Log in

Relevant bibliographies by topics / Subcultural studies / Journal articles

To see the other types of publications on this topic, follow the link: Subcultural studies.

Journal articles on the topic 'Subcultural studies'

Author: Grafiati

Published: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Subcultural studies.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Williams, J. Patrick. "The Straightedge Subculture on the Internet: A Case Study of Style-Display Online." Media International Australia 107, no. 1 (2003): 61–74. http://dx.doi.org/10.1177/1329878x0310700108.

Full text

Abstract:

This article discusses one way in which cultural studies theories can be applied to current research of subcultures on the internet. Starting from Clarke's and Hebdige's theories of subcultural style and Frith's theory of music and identity, a case study of an online subcultural website is used to highlight the ways in which resistance is displayed by members of the ‘straightedge’ music subculture. In particular, usernames and signature files are analysed to demonstrate how style is constructed to communicate subcultural values and beliefs. At the same time, a critique of semiotic analyses of

APA, Harvard, Vancouver, ISO, and other styles

2

Rutten, Kris, and An van. Dienderen. "‘What is the meaning of a safety-pin?’ Critical literacies and the ethnographic turn in contemporary art." International Journal of Cultural Studies 16, no. 5 (2013): 507–20. http://dx.doi.org/10.1177/1367877912474561.

Full text

Abstract:

In this contribution we address the concept of critical literacies by analyzing how symbolic representations within subcultures can be understood as an engagement with specific literacy practices. For some time now, cultural studies researchers with an interest in literacy have depended upon ethnographic methods to document how members of subcultural communities mobilize literacy practices to achieve critical ends. But the extent to which ethnography actually grants researchers access to subcultural perspectives on literacy has come into question. In this article, we aim to problematize and th

APA, Harvard, Vancouver, ISO, and other styles

3

Sweetman, Paul. "Structure, Agency, Subculture: The CCCS, Resistance through Rituals, and ‘Post-Subcultural’ Studies." Sociological Research Online 18, no. 4 (2013): 227–36. http://dx.doi.org/10.5153/sro.3246.

Full text

Abstract:

Post-subcultural studies has emerged as a critical response to perceived difficulties with the previously dominant approach to subcultures associated with the Birmingham Centre for Contemporary Cultural Studies (CCCS). Alternative terms such as scene and tribe have been suggested in light of the supposedly more amorphous nature of contemporary formations. Others have defended the CCCS approach, or argued for a revised understanding of subculture which attends to difficulties with the CCCS framework whilst implying greater stability than other more recent terms. The following outlines these deb

APA, Harvard, Vancouver, ISO, and other styles

4

Kattari, Kimberly. "Surviving through subculture: Finding undeath in psychobilly." Punk & Post Punk 9, no. 1 (2020): 77–94. http://dx.doi.org/10.1386/punk_00019_1.

Full text

Abstract:

While some scholars suggest that subcultures are a thing of the past, that we are living in a post-subcultural era, an ethnographic exploration of psychobilly shows that subcultures still play a meaningful role in contemporary society. Since its development in the early 1980s, psychobilly has uniquely blended punk, rockabilly and horror to express countercultural values and aesthetics. Like the groups studied by the Centre for Contemporary Cultural Studies in the 1960s and 1970s, the psychobilly subculture is characterized by consistent and distinct values and tastes, a shared sense of collect

APA, Harvard, Vancouver, ISO, and other styles

5

Roberts, Derek. "Subcultural boundary maintenance in a virtual community for body modification enthusiasts." International Journal of Cultural Studies 20, no. 4 (2016): 361–76. http://dx.doi.org/10.1177/1367877916628240.

Full text

Abstract:

While it has been suggested that tattoos and piercings have gone mainstream, there remains a body modification subculture dedicated to more extreme forms of modification than are accepted by the majority of society. I present data from an ethnographic study of the subculture, focusing on various attempts to uphold group boundaries in a virtual community designed for body modification enthusiasts. As the website began to shift away from its subcultural roots, members increasingly criticised the new administration and mainstream body modifiers. Emphasising the social distance between themselves

APA, Harvard, Vancouver, ISO, and other styles

6

Noys, Benjamin. "Into the ‘Jungle’." Popular Music 14, no. 3 (1995): 321–32. http://dx.doi.org/10.1017/s0261143000007765.

