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Journal articles on the topic 'Stylistic peculiarities'

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1

Mamatyusufovna, Abduvakhabova Umida. "Stylistic Peculiarities of Herbert Bates Stories." International Journal for Research in Applied Science and Engineering Technology 9, no. 11 (November 30, 2021): 281–83. http://dx.doi.org/10.22214/ijraset.2021.38807.

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Abstract: This article discusses stylistic peculiarities of Herbert Bates stories. In addition, the specific stylistic features encountered in his works are analyzed separately. Special aspects of the works are cited using examples. Keywords: language, stylistics, style, stylistic devices, syntactic, coloring.
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2

Qasimova, Mirvari. "STYLISTIC PECULIARITIES OF SYNONYMS." Bulletin of the Moscow State Regional University (Linguistics), no. 1 (2016): 18–25. http://dx.doi.org/10.18384/2310-712x-2016-1-18-25.

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3

Kobyakova, I. K., and D. V. Nestorenko. "STYLISTIC PECULIARITIES OF BREXIT-DISCOURSE." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 4, no. 2 (2019): 56–60. http://dx.doi.org/10.32838/2663-6069/2019.4-2/12.

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4

Uvarova, E. A. "Iconic Component of the Polycode Mediatext and Its Stylistic Potential." Prepodavatel XXI vek, no. 2, 2020 (2020): 380–92. http://dx.doi.org/10.31862/2073-9613-2020-2-380-392.

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The article considers various peculiarities of implementing stylistic devices (metaphor, gradation, personification, contrast) in the advertising poly-code media text that, in its turn, serves as the object of the research. The research proves that the realization of stylistic devices can be actualized not only on the basis of the close correlation of iconic and verbal components (integration or extension relationships), but also within the structure of the iconic component independently and without any verbal elements. The author searches out that the notion of the stylistic device can be expanded and go beyond the boundaries of text and discourse. This fact outlines and stresses the high stylistic potential of the iconic component in the structure of the advertising media text and gives reasons for the development of visual stylistics that can be considered to be a new branch of stylistics in general.
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Tulupova, Ekaterina Nikolaevna, and Elena Viktorovna Golovina. "LEXICO-STYLISTIC PECULIARITIES OF TOURIST’S INTERNET COMMENTARY." Philological Sciences. Issues of Theory and Practice, no. 5 (May 2019): 257–61. http://dx.doi.org/10.30853/filnauki.2019.5.55.

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6

TSURANOVA, Oksana, and Olena HALEEVA. "Stylistic peculiarities of M. Karminsky’s piano works." Humanities science current issues 3, no. 36 (2021): 65–69. http://dx.doi.org/10.24919/2308-4863/36-3-11.

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Muradian, Gaiane. "On Some Stylistic Peculiarities of Science Fiction." Armenian Folia Anglistika 11, no. 1 (13) (April 15, 2015): 27–35. http://dx.doi.org/10.46991/afa/2015.11.1.027.

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In examining SF it is essential to begin with the specifically stylistic dimension of it. Style is widely taken to be a privileged category in the analysis of any literary kind, a kind of touchstone of the literary itself and it is especially relevant to the study of SF – a modern, non-traditional language phenomenon. Viewed in the light of this attitude and the belief underlying this stance, it should be mentioned that SF style, conditioned by the ontological juxtaposition of factitiousness and fictitiousness, implies plentiful use of “real” and invented technical terms, a host of invented present or future scientific jargon, a whole series of neologisms and coinages, fantastic literalized or non-literalized metaphors, and many other linguistic and stylistic means. My assertion will be that science fictional style is largely self-contained as certain stylistic means tend to occur in no other discourse or genre.
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DROBYSH, Anna. "Leonid Lysovsky’s melodeclamations: genre and stylistic peculiarities." Humanities science current issues 1, no. 47 (2022): 95–105. http://dx.doi.org/10.24919/2308-4863/47-1-15.

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Bernar, Gloria. "LINGUISTIC STYLISTIC PECULIARITIES OF THE PLAY “BETRAYAL” BY HAROLD PINTER." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (February 27, 2020): 142–45. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-142-145.

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The article deals with detailed linguistic stylistic analysis of one of Harold Pinter’s “memory plays” Betrayal. The object of our investigation is the text of the play and the subject is its linguistic stylistic peculiarities. This literary work stands out from the rest of the plays due to its autobiographical element – the prototypes of main characters of Betrayal are Pinter himself, his lover Joan Bakewell and her husband. The central motif, as the title suggests, is betrayal which incorporates two types of this phenomenon – a betrayal of a spouse and a betrayal of a friend. We have studied the motif of betrayal realized both in author’s remark and characters’ dialogue at all language levels. It is noticeable that incomplete, elliptical sentences together with aposiopesis prevail – their purpose is to reflect emotional tension presented in characters’ utterances. Among other dominant figures of speech are repetition of different type (alliteration, morphological and lexical repetition, anaphora, epiphora and parallel construction), semantic associative group of words denoting human relationship and marriage, words denoting emotions (mostly adjectives), numerous intensifiers, words with strong emotional connotations and verbal irony. Also, author’s remarks “pause” and “silence”, performing various functions, are conspicuous.
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Krasovskaya, Nelli Alexandrovna, and Yulia Anatolievna Bortuleva. "Tula song folklore: genre-stylistic and dialectic peculiarities." Proceedings of Southern Federal University. Philology, no. 2 (2016): 147–54. http://dx.doi.org/10.18522/1995-0640-2016-2-147-154.

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11

Valuyeva, N. "GENRE AND STYLISTIC PECULIARITIES OF DETECTIVE NOVEL TRANSLATION." International Humanitarian University Herald. Philology 3, no. 48 (2021): 72–75. http://dx.doi.org/10.32841/2409-1154.2021.48-3.17.

