biased as well as inequality in cohesion. The expressive speaker values and relational indications were ordered according to the situation.
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Smărăndescu, Săndel. "THE CONTRABASS. THE PROCESS OF HIS APPEARANCE AND CONSECRATION IN ROMANIAN MUSIC." Review of Artistic Education 28 (April 1, 2024): 361–68. http://dx.doi.org/10.35218/rae-2024-0041.
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The plurality of aesthetic-musical currents such as French impressionism, Austro-German expressionism, national schools of composition focused on modal sound languages (initially ethnophonic and later totally “personalized”), to which will be added the acutely contemporary returns to already recognized compositional manners such as neo-baroque, neo-classical sound projects, etc., emerging from the great trunk of European post-romanticism, outline a practically unlimited stylistic horizon, offered to the creative imagination of artists through new sound vibrations, dedicated to the contrabass instrument.
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Bontea, Adriana. "Conceptual Invention." Paragraph 34, no. 2 (2011): 217–32. http://dx.doi.org/10.3366/para.2011.0018.
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By taking into account those operations of modernity initiated by Stendhal and Cézanne, Manet and Proust, which were continued by Merleau-Ponty and Lévi-Strauss, this paper considers Claude Imbert's writings from the perspective of the formative role that literature and painting had and still have in mapping a new rationality. The aim is to show how the philosopher reintegrates such priceless experiences, captured by peculiar literary forms, syntagms, and juxtaposition of genres or pictorial manners, into a conceptual and stylistic invention affecting the very core of philosophical activity.
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Rutkowska, Hanna. "Stylistic Devices in The Schoole of Vertue, an Early Modern Manual of Good Conduct for Children." Studia Anglica Posnaniensia 51, no. 3 (2016): 95–124. http://dx.doi.org/10.1515/stap-2016-0016.
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Abstract This paper is a case study examining the choice and interaction of stylistic devices employed in The Schoole of Vertue, Francis Segar and Robert Crowley’s manual of good manners for children issued between 1582 and 1687. It was designed to convince its readers that particular patterns of behaviour were socially beneficial and worth following. In order to enhance the attractiveness, persuasiveness, and mnemonic qualities of the text, several stylistic devices are employed in the manual, including, for example, rhymes, acronyms, as well as binomials. It is generally agreed that repetitive patterns (especially binomials) are typical of formal registers, and particularly plentiful in legal and literary texts in Early Modern English, but the present study shows that similar rhetorical devices were also readily employed in the less formal and elevated style of manuals of good behaviour. Another rhetorical device frequently used in the manual under consideration consists in addressing the reader directly with the second person singular pronoun, especially in imperative constructions, thus creating an ambiance of emotional closeness, characterising the relationship between the master and the pupil.
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ECKERT, CLAUDIA M., and ELLEN YI-LUEN DO. "Special Issue: Understanding, representing, and reasoning about style." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 20, no. 3 (2006): 163–65. http://dx.doi.org/10.1017/s0890060406060148.
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Style is a word that people think they understand. Most people recognize artifacts like buildings and clothes as being exemplars of particular styles, and they know words like Rococo and Art Deco as names for styles. They can recognize stylistic similarities not only in one sort of artifact but also across wide ranges of different things, such as buildings, furniture, artworks, clothes, music, and even manners. However, “style” is a slippery notion: the word has been used in a variety of senses since the ancient Greeks first thought about the differences in how people wrote or painted, and it is still used to refer to different things.
Books on the topic "Stylistic manners"
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Pennisi, Rosa. Qindīl Umm Hāšim: La lampada di Umm Hāšim con l’autobiografia dell’autore. Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-598-8.
