Relevant bibliographies by topics / Subaltern literature

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Subaltern literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Subaltern literature"

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Abdelgawad, Dr Naeema. "Decolonising Subalternity through Effective History in Ishmael Reed’s Yellow Back Radio Broke-Down and Sonallah Ibrahim’s Zaat." IJOHMN (International Journal online of Humanities) 6, no. 1 (February 4, 2020): 57. http://dx.doi.org/10.24113/ijohmn.v6i1.160.

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In Section One of Manifesto of the Communist Party, Karl Marx and Friedrich Engels, formulating a comprehensive theory of history, contend: The history of all hitherto existing society is the history of class struggles. Freeman and slave, patrician and plebeian, lord and serf, guild master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight. (91) Marx and Engels believe that in any society, history marks a conflict between two struggling opposites; noting that the one in the privileged position oppresses the one who is not. Regretfully, that type of struggle never subsides; it seems to be perpetual as it is, sometimes, ‘open’ and, other times, hidden. The same is applied to colonised and ex-colonised countries. However, theirs is not a 'history of class struggles' but of a Master-Subaltern struggle. In this struggle, resisting subalternity is achieved through legitimating the existence of the Subalterns, a process that is realised by urging the colonisers or the colonisers' surrogates to recognise the subalterns' Being, which necessitates admitting not only the existence of the Subalterns, but also being conscious of them as individuals1. This is brought about by occupying a powerful position that is attained through heightening the Subaltern's sense of identity in the course of history. The result is, the paper argues, an active process of decolonising the Self, especially when an 'effective history' comes into existence to pave the way for the Subaltern to achieve self-realisation; as revealed in the Foucauldian thought and, also, the Hegelian and Heideggerian philosophy. The paper aims at analysing the empowerment process of the Subaltern in both Ishmael Reed's Yellow Back Radio Broke-Down (1969) and Sonallah Ibrahim's Zaat (1992) by comparing and contrasting different types of Subalterns as well as colonisers and colonisers' surrogates. The paper also sets out to explore the Subaltern's means of self-projection to acquire a position of power based upon history so as to examine the discourse of history in both African American and Egyptian postcolonial literature.
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Lavanya, A., and M. R. Rashila. "Subalterns’ oppression in the Post Colonial Society of Aravind Adiga and Bina Shah." Shanlax International Journal of English 8, no. 3 (June 2, 2020): 71–73. http://dx.doi.org/10.34293/english.v8i3.3164.

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The term ‘subaltern’ identifies and illustrates the man, the woman, and the public who is socially, politically, and purely outside of the hegemonic power organization. Nowadays, Subaltern concern has become so outstanding that it recurrently used in diverse disciplines such as history, psychology, sociology, anthropology, and literature. The notion of subaltern holds the groups that are marginalized, subjugated, and exploited based on social, cultural, spiritual, and biased grounds. The main purpose of this paper is to expose various themes such as oppression, marginalization, the subjugation of inferior people and working classes, gender discrimination, unnoticed women, deprived classes, racial and caste discrimination, etc. It is one of the subdivisions of post colonialism. In this paper, Aravind Adiga and Bina Shah illustrate subalterns through The White Tiger and Slum Child.
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Amelia, Dina. "Indonesian Literature’s Position in World Literature." TEKNOSASTIK 14, no. 2 (April 21, 2018): 1. http://dx.doi.org/10.33365/ts.v14i2.55.

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There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.
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Kholifatu, Arisni, and Tengsoe Tjahjono. "Subaltern dalam Novel Arok Dedes Karya Pramoedya Ananta Toer: Kajian Poskolonial Gayatri Spivak." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 13, no. 1 (January 29, 2020): 120. http://dx.doi.org/10.30651/st.v13i1.3656.

