Relevant bibliographies by topics / Subculture Australia

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Subculture Australia'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Subculture Australia"

1

Schembri, Sharon. "The paradox of a legend: A visual ethnography of Harley-Davidson in Australia." Journal of Management & Organization 14, no. 4 (September 2008): 386–98. http://dx.doi.org/10.1017/s1833367200003151.

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AbstractConsumption, especially high profile brand consumption, implicates our identities. More than that, brand consumption connects our lives to others through shared lifestyle expressions to the extent that subcultures of consumption emerge. However, as this work shows, the meaning of particular consumption objects or brands cannot be assumed. Using visual ethnography, this study describes the experiential meaning of the legendary Harley-Davidson to owners and riders in Australia. For more than three years, fieldwork was conducted primarily from within a chapter of the Harley Owners Group (
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Schembri, Sharon. "The paradox of a legend: A visual ethnography of Harley-Davidson in Australia." Journal of Management & Organization 14, no. 4 (September 2008): 386–98. http://dx.doi.org/10.5172/jmo.837.14.4.386.

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AbstractConsumption, especially high profile brand consumption, implicates our identities. More than that, brand consumption connects our lives to others through shared lifestyle expressions to the extent that subcultures of consumption emerge. However, as this work shows, the meaning of particular consumption objects or brands cannot be assumed. Using visual ethnography, this study describes the experiential meaning of the legendary Harley-Davidson to owners and riders in Australia. For more than three years, fieldwork was conducted primarily from within a chapter of the Harley Owners Group (
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Maksay, Arpad. "Japanese Working Holiday Makers in Australia: Subculture and Resistance." Tourism Review International 11, no. 1 (January 1, 2007): 33–43. http://dx.doi.org/10.3727/154427207784771897.

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Scott, Lydia, and Anna Chur-Hansen. "The Mental Health Literacy of Rural Adolescents: Emo Subculture and SMS Texting." Australasian Psychiatry 16, no. 5 (January 1, 2008): 359–62. http://dx.doi.org/10.1080/10398560802027328.

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Objective: This study sought to explore the mental health literacy of adolescents living in a rural area in Australia through in-depth, semi-structured interviews, with a view to identifying areas for further research and making recommendations for improved education programs around mental health. Method: Nine Year 10 students (two boys and seven girls) from a rural secondary school in South Australia read two vignettes, one portraying depression and the other schizophrenia. Semi-structured individual interviews that focussed on the vignettes were audio-taped, transcribed and analysed for them
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Winchester, Hilary P. M., and Lauren N. Costello. "Living on the Street: Social Organisation and Gender Relations of Australian Street Kids." Environment and Planning D: Society and Space 13, no. 3 (June 1995): 329–48. http://dx.doi.org/10.1068/d130329.

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The resurgence and visibility of homelessness since the 1980s have become significant social and political issues, widely debated in academic circles and in the popular press. The composition of the homeless population has changed markedly in this period, and now includes more women and children, and more of the deinstitutionalised mentally ill. The lives of street kids in the city of Newcastle, Australia show patterns of structured behaviour and territorial and social organisation. They have a distinctive group identity and moral order. Their subculture is complex with strains of nonpatriarch
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Sharp, Megan, and Steven Threadgold. "Defiance labour and reflexive complicity: Illusio and gendered marginalisation in DIY punk scenes." Sociological Review 68, no. 3 (September 5, 2019): 606–22. http://dx.doi.org/10.1177/0038026119875325.

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Since punk emerged in the 1970s as a music genre and subculture it has gained significant academic attention. Punk as a concept now alludes to specific places or scenes, and has been established as a general anti-establishment attitude, as well as an anti-consumerist disposition, with a need to do-it-yourself (DIY). Drawing upon ethnographic and interview data from the east coast of Australia, this article analyses struggles that occur within punk spaces where women and queer identifying punks negotiate historically established male dominance. Punk scenes have the general illusio of being resi
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Sinclair, John, and Barry Carr. "Making a market for Mexican food in Australia." Journal of Historical Research in Marketing 10, no. 2 (May 21, 2018): 175–90. http://dx.doi.org/10.1108/jhrm-07-2017-0042.

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PurposeThe purpose of this paper is to account for the remarkable proliferation of Mexican restaurants and tequila bars in contemporary urban Australia, in the absence of any geographical contiguity, historical connection or cultural proximity between Australia and Mexico.Design/methodology/approachThe paper traces how the particularities of direct cultural contact, interpersonal networks and grass-roots entrepreneurism can open up new markets, and how the ground is, thus, prepared for subsequent large-scale international corporate entry to those markets. This research is based on interviews w
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Williams, J. Patrick. "Subculture’s Not Dead! Checking the Pulse of Subculture Studies through a Review of ‘Subcultures, Popular Music and Political Change’ and ‘Youth Cultures and Subcultures: Australian Perspectives’." YOUNG 27, no. 1 (April 23, 2018): 89–105. http://dx.doi.org/10.1177/1103308818761271.

