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Relevant bibliographies by topics / Suan ching shih shu

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Academic literature on the topic 'Suan ching shih shu'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Suan ching shih shu"

1

Behnke, Anne, and Juan Yuan. "Shih-san-ching chu-shu fu chiao-k'an-chi." Philosophy East and West 35, no. 1 (1985): 104. http://dx.doi.org/10.2307/1398688.

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2

Savage, William E. "Archetypes, Model Emulation, and the Confucian Gentleman." Early China 17 (1992): 1–25. http://dx.doi.org/10.1017/s0362502800003667.

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The ideal of the gentleman occupies an important position in the Confucian Analects. Many elements of this ideal appear in pre-Confucian sources as fundamental images of aristocratic excellence. This article presents several of those images as they appear in Western Chou bronze inscriptions, the Shih-ching and Shu-ching. In particular, we will study the role of model behavior and model emulation as well as images of Wen Wang, noble ancestors and their virtue, te. We shall see the application of these expressions of human excellence gradually extended beyond royalty and nobility to become compo

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3

Yeung, Jessica Siu-yin. "Hong Kong Literature and the Taiwanese Encounter: Literary Magazines, Popular Literature and Shih Shu-Ching's Hong Kong Stories." Cultural History 12, no. 2 (2023): 224–50. http://dx.doi.org/10.3366/cult.2023.0288.

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This article examines the ways literary adaptations between Hong Kong and Taiwanese writers shape literary cultures in both places during the Cold War period. The 1950s and 1960s were the time when Hong Kong and Taiwan literary cultures were starting to thrive. An influx of literati into both places collaborated with each other and the locals to experiment with literary forms in literary magazines. The 1950s and 1960s were also the time when Hong Kong and Taiwan cinema experienced the first waves of adapting literary works into film in the postwar period. After the literary magazine culture dw

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4

Henricks, Robert G. "Fire and rain: a look at Shen Nung the Divine Farmer) and his ties with Yen Ti (the ." Bulletin of the School of Oriental and African Studies 61, no. 1 (1998): 102–24. http://dx.doi.org/10.1017/s0041977x00015780.

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Up to this point I have attempted to show how Shen Nung was portrayed in late Warring States and early Han texts. I have also reviewed what we know about Nung (or Chu) and Lieh Shan shih, Keng-fu (Plough Father), and T'ien-tsu (Field Ancestor), since it may be one or all four of these figures that comes to be known as Shen Nung.We can argue nothing for certain on this, and certainly T'ien-tsu in the Shih, was, we assume, a god of the Chou. But that point aside, there seems to be good reason to think that Shen Nung was originally a farming god of the Shang people. He is the hero who invented th

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5

Yue, Teng. "Shi Jing culture of the song dynasty in China - song dynasty Ci in a musical context." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-4 (2020): 159–65. http://dx.doi.org/10.31166/voprosyistorii202010statyi99.

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The song dynasty (960-1279) in Chinese history is divided into two stages: the Northern and southern song, and includes a total of eighteen emperors who reigned for a total of three hundred and nineteen years. The song dynasty attached great importance to literature and despised force. The song dynasty era is an era of prosperity for China’s commodity economy, culture, education, science. The song dynasty’s “Ci” genre is a kind of musical literature. The full name of the genre is “song dynasty Ci”, abbreviated as “Ci”. The song dynasty Ci are an integral treasure of Chinese culture and are cul

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6

Sun, Yu, and Longhai Zhang. "Shakespeare across the Taiwan Strait: A Developmental Perspective." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (2019): 115–31. http://dx.doi.org/10.18778/2083-8530.20.09.

