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Books on the topic 'Stylistic techniques'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Tan, Peter K. W. A stylistics of drama: With special focus on Stoppard's Travesties. Singapore University Press, National University of Singapore, 1993.

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2

1966-, Culpeper Jonathan, ed. Stylistics and shakespeare's language: Transdisciplinary approaches. New York, 2011.

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3

Fusco, Susan Wirth. Syntactic structure in Rimbaud's Illuminations: A stylistic approach to the analysis of form in prose poetry. Romance Monographs, Inc., 1990.

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4

Middelkoop, Norbert E., and Rudi E. O. Ekkart. Frans Hals. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048566068.

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Frans Hals (1582/83-1666) is rightfully considered one of the most important seventeenth-century Dutch painters. His portraits are admired for their virtuoso brushwork and their seemingly spontaneous character. This volume, with fourteen contributions by twenty-six specialists on Hals’s paintings and his artistic network in Haarlem and beyond, presents a rich palette of new research. The authors introduce subjects such as the artist’s clientele - from clergymen and fellow painters to governors of charitable institutions - as well as stylistic and technical aspects of individual paintings. Resu

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5

Jane Austen's narrative techniques: A stylistic and pragmatic analysis. Ashgate, 2009.

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6

Morini, Massimiliano. Jane Austen's Narrative Techniques: A Stylistic and Pragmatic Analysis. Taylor & Francis Group, 2016.

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7

Morini, Massimiliano. Jane Austen's Narrative Techniques: A Stylistic and Pragmatic Analysis. Taylor & Francis Group, 2016.

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8

Morini, Massimiliano. Jane Austen's Narrative Techniques: A Stylistic and Pragmatic Analysis. Taylor & Francis Group, 2016.

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9

Morini, Massimiliano. Jane Austen's Narrative Techniques: A Stylistic and Pragmatic Analysis. Taylor & Francis Group, 2016.

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10

Morini, Massimiliano. Jane Austen's Narrative Techniques: A Stylistic and Pragmatic Analysis. Taylor & Francis Group, 2016.

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11

Friedland, Ed. Blues Bass - a Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement. Leonard Corporation, Hal, 2005.

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12

Friedland, Ed. Blues Bass - a Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement. Leonard Corporation, Hal, 2005.

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13

Letsch, Glenn. RandB Bass - A Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement. Hal Leonard Corporation, 2005.

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14

Friedland, Ed. Blues Bass - a Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement. Leonard Corporation, Hal, 2005.

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15

Letsch, Glenn. R&B Bass - a Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement. Leonard Corporation, Hal, 2005.

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16

Friedland, Ed. Blues Bass - A Guide to the Essential Styles and Techniques: Hal Leonard Bass Method Stylistic Supplement (Book & CD). Hal Leonard Corporation, 2005.

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17

Short, M. Stylistic Analysis of Drama. Pearson Education, Limited, 2013.

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18

Campbell, Edward, and Peter O'Hagan, eds. The Cambridge Stravinsky Encyclopedia. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781316493205.

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Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the Russian nationalist heritage of the early works, the neo-classical works which anticipate the stylistic diversity of the contemporary musical scene in the early twenty-first century and the integration of serial techniques during his final period. With entries written by more than fifty international contributors from Russian, European and American traditions, The Cambridge Stravinsky Encyclopedia presents multiple perspectives on the life, work

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19

Bordwell, David. Watch Again! Look Well! Look! Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.003.0002.

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This article traces some ways in which contemporary filmmakers have borrowed from and referred to the work of Ozu Yasujiro. In particular, the works of Wayne Wang, Hou Hsiao-hsien, Suo Masayuki, and Abbas Kiarostami are discussed as adopting stylistic or thematic materials from Ozu’s films. Far from simply copying Ozu’s work, these filmmakers have freely transformed his techniques for their own specific ends. The chapter briefly describes the cultivation of the “Ozu brand” by the Schochiku studio. It also situates Ozu’s development as a director in the context of the influence of Hollywood on

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20

North, Dan, Bob Rehak, and Michael S. Duffy, eds. Special Effects. 2nd ed. Palgrave, 2015. https://doi.org/10.5040/9781838711283.

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As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacle to examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to our contemporary transmedia landscape. Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its

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21

Stylistic Manipulation of the Reader in Contemporary Fiction. Bloomsbury Publishing Plc, 2019.

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22

Stylistic Manipulation of the Reader in Contemporary Fiction. Bloomsbury Publishing Plc, 2019.

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23

Stylistic Manipulation of the Reader in Contemporary Fiction. Bloomsbury Publishing Plc, 2019.

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24

Braae, Nick. Rock and Rhapsodies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.001.0001.

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Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group’s songs and illuminates the varied stylistic and historical contexts in which Queen’s music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen’s idiolect, the book further explores the nature of specific musical char

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25

Tan, Peter K. W. A Stylistics of Drama: With Special Focus on Stoppard's Travesties. Singapore University Press, 1995.

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26

Multimodal Stylistics of the Novel. Taylor & Francis Group, 2018.

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27

Davis, Gretchen. Hair Stylist Handbook: Techniques for Film and Television. Taylor & Francis Group, 2016.

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28

Davis, Gretchen. Hair Stylist Handbook: Techniques for Film and Television. Taylor & Francis Group, 2016.

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29

Davis, Gretchen. Hair Stylist Handbook: Techniques for Film and Television. Taylor & Francis Group, 2016.

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30

Hair Stylist Handbook: Techniques for Film and Television. Taylor & Francis Group, 2016.