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12

Podolkova, Svitlana. "STYLISTIC AND FUNCTIONAL PECULIARITIES OF TECHNICAL ADVERTISEMENT TEXTS." Fìlologìčnì traktati 13, no. 1 (2021): 56–67. http://dx.doi.org/10.21272/ftrk.2021.13(1)-6.

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Intensive exchange of scientific and technical information, important role of English in the intercultural scientific communication actualize the task to provide the information easy to read and analyze. The paper deals with stylistic and functional peculiarities of modern English scientific and technical texts, namely of technical advertisement texts. The functions of English scientific and technical texts are analyzed. The article presents the analysis of the linguistic and extra linguistic means of realization of the text communicative function. Our research has shown that the main features of technical advertisement texts are objectivity, accurate and logical expressing, reliability and clarity. Emotionality and expressiveness are contrasting phenomenon in the texts of this genre. The purpose of technical advertisement texts was determined taking into consideration that the newest achievements and results of studies are presented in the most effective and convincing way affecting the reader’s mind and emotions. The author’s intention is to arouse the interest of the addressee, make them believe the author, urge them to act. The research proves that the influence on the readers is carried out by the use of epistemic and linguistic means. The epistemic means appeal to the special background knowledge of the addressee and include reliable scientific and technical facts. The obtained results show that the use of the emotional and expressive linguistic means has effect on the reader’s emotions, provides vividness and expressiveness to written communication. Emotional and expressive coloring is achieved by the use of syntactical structures of contrast and comparison, rhetorical questions, emphatic constructions, syntactical parallelism, subjunctive and imperative mood. The use of figurative linguistic means (metaphors, comparisons, idiomatic expressions) serves the expressiveness of the presentation in the text. We have come to the conclusion that functions of information and influence are closely connected, but here the information function prevails. Linguistic means of influence play an auxiliary, though important role: technical advertisement texts are characterized by combination of emotional, expressive and evaluative connotations with factual information.
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Srailova, Akmaral B., Kseniia M. Baranova, Alexander K. Kalioppin, Yelena G. Knyazeva, and Olga V. Sergeeva. "Linguostylistic specifics of the pragmatical and symbolic realization of the English poetic discourse." XLinguae 14, no. 2 (April 2021): 215–26. http://dx.doi.org/10.18355/xl.2021.14.02.16.

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The article examines linguostylistic specifics of the pragmatical and symbolic realization of the poetic discourse based on English. As the purpose of the work, we analyzed the use of linguistic means of symbolization in the English poetic discourse in the linguopragmatic aspect. The article discusses the importance of stylistic means in English for poetic influence on the addressee. In analyzing verses from pragmalinguistic side is necessary to show their stylistic peculiarities. We did a contextual analysis of poetic works at the text and hypotext levels using the method of symbolic interpretation, stylistic analysis, and linguopragmatic analysis. As the material of the study, we analyzed the poetic works of English poets. The theoretical significance of research results is to identify linguistic specifics of pragmatic and symbol realization of the poetic discourse in the English linguoculture. The study contributes to the development of discursive linguistics, pragmalinguistics, lexicology and stylistics of English, theory of linguistics, linguoculturology. In practical terms, results can be used in teaching the theory of discourse, pragmalinguistics, linguistic analysis of the poetic text, lexicology, and stylistics of English.
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14

Drozdova, Polina. "On Some Stylistic Peculiarities in Medieval Mystic of Italian Female Writers." Stephanos Peer reviewed multilanguage scientific journal 51, no. 1 (January 31, 2022): 191–97. http://dx.doi.org/10.24249/2309-9917-2022-51-1-191-197.

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Medieval women’s mysticism is characteristic to the European Middle Ages literature where there is a certain number of Italians. The authors’ desire to describe her own mystical experience as correctly as possible raise the problem of “expressing the inexpressible”, which results in using of characteristic linguistic means, stylistic as lexical. On the example of the texts of Angela da Foligno, Catherine of Siena and Catherine of Genoa, the article presents some of linguistic peculiarities of Italian medieval women’s mysticism: stylistical (the use of intentional tautologies, similarities, parabolas, metaphors, lithotes), and lexical (the use of courtesy and love lexis, as well as lexis related to the themes of motherhood, divine nursing, blood, nutrition and purification).
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15

Otaboyevna, Kunduz Saparova. "Comparative typological features of segmental phono-stylistic means in words of foreign language origin in Russian and Uzbek languages." Linguistics and Culture Review 5, S3 (August 2, 2021): 111–32. http://dx.doi.org/10.21744/lingcure.v5ns3.1398.

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This research is devoted to the analysis of stylistic peculiarities of phonovariants of words of foreign origin in Russian and Uzbek. It is aimed at the investigation of the stylistic values of phonovariants of the borrowed words in the Russian and Uzbek languages and substantiation of the isomorphic and allomorphic features of such language units in comparison. So as to achieve the aim of the research, several objectives of the research are set: identification of the current status of the research problem; review of related literature; analysis of stylistic peculiarities of phonovariants of the words of foreign origin in compared languages; substantiation of isomorphism and allomorphism of honostylistic features of borrowed words in Russian and Uzbek; discussion of stylistic potential of phonovariants of the words of foreign origin in compared languages.
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16

Haydarov, Anvar Askarovich, and Nigina Hamidovna Navruzova. "STYLISTIC FEA YLISTIC FEATURES OF IN TURES OF INTONATION." Scientific Reports of Bukhara State University 5, no. 1 (February 26, 2021): 18–29. http://dx.doi.org/10.52297/2181-1466/2021/5/1/2.