Full text

Abstract:

Hardcore Dance has spent years underground evolving from the still-current stereotype of frenzied thudding bass lines coupled to samples of the tunes of children's programmes, of a music for E-head ravers whose drug-induced dummy sucking became a potent symbol for a subculture stigmatised as infantile and stupid. That evolution has reached the point of ‘Jungle’, and now Hardcore Dance and Jungle are often used interchangeably as terms of description. It is this musical form which is analysed here as part of the evolution of modern dance music. Too often subcultural study has tended to give the

APA, Harvard, Vancouver, ISO, and other styles

7

Drdová, Lucie, and Steven Saxonberg. "Dilemmas of a subculture: An analysis of BDSM blogs about Fifty Shades of Grey." Sexualities 23, no. 5-6 (2019): 987–1008. http://dx.doi.org/10.1177/1363460719876813.

Full text

Abstract:

Recently, much has been written in the mass media about the novel and film Fifty Shades of Grey. It was widely portrayed as an example of BDSM (a common abbreviation for the terms bondage, discipline, dominance, submissivity, sadism and masochism) subculture and used as a symbol of sadomasochistic identity. But is this public view based on the self image of BDSM subcultural members or is it a figment of the imagination of writers and journalists? This article presents the voice of BDSM activists, who are silenced and excluded from the public debate. Using a virtual ethnographic method, we anal

APA, Harvard, Vancouver, ISO, and other styles

8

Placido. "Between Pleasure and Resistance: The Role of Substance Consumption in an Italian Working-Class Subculture." Societies 9, no. 3 (2019): 58. http://dx.doi.org/10.3390/soc9030058.

Full text

Abstract:

In this article I discuss how illegal substance consumption can act as a tool of resistance and as an identity signifier for young people through a covert ethnographic case study of a working-class subculture in Genoa, North-Western Italy. I develop my argument through a coupled reading of the work of the Centre for Contemporary Cultural Studies (CCCS) and more recent post-structural developments in the fields of youth studies and cultural critical criminology. I discuss how these apparently contrasting lines of inquiry, when jointly used, shed light on different aspects of the cultural practi

APA, Harvard, Vancouver, ISO, and other styles

9

Rutherford, Leonie, Elizabeth Bullen, and Lenise Prater. "Paranormal Politics and the Romance of Urban Subcultures: Youth Mobility in Cassandra Clare’s and Melissa Marr’s Fantasy Texts." Jeunesse: Young People, Texts, Cultures 8, no. 1 (2016): 66–88. http://dx.doi.org/10.3138/jeunesse.8.1.66.

Full text

Abstract:

This essay examines the political and social significance of the intrusion of the supernatural into youth subcultures in two urban fantasy series: Cassandra Clare’s Mortal Instruments and Melissa Marr’s Wicked Lovely. Both series represent the idea of human youth mobility and social affiliation based on volition. The tolerant urban spaces through which their girl protagonists initially move accommodate a diversity of subcultural aesthetics. By contrast, the supernatural subcultures with which these girls become involved are fraught with conflict, and the mobility of their members is limited. D

APA, Harvard, Vancouver, ISO, and other styles

10

van Elferen, Isabella. "East German Goth and the Spectres of Marx." Popular Music 30, no. 1 (2011): 89–103. http://dx.doi.org/10.1017/s0261143010000693.

Full text

Abstract:

AbstractThe East of Germany, the Bundesländer of the former GDR, is an important centre of Goth activity. The Goth scene is remarkably large in this part of Germany, and one of the most important yearly Goth festivals, the Wave-Gotik-Treffen, takes place in Leipzig. This article investigates the specific characteristics and internal dynamics of East German Goth subcultures after German reunification. Combining subcultural theory and Gothic criticism with Derrida's notions of spectrality and hauntology, the potentials of Gothic as a form of cultural criticism are explored in an investigation of

APA, Harvard, Vancouver, ISO, and other styles

11

HARRISON, ANTHONY KWAME. "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25, no. 2 (2006): 283–301. http://dx.doi.org/10.1017/s0261143006000833.