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ABSTRAK Tujuan penelitian ini mendeskripsikan pengaruh tahta tertinggi dan perlawanan kaum subaltern pada novel Arok Dedes karya Pramoedya Ananta Toer dengan menggunakan teori postkolonialisme Gayatri Spivak. Penelitian ini merupakan jenis penelitian deskriptif kualitatif. Pendekatan dalam penelitian ini mengunakan pendekatan kualitatif karena dalam penelitian ini menggunakan sumber data novel Arok Dedes yang berkisah tentang kudeta di Tanah Jawa. Data penelitian ini adalah kata, kalimat, paragraf, yang terdapat dalam novel Arok Dedes karya Pramoedya Ananta Toer dengan menggunakan teori poskolonial Ggayatri Spivak. Teknik pengumpulan data dalam penelitian ini menggunakan metode dokumentasi atau pustaka. Teknik analisis data penelitian ini menggunakan teknik analisia deskriptif. Hasil dari penelitian adalah pengaruh tahta tertinggi dan perlawanan kaum subaltern pada novel Arok Dedes karya Pramoedya Ananta Toer.Kata kunci: Subaltern, poskolonial, pengaruh tahta, perlawananABSTRACTThe purpose of this study is to describe the influence of the highest throne and the resistance of the subalterns on the novel Arok Dedes by Pramoedya Ananta Toer by using the postcolonialism theory of Gayatri Spivak. This research is a descriptive qualitative research. The approach in this study using a qualitative approach because in this study used Arok Dedes story novel as data sources which is about a coup in Java. This research data is words, sentences, paragraphs, contained in Arok Dedes novel by Pramoedya Anan ta Toer by using postcolonial Ggayatri Spivak theory. Data collection techniques in this study used the method of documentation or literature . The data analysis technique of this study used descriptive analysis techniques. The results of the study are the influence of the highest throne and the resistance of the subalterns on the novel Arok Dedes by Pramoedya Ananta Toer. Keywords: Subaltern, postcolonial, influence of throne, resistance
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Satyanarayana, P. "SUBALTERN STUDIES." International Journal of Research -GRANTHAALAYAH 4, no. 4 (April 30, 2016): 8–12. http://dx.doi.org/10.29121/granthaalayah.v4.i4.2016.2748.

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This paper explores the roots of the term ‘Subaltern’. The form of literature is backed by the history from time to time. The participation of the tribes in revolutions against the then ruling agencies escapes from the history proper. The unwritten languages of the tribes are posing a challenge. They are undermined. The 80 languages have not been brought to the pages of constitution of India. A language spoken by 10, 000 people have to be recognized as a language. There is a dire necessity of the study of folklore. In the multicultural society there is a need for projecting the life-s style and culture of the tribal population. The human rights speak volumes of betterment and welfare of the tribals on the norms of equality, fraternity and liberty. The evaluation of Subaltern studies has been traced right from the past to the present context in the paper to the extent possible. Mahasveta Devi’s visison is presented along with illustrations of her reasoning. The need for emergence of trends is emphasized in view of the humanitarian outlooks. The Telangana and Andhra Pradesh states are taken up for tracing the subaltern element with a few episodes emanating from history and folklore. Thus the retrospects and the prospects gauged in the paper will justify the Subaltern Studies.
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Churkin, Mikhail K. "“Subalterns” of Colonization in the Scholarly, Journalistic and Literary Heritage of Nikolai Yadrintsev." Imagologiya i komparativistika, no. 15 (2021): 236–47. http://dx.doi.org/10.17223/24099554/15/14.