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Abstract. It is known that descriptive phonetics refers to phonetic phenomena such as speech sounds, their formation, types, changes, syllables, intonation, pause, stress, and their peculiarities. These phenomena recorded in the process of speech combine into a single system and form a speech act. This article discusses and comparatively analyzes stylistic features of intonation in the English and Uzbek languages. Background. Therefore, in the analysis and study of such phenomena, it is necessary to study them separately, and to keep in mind that these phenomena require one another, in other words, units that cannot exist without the other. Particularly, vowel sounds, which are stressed, form a syllable, and words are formed from the syllables, a sentence is formed from words, and each word and sentence is pronounced with a specific intonation and pause. In the formation of such a speech chain, the phonetic segment (main part) and supersegment (additional parts) elements are almost identically involved. But they also have some peculiarities while using them
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17

Prihodko, Ganna, Ivan Matsehora, and Andrii Galaidin. "STYLISTIC PECULIARITIES OF REPRESENTATION OF POLITICAL PHENOMENA IN BRITISH NEWSPAPERS." Scientific Journal of Polonia University 43, no. 6 (June 18, 2021): 125–31. http://dx.doi.org/10.23856/4315.

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The presented paper highlights the results of a study of the usage of different expressive means and stylistic devices for the description of Brexit as a political phenomenon in English newspaper texts. Our analysis has proved that a political discourse proliferates with the language means, which clearly realize opposition FOR – AGAINST Brexit. It has been proved that stylistic means employed in the media are determined by the conditions of communication. If the desire of the speaker is to rouse the audience and to keep it in suspense, he will use various tropes and figures of speech. Furthermore, stylistic means are closely interwoven and mutually complementary thus building up an intricate pattern. It is stressed that the sign of evaluation in the media may be conditioned by various sociocultural factors, among which are the specifics of the sociocultural space, type of publication, genre specificity of the text, individual features of communicants’ worldview. Accounting for these factors, contributes not only to a deep study of the stylistic phenomena, but also to effective communication and the creation of balanced journalistic texts, which, in its turn, will determine information and psychological comfort in society.
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18

Иванова, Елена Викторовна, Екатерина Владимировна Оботнина, and Марина Юрьевна Евпак. "PECULIARITIES OF RENDERING STYLISTIC CONVERSION (ON THE BASIS OF L. TOLSTOY’S “ANNA KARENINA” AND ITS TRANSLATION IN ENGLISH)." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 57–64. http://dx.doi.org/10.23951/1609-624x-2020-5-57-64.

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Введение. Проанализированы способы передачи стилистической конвергенции при переводе с русского языка на английский. Явление конвергенции стилистических приемов недостаточно подробно изучено ни стилистикой с точки зрения ее языковой реализации, ни переводоведением в плане передачи в переводе всего объема семантической, стилистической и прагматической информации, транслируемой автором с использованием указанного феномена. В научных исследованиях нередко рассматривается проблема передачи того или иного стилистического приема, но не их совокупности, что, несомненно, усложняет работу переводчика. Постановка такой проблемы в рамках данного исследования необходима для определения наиболее эффективной переводческой стратегии передачи конвергенции стилистических приемов в тексте перевода. Цель статьи – выявить и проанализировать способы передачи конвергенции стилистических приемов с языка-источника на язык перевода в плане сохранения ее прагматической функции. Материал и методы. Материалом исследования послужил роман Л. Толстого «Анна Каренина» и его перевод на английский язык, выполненный Маргарет Ветлин и опубликованный изданием Progress Publishers в 1978 г. Объектом исследования является конвергенция стилистических приемов, предметом – способы ее передачи с русского языка на английский. В работе нашли применение общенаучные и лингвистические методы исследования, в том числе описательный и сравнительно-сопоставительный. Результаты и обсуждение. Выявлено, что полное сохранение конвергенции в переводе встречается редко в силу лексических и структурных особенностей двух языков. Из 70 выявленных единиц текста 24 % составляют те, в которых стилистическая конвергенция была полностью сохранена при переводе. Передача стилистической конвергенции методом замещения или добавления некоторых ее элементов при переводе также встречается довольно редко (12 и 17 % соответственно). Наиболее частотным является способ передачи стилистической конвергенции с опущением при переводе тех или иных стилистических приемов оригинала (47 %). Что касается прагматических функций стилистической конвергенции, то они, в большинстве своем, сохраняются при переводе, при этом усиливая или, наоборот, ослабляя стилистический эффект текста оригинала. Заключение. В работе дан краткий обзор истории изучения явления стилистической конвергенции и приведены основные определения данного феномена. В ходе анализа материала исследования рассмотрены стилистические приемы, формирующие стилистическую конвергенцию в художественном тексте, проведен сопоставительный анализ текстовых единиц с применением конвергенции стилистических приемов в тексте оригинала и тексте перевода, выявлены наиболее частотные способы передачи стилистической конвергенции с русского языка на английский. Кроме того, проанализированы прагматические функции стилистической конвергенции и рассмотрены возможности их сохранения при переводе. Introduction. This article carries out the analysis of the ways the stylistic convergence is rendered from Russian into English. The phenomenon of convergence has been thoroughly studied neither by the stylistics as far as its speech implementation is concerned, nor by the theory of translation taking into account all the semantic, stylistic and pragmatic information expressed by the author by means of convergence that needs to be rendered in translation. Quite often, scientific research studies the problem of transferring a particular stylistic device rather than their converged group which obviously complicates the translator’s work. The problem thus stated is aimed at revealing the most effective translation strategy for rendering the stylistic convergence in the target text. Aim and objectives. The aim of the article is to single out and analyze the ways the convergence of stylistic means is rendered from the source language into the target language maintaining its pragmatic function. Material and methods. The material for the study is the novel “Anna Karenina“ by L. Tolstoy and its translation in English by Margaret Wettlin published by Progress Publishers in 1978. The object of the research is convergence of stylistic means, the subject is the ways of its transference from Russian into English. The basis of the methodology lies in the scientific and linguistic methods including the descriptive and comparative ones. Results and discussion. The research has shown that the complete transference of the convergence is rather rare due to the lexical and structural peculiarities of the two languages. Having analyzed 70 text units we have come to the conclusion that 24 % of them are those in which the stylistic convergence is preserved in the target text. The stylistic convergence is rendered by substituting or adding some of its components in 12 % and 17 % of units respectively. The most frequent (47 %) are the cases when some of the converged stylistic means of the source text are omitted in translation. As for the pragmatic functions of the stylistic convergence, they are in most cases retained in the target text enhancing or, on the contrary, weakening the stylistic effect of the original text. Conclusion. The article gives a short historical overview of studying stylistic convergence and covers its main interpretations. The analysis of the research material includes the study of stylistic means that form the stylistic convergence in the literary text, the comparative analysis of the text units containing the stylistic convergence both in the source text and in the target text. We revealed the most frequent ways of rendering the stylistic convergence from Russian into English. In addition, we analyzed the pragmatic functions of the stylistic convergence as well as the ways they can be retained in translation.
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19