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31

Stylistics and Shakespeare's Language: Transdisciplinary Approaches. Bloomsbury Publishing Plc, 2011.

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32

Stylistics and Shakespeare's Language: Transdisciplinary Approaches. Bloomsbury Publishing Plc, 2011.

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33

Stylistics and Shakespeare's Language: Transdisciplinary Approaches. Bloomsbury Publishing Plc, 2011.

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34

Language of Suspense in Crime Fiction: A Linguistic Stylistic Approach. Palgrave Macmillan Limited, 2017.

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35

Narrative progression in the short story: A corpus stylistic approach. John Benjamins Pub. Co., 2009.

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36

Garrett, Roberta, Jeannette Baxter, Liam Harrison, Peter Childs, Sebastian Groes, and Kaye Mitchell, eds. Rachel Cusk. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350371019.

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Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk’s literary output is one of experimentation and a desire to push against established cultural models. Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk’s work, spanning novels including Saving Agnes, A Country Life, and Second Place, her ‘autofictional’ Outline trilogy, and her nonfiction A Life’s Work, The Last Supper, Aftermath and the Coventry ess

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37

Charles, Gerber. Avoiding the Fade: How to Thrive As a Stylist in Any Economy. 1Brick Publishing, 2022.

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38

Charles, Gerber. Avoiding the Fade: How to Thrive As a Stylist in Any Economy. 1Brick Publishing, 2021.

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39

Darling, Kristina Marie. Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry. Rowman & Littlefield, 2021. https://doi.org/10.5040/9781978727342.

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Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousne

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40

Point of View in Plays: A Cognitive Stylistic Approach to Viewpoint in Drama and Other Text-types (Linguistic Approaches to Literature). John Benjamins Publishing Co, 2006.

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41

Shippey, Tom. Hard Reading. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382615.001.0001.

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This book makes an argument for the intellectual ambition and intellectual achievement of science fiction, a genre consistently undervalued by professional literary critics. It is pointed out repeatedly how much the genre owes to developments in anthropology, history, and other “soft sciences”; how the authority of the hard sciences is both asserted and challenged; and how the authority of ancient myths and modern values are likewise interrogated, with widely variant results. Science fiction, it is argued, has been a collective “thinking machine” for authors and readers alike, often (and espec

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42

Dinter, Martin T., Charles Guérin, and Marcos Martinho dos Santos, eds. Reading Roman Declamation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.001.0001.

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Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity. In so doing, it draws attention to the complexity of these texts, and maps out, for the first time, the socio

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43

An annotated dictionary of technical, historical, and stylistic terms relating to theatre and drama: A handbook of dramaturgy. E. Mellen Press, 1995.

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44

Hegele, Arden. Romantic Autopsy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192848345.001.0001.

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Romantic Autopsy: Literary Form and Medical Reading charts how medicine influenced the literature of British Romanticism in its themes, motifs, and—most fundamentally—forms. Drawing on new medical specialties at the turn of the nineteenth century along with canonical poems and novels, this book shows that both fields develop analogies that saw literary works as organic bodies and anatomical features as legible texts. Such analogies invited readers and doctors to produce a shared methodology of interpretation. The book’s most distinctive contribution is protocols of diagnosis: a set of practice

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45

Caplin, William E. Cadence. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780190056445.001.0001.

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Abstract This work is the most comprehensive examination to date of how formal units in European art music of the tonal era achieve closure by means of cadence, a highly conventional device for ending middle-ground thematic units. Rooted in the author’s broader “theory of formal functions,” the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles

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46

Visvesvara, Marika Mihalyi. Collage technique and epic traits in modernist poetry: A stylistic and thematic study of poems by Walt Whitman, Guilaume Apollinaire, and T.S. Eliot. 1985.

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47

Whitesell, Lloyd. Wonderful Design. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.001.0001.

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Glamour is an elusive aspect of cinematic style. This book critically examines previous scholarship on glamour; defines the concept as a compound of artifice, allure, and magic; and examines the phenomenon at work in the genre of the film musical. The focus is on the role of music in representing glamour, and the stylistic and semiotic conventions by which glamour is embodied in sound. The book develops an analytical framework that applies across media, the better to appreciate music’s collaborative role within multimedia spectacle. First, glamour is situated as one of a handful of “style mode

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48

Strong, S. I. 5. Step three in the IRAC method: the application. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198811152.003.0005.

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This chapter deals with the third step in the IRAC method of legal essay writing: the application of the facts to the rules (legal authorities) presented in the second step of the essay. This technique is very seldom addressed in class discussions, and many students can become overwhelmed when seeking to undertake this element of the exam- and essay-writing process. The discussion explains what ‘application’ means under the IRAC system; the need for an application process in legal writing; how to distinguish ‘application’ from the ‘rules’ in IRAC methodology; and various stylistic and practica

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49

Toles, George. Words and Music: The Magnolia Crisis. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040368.003.0001.

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This chapter describes a considered, thematic, and stylistic account of the viewing experiences of three films by Paul Thomas Anderson and their backgrounds—Punch-Drunk Love (2002), There Will Be Blood (2007), and The Master (2012). Writer Geoffrey O'Brien, in his essay on The Master, captures the feel of Anderson's recurring landscape of disconnection. He goes on to speak of the expressionist treatment of milieu in the films, as though in each narrative there is an attempt both to acknowledge the claims of material reality and at the same time to reconfigure the real. The chapter also examine

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50

How to create the perfect cut, shape, color, and perm for any hair type: Secrets and techniques from a master hair stylist. Atlantic Pub. Group, Inc, 2008.

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