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Empirical studies of youth cultures and subcultures continue to flourish alongside active theoretical progression and debates within and across a variety of intellectual traditions. Annually, a range of published articles, monographs and edited collections improve our collective knowledge about youth (sub)cultural phenomena from nearly every corner of the globe. In this article I review two recent edited volumes that deal explicitly with subculture studies: The Subcultures Network’s Subcultures, Popular Music and Political Change (2014, Cambridge Scholars Publishing) and Baker, Robards and But
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Abraham, Ibrahim Bahige, and Francis Stewart. "Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality." International Journal for the Study of New Religions 5, no. 1 (July 31, 2019): 77–102. http://dx.doi.org/10.1558/ijsnr.v5i1.77.

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Drawing on fieldwork in the punk scenes of the UK, USA and Australia, this article critically examines Christianity and holistic spirituality within punk’s Straight Edge subculture, a movement rejecting alcohol, drugs, and casual sex. Focusing on conceptualizations of salvation within Straight Edge Christianity and Straight Edge holistic spirituality, this article engages Heelas and Woodhead’s notion of the “subjectivization’”of contemporary religious identities to compare and contrast these forms of new religious practice. Straight Edge Christianity and Straight Edge holistic spirituality are
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Ramsden, Robyn, Delwyn Hewitt, Joanne Williams, Lee Emberton, and Catherine Bennett. "Tackling student drinking within the drinking subculture of a university sports competition: a culture change approach." Health Education 121, no. 4 (April 29, 2021): 388–407. http://dx.doi.org/10.1108/he-01-2021-0006.

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PurposeThis paper explores the impact of a suite of alcohol culture change interventions implemented by Deakin University in Melbourne, Australia. The interventions were designed to change the alcohol culture at a bi-annual nation-wide university multi-sport competition known as Uni Nationals. This study aims to understand the critical success factors of the alcohol culture change initiatives that were developed by the university and implemented as part of a broader set of institutional practices.Design/methodology/approachA qualitative research design utilised in-depth, semi-structured interv
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Dissertations / Theses on the topic "Subculture Australia"

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St, John Graham 1968. "Alternative cultural heterotopia ConFest as Australia's marginal centre." [Melbourne] : Confest Integrity Agency, 2000. http://nla.gov.au/nla.arc-41333.

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Title from title screen (viewed on 15 Apr. 2004) Text and graphics. Web site contains the complete thesis submitted in total fulfilment of the requirements for the Degree of Doctor of Philosophy, School of Sociology, Politics and Anthropology, Faculty of Humanities and Social Sciences, La Trobe University, Melbourne, Australia. Also includes photographs and links to related web sites. System requirements: Adobe Acrobat reader for viewing files in PDF format. Mode of access: Internet via World Wide Web. Available at: http://www.confest.org/thesis/index.html Selected for archivingANL
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Cummings, Joanne. "Sold out ! an ethnographic study of Australian indie music festivals /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/35961.

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Thesis (Ph.D.)--University of Western Sydney, 2007.<br>A thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy to the College of Arts, School of Social Sciences, University of Western Sydney. Includes bibliographical references.
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Cummings, Joanne, University of Western Sydney, College of Arts, and School of Social Sciences. "Sold out ! : an ethnographic study of Australian indie music festivals." 2007. http://handle.uws.edu.au:8081/1959.7/35961.

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The focus of this sociological research is on the five most popular and commercially successful Australian indie music festivals: Livid, Big Day Out, the Falls festival, Homebake, and Splendour in the Grass. The three key features of Australian indie music festivals are, firstly, that they are multi-staged ticketed outdoor events, with clearly defined yet temporal boundaries. Secondly, the festivals have a youth-orientated focus yet are open to all ages. Finally, the festivals are primarily dominated by indie-guitar culture and music. My aim is to investigate how these music festivals are able
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Hiscock, Jane E. "Capturing a process an analysis of culture and subcultures in a changing university 1993-1995." 2000. http://arrow.unisa.edu.au:8081/1959.8/25021.

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The globalisation of the world economy and world markets has had far reaching effects on national economies as governments try to allocate funding to potentially profitable market areas. Rapid technological change has accompanied the expansion and diversification of the higher education market in an environment of global competitiveness, as universities try to claim their market share. Universities now view themselves as businesses, with strong implications for university staff, who are subject to new forms of organisational controls which emphasise the importance of corporate goals.<br>Thesis
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Books on the topic "Subculture Australia"

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Lewis, Lynette A. A select body: The gay dance party subculture and the HIV/AIDS pandemic. London: Cassell, 1995.