Eremina, N. V., and M. Y. Krapivina. "STYLISTIC PECULIARITIES OF TRANSLATING ENGLISH NEWSPAPER AND JOURNALISTIC TEXTS." Tomsk State Pedagogical University Bulletin, no. 5 (2019): 71–78. http://dx.doi.org/10.23951/1609-624x-2017-5-71-78.

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20

Murtuzaliev, Feyzulla Murtuzalievich. "FUNCTIONAL AND STYLISTIC PECULIARITIES OF THE TABASARAN COLLOQUIAL VOCABULARY." Philological Sciences. Issues of Theory and Practice, no. 6-1 (June 2018): 120–24. http://dx.doi.org/10.30853/filnauki.2018-6-1.27.

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21

Batrynchuk, Z. "Stylistic peculiarities of expressive syntax of modern epistolary discourse." Science and Education a New Dimension VI(152), no. 45 (February 20, 2018): 16–19. http://dx.doi.org/10.31174/send-ph2018-152vi45-03.

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22

Lysenko, Natalia. "LINGUO-STYLISTIC PECULIARITIES OF THE ENGLISH-LANGUAGE EXPRESSIVE DISCOURSE." English and American Studies 1, no. 17 (December 22, 2020): 29–33. http://dx.doi.org/10.15421/382005.

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The article deals with the consideration of different approaches to the study of expressive English discourse, its linguo-stylistic peculiarities. The article presents the views of somelinguists on existing varieties of discourse and identifies the place of expressive discourse among them. In general, discourse is a written or spoken verbal product of a communicative event. Linguists distinguish many different types of discourse, taking into account extralinguistic factors: sociocultural, pragmatic, psychological, etc. In the existing classifications of the typology of discourse the expressive component is indicated, which allows to distinguish a separate kind of discourse – expressive. According to one of the typologies of discourse, there is an expressive type of communicative acts, which is connected with the expression of different feelings, moods, thoughts. According to another classification, an affiliative type of discourse is singled out, which includes the expressive type of speech acts. When investigating expressive discourse, it is necessary to take into account the notion of the expression itself, as well as the notions of expressiveness and emotionality must be distinguished. In scientists’ opinion, the emotional in language is needed for the expression of feelings, and the expressive – for enhancing expressiveness and imagery. The relevance of the study of expressive discourse lies in the need to identify the mechanisms for creating expressive effect.
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Kardanova, Bela Baybekovna. "The Kuban Nogais’ Social Songs: Functional and Stylistic Peculiarities." Manuskript, no. 6 (March 2021): 1218–22. http://dx.doi.org/10.30853/mns210217.

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Baigazieva, N. K., and D. T. Teshebaeva. "STYLISTIC PECULIARITIES OF THE TRANSLATION OF SOMATIC PHRASEOLOGICAL UNITS." Herald of KSUCTA, №3, 2021, no. 3-2021 (September 27, 2021): 412–16. http://dx.doi.org/10.35803/1694-5298.2021.3.412-416.

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This article covers the issue of clarifying the stylistic peculiarities of the translation of somatic phraseological units in English and Kyrgyz languages, as well as their functions, emotional shades, semantic and thematic content groups. Based on somatic groups, similarities and differences, it is possible to determine the relationship between languages, to investigate the process of formation of secondary meanings of somatisms that may reflect various aspects of human life. Wishing to emphasize that the identification of significant linguistic similarities and differences can be carried out under various conditions of generalization of the material, in particular, comparing the categories of phraseology and entire phraseological systems, along with the general features of comparative analysis, intra-linguistic descriptions, their comparability, identification of interlanguage differences based on identities, two-way direction. Their internal organization (aspect instructive-semantic correlation) so it is in their combined content and functioning (functional and semantic correlation).
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Marjanovic, Daliborka. "The formation of stylistic peculiarities of the language of religious texts of the Russian and Serbian Orthodox Churches on the example of liturgical texts and folklore spiritual verses." Litera, no. 5 (May 2021): 6–14. http://dx.doi.org/10.25136/2409-8698.2021.5.35425.

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The subject of this research is the analysis of formation of stylistic peculiarities of the language of religious texts of the Russian and Serbian Orthodox Churches on the example of liturgical texts and folklore spiritual verses. The object of this research is the stylistic peculiarities of the language in religious sphere of Russia and Serbia. The goal is to describe the current state of the functional style that serves the religious sphere of Russia and Serbia on the example of liturgical texts and folklore spiritual verses through the prism of their development. The author examines the church religious style, the concept of religious text in Russian and Serbian cultures. Attention is given to the concept of Russian and Serbian religious verse. The relevance of the selected topic is defined by its considerable contribution to the poorly studied areas of modern Slavic philology, as well as to the development of common culture and cooperation of the countries in the religious sphere. The acquired results can serve as the theoretical foundation for further study of the religious lexicon, as well as practically implemented in the special courses and research work. The conclusion is made that the analysis of formation of stylistic peculiarities of the language of religious texts of the Russian and Serbian Orthodox Churches on the example of liturgical texts and folklore spiritual verses is a relevant, although poorly studies area of research, from the perspective of linguistics, Slavic philology, and folklore studies, as well as pivotal area for studying religious lexicon within the framework of stylistics as part of common culture, literature, language, history, and religion of peoples.
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Tikan, Yana, and Valeriia Yushchuk. "Linguo-stylistic peculiarities of English advertising texts in the field of mechanical engineering." Advanced Linguistics, no. 7 (July 9, 2021): 72–79. http://dx.doi.org/10.20535/2617-5339.2021.7.215600.