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Modern postcolonial studies have developed the definition of internal colonization as a system of regular practices of colonial government and knowledge within the political boundaries of the state. On this scale, relations are formed between the state and its subjects, in which the state treats its subjects as subdued in the course of the conquest, and its own territory as conquered, mysterious, and requiring settlement and “inculturation” from the center. At the same time, the main elements of imperial domination, implemented through coercion, are cultural expansion, hegemony of power, ethnic assimilation within the state borders. The Russian culture of the 19th century formed the plot of internal colonization. It was built around the conflict between the “Man of Power and Culture” and the “Man from the People”. The latter is positioned in the article as a “colonial subaltern” – a disadvantaged, marginalized individual (group) with limited subjectivity. The concept of the subaltern, which is based on A. Gramsci’s idea of hegemony as a variant of voluntary acceptance of relations of domination, suggests that the dominance of the “Man of Power and Culture” is based on the consent of the governed rather than on the methods of violence and genocide. The assertion of the fact that Russia is created through self-colonization and self-sacrifice, and Russian identity is both that of the sovereign and of the subaltern, requires adequate argumentation through rereading and interpreting the plots of internal colonization. In the center of internal colonization are the well-known events of Siberian history: exile and katorga, resettlement, non-Russian question, social life of the borderland, etc. The literary heritage of Nikolai Yadrintsev (articles, poems, feuilletons) provides an opportunity not only to reconstruct the images of “colonial subalternity”, to reconstruct significant episodes of the collective biography of subalterns or to rank them as the indigenous population, old-timers of the region, resettlers from European Russia, but also to hear the voices of the “subalterns” themselves. The postcolonial perspective of the study of the literary works of Yadrintsev, a representative of the liberal segment of the Russian sociopolitical discourse, opens up prospects for identifying the practices and forms of resistance of the voiceless subalterns, the mechanisms of their oppression by both the colonialists and the traditional patriarchal power. When formulating the key findings of the study, the author takes into account that “subalterns”, as a category of the internal colonization process, are initially in double exclusion: their “invisibility” and “inaudibility” is replaced by the right of competing political actors to represent the interests of the subaltern. This invariably creates the danger of perceiving subalterns as coherent political subjects.
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Smail, Daniel Lord. "The original subaltern." postmedieval: a journal of medieval cultural studies 1, no. 1-2 (March 2010): 180–86. http://dx.doi.org/10.1057/pmed.2010.19.

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Akwanya, Amechi Nicholas. "NIGERIA, THE LITERATURE OF RESSENTIMENT, AND SUBALTERN CULTURE." Alford Council of International English & Literature Journal 03, no. 02 (2020): 46–57. http://dx.doi.org/10.37854/acielj.2020.3207.

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Barlow, Richard. "Subaltern ethics in contemporary Scottish and Irish literature." Irish Studies Review 22, no. 1 (January 2, 2014): 123–24. http://dx.doi.org/10.1080/09670882.2013.872374.

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Lestari, Winda Dwi, Sarwiji Suwandi, and Muhammad Rohmadi. "KAUM SUBALTERN DALAM NOVEL-NOVEL KARYA SOERATMAN SASTRADIHARDJA: SEBUAH KAJIAN SASTRA POSKOLONIAL (SUBALTERN IN NOVELS BY SOERATMAN SASTRADIHARDJA: A POST-COLONIAL LITERATURE STUDY)." Widyaparwa 46, no. 2 (January 23, 2019): 178–88. http://dx.doi.org/10.26499/wdprw.v46i2.175.

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The research is originally inspired by the problem occurring on colonial era in Indonesia, especially Java area, which remains social strata differences problem in society i.e. native and colonial. Colonial creates hegemony which makes the native and the exile or known as subaltern. Colonizer portrays an ideology as if it takes side of the native. In contrarily it is as a mean to gain profit for the colonial. The research is based on theory developed by GayatriSpivak who proposes that the subaltern victims are mostly women. The research aims to describe how subaltern effort, especially women, in striving against colonizer oppression and also their culture i.e. Javanese culture. The method used in the research is descriptive method and content analysis technique. The result indicates that female character becomes subaltern as a result of marginalization, labeling, social status discrimination and applied customary law bond. Penelitian ini dilatar belakangi oleh permasalahan yang terjadi pada zaman penjajahan kolonial di Indonesia khususnya di daerah Jawa, yang meninggakan permasalahan adanya pembedaan strata sosial dalam masyarakat yaitu kaum pribumi dan kaum penjajah. Kaum penjajah menciptakan hegemoni yang membuat kaum pribumi seolah-olah hanya sebagai pengikut dan kaum buangan yang lebih di kena dengan kaum subaltern. Penjajah menanamkan ideologi yang seolah-olah berpihak kepada pribumi namun sebaliknya hal itu hanya sebagai sarana agar lebih menguntungkan penjajah. Penelitian ini berdasar pada teori yang dikembangkan oleh Gayatri Spivak yang menyatakan bahwa kaum subaltern yang banyak menjadi korban adalah perempuan. Penelitian ini bertujuan mendeskribsikan bagaimana upaya kaum subaltern khususnya perempuan dalam melawan ketertindasan dari penjajah dan juga budayanya sendiri yaitu budaya Jawa. Metode yang digunakan dalam penelitian ini adalah metode deskriptif dengan teknik analisis isi (content analysis). Berdasarkan hasil penelitian yang dilakukan menunjukkan bahwa tokoh perempuan menjadi subaltern karena temarginalisasi, mendapat pelabelan, dimiskinkan secara status sosial dan ikatan hukum adat yang berlaku.
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Dissertations / Theses on the topic "Subaltern literature"