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Qindīl Umm Hāšim, ‘The Lamp of Umm Hāšim’, is the title of Yaḥyā Ḥaqqī’s collection of short stories, first published in 1944, that made the author famous. Its enormous success can be traced back to the novella of the same title that opens the collection. The novella, due to its themes and narrative form, perfectly synthesizes the nationalistic spirit and modern ideals that developed in the 1920s around the al-madrasa al-ḥadīṯa movement, ‘The Modern School’, and ranks among the classics of modern Arabic fiction. It is a formally and stylistically mature work that manages to communicate in a linear and concise manner – with a formally perfect style and language that is both symbolic and direct – the spiritual, psychological and cultural complexity of the multidimensional tensions that characterise modern Egyptian reality. In 1975, following numerous reprints, an integrated edition of the collection was published containing Yaḥyā Ḥaqqī’s autobiography, which constitutes a true original essay by the author. In his autobiography Ašǧān ʿuḍw muntasib (Concerns of an affiliated member), Ḥaqqī not only reports the most important events of his life, but also offers a literary manifesto in which he confides his ideological, stylistic and literary concerns to the reader. The autobiographical manifesto emphasises how through writing (and the short story, in particular), Ḥaqqī wants to ‘shake up the Egyptian people’ so that they become aware of the socio-cultural and identity-national values that art plays in the modern era. Both his autobiography and the novella The Lamp of Umm Hāšim complement each other in capturing all the details that make up the style, ideology, innovation and commitment of a modern Egyptian intellectual. The novella – concentrated in a modest narrative space, along with Ḥaqqī’s literary manifesto – indisputably finds its place among the Great Books of Arabic Literature.
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DhikruLlahi, Adebayo. Manners of Hairdressing: Sisters and Stylists' Hand-Book. Independently Published, 2021.
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Rybin, Steven. Cinema of Michael Mann. The Rowman & Littlefield Publishing Group, Inc., 2007. https://doi.org/10.5040/9781978732209.
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Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as a canvas upon which he and his collaborators can craft a unique cinematic vision. The Cinema of Michael Mann traces the innovative and under-explored stylistic contours of Mann's work, the director's inflection upon and innovation within preexisting genre frameworks, and the relationship of both style and genre to issues of authorship and film criticism. Steven Rybin's critical study of Mann's cinema, and the importance of the filmmaker's themes to our contemporary world, is valuable for both film scholars and cinephiles alike.
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Kresky, Jeffrey. A Reader's Guide to the Chopin Preludes. Greenwood, 1994. http://dx.doi.org/10.5040/9798216005162.
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In Chopin's set of 24 interconnectedPreludes (Op. 28), we are presented with 24 distinct compositional surfaces, aiming at as many distinguishable emotional expressions. As such, the Preludes stand as a virtual survey of the developing musical manners of the 19th century--which was, after all, the stylistic period in which mood was promoted most energetically and frankly. Under analytic investigation, the technical means to these varied expressive ends can be discovered and assessed. 24 separate explorations reveal themselves to the inquiring musician, who can investigate any or as many of the pieces as is wished or needed. At the same time, the Preludes form a fairly compelling total entity, related by precise balances of mood and key, as well as certain subtler interconnecting details. The individual analyses aim at conjoined descriptive statements that take into account the various separable, but ultimately fused, musical elements: line and harmony in the pitch domain; rhythm in terms of local detail, but also at the levels of meter, phrase, and form; and the various expressive modifications of dynamics and articulation. Form is seen to grow out of the harnessed progress of these elements, which together determine expressive content.The Chopin Preludes, a centerpiece of 19th-century Romanticism, are unique: two dozen distinct moods that seem to summarize the musical manners of the time, they also function as an organic whole. This book is a detailed guide through thePreludes, both individually and as a group. The analyses assess technical and expressive means and ends.
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Nolan, Maura. Style. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0022.
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Poetic style may be analyzed by starting with the smallest measurable units of poetry. Style has two aspects that are often contradictory: the particular and the general. The notion of style underwent numerous changes over the years between Geoffrey Chaucer and Thomas Wyatt. This article examines the question of style by juxtaposing three poets, three centuries, and two literary-historical periods. It considers the relationship between the Middle Ages and the Renaissance as well as embeddedness of Chaucer, Wyatt, and John Lydgate in those periods in stylistic terms and describes an alternative way of thinking about literary style that reveals the secretive manner that history works in art. It discusses the troublesome poetic terrain of stresses, absences of stress, feet, and meter as a way of scrutinizing the “styles” of Chaucer, Lydgate, and Wyatt in “Truth,” “The World is Variable,” and “What Vaileth Trouth,” respectively.
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Jockers, Matthew L. Influence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0009.