Full text

Abstract:

This article looks at audiocassette tapes that are produced and circulated within the Bay Area underground hip hop scene as subcultural artefacts through which an understanding of the key activities, ideologies and sensibilities that mark subcultural identity can be grasped. Using du Gay's circuit of culture (1997) as a template for organising ethnographic data, the article demonstrates the ways in which subcultural meanings are encoded into the activities surrounding the commodification of underground hip hop cassettes. Ultimately, it argues for a reading of audiocassette tapes as unique tech

APA, Harvard, Vancouver, ISO, and other styles

12

Yakovleva, V. V., and R. R. Alimova. "Peculiarities of Verbal Communication of Some Youth Subcultural Representatives in Spain." Linguistics & Polyglot Studies 8, no. 1 (2022): 114–21. http://dx.doi.org/10.24833/2410-2423-2022-1-30-114-121.

Full text

Abstract:

This article is dedicated to the investigation of the most characteristic peculiarities of the identification mode of certain subcultural representatives compared to the main or dominant culture expression. To this end, the article analyses, firstly, the evolution of the term “culture” and the emergence of the “subculture” phenomenon, the history of the so-called urban tribes formation into a new social phenomenon, as well as the correlations between such concepts as “dominant culture” and “subculture”, “dominant culture” and “counterculture”. Secondly, in the article are described some vestim

APA, Harvard, Vancouver, ISO, and other styles

13

Stanojevic, Dragan. "From subculture to scene and tribe: Post-Birmingham approaches to the relationship between youth, music and style." Sociologija 49, no. 3 (2007): 263–82. http://dx.doi.org/10.2298/soc0703263s.

Full text

Abstract:

The paper discusses the so-called "post-Birmingham approaches" to analyzing the relationship between youth, music and style. Three especially pertinent theoretical approaches are presented: Sarah Thornton?s research based on the concept of "subcultural capital", the concept of "scene" developed by Keith Harris and Will Straw, and "neo-tribalism" borrowed from M. Maffesoli and applied to youth studies by Andy Bennett. All these concepts are based on a critique of subcultural theories conceived and elaborated at CCCS in Birmingham. The author stresses theoretical contributions of the new concept

APA, Harvard, Vancouver, ISO, and other styles

14

Hallagan, Ian. "Psychobilly: Subcultural Survival." Journal of American Folklore 135, no. 537 (2022): 357–58. http://dx.doi.org/10.5406/15351882.135.537.14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Kuppens, An H. "Authenticating Subcultural Identities." Journal of Communication Inquiry 33, no. 1 (2008): 43–57. http://dx.doi.org/10.1177/0196859908324705.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

De Backer, Mattias. "Class, Style and Territory in the Drari Microcultures of Brussels." Societies 9, no. 3 (2019): 64. http://dx.doi.org/10.3390/soc9030064.

Full text

Abstract:

Much like Parsons’s notion of “youth culture,” the tradition of subculture developed by the Birmingham School was criticised as being too romantic, too general, and too dependent on a simplistic model based on the inside/outside binary. Since the 1990s, “post-subcultural” studies have developed which prefer to focus on agency rather than structure. A “third school” of youth cultural studies focused on medium sizes groups and their attachment to place, which they called “microcultures”. This paper, drawing from fieldwork undertaken in Brussels between 2013 and 2016 with young people, studies me

APA, Harvard, Vancouver, ISO, and other styles

17

Haenfler, Ross. "Rethinking Subcultural Resistance." Journal of Contemporary Ethnography 33, no. 4 (2004): 406–36. http://dx.doi.org/10.1177/0891241603259809.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Tapia, Mike. "Modern Chicano Street Gangs: Ethnic Pride Versus “Gangsta” Subculture." Hispanic Journal of Behavioral Sciences 41, no. 3 (2019): 312–30. http://dx.doi.org/10.1177/0739986319858966.

Full text

Abstract:

This article examines the subcultural characteristics of modern Chicano street gangs, using San Antonio, Texas, as a case study. It is informed by archival material, police data, and multifaceted fieldwork with gang members and police in that city. The result is a broad sweeping analysis of the role of various social forces in shaping the form of contemporary Chicano gangs. I find that gang migration, the social mimicry of Black gangs, and the weakening of ethnic pride have all profoundly affected modern street gang subculture. However, ethnic pride norms have not completely faded away, presen

APA, Harvard, Vancouver, ISO, and other styles

19

Haenfler, Ross. "The Entrepreneurial (Straight) Edge: How Participation in DIY Music Cultures Translates to Work and Careers." Cultural Sociology 12, no. 2 (2017): 174–92. http://dx.doi.org/10.1177/1749975517700774.