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The article studies linguo-stylistic peculiarities of English advertising texts in the field of mechanical engineering. Advertising text is one of the relevant topics for linguistic research, as advertising is a dynamic phenomenon. Its development predetermines the systematization of linguo-stylistic peculiarities within English advertising texts. The aim of the article is to analyse the use of expressive linguo-stylistic devices in English-language advertising texts in the field of mechanical engineering considering their structural composition. The subject of research is English-language advertising texts in the field of mechanical engineering. The article theoretically substantiates the terminological apparatus of the research: different approaches of scientists to the interpretation of the concepts "advertising", "advertising text" and "advertising discourse" were considered. The structural features of the advertising text and their functions are also analysed. The article provides several classifications of leading scholars, on the basis of which further analysis was conducted. The study was based on the official English-language sites of such leading companies in the industry as BMW, Jaguar, Toyota, Honda, Mazda, Mercedes-Benz, Ford, Lexus, Saturn, Audi, Subaru, Suzuki, Hyundai and others. The article focuses on the examples of expressive linguo-stylistic devices in each of the structural elements of the English advertising text in the field of mechanical engineering, taking into account the frequency of their use. The peculiarities of their functioning in media texts were also analyzed, considering pragmatics and communication strategies aimed at the recipient of the advertising message. In the course of the analysis, manipulative features of linguo-stylistic devices were indicated and outlined with the help of relevant examples. Keywords: advertising; advertising text; advertising discourse; field of mechanical engineering; linguo-stylistic peculiarities; manipulative features.
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Vulfovich, Boris G. "Stylistic Peculiarities of the Political Internet-Discourse (Based on Comments to Theresa May’s Posts in Twitter)." Proceedings of Southern Federal University. Philology 2020, no. 1 (March 15, 2020): 77–84. http://dx.doi.org/10.18522/1995-0640-2020-1-77-84.

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Modern political discourse has obtained a new level, i.e. bilateral due to the Internet. This feature of this social network lets a user make a comment to any post written on the page and, what is more, there is a high possibility that a person addressed will read it and answer it. As a comment is considered to be an individual’s speech act it can be rendered from stylistics’ point of view. Implying stylistics into speech can be explained by an attempt to cause a certain emotional reaction of a person. The given article deals with the stylistic analysis of such comments to Theresa May’s posts in “Twitter” and subsequent determination of the emotive state of the readers.
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Papsheva, L. V. "Stylistic Peculiarities of Personality Behavior Self-regulation in Late Adolescence." Izvestiya of Saratov University. New Series. Series: Educational Acmeology. Developmental Psychology 2, no. 1 (2013): 41–47. http://dx.doi.org/10.18500/2304-9790-2013-2-1-41-47.

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The results of the study on stylistic peculiarities of personality behavior self-regulation in late adolescence are stated. The data of analysis of psychological concepts of conscious activity and behavior self-regulation are given (after C. Sherrington, I. M. Sechenov, L. S. Vygotsky, O. A. Konopkin, V. I. Morosanova). The work concentrates on understanding of stylistic peculiarities of self-regulation as being typical for a person and most essential individual peculiarities of self-organization and controlling external and internal goal-oriented activity which consistently shows itself in different types of one. Empiric research is made on the sample of senior school children of general educational schools of Saratov (n = 180, age 15–16). Complex of methods was applied: sixteen personality factor questionnaire by Cattel, Bass - Darky questionnaire, Zung Depression Scale (adapted by T. I. Balashova), “Anxiety state” test (C. D. Spielberg, L. Yu. Khanin), “Style of behavior selfregulation” questionnaire by V. I. Morosanova; method of correlative analysis allowed pointing out the structure of self-regulation stylistic peculiarities depending on personal characteristics of adolescent. The peculiarities of interrelations between self-regulation components and a variety of personal characteristics are represented. Thus, for instance, it is typical for the adolescents with high rate of distrust to other people to carefully premeditate his/her ways of actions towards objectives, circumstantiate and expand programs under development with account of significance of the external and internal conditions of his/her activity. The applied aspect of the problem under study can be actualized by solving tasks of psychological follow-up for school children’s personal development.
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Nyubina, Larissa. "Peculiarities of W. Moers’s Idiostyle in «The Alchemaster’s Apprentice» («Der Schreksenmeister»)." Izvestia of Smolensk State University, no. 2 (54) (September 4, 2021): 149–63. http://dx.doi.org/10.35785/2072-9464-2021-54-2-149-163.

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W. Moers is a modern German writer whose main works are addressed to children. Their popularity has been gained not least by means of the language game, but often by the author’s idiostyle. The language game is clearly visible in the work «The Alchemaster’s Apprentice» (in original: «Der Schrecksenmeister») under anal- ysis in all linguistic fields, i.e. lexics, grammar, word-formation, stylistics, etc. The usage of the language game as a means of creating a comic effect is an asset of the author’s idiostyle. The article considers idiostyle as W. Moers’ «individuality and uniqueness» as he uses linguistic, esthetic and stylistic, and literary means, i.e. the total array of language tools for drawing the readers’ attention to them.
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Muminov, V. I. "THE ORIGINALITY OF V.G. KOROLENKO’s LINGUISTIC AND STYLISTIC MANNER(BASED ON THE STORY “SOKOLINETS”)." Bulletin of Udmurt University. Series History and Philology 31, no. 5 (October 28, 2021): 875–90. http://dx.doi.org/10.35634/10.35634/2412-9534-2021-31-5-875-890.