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This chapter explores literary influence and the idea that literature can and perhaps even must be read as an evolving system with certain inherent rules. Attempts to demonstrate literary imitation, intertextuality, and influence have relied almost entirely upon close reading. To chart influence empirically, we need to go beyond the individual cases and look to the aggregate. Information cascades theory provides an attractive framework for modeling literary influence and intertextuality at scale. This chapter discusses the results of the author's thematic-stylistic analyses of nineteenth-century novels using Gephi software to identify signs of historical change from one book to the next. The data reveal that the corpus appears to behave in an evolutionary manner. At the macro scale, we see evidence that theme and style are influenced by time and author gender. The findings suggest that a writer's creativity is tempered and influenced by the past and the present, by literary “parents,” and by a larger literary ecosystem.
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Hair Stylist: Client Service Tracking and Booking Log Book- a to Z Format to Allow for Storing Customer Data in an Organized Manner - Pink Marble Pattern Cover. Independently Published, 2020.
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De Bellis, Jack. The John Updike Encyclopedia. Greenwood, 2000. http://dx.doi.org/10.5040/9798400674679.
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John Updike is one of the most seminal American writers of the 20th century and one of the most prolific as well. In addition to his best-selling novels, he has written numerous poems, short stories, reviews, and essays. His writing consistently reveals stylistic brilliance, and through his engagement with America's moral and spiritual problems, his works chronicle America's hopes and dreams, failures and disappointments. Though he is an enormously popular writer, the complexity and elegance of his works have elicited growing scholarly attention. Through several hundred alphabetically arranged entries, this book provides both casual and serious readers an exceptional guide to his life and writings. Whether the reader is seeking a novel summary, an authoritative analysis of subjects, elucidation of an allusion, or a point about Updike's life or manner of composition, the encyclopedia is indispensable. A chronology summarizes the major events in Updike's career, while an introductory essay examines his progress as a writer, from his crafted light verse and informed reviews to his innovative novels and stories. The entries that follow summarize Updike's books, describe all major characters, explain allusions, identify major images and symbols, analyze principal subjects, discuss his life and career, and draw on the most significant scholarship. Entries include bibliographies, and the volume closes with a list of works for further reading.
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Levin, Yael. Joseph Conrad. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864370.001.0001.
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The book builds on current interventions in modernist scholarship in order to rethink Joseph Conrad’s contribution to literary history. It utilizes emerging critical modernisms, the work of Henri Bergson and Gilles Deleuze, and late modernist fiction, to stage an encounter between Conrad and a radically different literary tradition. It does so in order to uncover critical blind spots that have limited our appreciation of his poetics. The purpose of this investigation is threefold: first, to participate in recent critical attempts to correct a neglect of ontological preoccupations in Conrad’s writing and uncover the author’s exploration of a human subject beyond the Cartesian cogito. Second, to demonstrate the manner in which such an exploration is accompanied by the reconfiguration of the very building blocks of fiction: character, narration, focalization, language, and plot have to be rethought to accommodate a subject who is no longer conceived of as autonomous and whole but is rendered permeable and interdependent. Third, to show how this redrawing of the literary imaginary communicates with the projects of late modernist writers such as Samuel Beckett, writers whose literary endeavors have long been held separate from Conrad’s. In the spirit of current reexaminations of modernism and critical endeavors to think it anew outside the commonplaces that once defined it, this study returns to Conrad’s art with an eye to twentieth-century shifts in the way we process, understand, and evaluate information. Thematic, stylistic, and philosophical instantiations of the slow are offered here as a gauge for this meaningful transformation.
Book chapters on the topic "Stylistic manners"
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Reid, Robin Anne. "The Holy Family." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0012.
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This chapter focuses on the relationships that two of Lois McMaster Bujold’s fantasy heroes – Cazaril (The Curse of Chalion) and Ingrey (The Hallowed Hunt) – have with divine and supernatural beings in the world of the Five Gods. The chapter opens by focusing on two specific definitions of queerness which underlie a subsequent stylistics analysis of the visions experienced by both heroes. The chapter explores the impact of these visions on the heroes’ able-bodied heterosexual male bodies, leading to the conclusion that Bujold’s Holy Family, especially the Bastard, deconstructs the gender constructions of the patriarchal nuclear family structure and its attendant ‘family values’ to create queer spaces. The chapter ends with a brief consideration of the potential for even greater subversion found in Bujold’s recent ‘Penric and Desdemona’ novellas.
