Relevant bibliographies by topics / Subject of masnavi

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Academic literature on the topic 'Subject of masnavi'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Subject of masnavi"

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SPARHAM, DAVOUD, MOUSA RAHIMI, and MEHMET ŞAHİN. "REFLECTIONS OF THE IDEA OF REVĀQIYYA IN MAWLĀNĀ'S POEMS." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 105 (March 29, 2023): 129–49. http://dx.doi.org/10.34189/hbv.105.006.

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This study examines how the ethical and philosophical views of the Revāqiyya school are reflected in Mevlānā's works, especially in his Masnavi. According to the Revāqiyya, perfect harmony and goodness prevail in the universe. God is the one who provides this order in the universe. If humans live in accordance with this order and nature, they will be moral and happy. If the moral intellect dominates human instincts, the right action can be achieved. In this respect, Revāqiyya morality is directly related to practical life. Revāqiyya's ethics and philosophy have influenced many ideas over time.
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Naqvi, Azhar Hussain, and Abdul Ghafoor Baloch. "Shade of Tauheed and different genres of Urdu poetry." Al Khadim Research journal of Islamic culture and Civilization 2, no. 2 (2021): 114–36. http://dx.doi.org/10.53575/arjicc.u8-v2.2(21)114-136.

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In its essence Tauheed (the Islamic doctrine of monotheism, the only one creator), is the foundation of all Islamic beliefs. The essence of sending the Prophets and the day of judgement and the life after death all these beliefs are based on Oneness of “God”. Hence when we take a glance on the literature of the period, between 1759 A.D. (1174 A.H.) and 1806 A.D. (1221 A.H.), which is that of the Moghul era, i.e., the literature of Aali Gohar Shah Alam era, we see that during this period alongside the development of Urdu prose, the effects of doctrine of Tauheed had begun to show in its poetry
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Mushfeq, Ehsanullah, and Noorullah Atef. "Description of Anxiousness Pain: A Hesitation on the Anthropology of Molana." Journal of Humanities and Social Sciences Studies 5, no. 12 (2023): 85–90. http://dx.doi.org/10.32996/jhsss.2023.5.12.9.

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Thinking and reflecting on human nature and addressing this question of what aptitudes humans have is a subject whose history reverts to the creation of humankind. The great God propounded the issue of the genesis of the humans with the angels on the threshold of creation. The discourse between the great God and the angels has cleared the existence of two opposite capacities in the existence of humans. Molana Jalaluddin Mohammad Balkhi, the great anthropologist in the field of culture and civilization of the Persian language, in his works, especially in spiritual Mathnavi by relying on the Hol
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Coşgun, Gökhan. "Husrev u Shirin-Farhad u Shirin Masnavis and Ferhad as the Primary Hero in Turkish Literature." Journal of The Near East University Faculty of Theology 7, no. 2 (2021): 419–54. http://dx.doi.org/10.32955/neu.ilaf.2021.7.2.07.

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The story of Husrev and Shirin, which was first put into poetry in Firdevsi's Shahname, was later written by many poets. It is undoubtedly NizamiGanjavi who brought the story of Husrev and Şirin to the real fame in Persian literature. Nizami's Husrev u Shirin Masnavi inspired many Persian and Turkish poets who came after him. Each poet has immortalized this story according to his own imagination. In Turkish literature, poets have produced original works by changing the story according to their own traditions and belief cultures instead of translating the story from Persian literature. In this
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Coşgun, Gökhan. "Husrev u Shirin-Farhad u Shirin Masnavis and Ferhad as the Primary Hero in Turkish Literature." Journal of The Near East University Faculty of Theology 7, no. 2 (2021): 419–54. http://dx.doi.org/10.32955/neu.ilaf.2021.7.2.05.

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The story of Husrev and Shirin, which was first put into poetry in Firdevsi's Shahname, was later written by many poets. It is undoubtedly NizamiGanjavi who brought the story of Husrev and Şirin to the real fame in Persian literature. Nizami's Husrev u Shirin Masnavi inspired many Persian and Turkish poets who came after him. Each poet has immortalized this story according to his own imagination. In Turkish literature, poets have produced original works by changing the story according to their own traditions and belief cultures instead of translating the story from Persian literature. In this
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6

Rezazadeh, Zahra, Nasrullah Zirak, Zohreh Sarmad, Abolfazl Moradi, and Aliakbar Afrasiabpoor. "A review of the medical poems of the manuscript "Masnavi Sadriyeh" by Ali Akbar." Journal of Guilan University of Medical Sciences 33, no. 3 (2024): 316–33. https://doi.org/10.32598/jgums.33.3.2116.1.