Full text

Abstract:

Only recently have researchers begun thoroughly examining the role of youth music cultures and subcultures in participants’ ‘adult’ lives, suggesting that participation does not end with an abrupt transition to adulthood. Significantly, how subcultural experience translates into work skills and job opportunities needs further investigation. Based upon interviews and participant observation with older straight edgers – clean-living punks associated with the hardcore music scene – over the course of five years, this article examines subcultural entrepreneurs, in particular straight edgers, who h

APA, Harvard, Vancouver, ISO, and other styles

20

Donnelly, Peter, and Kevin Young. "The Construction and Confirmation of Identity in Sport Subcultures." Sociology of Sport Journal 5, no. 3 (1988): 223–40. http://dx.doi.org/10.1123/ssj.5.3.223.

Full text

Abstract:

It is usual in interactionist research to view the process of socialization into subcultures as, in part, a process of identity formation. However, we prefer to examine this process, at least in the case of sport subcultures, as a far more deliberate act of identity construction. That is, through a variety of means, the most significant of which is modeling, the neophyte member begins to deliberately adopt mannerisms, attitudes, and styles of dress, speech, and behavior that he or she perceives to be characteristic of established members of the subculture. Such perceptions among neophytes are

APA, Harvard, Vancouver, ISO, and other styles

21

Mitchell, Tony. "The Diy Habitus of Australian Hip Hop." Media International Australia 123, no. 1 (2007): 109–22. http://dx.doi.org/10.1177/1329878x0712300111.

Full text

Abstract:

Since its origins in the late 1980s, Australian hip hop continues to be fundamentally a do-it-yourself (DIY) subcultural field which has little or no music industry input or support. This paper profiles some of the small labels and producers in Australian hip hop (Obese, Elefant Traks, Nuff Said, Crookneck, Invada, etc.) and examines how they have formed from the ground up, using community radio stations such as 2SER, PBS and 3ZZZ, and websites such as Ozhiphop.com , to promote their music, as well as organising their own gigs and tours. It also examines Aboriginal practitioners of hip hop, wh

APA, Harvard, Vancouver, ISO, and other styles

22

Bastari, Rendy Pandita, Idhar Resmadi, and Wahyu Lukito. "NILAI-NILAI SUBKULTUR DALAM MEREK MATERNAL DISASTER." Jurnal Bahasa Rupa 4, no. 2 (2021): 134–45. http://dx.doi.org/10.31598/bahasarupa.v4i2.670.

Full text

Abstract:

Subculture is a movement against the mainstream that is manifested through music, fashion and lifestyle. One of the supporting element of the manifestation of a subculture is the existence of products from certain brands that have authenticity. The authenticity of a brand can be formed through the interaction of a brand with its community. A brand is not constructed by itself, but it must be built with various actions towards a community with its own ecosystem so as to give rise to consumer attitudes and habits towards a brand's product. Previous studies have shown that general consumers with

APA, Harvard, Vancouver, ISO, and other styles

23

Williams, J. Patrick. "Youth-Subcultural Studies: Sociological Traditions and Core Concepts." Sociology Compass 1, no. 2 (2007): 572–93. http://dx.doi.org/10.1111/j.1751-9020.2007.00043.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Šatūnienė, Reda. "Saugumo jausmo konstravimas neformalioje jaunimo subkultūroje." Socialinė teorija, empirija, politika ir praktika 7 (January 1, 2013): 75–83. http://dx.doi.org/10.15388/stepp.2013.0.1399.

Full text

Abstract:

Vilniaus dailės akademijosKauno fakulteto / Aukštųjų studijų fakultetoHumanitarinių mokslų katedraMuitinės g. 4 LT-44280 Kaunas. Tel. (8-37) 20 36 34El. paštas: reda.satuniene@gmail.com Lietuvoje empirinių etnologinių ar antropologinių tyrimų „saugumo jausmo“ konstravimo neformaliose jaunimo subkultūrose tema iki šiol nėra atlikta, išskyrus etnologinius E. Ramanauskaitės jaunimo subkultūrų tyrimus (2001, 2004). Straipsnio autorės atliktų tyrimų rezultatai leidžia daryti prielaidą, kad būrimuisi į socialines grupes turi įtakos nesaugumo jausmas visuomenėje. Straipsnyje asmens saugumo jausmas tr

APA, Harvard, Vancouver, ISO, and other styles

25

Kruse, Holly. "Subcultural identity in alternative music culture." Popular Music 12, no. 1 (1993): 33–41. http://dx.doi.org/10.1017/s026114300000533x.