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In this article based on the story “Sokolinets”, the peculiarities of linguistic and stylistic manner of V.G. Korolenko are reviewed, the author’s preferences in the choice of means of expression and intensification of features which provide stylistic effect are observed. First of all, the denominative vocabulary expressing the extreme (ultimate) psychological and emotional states of the characters is marked and classified. The pronoun words and particles, which often interact with each other, creating expressive constructions with the meaning of gradation, high degree of feature manifestation, etc., are considered separately. The word-formation means, participating in the realization of author’s emotionality, strengthening of substantial and expressive sides of the utterance, are singled out. Some peculiarities of V.G. Korolenko's idiostyle are examined; the stylistic means which increase the expressiveness of the work, optimize the rhythmical-intonational structure of the poetic speech, saturate it with the semantic and stylistic information are classified. The types of repetitions attracted by the writer for the realization of his creative task and their role in the realization of the stylistic effect are determined.
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31

Gasparyan, Naira, and Arevik Ajamoghlyan. "On Some Functional-Stylistic Peculiarities of the Language of Religion." Armenian Folia Anglistika 5, no. 1-2 (6) (October 15, 2009): 84–92. http://dx.doi.org/10.46991/afa/2009.5.1-2.084.

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Research on the functional-stylistic belonging of different religions has become quite actual. The article examines issues related to this sphere. An attempt has been made to determine important functional-stylistic characteristics of the language of religion through the research of the interrelation of various religions, common language symbols, similarities in the way of thinking of people having different religions, as well as the expressive language and other linguistic phenomena. This can shed light on certain phenomena in this sphere that have not been investigated yet.
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Будяк, В. В. "ОСОБЛИВОСТІ ФОРМОУТВОРЕННЯ ГЛАМУРНОГО КОСТЮМА 1930–1950-х РОКІВ." Art and Design, no. 3 (December 11, 2018): 65–74. http://dx.doi.org/10.30857/2617-0272.2018.3.6.

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To analyze the costumes of Hollywood actresses in the period 1930 – 1950's, which became the basis for the formation of typical structures of a glamor costume in the XX century; to establish the peculiarities of their formation and to determine their place in the structure of a fashionable costume of the beginning of the XXI century. The stylistic and associative methods of studying the artistic compositional features of the glamorous outfit of actresses as a creative source in contemporary design practice have been used, the comparative-historical method and the method of system-comparative analysis have been applied, which allowed to carry out the general typology of structures of a glamor suit of a certain period and to establish the peculiarities of its formation. The research shows how in 1930 – 1950's designers of American film studios developed stylistics of a glamorous suit, focusing on the individual characteristics of the body of the structure and appearance of the actresses, their role in the film industry. The results obtained concerning the structures of costumes of actresses and the peculiarities of their formation make it possible to characterize the artistic and compositional features of a glamorous costume and to show that they became the basis for the formation of typical images, and eventually – the typological structures of a glamor style suit, which before that time remain relevant and practically unchanged in the design of promising forms of clothing in stylistics of glamor. The peculiarities of the formation of a glamor suit in a certain period are established; outlined the formative searches of the designers of the cinema industry in the development of stylistics of glamor, which was reflected, first of all, in the formation of typical costume structures, its silhouette forms, constructive-compositional solution, the application of materials and their decorating; the basic means of embodiment of typical figurative-stylistic and formal-compositional signs of style of glamor in modern design practice are established. The practical significance of the work lies in the fact that the main results of the study may be useful for the development and production of clothing collections in the style of glamor; Provide capacious information on figurative-stylistic and formally-constructive characteristics of the typical glamor style of costume structures, silhouette forms and methods of shaping in general. The results can be used in the professional training of designers in order to improve the quality of design and art solutions in the development of collections of fashionable clothing that meet the aesthetic demands of contemporaries.
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Hakobyan, Anna. "The Syntactic-Stylistic Devices in the Texts of Constitutions." Armenian Folia Anglistika 4, no. 1-2 (5) (October 15, 2008): 35–38. http://dx.doi.org/10.46991/afa/2008.4.1-2.035.

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Regardless of certain common linguostylistic characteristics typical of all formal texts, each domain, however, possesses a set of features that is specific to it only. In this regard, the linguistic factor in the perception of the constitution is of certain interest. The presence of a number of linguo-stylistic peculiarities can be explained by the communicative function of the language which obtains certain importance here.The article can interest both a linguist and a lawyer, since the knowledge of the peculiarities of the official style and their appropriate application is necessary to ensure successful work in legal procedures.
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YERITSYAN, HASMIK EGISHEVNA. "NEW GENRE OF JOURNALISM: STRUCTURAL AND STYLISTIC FEATURES." Archivarius 7, no. 8(62) (November 20, 2021): 32–34. http://dx.doi.org/10.52013/2524-0935-62-8-8.

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In this study, we investigate the structural, thematic, and stylistic peculiarities of new forms of journalistic materials and divide them into separate genres, based on the monitoring of influential Russian-language online media.
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Boginskaya, Anastasia. "French translations of “Eugene Onegin”: on the conveyance of stylistic patterns." Litera, no. 11 (November 2021): 227–41. http://dx.doi.org/10.25136/2409-8698.2021.11.36632.

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This research is dedicated to the topic of multivariate translations. Leaning on the text corpus that contains 16 French translations of A. S. Pushkin's novel “Eugene Onegin”, analysis is conducted on the peculiarities of conveying certain characteristic stylistic patterns in French texts alongside other stylistic techniques of the original, as well as changes in translations depending on the poetic form chosen by the translator. The selected extensive material trace traces the evolution of translators’ approach towards the stylistics of Pushkin's text over time. The article focuses on the chapters III and VIII of the novel. Comparative analysis demonstrates the dependence of the stylistic aspect of translation on the poetic form chosen by the translator. Prose translations provide more accurate stylistic equivalents than translations of the verses. Poetry translations are divided into two groups: 1) accurate compliance with the of Onegin’s verse; 2) departure from the rhyme pattern of the original. The frequency of transmitting stylistic techniques of the original in both groups does not demonstrated significant systematic differences. The author determines the consistencies in conveying certain stylistic patterns in various French translations. Periphrases, comparisons, inversions, and metaphors most of the time receive stylistically accurate equivalents in all translations; while metonymy and polysyndeton with conjunction “and” do not. The scientific novelty lies in examination of the text corpus that contains virtually all existing full translations of the novel “Eugene Onegin”.
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36

Maslova, Irina. "Proper names in German-language mass media (prospects in teaching methodology and new opportunities)." SHS Web of Conferences 88 (2020): 01019. http://dx.doi.org/10.1051/shsconf/20208801019.

