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Academic literature on the topic 'Stylistics in translation'

Author: Grafiati

Published: 28 May 2022

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Journal articles on the topic "Stylistics in translation"

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Al-Ajrami, Muna Alhaj-Saleh Salama, and Esra’a Mujahed Al-Muhiesen. "Translation and Stylistics: A Case Study of Tawfiq al-Hakeem’s “Sparrow from the East”." Theory and Practice in Language Studies 8, no. 8 (August 1, 2018): 1074. http://dx.doi.org/10.17507/tpls.0808.23.

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Having a background in major linguistic disciplines gives the translator a better understanding of the text, which leads to producing a more adequate and accurate translation of the text. This study aims at showing the problems that translators encounter in the translation of literary texts. It also shows the relationship between translation and novel stylistics. This study is based on translating a novel titled “Sparrow from the East” by Tawfiq Al-Hakeem. The text was translated by the researchers from Arabic into English. The researchers also came into three major challenges in terms of syntax, lexis, and stylistic. As a result of this study, the researchers used several translation strategies to overcome those problems and concluded to the fact that stylistics has a vital role in literary translation.

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Morini, Massimiliano. "Translation, stylistics and To the Lighthouse." Target. International Journal of Translation Studies 26, no. 1 (March 7, 2014): 128–45. http://dx.doi.org/10.1075/target.26.1.05mor.

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Scholars in Descriptive Translation Studies and other areas of translation theory have often employed ‘style’ as a term, but have rarely expanded their stylistic reflections beyond the level of impressionistic description. In the last decade, however, a small number of articles and monographs have advocated or attempted a fusion of stylistics and translation studies, into something that Kirsten Malmkjær (2004) has aptly termed “translational stylistics.” Building on this handful of contributions, the author proposes a bi-textual analysis of deictic shifts in Virginia Woolf’s To the Lighthouse (1927) and Giulia Celenza’s early Italian translation Gita al faro (1934).

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Marpaung, Ely Ezir, Syahron Lubis, Amrin Saragih, and Eddy Setia. "Stylistics in “Asahan Dalam Angka 2015” Translation Text." LANGUAGE LITERACY: Journal of Linguistics, Literature, and Language Teaching 2, no. 2 (December 17, 2018): 175. http://dx.doi.org/10.30743/ll.v2i2.782.

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This research deals with the role of stylistics in translation and is aimed at identifying the types of stylistics used in “Asahan Dalam Angka 2015” in the translation text, to analyze the application of how and why stylistics is applied. This study applies qualitative research method, proposed by Miles and Huberman. There are six types of stylistics applied in ASDA 2015translation text: Word Formation Variation (WFV), Lexical Choice Variation (LCV), Syntactical Order Variation (SOV), Semantic Meaning Variation (SMV), Pragmatic Contextual Variation (PCV), and Grammatical Change Variation (GCV). The application refers to the morphological process (Word Formation Variation).The words are lexically chosen to vary lexical meaning (LCV), the phrases are syntactically reconstructed SOV), the words are pragmatically and contextually varied and translated to be equivalent (PCV), and the words are grammatically changed and varied to construct appropriate meaning. The finding shows that there are two causes why stylistics is not well applied in ASDA 2015translation text. Firstly, MT (Machine Translation) used in translating the text is not equipped by sufficient linguistic devices. Secondly, ASDA 2015 translation text is not realized in stylistic variation.

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Ji, Meng. "Quantifying Phraseological Style in Two Modern Chinese Versions of Don Quijote." Meta 53, no. 4 (January 16, 2009): 937–41. http://dx.doi.org/10.7202/019664ar.

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Abstract Quantifying style, or stylometry, has always been one of the oldest traditions in Western literary studies. It seems, however, that such a well-explored and long-standing scientific methodology has been rarely applied to translations, as opposed to original literary texts. The present paper, which focuses on the stylistic use of phraseology in two contemporary Chinese versions of Cervantes’ Don Quijote, shall endeavour to address the two current problems in corpus-based translation stylistics, i.e., the lack of debate on the question of semantically-rich linguistic units in quantifying style of translations, and the need for testing the use of methods and techniques adapted from corpus statistics in detecting stylistic traits in translations. It is hoped that this study, which aims at expanding the current methodological framework for translation stylistics, will help in the development of this growing area of research in Translation Studies.

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Meng Ji. "Corpus stylistics in translation studies: two modern Chinese translations of Don Quijote." Language and Literature: International Journal of Stylistics 18, no. 1 (February 2009): 61–73. http://dx.doi.org/10.1177/0963947008099306.