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Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuries after Shakespeare being introduced into China in the early nineteenth century. Although Shakespeare was first seen on the Taiwan stage in the Japanese language during the colonial period, it was after Kuomintang moved to Taiwan in 1949 that Shakespeare studies began to flourish when scholars and theatrical experts from mainland China, such as Liang Shih-Chiu, Yu Er-Chang, Wang Sheng-shan and others brought Chinese Shakespeare to Taiwan. Since the 1980s, mainland Shakespeareans began to commun

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7

Chan, Michael W. Y., Yin-Chen Chen, Ching-Wen Lin, et al. "Abstract 97: A E2F6 ceRNA network suppresses dendritic cell function, via PBX1/IL-10 signaling, in ovarian cancer." Cancer Research 84, no. 6_Supplement (2024): 97. http://dx.doi.org/10.1158/1538-7445.am2024-97.

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Abstract It is reported that long-term use of estrogen could increase the risk of ovarian cancer. However, the role of estrogen in immunoevasion is not fully explored. We have previously demonstrated that estrogen-mediated upregulation of E2F6, and, c-Kit, by epigenetic silencing of miR-193a, and a competing endogenous (ceRNA) mechanism. In this study, we found that PBX1, a transcriptional activator of the immunosuppressive cytokine, IL-10, is also a target of miR-193a. Importantly, overexpression of the E2F6 3’UTR upregulates both E2F6 and, PBX1, as well as IL10 in ovarian cancer cell lines,

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8

Cheng, Kai-Lin, Chih-I. Chen, Shu-Han Yu, et al. "Abstract 285: Targeting TXNDC5 in stromal fibroblasts resolves desmoplasia and resistance to immune checkpoint blockade in mesenchymal-type colorectal cancer." Cancer Research 84, no. 6_Supplement (2024): 285. http://dx.doi.org/10.1158/1538-7445.am2024-285.

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Abstract Objectives: Mesenchymal-type colorectal cancer (CRC), characterized by strong stromal infiltration and immune tolerance, resists immune checkpoint blockade and has poor outcomes. Cancer-associated fibroblasts (CAFs), abundant in tumor stroma, actively remodel the extracellular matrix (ECM), modulate immune evasion, and drive tumor progression. We have recently identified thioredoxin domain-containing protein 5 (TXNDC5), a protein disulfide isomerase (PDI), as a critical mediator of fibroblast activation and ECM remodeling in organ fibrosis. We hypothesized that TXNDC5 could contribute

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9

吳嘉浤, 吳嘉浤. "「支那認識」與臺灣日本語系文學：以呂赫若《清秋》為例". 臺灣文學研究集刊 28, № 28 (2022): 033–62. http://dx.doi.org/10.53106/181856492022080028002.

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<p>從日治時期文學探討華語語系與日語語系在臺灣發生的複雜關係，有助於我們解決華語語系討論中的二元對立框架：在地化或重視中國根源。過去史書美與王德威對於華語語系／華夷風（Sinophone／Xenophone）的爭論，聚焦於如何擺置實體中國、與台灣文學之兩者關係，但本文則將近代日本帝國放入互動的角色，複雜化此一歷史情境。有鑑於近代日本知識分子生產出一套強調對象化、科學化中國的再現論述，本文嘗試以「支那認識」的概念，重新省視此一情境下臺灣漢人作家的日本語文學運動。面對中日戰爭情境，臺灣漢人日語作家視此為突顯臺灣之漢文化特色的機會。在呂赫若（1914-1950）此一個案中，對中國古典傳統的重新認識成為其重要的寫作資源，甚至具有使命感，然而其認識顯然也獲益於來自日本的「支那認識」。呂赫若於《清秋》（1943）完成諸多描繪臺灣漢人家族的文學成果，也因而不能被簡單地理解為在地文化的發揚或是漢文化的保存，而應同時重視「支那認識」等知識中介於其間發揮的作用。</p> <p>&nbsp;</p><p>Exploring the complex relationship between the Sinophone and the Japanophone in Taiwan is helpful in exploring the d

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10

Khoo, Tseen. "Fetishising Flesh." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1755.