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The research covers semantic and pragma-stylistic features of onomastic units in German-language mass media, as well as the peculiarities of their functioning and impact on the reader, their prospects in the process of teaching a foreign language (in the terms of stylistic analysis of media texts).
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Pishenbayevna, Nasirova Ayzada. "The main peculiarities of stylistic devices in teaching Karakalpak language." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 10 (2020): 623. http://dx.doi.org/10.5958/2249-7137.2020.01166.0.

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38

Pishchanska, V. M. "Stylistic peculiarities of decorative and applied art of Ukrainian Cossacks." Science and Education a New Dimension VI(168), no. 27 (June 29, 2018): 11–14. http://dx.doi.org/10.31174/send-hs2018-168vi27-02.

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39

Lyudmirskaya, Alexandra. "“Brick” rationalism architecture in the eclecticism of religious buildings, public buildings and industrial enterprises of the Taganrog city in the late 19th and early 20th centuries." E3S Web of Conferences 281 (2021): 02012. http://dx.doi.org/10.1051/e3sconf/202128102012.

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The article analyzes the eclectic tradition in the architecture of religious buildings, public buildings and industrial enterprises of Taganrog, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches upon the specifics of the stylistic trends’ manifestation in the “brick style” rationalist architecture.
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40

Vechorynska, Tetiana, and Alina Snisarenko. "Linguistic and cognitive peculiarities of chinese cosmetics advertising." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 108–13. http://dx.doi.org/10.34079/2226-3055-2020-13-22-108-113.

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Based on the official data from Chinese Academy of Social Sciences in Beijing the present paper gives a comprehensive and clear idea of the current state of the cosmetics industry in China, thus, rising a question of advertising campaign efficiency focused on promotion of culture-oriented advertising texts. The paper explores linguistic and cognitive peculiarities of Chinese cosmetics advertising in the context of its functional specificity. By referring to such researchers as E. V. Medvedeva, U. V. Rozhdestvensky, and by tracing the etymological meaning of the word «advertising» the authors determine the influence function as the dominant one of the advertising text and conclude that influence function is performed through the following functional speech effects: clarity, emotional empathy effect, trust, dialogue and presence, i.e. all five featured in numerous verbal and non-verbal means of the language. The necessity of applying the linguistic and cognitive approach is thus determined. As part of this study, the linguistic and cognitive approach involves the analysis of lexical-semantic content, stylistic features, and cognitive, that is, national-specific, means of speech of advertising texts (slogans). The paper considers lexico-semantic features which include lexical transformations (loanwords and homonyms), wenyan vocabulary, expressive vocabulary, and the use of pronouns to address the potential consumer directly; stylistic features which include various figures of speech: parallelism and antithesis, rhyme and metaphors. The cognitive peculiarities refer to culture-specific national, philosophical and religious concepts, which emphasize the national identity and world view peculiarity of a Chinese customer. The paper presents the results of the investigation, and manifests the apparent relation between the above-mentioned features and the way a Chinese consumer percepts the advertising information. In other words, the paper determines the linguistic and cognitive peculiarities of the influence on a consumer, which is the dominant function of advertising. In conclusion, the authors outline the research prospects. It is supposed that the results of current investigation may contribute to the development of marketing strategies on promoting cosmetic products in China, as well as may be applied to designing specialized stylistics, lexicology, and cognitive linguistics courses. The data of this research may also provide some supplementary information for developing advertising and marketing courses.
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Колосніченко, О. В., І. О. Приходько-Кононенко, Н. В. Остапенко, and М. В. Колосніченко. "ХУДОЖНЬО-КОМПОЗИЦІЙНЕ ФОРМОУТВОРЕННЯ КОРПОРАТИВНОГО ОДЯГУ «УКРЗАЛІЗНИЦІ»: ЕСТЕТИЧНИЙ АСПЕКТ." Art and Design, no. 4 (March 4, 2019): 52–64. http://dx.doi.org/10.30857/2617-0272.2018.4.5.

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The goal of the research is to develop the bases of artistic composite form creation and stylistic series aesthetics of «Ukrzaliznytsia» employees’ uniforms. There have been considered the peculiarities of approaches to the uniform (special purpose clothes) design as an integral part of the material culture, compliance with the provision of its aesthetic, identification, stylistic and image corporation requirements.
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42

Abobakirova, Odina. "METHODOLOGICAL AND COMPOSITIONAL FEATURES OF UZBEK CHILDREN'S STORIES." INTERNATIONAL JOURNAL OF WORD ART 2, no. 3 (February 28, 2020): 103–8. http://dx.doi.org/10.26739/2181-9297-2020-2-14.

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43

Shymanska, Viktoriia, and Inna Kolomiiets. "Semantic-stylistic status of brandonyms." Philological Review, no. 2 (December 5, 2021): 107–14. http://dx.doi.org/10.31499/2415-8828.2.2021.246094.