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Spellman, Jennifer Lee. "Can the Subaltern Sing?" Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1556281880685869.

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Gollnick, Brian. "The bleeding horizon : subaltern representations in Mexico's Lacandón Jungle /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9913152.

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Lehner, Stefanie Florence. "Subaltern aesthethics : tracing counter-histories in contemporary Scottish, Irish and Northern Irish literature." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3305.

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This PhD thesis proposes an Irish-Scottish comparative framework for examining a range of shared ethical, socio-political and theoretical concerns, pertaining to aspects of class and gender, in contemporary Irish, Northern Irish and Scottish literature. My approach galvanises Lévinasian ethics with the socio-cultural category of the ‘subaltern’ in relation to postcolonial, Marxist and feminist theories in order to trace what I term a ‘subaltern aesthethics’ between selected works of Scottish, Northern Irish and Irish writing that show a specific sensibility to the social inequalities and inequities that are part of the current restructuring of the global capitalist system. My work explores how these texts engage with both the processes of political and economic transformation in the Atlantic archipelago, and critical-theoretical approaches which, I argue, show the tendency to subsume the specificity and intensity of subaltern concerns. The first chapter delineates key debates in Irish and Scottish studies, offering a critique of conventional applications of postcolonial and postmodern theory. I demonstrate that dominant versions of postcolonialism are analytically entrapped in the nation as a paradigm. Additionally, I show that for all its apparent celebration of difference, postmodernism reduces otherness to the terms of the self. Chapter 2 outlines the model of a subaltern counter-history as a theoretical framework for reading ethical issues of historicity on the basis of texts by James Kelman, Patrick McCabe and Robert McLiam Wilson. This engagement with history is continued in chapter 3, which investigates the desire to archive Northern Ireland’s recent past in the context of its peace process in Glenn Patterson’s and Eoin McNamee’s recent novels. The emphasis of the three subsequent chapters turns the attention of my counter-historical method to issues of gender. The fourth chapter evaluates the material consequences that the gendering of the imagined nation has on female bodies in particular. Whereas the focus lies here specifically on the Irish context, the following chapter 5 engages in a comparative reading of traumatic herstories in three Irish and Scottish novels by Roddy Doyle, Janice Galloway and Jennifer Johnston. The purpose of both of these chapters is to examine women’s experience of disempowerment and their struggle to reclaim agency. My last chapter then investigates the relationship between men, gender and nation in the allegorical imagiNation of Alasdair Gray and McCabe with specific regard to the turn to the feminine that has taken place in contemporary criticism.
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Clare, Rebecca. "Elite and Subaltern Voices in Amitav Ghosh's The Hungry Tide." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-5757.

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Fick, Angelo Carlo. "Limited possibilities : agency and subaltern subjectivity in four South African allegories." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/17940.