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This article aims to provide a quantitative account of the stylistic differences between two modern Chinese translations of Don Quijote in terms of the use of language archaism. For this purpose, a number of statistical techniques applicable in corpus linguistics have been used, which exemplifies the foregrounding of quantitative primary data. The article provides an original interdisciplinary study which attempts to integrate research methods adapted from different areas of research, e.g. textual statistics, corpus linguistics, literary stylistics and translation studies, into the development of an emerging field known as corpus stylistics.

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Al-Mansoob, Huda. "When stylistic features are overlooked in translation." Babel. Revue internationale de la traduction / International Journal of Translation 63, no. 2 (August 31, 2017): 214–29. http://dx.doi.org/10.1075/babel.63.2.04alm.

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Abstract If a literary translator wishes to produce a rewarding and successful translation, his main focus should be not only on content but also on the stylistic manipulation of the text. This paper considers how overlooking the writer’s stylistic varieties affects the quality of translation, rendering the story questionable. Problems related to translating the present tense within a past narrative and reported speech, drawn from Leech and Short (1981, 2004), will be discussed. The textual illustrations will be taken from Mohammed Abdul-Wali’s representative collection They Die Strangers (1966) in English (2001), which was published by the Center for Middle Eastern Studies at the University of Texas at Austin. The argument is potentially helpful to the study of stylistics and translation studies as a whole.

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Ardianto, Ardik. "Translation of Addressing Terms in The Novel This Earth of Mankind." Deskripsi Bahasa 2, no. 2 (October 7, 2019): 119–27. http://dx.doi.org/10.22146/db.v2i2.351.

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This paper is an attempt to approach the translational stylistics, aiming at identifying the equivalence and translation procedures used in translating the Toer’s authorial style from the Indonesian language to the English language in the novel This Earth of Mankind. A translational stylistics model proposed by Malmkjær was used to contrast the target text (TT) and the source text (ST), primarily focusing on the stylistic shift. Further, as to the model of translation procedures, it specifically employed Vinay and Darbelnet’s methodology for translation. Data used in this study were addressing terms found in two novels, the Indonesian novel Bumi Manusia and its translation This Earth of Mankind. The rigorous analysis demonstrated how the translation of addressing terms involved a wide range of aspects, such as sociocultural and historical values (including social identity and social strata) and power and solidarity relation. Therefore, it raised a number of noteworthy translation issues, i.e., its equivalence, stylistic shift, and translator’s strategies. Through the increasing awareness of ‘cultural turn’ in translation studies, the concept of equivalence is supposedly perceived not as an absolute assessment but as a mediating attempt to accommodate and transpose the inferred or perceived meaning from the ST to the TT as much as possible. However, the findings are not set out to appraise the translator’s ethical attitude, considering the limited data used in this study and numerous factors that are not yet taken into account, e.g. the power play of the translation industry, and culture-mediating agenda in the receiving culture.

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Shen, Dan. "Stylistics in China in the new century." Language and Literature: International Journal of Stylistics 21, no. 1 (February 2012): 93–105. http://dx.doi.org/10.1177/0963947011432054.

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The new century has witnessed the fast development of both ‘traditional Chinese stylistics’ and ‘westernized stylistics’ in China. This article points out that the term ‘style’ (‘ wenti’) has drastically different senses in the two different analytical contexts, and that the two stylistic approaches have very different concerns. With this distinction and clarification paving the way, this article goes on to review the development of ‘westernized stylistics’ in China in the new century, focusing on functional stylistics, cognitive stylistics, pragmastylistics, corpus stylistics and pedagogical stylistics. In China, westernized stylistic research is often carried out in connection with interlingual translation, either to shed new light on the stylistic choices through interlingual contrast, or to provide a new way for translation criticism. The fast development of westernized stylistics in China has to do with the EFL context, where it has attracted a large number of practitioners in the English department. Moreover, the thriving development of westernized stylistics in China in the new century testifies to the increasing international remit Language and Literature and PALA have achieved since more modest beginnings in the UK in the 1980s and 1990s.

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Černiuvienė, Liucija, and Ieva Montrimaitė. "Stylistics and Translation of Raymond Queneau’s Work: Translation Analysis of „Exercices de style“." Vertimo studijos, no. 13 (December 28, 2020): 6–27. http://dx.doi.org/10.15388/vertstud.2020.1.