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Dawes, Glenn Desmond. Break on through: Indigenous youth subcultures and education. Townsville, Qld: Centre for Social Research, CSR, James Cook University, 1998.

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Youth Cultures and Subcultures: Australian Perspectives. Taylor & Francis Group, 2015.

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Larrikins: A History. University of Queensland Press, 2012.

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Moore, Tony. Dancing with Empty Pockets: Australia's Bohemians. Murdoch Books Pty Limited, 2012.

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1966-, Butcher Melissa, and Thomas Mandy 1959-, eds. Ingenious: Emerging youth cultures in urban Australia. North Melbourne, Vic: Pluto Press, 2003.

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Youthful Imagination: School, Subcultures, And Social Justice (Adolescent Cultures, School & Society). Peter Lang Publishing, 2006.

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Lewis, Lynette A. Select body: Gay dance party subculture and the HIV/AIDS pandemic. Cassell, 1995.

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White, Rob. Australian Youth Subcultures. Edited by Rob White. National Clearinghouse for Youth Studies, 1993.

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A Select Body: The Gay Dance Subculture And the HIV/Aids Pandemic. Continuum International Publishing Group, 1999.

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Book chapters on the topic "Subculture Australia"

1

Block, Trevor. "Coda: ‘What It Feels Like When a Subculture Appears’—Richard Lowenstein Interview, 2009." In Urban Australia and Post-Punk, 299–306. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9702-9_23.

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McKenzie, Michael. "The Bureaucrats." In Common Enemies: Crime, Policy, and Politics in Australia-Indonesia Relations, 54–84. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815754.003.0003.

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This chapter looks at how bureaucrats shape the criminal justice relationship between Australia and Indonesia in the context of cooperation between their national police forces. Adapting Mathieu Deflem’s theory of bureaucratic autonomy, it argues that the close cooperation between the Australian and Indonesian police since the late 1990s is due to their relative independence from national politics and the professional subculture that they share. At the core of this police culture is a common policy interest in combating transnational crime. The chapter also suggests that other bureaucrats from the two countries may share professional subcultures that facilitate cooperation between them.
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Pabón-Colón, Jessica Nydia. "Transforming Precarity at International All-Grrl Jams." In Graffiti Grrlz, 159–84. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479806157.003.0006.

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This chapter considers the precarity of graffiti grrlz’ social and subcultural status. Graffiti subculture thrives on social relation; in this economy, aesthetics and peer recognition have value, but who gets to spend or accrue this value through their artistic labor differs based on gender conventions. Graffiti grrlz are vulnerable within this economy because their aesthetics and their bodies (thus, their peer recognition) are valued differently—often, their contributions do not “count.” By way of a comparative analysis of two annual, international all-grrl events—Ladie Killerz (Australia) and Femme Fierce (United Kingdom)—the chapter asks what the public collective performance of feminine identity markers does within spaces where heterosexist male masculinity is the valued convention. Through the strategic public performance of an undervalued gender identity, these “ladiez” and “femmes” claim their subcultural ownership, transform their precarious social belongings, and activate the social and political power of feminist collectivity.
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Pavlidis, Adele. "Subjective Understanding of ‘Subculture’: Contemporary Roller Derby in Australia and the Women Who Play." In Youth Cultures and Subcultures, 205–14. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-19.

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"Reconciling Subculture and Effects Studies: What Do Students in Australia Want to Know About Media Cultures?" In Youth Cultures and Subcultures, edited by Andy Ruddock, 275–85. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-25.

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Buttigieg, Bob, Brady Robards, and Sarah Baker. "Youth Culture Research in Australia." In Youth Cultures and Subcultures, 1–8. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-1.

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Bennett, Andy. "Australian Subcultures: Reality or Myth?" In Youth Cultures and Subcultures, 11–20. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-2.

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"Documenting the Subcultural Experience: Towards an Archive of Australian Youth Histories." In Youth Cultures and Subcultures, edited by Christine Feldman-Barrett, 253–63. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-23.

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Idriss, Sherene. "‘What Every Other Leb Wears’: Intra-Ethnic Tensions Among Lebanese-Australian Youth." In Youth Cultures and Subcultures, 115–24. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-11.

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"‘Queer Youth’ on Australia’s Gold Coast: Researching Amid Incoherence and Multiplicity." In Youth Cultures and Subcultures, edited by Bob Buttigieg, 229–39. Routledge, 2016. http://dx.doi.org/10.4324/9781315545998-21.

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