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Bibliography: pages. 197-211.
This thesis examines the representation of the negotiation of black women's subjectivity in four South African allegorical novels. Using aspects of postmodern discourse, and feminist and postcolonial literary and cultural theories on identity formation and subjectivity, I propose that it is in the allegorical mode that the four writers are able to offer black women as female gendered subalterns the space to negotiate subjectivity and to assert agency. Given the history of sexism, racism and imperialism in South Africa, the politics of place impact crucially on the practice of writing literature, so that the tensions between the representation of others and self-representation becomes crucial in identity formation. Through the four texts, I propose that there is a spectrum of practices, and that each offers different possibilities for black women's subject formation: from the most limiting liberal discourses, through the interrogation of those discourses, to an autobiographical moment of self-reclamation.
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Engberg, Melissa. "Five Lines for the Traveler's Phrasebook." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1209313573.

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Santos, Carolina Correia dos. "Capão Pecado e a construção do sujeito marginal." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-09032009-174435/.

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Nos últimos anos, o Brasil tem testemunhado o surgimento de uma produção literária com características muito próprias do nosso tempo: seus autores são periféricos (favelados), sua forma e conteúdo derivam do momento de extrema violência que assola grande parte da população. Exemplar desta produção, o livro de Ferréz, Capão Pecado é primeiramente publicado em 2000. O objetivo desta dissertação é analisar o romance, compreendendo-o dentro de um escopo maior, que abarca outros setores, da arte e da política. Para isso, a teoria pós-colonial, assim como um estreito diálogo com uma parte da tradição crítico-literária brasileira são utilizadas.
In the last few years, Brazil has witnessed the appearance of one type of literary production whose characteristics are typical or our times: its authors are from the suburbs (the slums), its form and content derive from the extreme violence imposed to a great part of the population. An example of this literary production, Ferrézs book, Capão Pecado is first published in 2000. This dissertation aims at analyzing the novel, understanding that it belongs to a greater scope, that comprehends other spheres of the arts and politics. In order to do so, the post-colonial theory will be used, as well as a great deal of the Brazilian literary theory tradition.
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Leonte, Eva. "Enacting the Silence of Subaltern Women : Julie Otsuka and the Japanese Picture Brides." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144396.

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It is by now a truth universally acknowledged that the world’s subaltern women (in Gayatri Spivak’s understanding of the term) cannot make their voices heard, that what we think we know about them are mostly stereotypes of our own making. It is likewise acknowledged that literature has a privileged status when it comes to representing these women, given its unique prerogative to retrieve their traces and convey their subjectivity through imagining. Literary texts which embark on this task can be seen as symbolic speech acts and, as such, they depend upon their illocutionary force for success in the public sphere. In this thesis I have chosen to discuss The Buddha in the Attic by Julie Otsuka (2011) – a novel I perceive as a collective speech act – from the combined perspective of speech-act criticism (J. L. Austin, S. Petrey), subaltern studies (G. Spivak, G. Pandey) and feminist theory (M. P. Lara, S. Lanser). My analysis explores the interrelation between this little-known story of the first-generation Japanese women immigrants to the US and the sophisticated narrative strategy which sustains it, continually balancing between the women's heterogeneity and their shared experiences, especially their systematic silencing by the dominant population. Finally, the thesis discusses the novel’s larger illocutionary implications for the public sphere, in particular how the reclaiming of the past creates new understandings of the present as well as opens up onto the future.               Keywords: Otsuka, The Buddha in the Attic, migrant literature, picture brides, subalternity, feminist theory, communal voice, speech-act criticism, illocutionary force.
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Arigita, Cernuda Neira. "Can the Subaltern Be Silent? : Silence as Resistance to Colonialism in David Malouf’s Remembering Babylon and E.M. Forster’s A Passage to India." Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30371.

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Bowen, LaVerne Alexandra. "La Evolución Del Subalterno En Tres Novelas Mexicanas: La Negra Angustias, Balún Canán, Y Neonao." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271784/.