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Background: We must accept that a large part of our Aryans' (literary) treasures are left over from ancient times. We are not only obliged to respect these ancient works, but also to dig deep into them and illuminate their dark corners in order to motivate and give identity to the country's researchers. Objective: The present study was conducted to review the medical poems in the manuscript of "Masnavi Sadriyeh" by Ali Akbar Hamadani. Methods: There fore, frstly, the materals from ancient medical sorces and works of other writers and poets are given in each case, followed the hamedanis works t
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Okatan, Halil İbrahim. "A Comparative Analysis of the Water Odes by Sururi and Fuzuli, and the Commentary on Sururi’s Water Ode." International Journal of Social Sciences 8, no. 36 (2024): 58–105. http://dx.doi.org/10.52096/usbd.8.36.05.

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In our classical literature, all the poems of Fuzuli in the genres of ghazal, qasida, and masnavi have influenced subsequent poets in terms of their literary value. The Water Ode, due to the excellence in its subject matter and its treatment, has been imitated by poets who came after Fuzuli. Sururi, by composing his own Water Ode, proclaimed his presence in this field. However, Sururi's Water Ode is not as successful as that of Fuzuli. Renowned as a commentator on masnavi and known for his annotations on Sheikh Saadi Shirazi's works "Bostan" and "Gulistan," Sururi is one of the significant fig
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Abdurakhmonova, Mukhayyo. "TO THE QUESTION OF THE SOURCE OF DAKHNI POET MUHAMMAD SHARIF AJIZ'S MASNAVI "LAILA MAJNUN"." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 157–62. https://doi.org/10.5281/zenodo.7393701.

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<em>The article discussed how Muhammad Sharif Ajiz sings of pure and sublime love, which ennobles and exalts a person in his masnavi &quot;Leyla and Majnun&quot;. It is being told that it is so powerful that a person, for the sake of his love and beloved, does not stop at any difficulties and obstacles. The bright feeling of Leyla and Majnun is strangled and trampled, insulted and humiliated in a feudal society, one of the main laws and moral norms of which is an unshakable principle: wealth is above all.</em>
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Naveed Akhtar та Dr Muhammad Imtiaz. "پنڈت برج نارائن چکبست کی سرشارشناسی". Taṣdīq 6, № 2 (2025): 109–28. https://doi.org/10.56276/1cvprh83.

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Pandit Brij Narayan Chakbast was a renowned poet, exceptional prose writer, and esteemed critic in Urdu literature. His notable critical work, which earned him fame, is the essay on Gulzar-e-Naseem (Masnavi). Most of his critical writings focused on poetry criticism, but he also explored Urdu novels as a subject of discourse. A prime example of his critical acumen is his essay on Pandit Ratan Nath Dar Sarshar, published in the May 1940 issue of DARPAN magazine. Although the article employs an argumentative and defensive style, Chakbast maintained moderation and balance throughout. This pioneer
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Munir, Mehmet. "FUZULIY SHE’RIYATIDAGI BA’ZI OBRAZLARNING ASKETSIZM NUQTAYI NAZARIDAN FALSAFIY TAHLILI." TAMADDUN NURI JURNALI 8, no. 59 (2024): 202–12. http://dx.doi.org/10.69691/x7h3tp53.

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In this philosophical analysis attempt, the nature of the relationship (the act of thinking) between the poems of the wise poet Fuzulî and his mental world will be tried to be explained by the method of philosophical analysis. Our main purpose in doing this is to explain how the aesthetic bond (taking into account internal and external elements) is established between Fuzulî's poetry, an aesthetic object, and the aesthetic subject (Fuzulî) who created it. If it is possible to achieve this, it will be shown that the knowledge of the aesthetic subject (as aesthetic knowledge) will to some extent
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Book chapters on the topic "Subject of masnavi"

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YILMAZ, OZAN. "VESÎLETÜ’N-NECÂT’I ŞERH ETMEK: TÜRKÇE MEVLİD ŞERHLERİNİN SEBEPLERİ." In VEFATININ 600. YILINDA SÜLEYMAN ÇELEBİ VE MEVLİD GELENEĞİ. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-50-4.ch08.

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Vesîletü’n-Necât, popularly known as Mevlid, is a masnavi that was written by Süleyman Çelebi in Bursa in 1409. Since the day it was written, it is a text whose influence on Turkish Literature has been felt powerfully and has been the subject of nazire (similar poem), commentary and translations. Mevlid, is an instrumental text to show the love of Turkish peoples about prophet Muhammed. Mevlid, which has translations into other languages as well as many of its nazires, has four commentaries known in Turkish Literature. One of these commentaries was written in the 19th century and the other thr
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Conference papers on the topic "Subject of masnavi"

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Adizova, Iqboloy. "THE SMALL MASNAVI GENRE CREATED BY BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/gxef1267.

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Zahir ad-Din Mukhammad Babur was a poet who wrote in 9 different lyrical genres. This article focuses on his works in the small masnavi genre, considered unique in Eastern classical literature. Babur's collection includes 16 works in this genre, which are classified thematically as romantic, autobiographical, moral-educational, and mystical. The masnavis are analyzed based on their subject matter, length, and the poet's skill.
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Journal articles
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