Full text

Abstract:

Angela McRobbie (1992) has recently observed that what is currently missing from Marxist cultural studies is a sense of urgency. In part, I believe this lack of urgency is the result of cultural studies' tendency ultimately to privilege theory over lived experience; the lived experiences of the post-baby boom generation seem especially neglected. As a 1991 issue of Spin magazine told its readers:Magazines and newspapers such as Time and the New York Times are … comparing you unfairly to the dynamic and euphoric baby boomers – the authentic prototype of youth culture, at least as they would hav

APA, Harvard, Vancouver, ISO, and other styles

26

Miernik, Mirosław Aleksander. "Whaddya rebellin’ against? Youth Rebellion and Domesticity in The Wild One and Rebel Without a Cause." Kultura Popularna 4, no. 58 (2018): 40–49. http://dx.doi.org/10.5604/01.3001.0012.8083.

Full text

Abstract:

The article focuses on the conflict between youth and domestic values in 1950s America on the example of the movies The Wild One and Rebel Without a Cause. Using elements of subcultural studies, the films are discussed as didactic in purpose, conveying a sense of fear of youth culture, then a new development, and reinforcing the patriarchal structure of mid-20th century US society. This was achieved by depicting troubled young people who manage to overcome various difficulties with the help of a strong masculine father-figure. However, as a result of this, some young people sought for characte

APA, Harvard, Vancouver, ISO, and other styles

27

Sampson, Robert J. "Race and Criminal Violence: A Demographically Disaggregated Analysis of Urban Homicide." Crime & Delinquency 31, no. 1 (1985): 47–82. http://dx.doi.org/10.1177/0011128785031001004.

Full text

Abstract:

The most prominent explanation for the disproportionate involvement by blacks in criminal violence is the subculture of violence theory (Wolfgang and Ferracuti, 1967; Curtis, 1975). Recently, several studies have attempted to test the subculture of violence thesis by examining the direct effect of racial composition on the aggregate homicide rate in multivariate analysis. However, the aggregate homicide rate fails to distinguish the effects of racial composition from environmental context, thereby confounding the interpretation of community and individual-level influences. These studies thus h

APA, Harvard, Vancouver, ISO, and other styles

28

Elkins, Evan. "Cultural Identity and Subcultural Forums." Television & New Media 15, no. 7 (2013): 595–610. http://dx.doi.org/10.1177/1527476413489354.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Bérubé-Sasseville, Olivier. "Bone in the Throat: Video archiving and identity building within the Montreal hardcore scene." Punk & Post-Punk 00, no. 00 (2021): 1–15. http://dx.doi.org/10.1386/punk_00106_1.

Full text

Abstract:

During the 1990s and early 2000s, the Montreal hardcore scene was a vibrant, thriving and dynamic subculture with a strong sense of community. The generational and cyclical nature of such scenes has led, over the past two decades, to a significant crowd turnover with older people leaving and newcomers taking over. However, through the emergence of an Instagram account created by a man named Andy Chico Mak, its past memories are resurfacing. The recent dissemination of the Bone in the Throat series on social media, along with other archives including flyers, interviews and never-seen-before foo

APA, Harvard, Vancouver, ISO, and other styles

30

Martin, Greg. "Conceptualizing Cultural Politics in Subcultural and Social Movement Studies." Social Movement Studies 1, no. 1 (2002): 73–88. http://dx.doi.org/10.1080/14742830120118909.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Li, Chuang. "Cultural Continuities and Skateboarding in Transition: In the Case of China’s Skateboarding Culture and Industry." YOUNG 30, no. 2 (2022): 183–206. http://dx.doi.org/10.1177/11033088221081941.