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The subaltern is a recurrent literary figure in Mexican narrative. The objective of this thesis is to investigate three ethnic groups – indeed, subalterns – in Mexico which include: Afro-Mexicans, indigenous groups, and Filipino colonial subjects from the perspectives of the Mexican Revolution, post-revolutionary Mexico, and the conquest of the Philippines in the sixteenth century. The principal characters play crucial roles in events shaping the history and culture of Mexico and thus demonstrate their importance to the country's development while also revealing the reality of subalterns. The literary research shows that trying circumstances or a lack of self-identity were the main causes for a character to be or become a subaltern in addition to their inherent ethnic disadvantages. However, the characters who overcame their subaltern state often changed personality traits or adapted to their surroundings in order to be assimilated into the majority culture.
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Books on the topic "Subaltern literature"

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The subaltern Ulysses. Minneapolis: University of Minnesota Press, 1994.

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Lehner, Stefanie. Subaltern Ethics in Contemporary Scottish and Irish Literature. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794.

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New dimensions in contemporary literature: Subaltern, dalit, feminism, diaspora. New Delhi: Prestige Books International, 2013.

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Subaltern ethics in contemporary Scottish and Irish literature: Tracing counter-histories. New York: Palgrave Macmillan, 2011.

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Subaltern vision: A study in postcolonial Indian English text. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012.

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Lynd, Margaret Robinson, Kristen A. Peterson, and Sabra Jean Webber. Fantasy or ethnography: Irony and collusion in subaltern representation. Columbus, Ohio: Division of Comparative Studies in the Humanities, Ohio State University, 1996.

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Reinventing the Lacandón: Subaltern representations in the rain forest of Chiapas. Tucson: University of Arizona Press, 2008.

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Bheemaiah, J. (Jetty), 1966- editor and University of Hyderabad. Centre for Comparative Literature, eds. Counter-writing: Dalits and other subalterns. New Delhi: Prestige Books International, 2016.

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Nation with discrimination: Literary voices from the subalterns. New Delhi: Access, 2011.

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La literatura testimonial latinoamericana: (re) presentación y (auto) construcción del sujeto subalterno. Madrid: Editorial Pliegos, 2003.

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Book chapters on the topic "Subaltern literature"

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Rutherford, Andrew. "The Subaltern as Hero: Kipling and Frontier War." In The Literature of War, 11–37. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19659-3_2.

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Santesso, Esra Mirze. "Subaltern Desire in Leila Aboulela’s Minaret." In Disorientation: Muslim Identity in Contemporary Anglophone Literature, 83–106. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137281722_4.

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Crawley, Kristy Liles. "Rhetorical Voice and Class in Adichie's “Subaltern” Fiction." In The Routledge Companion to Literature and Class, 189–201. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003008354-17.

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Srivastava, Neelam. "A Multiple Addressivity: Indian Subaltern Autobiographies and the Role of Translation." In Indian Literature and the World, 105–34. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-54550-3_5.

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Lehner, Stefanie. "Introduction: Irish-Scottish Crosscurrents: Towards an Archipelagic Subaltern AesthEthics." In Subaltern Ethics in Contemporary Scottish and Irish Literature, 1–29. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_1.

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Lehner, Stefanie. "(D)evolutions? Transformations in the Scottish, Irish and Northern Irish ImagiNation." In Subaltern Ethics in Contemporary Scottish and Irish Literature, 30–51. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_2.

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Lehner, Stefanie. "‘Buried in Silence and Oblivion’: Subaltern Counter-Histories in the Scottish-Irish Archipelago." In Subaltern Ethics in Contemporary Scottish and Irish Literature, 52–66. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_3.

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Lehner, Stefanie. "‘History Stands So Still, It Gathers Dust’: Mapping Ethical Disjunctures in Contemporary Ireland and Scotland." In Subaltern Ethics in Contemporary Scottish and Irish Literature, 67–97. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_4.

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Lehner, Stefanie. "‘Measuring Silences’: The Northern Irish Peace Process as Arkhe-Taintment?" In Subaltern Ethics in Contemporary Scottish and Irish Literature, 98–114. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_5.

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10

Lehner, Stefanie. "‘Un-Remembering History’: Traumatic Herstories in Contemporary Irish and Scottish Fiction." In Subaltern Ethics in Contemporary Scottish and Irish Literature, 115–53. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308794_6.

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