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Trofimova, Nina V. "Peculiarity of the Holy Scriptures Citation in the Galician-Volynian Chronicle." In Hermeneutics of Old Russian Literature: Issue 20. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/horl.1607-6192-2021-20-223-238.
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Bible quotes are constantly used by chroniclers of all Russian principalities with various functions. At the same time, the sources, frequency and functions of citation differ in the chronicles according to the intention of the chroniclers, the general plan and positions of individual scribes, and the styling features of the texts. Relatively rare citation of the Holy Scripture characterizes the Galician-Volynian chronicle, two parts of it show two stylistic manners, including various methods of citation. There are more inexact quotes that uncover the thoughts of narrators and princes, sometimes creating emotional accents in the Galician chronicle. The quotations are not used in this part for the purpose of characterizing the princes. In the Volynian chronicle the texts of the Bible are quoted exactely more often, their main function is to create an image of the ideal prince Vladimir Vasil’kovich. The range of motives revealed by quotations is quite narrow in the both parts of chronicle, this feature distinguishes the text from the chronicles of the Kiev and Vladimir principalities. There are motives of God’s help to Russian princes, the motive of betrayal, and the understanding of the prince’s ideal. Specificity of the citation can be explained by the intention of the authors to create by the vivid narration the image of the main character Daniil Romanovich in Galician chronicle; Volynian chroniclers’ aim was to create a panegyric to prince Vladimir Vasilkovich.
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Watkins, Glenn, and Igor Stravinsky. "The Question of Mannerism." In Gesualdo. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198162162.003.0004.
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Abstract THE music of Gesualdo may be viewed as leading from the central movement of the Renaissance, while standing somewhat apart from it; and moving toward, but stopping short of, the Baroque. As such, it is characteristic of the spirit which prevailed between the High Renaissance and the Early Baroque. The richer the time the greater the variety of possible interpretations, and the century from 1520 to 1620 is sufficiently rich to have inspired an abundant and diverse literature. Yet for all its chronological breadth, which to a degree guarantees some over lapping, this period increasingly emerges as one which possesses a clearly perceivable orientation and an identifiable stylistic character—that of an Age of Mannerism.
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Ladkin, Sam. "Conclusion." In Frank O'Hara's New York School and Mid-Century Mannerism. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192866721.003.0008.
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Abstract The conclusion describes the dynamics of O’Hara’s mannerist style, its sustaining tension and attitudes, even its spuriousness. The conclusion recognizes O’Hara’s life-affirming stylistic faultiness, its lack of consistency, including as a form of resistance to the dutiful machinery of composition and close reading in New Criticism. The conclusion reinforces the influence and compatibility of dance as well as painting for O’Hara’s poetry, both Fred Astaire’s ‘outlaw style’ and George Balanchine’s mid-century modernist Mannerism. O’Hara’s period is aligned with the ‘deviance studies’ of 1950s ethnography and sociology, focalized through Erving Goffman, and projected forwards into the more utopian queer theory of the latter part of the century.
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Lloyd, David. "Rome’s Wreck : Joyce’s Baroque." In Counterpoetics of Modernity. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474489805.003.0008.
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Joyce’s poetry and its critical practice are viewed in relation to Mannerism and the Baroque, not as anachronistic art-historical practices, but as stylistic modes that emerge in times of rapid and violent political or economic transition. Joyce’s deployment of elemental figures—stone, water or river, ash—and his allegorical mode that registers the effects of a contemporary intensification of reification constitute a mannerist mode of colonial baroque. Joyce’s Irish colonial baroque constitutes a counterpoetic with its own broken and dispersed lines of transmission. The ruination that afflicts it is not only an effect of its procedural destruction of all naturalized models of reference and representation, but also an echo of unrelenting historical catastrophe such as has haunted Irish modernity and Irish modernisms since the nineteenth century
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Juslin, Patrik N. "Deviation from the Exact." In Musical Emotions Explained. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198753421.003.0013.
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This chapter focuses on performance. It asks: what does it really mean to perform a piece of music? What is it that a performer is ‘adding’ to make a musical score ‘come alive’, and sound musical and expressive? It argues that expression derives from five main sources, collectively referred to as the GERMS model: generative rules (G) that mark the structure in a musical manner; emotional expression (E) that serves to convey emotions to listeners; random fluctuations (R) that reflect human limitations in motor precision; motion principles (M) which hold that tempo changes should follow natural patterns of human movement, such as gestures; and stylistic unexpectedness (S) that reflects a performer's deliberate attempt to deviate from stylistic expectations regarding performance conventions to add tension and unpredictability to the performance.