Full text

Abstract:

Previous research on skateboarding has been conducted largely under the lens of cultural studies. Recently, there has been growing recognition of skateboarding as an industry under capitalist structures. Nonetheless, the transition of skateboarding from a subculture to a global multi-billion dollar industry is still left untheorized. There are two primary aims of this study. First is to evaluate the implication of the theoretical transition in existing literature from the subcultural theories and the critical political economy approach in examining subcultures and cultural industries. The seco

APA, Harvard, Vancouver, ISO, and other styles

32

Cole, Nina L. "Scenarios of style: An exploration of subcultural research as embodied practice in Los Angeles’s vintage Jamaican music scene." Critical Studies in Fashion & Beauty 11, no. 2 (2020): 195–218. http://dx.doi.org/10.1386/csfb_00016_1.

Full text

Abstract:

This article sets forth a performance studies framework for subcultural research: scenarios of style. This embodied epistemology brings together Diana Taylor’s scenario paradigm with interdisciplinary perspectives on style to provide a means for researchers to explore the ways in which style is constitutive of subcultural life. Twenty-five years of involvement in Los Angeles’s vintage Jamaican music scene and four years of fieldwork – comprised of participant observation, oral history interviews and archival research – undergird my theorization. To communicate individual agency and subcultural

APA, Harvard, Vancouver, ISO, and other styles

33

Dynarowicz, Ewa. "Stereotypes as source of subcultural capital: Poland and the Polish in the auto-representation project of the Dutch rapper, Mr. Polska." Popular Music 37, no. 3 (2018): 466–86. http://dx.doi.org/10.1017/s0261143018000417.

Full text

Abstract:

AbstractOver the past few years Mr. Polska, a Dutch rapper of Polish origin, has been enjoying a growing popularity in the Netherlands. Mr. Polska uses his Polish roots to position himself on the Dutch music scene and creates a persona that leans heavily on essentialised and exoticised stereotypes about Poland and the Polish. This article tries to answer two questions: what kind of image of Poland and the Poles is being created here? What purpose does it serve? It argues that negative stereotypes used in a multicultural environment acquire a new, positive meaning and play an important role in

APA, Harvard, Vancouver, ISO, and other styles

34

Thurnell-Read, Thomas. "‘A Couple of These Videos Is All You Really Needed to Get Pumped to Skate’: Subcultural Media, Nostalgia and Re-Viewing 1990s Skate Media on YouTube." YOUNG 30, no. 2 (2021): 165–82. http://dx.doi.org/10.1177/11033088211057365.

Full text

Abstract:

The reappearance of VHS skateboarding movies produced during the 1990s on YouTube presents a timely opportunity to examine how the subcultural identities of former skateboarders are reassessed in later life. Drawing on subcultural studies and theories of mediated memory, this article analyses comments made by viewers of YouTube re-postings of 411 Video Magazine, an era-defining skateboard movie series of the 1990s. The analysis suggests that re-viewing content of once cherished VHS tapes affords former skaters a nostalgic moment of reconnection with their youth involving a combination of three

APA, Harvard, Vancouver, ISO, and other styles

35

Lewis, Reina. "Looking Good: The Lesbian Gaze and Fashion Imagery." Feminist Review 55, no. 1 (1997): 92–109. http://dx.doi.org/10.1057/fr.1997.6.

Full text

Abstract:

This paper is concerned with the different forms of pleasure and identification activated in the consumption of dominant and subcultural print media. It centres on an analysis of the lesbian visual pleasures generated through the reading of fashion editorial in the new lesbian and gay lifestyle magazines. This consideration of the lesbian gaze is contrasted to the lesbian visual pleasures obtained from an against the grain reading of mainstream women's fashion magazines. The development of the lesbian and gay lifestyle magazines, in the context of the pink pound, produces a situation in which

APA, Harvard, Vancouver, ISO, and other styles

36

Encheva, Kameliya, Olivier Driessens, and Hans Verstraeten. "The mediatization of deviant subcultures: an analysis of the media-related practices of graffiti writers and skaters." MedieKultur: Journal of media and communication research 29, no. 54 (2013): 18. http://dx.doi.org/10.7146/mediekultur.v29i54.7349.