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The article covers the stylistics of the work “Exercices de style” by the French writer Raymond Queneau and the translation of this work into Lithuanian. Through the analysis of translations into Italian and English as well, the article investigates the distinctive feature of Queneau’s texts – how they play with various language tools. The article distinguishes and discusses the play of literary devices (these are figures of style and rhetoric), the play of linguistic devices (grammatical tenses, barbarisms, neologisms), the play of language registers (colloquial language, jargon), the play of genres and discourses, and the play of narrative techniques. While playing with the language, the author seeks to entertain the reader – the exercises are rich in various elements of comedy, parody and irony. It is not possible to systematically apply one translation strategy to translate this work, therefore the translator Akvilė Melkūnaitė focused on conveying the logic of Queneau’s rules, making the translation strategies related to semantic and stylistic translation of the text diverse and successful, while the complicated conveying of cultural realia (e.g. jargon) is offset by other means of translation.

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Grabowski, Lukasz. "Interfacing corpus linguistics and computational stylistics." International Journal of Corpus Linguistics 18, no. 2 (September 27, 2013): 254–80. http://dx.doi.org/10.1075/ijcl.18.2.04gra.

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This study attempts to examine the potential of selected corpus linguistics and computational stylistics methods in the investigation of translation universals in translational literary Polish. It deals with T-universals (Chesterman 2004), with emphasis on the simplification hypothesis, as manifested in the core patterns of lexical use (Laviosa 1998) and the levelling out hypothesis (Baker 1996). To that end, the purpose-designed corpora, each with approximately 350,000 tokens, of contemporary translational and non-translational literary Polish were compiled. The results confirm the simplification and the levelling out hypotheses but only with reference to the mean sentence length and variance for the mean sentence length. On the other hand, the results of multivariate analyses (Principal Components Analysis and Cluster Analysis) confirm the levelling out hypothesis that translations are more alike as compared with native texts.

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Dissertations / Theses on the topic "Stylistics in translation"

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Shen, D. "Literary stylistics and translation : With particular reference to English translations of Chinese prose fiction." Thesis, University of Edinburgh, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379342.

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Mastropierro, Lorenzo. "Corpus stylistics and translation studies : a corpus-assisted study of Joseph Conrad's 'Heart of Darkness' and its Italian translations." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33678/.

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This thesis carries out a corpus stylistic study of Joseph Conrad’s Heart of Darkness and four of its Italian translations. It investigates the role of textual patterns as building blocks of the fictional world and triggers of literary themes. It also investigates the effects of translation on the relation between textual patterns and the fictional world, and discusses the potential consequences of translational alterations on the text’s themes. Heart of Darkness is a complex and multifaceted text that deals with a multitude of themes and has been interpreted in many different ways. By offering an overview of the text’s literary reception, I foreground two major themes that emerge from the contemporary critical debate as particularly central to the discussion about Conrad and his text: “Africa and its representation” and “race and racism”. Through a keyword analysis, I establish a connection between these themes and the lexical level of the text. Adopting Mahlberg & McIntyre’s (2011) model, I group keywords into categories that reflect specific aspects of the fictional world and the thematic concerns of the text. I then select groups of keywords that relate specifically to “Africa and its representation” and “race and racism” for more in-depth examination. Specifically, I analyse how the African jungle and the African natives are linguistically represented in the text. I demonstrate that repeated lexico-semantic patterns shape these fictional representations and play a fundamental part in the interpretation of the two themes related to them. I then focus on the Italian versions and compare them in order to show the effects of translation on the lexico-semantic patterns. I show that alterations made at the linguistic level affect the interpretational level of the translations, with potential consequences for the reception of the major themes in the target context. Finally, I use computational methods to compare the original and the translations at the level of whole texts, as opposed to feature-specific comparisons. I claim that together these two perspectives provide a more nuanced understanding of the relation between source and target texts. Through this analysis, the present thesis explores how the fictional world and literary themes are constructed and conveyed in literature and in its translation. It also contributes to the critical discussion on Heart of Darkness and proposes a methodology to analyse and compare literary translations. Finally, as an interdisciplinary project, this thesis builds on the interaction between corpus stylistics and translation studies, and strengthens this relation further.

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Dickson, R. William. "The hermeneutics and translation stylistics of the septuagintal books of Haggai and Malachi." Thesis, University of Edinburgh, 1991. http://hdl.handle.net/1842/27906.