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Čutura, Ilijana R., and Mara I. Čutura. "„VAZDUHOPLOVAC PRI NESTALNOM VREMENU” (KROZ VASIONU I VEKOVE M. MILANKOVIĆA – O JEZIKU I STILU)." In Zvezde : književna, jezička, umetnička i kulturna astropoetika. University of Kragujevac, Faculty of Philology and Arts, Serbia, 2024. https://doi.org/10.46793/zvezde24.337c.
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The aim of the research in this paper is to point out one of the many aspects of the complexity and hybridity of Milanković’s work Kroz vasionu i vekove – the linguistic and stylistic means by which the balance of scientific and poetic expression is achieved. In the paper, we single out those stylistic and syntactic dominants that “animate” the phenomena that Milanković writes about, whether they belong to the sphere of astronomical science, history or culture in the broadest sense. In the paper, we consider the characteristic properties of personification, metaphor, simile and apostrophe. In addition, we also analyze syntactic means of additional identification and qualification, primarily apposition, but also other determinations (attributive, relative dependent clause). These syntactic units enable Milanković to present the essential characteristics of important historical figures as well as his contemporaries to the reader, to clarify scientific laws, facts and phenomena, both in an economical, concise, and stylistically dynamic manner.
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Turner, Andrew D. "The Murals of Cacaxtla." In Migrations in Late Mesoamerica. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066103.003.0008.
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The sudden appearance of Maya-style characteristics in the art of Epiclassic sites in Central Mexico has sparked debate regarding the relationship between the polity of Cacaxtla and the distant Maya Lowlands. Early studies linked these developments, described in ethnohistoric sources, to migrations of the Olmeca-Xicalanca of the southern Gulf Coast. Recent studies assert that Cacaxtla’s artists adopted an “eclectic” assortment of foreign stylistic elements in order to proclaim ties to distant sources of wealth and power that were not necessarily rooted in historic reality. This study argues that Cacaxtla’s artists deployed stylistic, technical, and iconographic conventions in a manner that reflects deep and sustained engagement with specific Maya cities rather than superficial claims of aggrandizement. Evaluation through current anthropological understandings of how and why people migrate and how group identity is expressed in the midst of population movements suggests that Cacaxtla’s monumental art programs constitute an additional line of evidence in support of Epiclassic migration from the southern Gulf Coast, or western Maya Lowlands, to Central Mexico.
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Katz, Dick. "Pianists of the 1940s and 1950s." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0028.
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Abstract In any art form, it is important to remember that as changes occur, there is much overlapping. Eras do not define themselves with precision. Significant changes tend to happen gradually, and even though stylistic breakthroughs seem initially revolutionary, the passage of time confirms the fact that true innovation is built solidly on the past. The years between 1940 and 1960 saw jazz piano styles undergo an amazing transformation. The three acknowledged masters in 1940 were Earl “Fatha” Hines, Teddy Wilson, and, of course, Art Tatum. Hines, it is agreed by most, is the true source of most “modern” jazz piano. Wilson, originally a Hines disciple, was probably the most popular and imitated pianist in the thirties and into the forties. Tatum is still considered by many the greatest of all time, truly in a class by himself. These jazz icons continued to flourish at a high creative level well into the postbebop era. Their collective greatness transcended and endured all manner of trends and stylistic innovations, and they individually profoundly influenced the future masters of the music.
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Fifield, Peter. "Introduction." In Modernism and Physical Illness. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198825425.003.0001.
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This introduction argues that physical illness is an important category for literary modernism. Through a close reading of Virginia Woolf’s ‘On Being Ill’ (1926), the author argues that the altered, often intensified forms of embodied experience in illness, constitute an important subject, method, and manner of writing. Self-consciously ‘new’, Woolf’s proposal for a canon of illness writing resembles a voyage of self-discovery, a linguistic experiment, and a phenomenological study. Requiring innovative stylistic effects, physical illness reveals a world at once strange and familiar, in a manner central to modernism’s own distinctiveness. The emphasis on physical illness is clarified with regard to current and historical categorization, as is the relationship between illness, disability, and their attendant terminology. It also explains the predominant focus on textual rather than authorial illness, and on illness rather than medicine.