Full text

Abstract:

<p>This article studies the mediatization of criminal and deviant subcultures by analyzing the media-related practices of graffiti writers and skaters in Ghent, Belgium. The ethnographic analysis shows how these subcultures orient themselves toward media and how media become an essential part of and change their everyday practices. Three consequences of this mediatization are highlighted: First, by emphasizing their artistic and performative skills through the mediation of their practices, these subcultures start losing their rebellious and oppositional image. Second, as such, it can be

APA, Harvard, Vancouver, ISO, and other styles

37

Stiffler, Brad. "Punk Subculture and the Queer Critique of Community on 1980s Cable TV: The Case of New Wave Theatre." Television & New Media 19, no. 1 (2017): 42–58. http://dx.doi.org/10.1177/1527476416687040.

Full text

Abstract:

If histories of television recognize it all, the relationship between punk subculture and the mass cultural medium of television is often rendered as a story of misreprentation, conflict, or mutual avoidance. Such studies overlook a rich history of punks throughout North America who produced numerous programs for cable television, especially the non-commercial forum of public access, in the late 1970s and early 1980s. Conceiving of TV as a kind of social technology, some punks actively and critically engaged in producing subculture both on and through the medium. This article looks at the case

APA, Harvard, Vancouver, ISO, and other styles

38

Fahadi, Prasakti Ramadhana. "Karier Subkultur dan Kelompok Marginal: Menelaah Potret Profesi Dominatrix dalam Serial Netflix “Bonding”." Jurnal Studi Pemuda 9, no. 1 (2020): 13. http://dx.doi.org/10.22146/studipemudaugm.55020.

Full text

Abstract:

The competition for jobs in big cities tends to be tougher for the members of groups that are marginalized and socially stigmatized. As a consequence, alternative cultures and vocations emerge. An example of this is the role of professional dominatrix in the kink or alternative sexuality subculture. Using interpretive analysis method, this article studies youth with other marginal identities—namely ‘woman’, ‘homosexual’, and ‘working-class member’ — in regards to their choice to pursue their career in kink subculture as a professional dominatrix in Netflix’s show Bonding. The findings of this

APA, Harvard, Vancouver, ISO, and other styles

39

Robertson, Christopher J., and Cristóbal Nico Suárez Guerrero. "An empirical test of Peruvian subcultural values." Cross Cultural Management: An International Journal 16, no. 2 (2009): 215–29. http://dx.doi.org/10.1108/13527600910953946.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Hollingworth, Sumi. "Performances of social class, race and gender through youth subculture: putting structure back in to youth subcultural studies." Journal of Youth Studies 18, no. 10 (2015): 1237–56. http://dx.doi.org/10.1080/13676261.2015.1039968.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Esposito, Lucia. "The Body and the Text. Performance in Cultural and Literary Studies." Revista Alicantina de Estudios Ingleses, no. 26 (November 15, 2013): 27. http://dx.doi.org/10.14198/raei.2013.26.03.

Full text

Abstract:

The essay explores the incidence and fertility of ‘performance’ as a means to examine and critique culture also in the field of cultural and literary studies, on whose ground it has landed, together with performativity, as a ‘travelling concept’. Continuously traversing the porous borders of performance studies, both concepts are in fact aiding an understanding of identity and culture not only as discoursively and normatively ‘constructed’ but also as ‘performed’ through embodied practices whose ‘efficacy’ (transgression, resistance, agency) against those very terms of discoursive constructedn

APA, Harvard, Vancouver, ISO, and other styles

42

Xiao, Jian. "The biographical approach in (post-) subcultural studies: Exploring punk in China." European Journal of Cultural Studies 20, no. 6 (2017): 707–23. http://dx.doi.org/10.1177/1367549417732999.

Full text

Abstract:

While the biographical approach is widely employed in applied and theoretical social research, it is less fully developed in the specific field of (post-) subcultural studies. The article demonstrates the utility of the biographical method for (post) subcultural studies by presenting research on the punk phenomenon in an authoritarian social context within China. The discussion draws upon a qualitative study based on interviews with 34 Chinese punk musicians. Although the article focuses on one of these musicians in particular, the arguments are informed by broader research findings. Specifica

APA, Harvard, Vancouver, ISO, and other styles

43

Brioni, Cecilia. "Leaving the group: Bologna as an urban mythscape for 1990s Italian youth." Journal of Urban Cultural Studies 8, no. 2 (2021): 207–26. http://dx.doi.org/10.1386/jucs_00042_1.