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In Chapter 1 I introduce the study and explain that virtually all of the post major treatments of the LXX of the Minor Prophets were essentially atomistic in nature and made no effort to treat the Greek text as a coherent, unified literary and theological work with its own independent integrity. I argue that the nature of the LXX of these books and the function of the LXX in history both constitute compelling reasons to treat the text as something other than a more or less defective witness toward a reconstructed Hebrew Voriage which might be useful in the text-criticism of the Hebrew Old Testament. In Chapter 2 I undertake a comprehensive evaluation of the Kethib/Dere variants, the Sebirin, the Tiggune Sopherim and the variants attested directly or indirectly in the manuscripts discovered in the Dead Sea region as these might bear upon the Hebrew text of the Minor Prophets. I conclude that there is no evidence of systematic conformity to a proto-septuagintal text-type and that the textual evidence suggests a stream-like history with a constant intermixing of texts. In Chapters 3 and 4 I provide a detailed textual comentary of Haggai and Malachi. In this commentary, I typically address the relation of the LXX's Vorlage to the MT, the meaning of the Vorlage, the meaning of the MT, the translator's understanding of the meaning of his Vorlage, the reasons the translator translated as he did and the significance of his Greek language without any concern for the motives or confusion which might be behind the Greek. In Chapter 5 I conclude the study with an argument that the LXX of the Minor Prophets illustrates that an ancient translation could be both highly literal and yet reflect a high degree of hermeneutical intentionality bg the translator.

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Di, Filippo Giulia. "Corpora e traduzione editoriale: ricezione e analisi comparata delle traduzioni italiane de La pesquisa di Juan José Saer." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20494/.

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Questo elaborato si pone come obiettivo quello di indagare la traiettoria editoriale di Saer in Argentina e in Italia e, in particolare, quello di analizzare il caso della ritraduzione de La pesquisa in Italia. Viene proposta, quindi, un’analisi comparata delle due traduzioni esistenti, pubblicate entrambe con il titolo L’indagine a pochi anni di distanza l’una dall’altra. L’analisi comparativa dei due testi di arrivo si basa sullo studio di diversi ricercatori in un ambito che sta acquisendo sempre più importanza nel campo letterario, la stilistica basata su corpora. Molte delle tecniche a cui ricorre quest’ultima sono utilizzate anche in ambito traduttivo, nella sfera di indagine che prende il nome di translational stylistics. Nel primo capitolo presenterò la biografia dell’autore e la sua traiettoria editoriale sia in Argentina che in Italia. Nel secondo capitolo presenterò l’analisi del testo di partenza, La pesquisa. Nel terzo introdurrò, invece, i corpora, spiegando cosa sono, elencandone le diverse tipologie e spiegando in che modo e in quali ambiti possono essere applicati. Mi soffermerò in particolar modo sui punti di contatto tra la linguistica basata su corpora e la traduzione letteraria, illustrando i concetti di corpus stylistics e translational stylistics. Nel quarto capitolo, infine, mi concentrerò sulla ricezione delle due diverse traduzioni in Italia, con lo scopo di far luce sui motivi che spingono un editore a considerare di ritradurre un’opera. Al termine dei quattro capitoli, verranno presentate le conclusioni raggiunte in relazione al mio progetto di ricerca e ai possibili sviluppi futuri.

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Chakhachiro, Raymond, of Western Sydney Macarthur University, and Faculty of Education. "The translation of irony in Australian political commentary texts from English into Arabic." THESIS_FE_XXX_Chakhachiro_R.xml, 1997. http://handle.uws.edu.au:8081/1959.7/425.

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The main thesis of this study is that the translation of irony from English into Arabic in commentary texts in Australia is not amenable to traditional translation theories. The way Arabic and English speakers employ irony to express themselves reflects the linguistic and cultural distance between both languages. To tackle this problem, the study ventures into a contrastive analysis with reference to a number of linguistic and non-linguistic devices and concepts. It concentrates on the interpretation and the linguistic realisation of irony in both languages by utilising a number of contemporary linguistic models. The research takes the view that ironic devices are the foundation of the structural development of the texts in question. To demonstrate this, the speech act and conversational theories are used. The interaction between the ironic devices and the text development constitute a framework for the overall rhetorical meaning of the text. After an overview of the relevant literature of translation, contrastive analysis and comparative stylistics, an analysis/translation model is devised and implemented. A thorough contrastive analysis is made of English and Arabic commentary texts. Similarities and differences between the Arabic and English texts are found. Discrepancies were observed in the form, function and the number of ironic devices used in both languages. Based on the findings seven general strategies are proposed for the translation of irony in Australian commentary texts from English into Arabic.
Doctor of Philosophy (PhD)

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Al, Batineh Mohammed S. "Latent Semantic Analysis, Corpus stylistics and Machine Learning Stylometry for Translational and Authorial Style Analysis: The Case of Denys Johnson-Davies’ Translations into English." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429300641.

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Boberg, Per. "Translating Political Text : Cultural and Stylistic Aspects of Translating the American Republican Party's 2004 Political Platform." Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2375.

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The present paper discusses the cultural and stylistic issues in the translation of a part of the 2004 Republican Party Platform. Political text in American English and Swedish is in focus, and translation examples are accounted for and categorised according to Vinay & Darbelnet’s (1995) system theory of translation procedures. The conclusion is that cultural issues caused fewer problems than stylistic ones when the Republican Party Platform 2004 was translated.