Conference papers on the topic "Stylistic manners"
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Tarapura, E., and Marina Kochergina. "PHYTODESIGN OF INTERIORS OF SHOPPING AND ENTERTAINMENT CENTERS OF THE CITY OF VORONEZH: STYLISTIC FEATURES AND ASSORTMENT OF PLANTS." In Modern problems of animal and plant ecology. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2021. http://dx.doi.org/10.34220/mpeapw2021_122-125.
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In connection with the distance of man from nature, the issues of landscaping, both open spaces and interiors, have become particularly relevant in the XXI century. One of the signature of a modern metropolis is a multi-purpose shopping and entertainment centers (SEC) and complexes (SEC). Every day, the shopping center is visited by hundreds of people of almost all age groups. A well-planned interior and a comfortable environment directly affect the number of visitors and their purchasing power. The most important condition for the comfort of the interior is a phytodesign. Plant compositions in shopping centers make the space attractive and cozy. Staying in green areas does not cause oversaturation and fatigue, allowing the eye to rest in a timely manner. The paper presents the results of studying the features of landscaping of the interiors of the shopping center of the city of Voronezh. Stylistic solutions, the range and condition of the plants used are analyzed. Currently, artificial plants are used in the interiors of most of the shopping centers of our city, which only partially perform the functions of phytodesign. At the same time, stylistic and compositional solutions differ in relative monotony. The implementation of the project of landscaping the interiors of the shopping center with the use of live plants should be preceded by pre-project studies, including the definition of the style and microclimatic parameters of the room (illumination, temperature and relative humidity), identification of the features of the flow of visitors, as well as zoning of the territory.
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Full textAbstract:
The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.
Reports on the topic "Stylistic manners"
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BIZIKOEVA, L. S., and M. I. BALIKOEVA. LEXICO-STYLISTIC MEANS OF CREATING CHARACTERS (BASED ON THE STORY “THE POOL” BY W.S. MAUGHAM). Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-3-62-70.
Full textAbstract:
Purpose. The article deals with various lexico-stylistic means of portraying a literary character. The analysis is based on the empirical study of the story “The Pool” by a famous English writer William Somerset Maugham. The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the story “The Pool” as well as of many other Maugham’s stories is the author’s strong presence. The portrayal characteristics of the protagonists, their manner of speech, the surrounding nature greatly contribute to creating the unforgettable characters of Lawson and his wife Ethel. Somerset Maugham employs various lexico-stylistic means to create the images of Lawson and Ethel, allowing the reader to vividly portray their personalities. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation, in writing course and graduation papers.
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BIZIKOEVA, L. S., and M. I. BALIKOEVA. SOMERSET MAUGHAM - MASTER OF CREATING CHARACTERS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-111-121.
Full textAbstract:
Purpose. The goal of the present article is to study various means of creating a literary character. Analyzing the creative work of a famous English writer William Somerset Maugham and basing on the story «The Kite» an attempt is made to scrutinize Maugham’s peculiar style and lexico-stylistic devices he employs to create the main female characters of the story «The Kite». The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the protagonists of the story “The Kite” is the author’s strong presence. Portraying the characters of Missis Sunbury and Miss Bevan, Somerset Maugham pays special attention to precise description of their appearances and manner of speech. Employing various lexico-stylistic devices, S. Maugham creates extraordinarily vivid characters. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation.
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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.
Full textAbstract:
The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the creators of the spectacular poster in “style floreale” as one of the leading directions of the development of the artistic style of that period. The distinctive features of this type of the artistic work are outlined on the basis of the review of the stylistic and image transformations of exhibition posters of the famous artists – J. Chéret, A. Toulouse-Lautrec, E. Grasset, A. Mucha, A. Privat-Livemont and others. Attention is focused on the identification of the presentation features of the advertised exhibition events as an important cultural events of that time. Means of artistic visualization of information are studied taking into consideration the specific nature of the poster. Conclusions. In the general cultural and historical context of that time, the poster has become a significant component of the formation of national trends in the artistic style of the day, in particular - the Franco-Belgian Art Nouveau style. The exhibition poster, reflecting the stylistic landmarks of the time, contributed to the formation of the artistic vision as a manifestation of the cultural and artistic landmarks of the studied period.