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From the sensuous scenes of culinary delectation and preparatory foreplay in Eat Drink Man Woman to the current crop of texts infused with metaphors of consumption as assimilation, writers and filmmakers have signified diasporic Asian bodies by merging cultural and racial markers. This is an introduction to the issues involved in representing the Asian body in diaspora and the politically fraught issues for racial minority populations in majority 'white' nations. Examples in this piece skim from Japanese-Canadian literature and metaphors of ingestion to racial minority identity politics in the

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Dissertations / Theses on the topic "Suan ching shih shu"

1

Huang, Juyan. "Kang zhan shi qi Guangdong jing ji sun shi yan jiu /." [Guangzhou] : Guangdong ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0801/2007351650.html.

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Revision of the auther's thesis (Ph. D.--Zhongshan da xue, 2000).<br>"Guangdong you xiu zhe xue she hui ke xue zhu zuo chu ban ji jin zi zhu xiang mu; Guangdong Sheng zhe xue she hui ke xue 'jiu wu' gui hua zhong dian yan jiu ke ti." 880-05 Includes bibliographical references (p. 334-354).

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2

Ho, Ka-wa, and 何家華. "The role of property management in the process of shopping center development from design to completion: a casestudy of Citic City Plaza and Sun Plaza in Shenzhen." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45008073.

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3

CHEN, MEI HSIANG, and 陳梅香. "THE STUDY OF PHONICS OF HUANG CHI CHING SHIH CHIEH CHI SHU CHUEH." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/06724589103647941411.

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4

HSIEH, HSIN-CHEN, and 謝欣辰. "The Description of the Grotesque and Ghost in Shih Shu-Ching and Li Ang's Novels." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/59106894320399455281.

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碩士<br>靜宜大學<br>中國文學系<br>102<br>In this thesis, the space of Lukang and the grotesque and ghost of Western literature as a starting point for the study, commented the related works of Shih Shi-Ching and Li Ang, including the following points: geographical space of LuKang and aesthetics of modernism, the mixing and overlap of about women and the female ghosts , the writing of national allegory and historical memory. "Grotesque and ghost" is like a invisible conversation in their writing , demonstrate the spirit of the times and environment in which the two female authors. Moreover, the aestheti

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Books on the topic "Suan ching shih shu"

1

Wei, Guisheng. Suan si ren bu chang ming -- zhu ge liang. Bei jing lian he chu ban gong si, 2012.

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2

Jiao yu bu kao shi zhong xin, ed. Quan guo ji suan ji deng ji kao shi er ji jiao cheng: 2016 nian ban : MySQL shu ju ku cheng xu she ji. Gao deng jiao yu chu ban she, 2015.

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3

gang, Lin xiao. Can yin ye cheng ben he suan. Lü you jiao yu chu ban she, 2007.

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4

tian, Xie xue, and Li yuan lin. Shi nei zhuang shi zhuang xiu gong cheng yu suan. Zhong guo jian cai gong ye chu ban she, 2014.

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5

Jiao yu bu. Kao shi zhong xin. Quan guo ji suan ji deng ji kao shi er ji jiao cheng: 2008 nian ban : Java yu yan cheng xu she ji. Gao deng jiao yu chu ban she, 2007.

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6

Rong qin ke ji gong si. Excel zhi chang gong zuo shu: Li ji shang shou de 16 ge shou zhi tu biao . shi diao tong ji fen xi . tou zi shi suan . ji xiao ping he . han shu ying yong zhi chang ji zhan li. Bo shuo wen hua, 2013.

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Jiao yu bu. Kao shi zhong xin. Quan guo ji suan ji deng ji kao shi yi ji B jiao cheng: 2008 nian ban. Gao deng jiao yu chu ban she, 2007.

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8

Xu, Shiliang. Quan guo ji suan ji deng ji kao shi er ji jiao cheng: 2016 nian ban : Gong gong ji chu zhi shi. Gao deng jiao yu chu ban she, 2015.

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9

Ceng, Lingjie. 3ds Max 2013 zhuang xiu xiao guo tu wan quan jiao cheng: Zhong wen ban. Ji xie gong ye chu ban she, 2014.

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10

Huiqiong, Liu. Pu tong hua shui ping ji suan ji fu zhu ce shi jiao cheng. Ji nan da xue chu ban she, 2011.

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