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Ємець, О. В. "Стилістичні аспекти перекладу поетичних текстів." Thesis, Видавництво СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/17271.

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Jelbring, Stina. "A Decontextual Stylistics Study of the Genji Monogatari : With a Focus on the "Yûgao" Story." Doctoral thesis, Stockholms universitet, Institutionen för orientaliska språk, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38006.

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The dominant part of the research on the “Yûgao” (The Twilight Beauty) story of the Japanese eleventh-century classic the Genji Monogatari (The Tale of Genji) is philological and often excludes a general literary analysis. This story has also been related to Japanese and Chinese literary influences, thereby placing the text in its literary context. The present study is an attempt to relate it more to theories to which it has hitherto been unrelated and thereby formulate a descriptive stylistics in a decontextual perspective. This aim also includes a look at how the theories confronted with the “Yûgao” story may be affected. First I introduce the problematics of context versus decontext by means of a survey of metapoetical texts about the monogatari (tale, narrative) genre with special regard to the Genji Monogatari. Next I analyze the characters and the setting, primarily using a narratological method. This is followed by an analysis of the story’s themes and motives. Chapter 5 looks at compositional elements, while the starting-point for the succeeding chapter is the interpretation of the “Yûgao” story as more or less a fairytale, and thus not as advanced a narrative as the latter part of the work. I shall, in contrast, argue that there are quite a few aspects of this story that do not fit into the model of the folktale. In Chapter 7 decontextualization as a concept turns from the story as such to address another concept, namely metaphor. Here the meaning of metaphor is expanded in order to include concepts that are not necessarily seen as such. Subsequently, I investigate the symbolic system surrounding the moonflower (yûgao) image. Lastly, the concept of decontext is taken a step further to survey how the genre of the Genji Monogatari has been transformed in the process of translation into the Tale of Genji. The main conclusion is that the “Yûgao” story combines tragic themes with comic motifs to build a symbolic narrative with characters hovering between roles.

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Read, Andrew. "Translating and adapting fictional speech : the case of Philip Pullman's 'Northern Lights'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/translating-and-adapting-fictional-speech-the-case-of-philip-pullmans-northern-lights(3dff0298-ca8a-4795-9bed-cc0c3a69cabc).html.

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This thesis is an examination of the effects of translation into French and of adaptation for the stage, in English, on the dialogue of Philip Pullman’s novel Northern Lights (published in North America as The Golden Compass). The study focuses on the speech of Lyra, the novel’s protagonist, in terms of both its linguistic qualities and the functions it supports within the novel and the trilogy of which it forms part, His Dark Materials. The study aims to identify the ways in which not just the linguistic surface of fictional speech is affected by translation and adaptation but also the degree to which the roles played by the dialogue in the source text are reflected or transformed in the different versions. The unusual research design, involving a comparison of the effects of interlingual translation and intermedial adaptation on the same text, consists of two main elements. In the first quantitative section, the relative incidence of three variables is measured for the purposes of identifying how features of spoken style and non-standard variation are treated. This analysis is followed by a detailed qualitative evaluation of a small number of dialogue passages that exemplify the key linguistic features and likely textual functions of Lyra’s speech in the novel. The passages concerned are compared with equivalent stretches of dialogue in the French translation and the theatrical script. The study finds evidence to suggest that Pullman uses dialogue in support of characterisation, plot, and also ideological and intertextual concerns. All of these aspects are affected, in subtle but significant ways, by the different decisions made by the translator and the dramatist in respect of Lyra’s speech. The study also finds that aspects of both user-related and situation-related variation in fictional speech may be worthy of further research.

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Books on the topic "Stylistics in translation"

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DiMarco, Chrysanne. Computational stylistics for natural language translation. Toronto: University of Toronto, Dept. of Computer Science, 1990.

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Stylistics and language teaching: With a section on translation studies. Delhi: Kalinga Publications, 2003.

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1904-, Darbelnet Jean, ed. Comparative stylistics of French and English: A methodology for translation. Amsterdam [Netherlands]: J. Benjamins Pub.. Co., 1995.

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Sarang, Vilas. The stylistics of literary translation: A study with reference to English and Marathi. [Bombay]: Gurudev Tagore Chair of Comparative Literature, University of Bombay, 1988.

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DiMarco, Chrysanne. Computational stylistics for natural languages. Toronto: Computer Systems Research Institute, University of Toronto, 1990.

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Siani, M. D. M. Tulli Ciceronis 'Pro Rabinio Posturno': Stylistic commentary and translation. Birmingham: University of Birmingham, 1986.

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Vrbová, Alena. Stylistika pro překladatele: Texty a cvičení. Praha: Karolinium, 1998.

