Academic literature on the topic 'Subarians'

Analyzing the discovered carbonate reservoirs in the Tazhong area, Tarim Basin indicates that the development of a reservoir is controlled by subarial weathering and freshwater leaching processes, sedimentation, early diagenesis, and alteration by deep fluids. According to the origin and lateral distribution of reservoirs, the hydrocarbon accumulation zones in the Tazhong area are classified into four types: buried hill and palaeoweathering crust, organic buildup reef-bank, dolomite interior, and deep fluid alteration. Different types of carbonate hydrocarbon accumulation zones are distributed mainly in specific areas of the Tazhong uplift. Because of the different mechanisms of forming reservoirs in different carbonate hydrocarbon accumulation zones, the reservoir space, reservoir capability, type of reservoir and distribution of reservoirs are often different.

The purpose of implementing land registration is to provide legal certainty and legal protection. The Agrarian Law that is used in Indonesia adheres to a negative system that is tied to a positive system. The land registration activity for the first time produced proof of rights, in the form of certificates as a means of proof of land rights. Certificate as a strong proof of rights means that physical data and juridical data in a certificate have the strength of evidence and must be accepted as true information, as long as it is not proven otherwise with other evidence in the form of certificates or other certificates. In Subari’s case, there was a double land certificate in the same plot of land. Subari has the ownership of land rights that is got from his parents and from purchasing with two buffaloes. But, there are other people who dominate the land that is belong to Subari and they also have the certificate to proof their ownership of the land rights. Settlement of multiple land certificates can be done through the Court, to obtain legal certainty that the certificate of ownership of land rights which has stronger evidence is based on evidence. The district court ruled that ownership of land rights belonged to Subari, and this decision was reinforced by high court and a Supreme Court.[F1] [F1]Paragarf single

ResumoEste estudo trata a respeito da condição híbrida e do não-pertencimento do sujeito poético do escritor moçambicano Rui Knopfli. Em seus poemas, o que percebemos é que não se representa um sujeito coadunado aos princípios do colonialismo, ao passo que não se conforta como sujeito engajado no contexto político pós-independência. Dessa maneira, acaba por empreender um movimento diaspórico e exila-se em outros espaços em que possa se sentir habitado de sentido, encontrando em sua poética, o refúgio para escapar ao não-pertencimento. As questões do sujeito híbrido knopfliano dentro de seu contexto de produção, serão abordadas neste estudo, detendo-se, especificamente, em poemas e recortes discursivos nos quais fica mais evidente o espaço da não-pertença. É a partir da materialidade poética de Knopfli, amparando-se em Augé, Bachelard, Hall, Monteiro, Said, Subarits entre outros, que discutiremos a pemanência da imagem colonial no discurso do poeta moçambicano e o entre espaço como lugar de enunciação poética. Palavras-Chave: Rui Knopfli, literatura moçambicana, não-pertença, poesia. Abstract: This study deals with the hybrid condition and non-belonging of the poetic subject of the Mozambican writer Rui Knopfli. In his poems, what we perceive is that one does not represent a subject in accordance with the principles of colonialism, while he does not comfort himself as a subject engaged in the post-independence political context. In this way, he eventually undertakes a diasporic movement and exiles himself in other spaces where he can feel inhabited by sense, finding in his poetics the refuge to escape non-belonging. The questions of the hybrid subject knopfliano within its context of production, will be approached in this study, stopping, specifically, in poems and discursive cuts in which the space of non-belonging is most evident. It is based on the poetic materiality of Knopfli, relying on Augé, Bachelard, Hall, Monteiro, Said, Subarits among others, that we will discuss the emergence of the colonial image in the speech of the Mozambican poet and the space as a place of poetic enunciation. Key Words: Rui Knopfli, Mozambican literature, non-belonging, poetry.