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The article deals with the consideration of brandonyms from the standpoint of defining the status of lexical affiliation and their role in the stylistic organization of different texts. The article analyzes the issues aimed at clarifying such terms as «universal», «etrangism», «barbarism», as well as defines «brandonym», «text», determines the ability of brandonyms to acquire the characteristics of stylistics of certain messages, including advertising texts, and those that promote a particular idea implicitly. The onym space of any text is a reflection of the subjective assessment of the word by the author, therefore, the article emphasizes the peculiarities of introducing brandonyms to the texts of the above functional styles of modern Ukrainian standard language, as well as the specifics of mental and linguistic view of the world of an individual – the author of certain messages – as a representative of ethnolinguistic culture, the native of a separate language and philosophy. The relevance of the article is due to the need to trace functioning of proper names, in particular brandonyms, to try to establish their status in different texts. The aim of the article is to define the status of brandonyms from the standpoint of their affiliation to a certain group of vocabulary and stylistic purpose in the texts of literary and journalistic styles. Research methods are due to the peculiarities of the analysis of proprial vocabulary, which involves the use of descriptive method and a comprehensive approach to considering the functioning of specific lexical units in a particular text and their potential to create a certain stylistic intonation and power in achieving the overall goal of discourse formulation. In our opinion, the article is a necessary study in the research of Ukrainian onomastics, in particular the stylistic functions of proprietary names in various texts. Conclusions. Brandonyms cannot be assigned to one specific group: «barbarism», «entragism», or have only an understanding of it as a linguistic universal as all other propriatives both purely for theoretical reasons and in terms of functioning in a separate text, the studied language units may vary in the aspect of a clear assignment to one named group of vocabulary. From a stylistic point of view, brandonyms are not endowed with superpowerful properties of creating some sublime or lyrical intonation of the text, but have considerable potential to help achieve the goal of literary style – to reproduce the socio-temporal color of the described events and phenomena – and journalistic – providing voluntative function, and to act as a dominant of linguistic ambivalence.
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Струмінська, Т. В., С. І. Прасол, О. С. Гальчинська, and О. І. Ровенець. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ОЗНАКИ ЖІНОЧОГО КОСТЮМУ 1940-Х РР. ЯК ТВОРЧЕ ДЖЕРЕЛО РОЗРОБКИ СУЧАСНОЇ КОЛЕКЦІЇ ОДЯГУ." Art and Design, no. 4 (March 4, 2019): 129–38. http://dx.doi.org/10.30857/2617-0272.2018.4.12.

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Determination of the peculiarities of the shape, structure and color of a women's costume of the 40's of the twentieth century. for designing collections of modern women's clothing. The methodological basis of the article form a comparative-historical method, which allowed to reveal the dynamics of the development of artistic and constructive solutions of silhouettes; a method of figurative and stylistic analysis in the study of artistic compositional features of women's costume; structural-functional method of analysis in determining the recommendations for designing a collection of women's clothing in costume stylistics of the 40's of the twentieth century.
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45

Татанова and L. Tatanova. "Stylistic Features of Teenage Speech in the Novel “The Fault in Our Stars” by John Green." Modern Communication Studies 5, no. 6 (December 17, 2016): 61–65. http://dx.doi.org/10.12737/22781.

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The article focuses on the stylistic peculiarities of teenage speech in the novel “The Fault in Our Stars” by John Green. The characters’ dialogues and monologues are analyzed in connection with the central themes of the book. The author highlights the fact that stylistic devices and expressive means used by the personages come from different stylistic layers. The protagonists’ speech abounds with linguistic elements typical of colloquial, oratorical and belles-lettres style. The juxtaposition of contrasting tropes and expressive means in the characters’ verbal communication accounts for worldwide popularity of the novel.
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46

Lyudmirskaya, Alexandra. "Eclecticism of rationalism in the pre-revolutionary architecture of civil public buildings in the city of Novocherkassk." E3S Web of Conferences 281 (2021): 02008. http://dx.doi.org/10.1051/e3sconf/202128102008.

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The article analyzes the little-studied eclectic tradition in the architecture of civil public buildings in Novocherkassk, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches on the specifics of the stylistic trends’ manifestation in the rationalist architecture of the “masonry style”, as well as the historical timing of changes in style in a temporary context.
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47

Shakhov, Pavel Sergeevich. "Musical and Stylistic Peculiarities of the Siberian Mordovians’ Spring Calendar Songs." Manuskript, no. 4 (April 2020): 193–204. http://dx.doi.org/10.30853/manuscript.2020.4.39.

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Uarova, Ol'ga Vasil'evna, and Larisa Alekseevna Rachkovskaya. "GENRE AND STYLISTIC PECULIARITIES OF THE TALK SHOW “LARRY KING NOW”." Philological Sciences. Issues of Theory and Practice, no. 12 (December 2019): 273–77. http://dx.doi.org/10.30853/filnauki.2019.12.54.

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49

Kamchatnova, Julia B. "On the Russian Expression SESTʹ V LUZHU: Semantic and Stylistic Peculiarities." Slovene 1, no. 2 (2012): 135–52. http://dx.doi.org/10.31168/2305-6754.2012.1.2.8.

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The Russian expression сесть в лужу (literally, to sit into a puddle) stands apart from similar expressions with the same image in other languages, both semantically and stylistically. Whereas the expressions to find oneself in the mire, in der Patsche sitzen, etc. mean ‘to get into a difficult situation’ or ‘get tangled,’ the saying сесть в лужу means ‘to get into an awkward or funny situation, to fail because of being unable to live up to one’s expectations, to shame oneself.’ Perhaps, here the verb to sit, which in most cases implies a sitting position, changed the meaning of the expression, and it approached the offensive colloquial наложить в штаны ‘to crap one’s pants,’ which has the literal sense ‘to shit or wet oneself from fear,’ and the figural sense ‘to shame oneself through unredeemed promises.’ The expression сесть в лужу in current usage describes a person who is so scared that he has wet or soiled his pants. Judging by the fact that this expression cannot be found in Dahl’s dictionary and that it appeared in Russian literature at the beginning of the 20th century, it is obvious that before that time, it had been considered vulgar, substandard and unprintable. Nowadays, the expression is widespread, and though its origin has been forgotten, it has not become stylistically neutral: in dictionaries it is tagged as colloquial, informal, pejorative, ironic, and humorous.
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Skarlygina, Elena Yu. "Genre and stylistic peculiarities of essaystics P. Vail and A. Genis." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2016): 61–67. http://dx.doi.org/10.20339/phs.1-16.061.

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