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Parrott, David. Linguistic and stylistic aspects of nominalizations in thecontextof German and English technical writing and the relevancetomachine translation. Manchester: UMIST, 1994.

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Kadhim, Kais A. A discourse analytical approach to stylistic variations employed in Arabic translation of English news stories: Transmitting political news across linguistic and cultural boundaries. Lewiston: Edwin Mellen Press, 2011.

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Wai guo shi ge de fan yi yu Zhongguo xian dai xin shi de wen ti jian gou: The translation of foreign poetry and the stylistic construction of modern Chinese poetry. Beijing: Zhong yang bian yi chu ban she, 2013.

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Book chapters on the topic "Stylistics in translation"

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Shen, Dan, and Kairui Fang. "Stylistics." In The Routledge Handbook of Literary Translation, 325–37. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Routledge handbooks in translation and interpreting studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315517131-22.

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Boase-Beier, Jean. "Stylistics and translation." In Handbook of Translation Studies, 153–56. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/hts.2.sty1.

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Boase-Beier, Jean. "Translation and cognitive stylistics." In Translation and Style, 84–127. Second edition. | New York : Routledge UK/ROW, 2019. | Series: Translation Theories Explored, 1365-0513 | First edition had title: Stylistic approaches to translation: Routledge, 2019. http://dx.doi.org/10.4324/9780429327322-5.

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Walker, Callum. "Style, Stylistics and the Literary Experience." In An Eye-Tracking Study of Equivalent Effect in Translation, 71–109. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55769-0_3.

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Daneš, František. "The Language and Style of Hašek's Novel “The Good Soldier Švejk” from the Viewpoint of Translation." In Studies in Functional Stylistics, 223. Amsterdam: John Benjamins Publishing Company, 1993. http://dx.doi.org/10.1075/llsee.36.12dan.

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Díaz, María Alcantud. "Languages and New Technologies: Learning Digital Portfolio in the Stylistics of English." In New Frontiers in Translation Studies, 131–54. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0572-5_8.

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Winters, Marion. "The Case of Natascha Wodin’s Autobiographical Novels: A Corpus-Stylistics Approach." In The Palgrave Handbook of Literary Translation, 145–66. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75753-7_8.

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Cockerill, Hiroko. "Stylistic Choices in the Japanese Translations of Crime and Punishment." In The Palgrave Handbook of Literary Translation, 63–81. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75753-7_4.

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Huang, Libo. "Direct and Inverse Translations of Jia Pingwa’s Novels: A Corpus-Based Stylistic Comparison." In Style in Translation: A Corpus-Based Perspective, 79–94. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-45566-1_6.

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Jiang, Chengzhi. "Investigating the Mountain Image in Wang Wei’s Poetry: A Cognitive Stylistic Approach to Poetry–Painting Affinity." In Poetry-Painting Affinity as Intersemiotic Translation, 51–91. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2357-1_3.

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Conference papers on the topic "Stylistics in translation"

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AVORNICESEI, Oana-Florina. "JAPANESE PROVERBS BETWEEN EQUIVALENCE AND COMPARATIVE TRANSLATION FROM JAPANESE AND ENGLISH INTO ROMANIAN. AN ANALYSIS FROM THE SEMANTIC AND PRAGMATIC POINT OF VIEW." In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.03.

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The current paper takes a comparative look at a selection of Japanese proverbs and their translation into English to their Romanian equivalents. The English translation belongs to David Galeff, the author of the book ‘Japanese Proverbs. Wit and Wisdom’ from which stems the selection of proverbs which are the object of the current analysis. The Romanian translation applies two methods. It tries to find an equivalent in Romanian, both in terms of wit i.e. wording or sense and in terms of wisdom i.e. meaning or reference. As such the two perspectives of analysis are semantic and pragmatic. The aim is firstly to find an equivalent in meaning and reference to a relevant wisdom inspired by reality and life. If such an equivalent is not found, alternative translations are attempted using other translation procedures, such as modulation or even adaptation. The theoretical framework used is the one Vinay and Dalbernet outlined in their ‘Comparative Stylistics of French and English: A Methodology for Translation’. This is a translational attempt to look towards the East and towards the West and see how different and how similar they are in the way they understand life and express that understanding. The aim of the analysis is to see to what extent it can identify corresponding ways of wording or equivalent forms of expression in Romanian for the wit and the wisdom incapsulated in the Japanese proverbs, via the English language

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DiMarco, Chrysanne, and Graeme Hirst. "Stylistic grammars in language translation." In the 12th conference. Morristown, NJ, USA: Association for Computational Linguistics, 1988. http://dx.doi.org/10.3115/991635.991666.