Full text

Abstract:

Since the end of the 1970s, Bologna has represented an ‘urban mythscape’ for left-wing subcultural youth in the Italian cultural imaginary. This article examines representations of spaces of encounter and conflict for young people in Bologna in Silvia Ballestra’s La guerra degli Antò (1992) and Enrico Brizzi’s Jack Frusciante è uscito dal gruppo (1994). Set in the 1990s, these novels mark a significant change in Bologna’s urban mythscape, in that they do not refer back to the 1970s like the majority of cultural representations of youth set in Bologna. The protagonists’ desire to ‘leave society

APA, Harvard, Vancouver, ISO, and other styles

44

Perry, Samuel L., and Joshua B. Grubbs. "Formal or Functional? Traditional or Inclusive? Bible Translations as Markers of Religious Subcultures." Sociology of Religion 81, no. 3 (2020): 319–42. http://dx.doi.org/10.1093/socrel/sraa003.

Full text

Abstract:

Abstract English Bible translations are often classified along two axes: (1) whether their translation approach pursues “formal correspondence” (prioritizing literalness) or “functional equivalence” (prioritizing meaning); and (2) whether their translation approach emphasizes “gender-traditionalism” (translating gendered language literally) or “gender-inclusivism” (minimizing unnecessarily gendered language). Leveraging insights from research on how religious subcultural capital shapes consumption patterns, we examine how indicators of conservative Protestant subcultural attachment potentially

APA, Harvard, Vancouver, ISO, and other styles

45

Ward, Pete. "Renewal and Soul Survivor as Distinction and Subcultural Capital." Journal of Beliefs & Values 24, no. 2 (2003): 197–206. http://dx.doi.org/10.1080/13617670305433.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Gil, Vincent E. "Empowerment Rhetoric, Sexual Negotiation, and Latinas' AIDS Risk: Research Implications for Prevention Health Education." International Quarterly of Community Health Education 18, no. 1 (1998): 9–27. http://dx.doi.org/10.2190/ttrf-3vjw-8uh4-xdcp.

Full text

Abstract:

Heterosexually acquired HIV infections and their consequent deficiency syndrome continue to increase among Latinas despite more than a decade of prevention and education programs. Most programs targeting the non-IDU Latina attempt a reorientation of her personal beliefs and attitudes. They use “empowerment” education as a means of generating more sexually assertive women, in the hope that these will negotiate safer sex more effectively with their male partners. Despite the well-proven social paradox that knowledge and beliefs are not a good predictor of behavior, such programs maintain their p

APA, Harvard, Vancouver, ISO, and other styles

47

Evans, John H. "The Creation of a Distinct Subcultural Identity and Denominational Growth." Journal for the Scientific Study of Religion 42, no. 3 (2003): 467–77. http://dx.doi.org/10.1111/1468-5906.00195.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Irving, Katrina. "‘I Want Your Hands On Me’: building equivalences through rap music." Popular Music 12, no. 2 (1993): 105–21. http://dx.doi.org/10.1017/s026114300000550x.

Full text

Abstract:

In attempting to evaluate the subversive potential of popular culture generally, and rock music specifically, much recent Marxist theory has been caught in a dichotomy. At one pole has been a structuralist view of the subject as always already constructed (Althusser 1971): a notion leading to an analysis of popular culture as – yet another – agency of co-optation. At the opposite pole has been a view of popular culture as a set of subcultures, capable of expressing resistance to the dominant culture. Here, the subject is seen as pre-existing its construction through various modes of representa

APA, Harvard, Vancouver, ISO, and other styles

49

Albury, Katherine. "Spaceship Triple J: Making the National Youth Network." Media International Australia 91, no. 1 (1999): 55–66. http://dx.doi.org/10.1177/1329878x9909100108.

Full text

Abstract:

This article explores Triple J's evolution from radical Sydney radio station to ‘National Youth Network'. In particular, it discusses Triple J's successful construction of a ‘national youth audience', according to Thornton's (1994, 1995) definitions of ‘subcultural capital'.

APA, Harvard, Vancouver, ISO, and other styles

50

Dennie, Martine, and Paul Millar. "Exploring the subcultural norms of the response to violence in hockey." Sport in Society 22, no. 7 (2018): 1297–314. http://dx.doi.org/10.1080/17430437.2018.1529027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!