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Evtushenko, Valeriya. "REALIZATION OF THE STRUGGLE FOR POWER STRATIGIES IN THE AMERICAN POLITICIANS' CAMPAIGHN SPEECHES(BASED ON H. CLINTON'S PUBLIC STATEMENTS)." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.11.

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The article is devoted to the study of the implementation of the struggle for power strategies, as well as the stylistic devices of the American political discourse based on of H. Clinton's public statements. It gives the definition of strategy, tactics of political discourse. The author points out the most frequently used tactics of the struggle for power strategies during the pre-election race by H. Clinton, as well as the lexical stylistic devices embodying these tactics.

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Латыпова, Ляля, and Гюзель Гафарова. "TRANSLATION OF STYLISTIC DEVICES WITH ONOMASTIC COMPONENT." In LINGUISTIC UNITS THROUGH THE LENS OF MODERN SCIENTIFIC PARADIGMS. Baskir State University, 2021. http://dx.doi.org/10.33184/yevssnp-2021-11-30.19.

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Вернер, И. В. "Супин в чешских библейских переводах эпохи национального возрождения (вторая половина XIX в.)." In Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.14.

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The paper deals with the use of supine in the catholic biblical translations of the Czech National Revival as a means to archaize the high biblical style, inspired by old Czech translations and stylistic preferences of the catholic translators and editors in the second half of the 19th century.

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Volkova, A. B., and I. V. Gerasimenko. "Linguistic-stylistic features of Donald Trump’s political discourse." In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.77.84.

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The research topic is an analysis of the political discourse of Donald Trump. The research purpose is to identify the linguistic and stylistic features of the politician’s speech. In the course of our work, we used the method of continuous sampling, the system-structural method, the qualitative analysis method, and the translation method. The significance of the research lies in the addition of the theoretical base in the study of linguistic and stylistic means in the field of political discourse.

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Koniashvili, I. O. "TRANSLATION AS A MEANS OF COMMUNICATION BETWEEN CULTURES AND THE PROBLEM OF FUNCTIONAL ADEQUACY OF POLYSEMIC WORDS ON THE BASIS OF THE ORIGINAL AND ENGLISH VERSIONS OF «THE MARTYRDOM OF THE BLESSED QUEEN SHUSHANIK» BY IAKOB TSURTAVELI." In Proceedings of the XXV International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25012021/7357.

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The present paper deals with the importance of communication and translation as a means of communication between cultures. It also highlights the intra and extra linguistic factors that are significant for translator works and thus, effective communication. In this respect the paper is an attempt to represent the equivalents of Georgian polysemic words within the frame of paradigms and syntactical functions on the basis of two English versions of Georgian hagiographic text, of the V century AD, The Martyrdom of the Blessed Queen Shushanik by Iakob Tsurtaveli. The Paper deals with the problem of reference between the notions and subjects, the process of decoding and the reasons for possible simultaneous misconceptions or misunderstanding. It also outlines the formation of a concept word through the linguistic-stylistic studies of the information by both translators which in turn provides the correct perception of the hagiographic text for the English speaking reader. The research is base don comparative and component analysis.

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Alexandrova, Galina Nikolaevna, and Darya Vladimirovna Trofimova. "SPECIFIC FEATURES OF INTERFERENCE IN TRANSLATION FROM ENGLISH TO RUSSIAN." In Russian science: actual researches and developments. Samara State University of Economics, 2020. http://dx.doi.org/10.46554/russian.science-2020.03-1-389/392.

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The article is devoted to the study of the specific features of interference errors and the reason for their occurrence when translating from English to Russian. The analysis of interference errors on morphological, lexical and stylistic levels is given.

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Nemickiene, Zivile, and Simona Geniusaite. "TRANSLATION STRATEGIES OF STYLISTIC DEVICES: J. AUSTEN’S PRIDE AND PREJUDICE." In The 4th Virtual International Conference on Advanced Research in Scientific Areas. Publishing Society, 2015. http://dx.doi.org/10.18638/arsa.2015.4.1.759.

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Zheng, Jianyu, Jin Sun, Yanting Jiang, and Yun Zhu. "Research on Stylistic Features in Translation Based on Supervised Learning Algorithms." In 2018 IEEE 4th International Conference on Computer and Communications (ICCC). IEEE, 2018. http://dx.doi.org/10.1109/compcomm.2018.8780589.

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Reports on the topic "Stylistics in translation"

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BIZIKOEVA, L. S., and M. I. BALIKOEVA. LEXICO-STYLISTIC MEANS OF CREATING CHARACTERS (BASED ON THE STORY “THE POOL” BY W.S. MAUGHAM). Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-3-62-70.

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Purpose. The article deals with various lexico-stylistic means of portraying a literary character. The analysis is based on the empirical study of the story “The Pool” by a famous English writer William Somerset Maugham. The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the story “The Pool” as well as of many other Maugham’s stories is the author’s strong presence. The portrayal characteristics of the protagonists, their manner of speech, the surrounding nature greatly contribute to creating the unforgettable characters of Lawson and his wife Ethel. Somerset Maugham employs various lexico-stylistic means to create the images of Lawson and Ethel, allowing the reader to vividly portray their personalities. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation, in writing course and graduation papers.

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BIZIKOEVA, L. S., and M. I. BALIKOEVA. SOMERSET MAUGHAM - MASTER OF CREATING CHARACTERS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-111-121.

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Purpose. The goal of the present article is to study various means of creating a literary character. Analyzing the creative work of a famous English writer William Somerset Maugham and basing on the story «The Kite» an attempt is made to scrutinize Maugham’s peculiar style and lexico-stylistic devices he employs to create the main female characters of the story «The Kite». The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the protagonists of the story “The Kite” is the author’s strong presence. Portraying the characters of Missis Sunbury and Miss Bevan, Somerset Maugham pays special attention to precise description of their appearances and manner of speech. Employing various lexico-stylistic devices, S. Maugham creates extraordinarily vivid characters. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation.

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Бережна, Маргарита Василівна. Translator’s Gender in the Target Text. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.31812/123456789/4140.

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For the last three decades, the issue of translator’s gender and its representation in the target text has been actively researched in translation studies. Over the period there appeared numerous, sometimes contradicting views on markers of feminine / masculine / other types of speech, on whether the translator’s gender is revealed in the target text, and on the quality of translation depending on the translator’s gender. The present paper focuses on the translator’s gender markers in the target text. Taking into account the results of other linguists and my own observations, I consider the researched units being either definite or ambiguous markers of the translator’s gender. I want to bring to light gender differences in two Ukrainian translations (female translation by Natalia Tysovska and male translation by Viacheslav Brodovyi) of George R.R. Martin’s A Game of Thrones. The semantic, pragmatic and stylistic shifts in the target text conditioned by the translator’s gender and gender stereotypes blur the sense of the source text. Thus, such shifts should be regarded as unwanted changes and better be avoided.

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Yatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.

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The article explores the key vocabulary of 2020 in the network space of Ukraine. Texts of journalistic, official-business style, analytical publications of well-known journalists on current topics are analyzed. Extralinguistic factors of new word formation, their adaptation to the sphere of special and socio-political vocabulary of the Ukrainian language are determined. Examples show modern impressions in the media, their stylistic use and impact on public opinion in a pandemic. New meanings of foreign expressions, media terminology, peculiarities of translation of neologisms from English into Ukrainian have been clarified. According to the materials of the online media, a «dictionary of the coronavirus era» is provided. The journalistic text functions in the media on the basis of logical judgments, credible arguments, impressive language. Its purpose is to show the socio-political problem, to sharpen its significance for society and to propose solutions through convincing considerations. Most researchers emphasize the influential role of journalistic style, which through the media shapes public opinion on issues of politics, economics, education, health care, war, the future of the country. To cover such a wide range of topics, socio-political vocabulary is used first of all – neutral and emotionally-evaluative, rhetorical questions and imperatives, special terminology, foreign words. There is an ongoing discussion in online publications about the use of the new foreign token «lockdown» instead of the word «quarantine», which has long been learned in the Ukrainian language. Research on this topic has shown that at the initial stage of the pandemic, the word «lockdown» prevailed in the colloquial language of politicians, media personalities and part of society did not quite understand its meaning. Lockdown, in its current interpretation, is a restrictive measure to protect people from a dangerous virus that has spread to many countries; isolation of the population («stay in place») in case of risk of spreading Covid-19. In English, US citizens are told what a lockdown is: «A lockdown is a restriction policy for people or communities to stay where they are, usually due to specific risks to themselves or to others if they can move and interact freely. The term «stay-at-home» or «shelter-in-place» is often used for lockdowns that affect an area, rather than specific locations». Content analysis of online texts leads to the conclusion that in 2020 a special vocabulary was actively functioning, with the appropriate definitions, which the media described as a «dictionary of coronavirus vocabulary». Media broadcasting is the deepest and pulsating source of creative texts with new meanings, phrases, expressiveness. The influential power of the word finds its unconditional embodiment in the media. Journalists, bloggers, experts, politicians, analyzing current events, produce concepts of a new reality. The world is changing and the language of the media is responding to these changes. It manifests itself most vividly and emotionally in the network sphere, in various genres and styles.

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