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Journal articles on the topic 'Subject of the poem'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Nugroho, Henriono. "The Famous Poet in Harpur’s Poem." ATAVISME 12, no. 1 (2009): 23–30. http://dx.doi.org/10.24257/atavisme.v12i1.154.23-30.

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This research aims to discuss literary work through stylistic analysis based on sistemic functional linguistics and literature semiotic system. The research methods used are the librarian study, descriptive method and objective intrinsic approach. The research result shows that the semantic analysis has produced the automatized linguistic meaning and foregrounded linguistic meaning. Next, the first meaning produces the subject matter and the secong meaning produces the literary meaning. Later, the literary meaning produces theme. Finally, it is proved that the subject matter tells about harmon

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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 49–60. http://dx.doi.org/10.36473/ujhss.v226i1.172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote patt

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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 49–60. http://dx.doi.org/10.36473/ujhss.v0i226(1).172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote patt

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4

Surat, Irina Z. "Calvary." Literary Fact, no. 3 (25) (2022): 163–94. http://dx.doi.org/10.22455/2541-8297-2022-25-163-194.

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The article is dedicated to the subject of the crucifixion in Russian lyric poetry of 19th–21st centuries. It studies five poems that present different images of Calvary. Analyzing A.S. Pushkin’s “Worldly power” we discover a lexical connection of the poem to prayers and liturgical texts. The poem “When rowan leaves are dank and rusting…” by A.A. Blok requires consideration from two angles: among his other Christological poems and in the light of a general among symbologists tendency of eroticizing Christian images. We demonstrate that the subject of co-crucifixion is natural for Blok, that it

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Kudalina, Anna A. "LOVE, DEATH AND SPEECH. ABOUT TWO POEMS BY O. MANDELSTAM AND I. BRODSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2022): 82–90. http://dx.doi.org/10.28995/2686-7249-2022-6-82-90.

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The article provides a comparative analysis of O. Mandelstam’s poem “Skillful mistress of guilty glances” and “It is not that the Muse is gathering water in the mouth…” by J. Brodsky. It proves the fact of Brodsky’s borrowing the imagery of O. Mandelstam’s poem with its over re-denotation and deliberate stylistic degradation. The analysis focuses on such concepts as “love”, “death” and “speech”, each of which, while retaining the original connotations of Mandelstam’s poem, acquires a new, reduced meaning through the use of certain lexical means (for example, colloquial and jargon words) Thus,

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Ye, Danmin, and Dongzhu Wang. "Dynamic Coherence in the Dialogue of Subjects." Chinese Semiotic Studies 16, no. 1 (2020): 105–18. http://dx.doi.org/10.1515/css-2020-0005.

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AbstractAs the subjects to create and construct coherence in discourses, human beings should become the focus of coherence study. This paper points out the linguistic philosophical nature of discourse coherence and discusses the existence, dynamicity, and plasticity of dialogicity among subjects in coherence based on Bakhtin’s Theory of Dialogue. We demonstrate the construction of coherence on the basis of intentional space, which consists of theme, subject, and the whole context (or TSW structure). This paper analyzes two poems, one a Chinese poem and the other an English poem, as examples to

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السلامي, عمار. "The formative origin of the poem between emotional arbitrariness and artistic intent according to Al-Jawahiri The poem ((O Tigris of goodness)) as a model." Kufa Journal of Arts 1, no. 24 (2015): 235–56. http://dx.doi.org/10.36317/kaj/2015/v1.i24.6315.

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The poet's compositional origin differs from one poem to another, and from one situation to another. Each poem has its own circumstance, and its distinctive motives. This is why it was natural to find in Al-Jawahiri different motives and multiple origins. Sometimes it is subject to emotional arbitrariness, and at other times it is subject to artistic intent, and perhaps in many cases both of them meet with the poet during the birth of the poem, or this continues until a little later. Perhaps the best way for us to know this is what we find in the memoirs of the poet himself, of a statement of

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Kolowca, Tomasz. "„Wjeżdża, ale nie szablę niezgody przynosi” Poseł moskiewski – poemat dyplomatyczny Jana Żabczyca." Terminus 25, no. 4 (69) (2024): 405–30. http://dx.doi.org/10.4467/20843844te.23.025.19268.

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The article is divided into three main parts. First, the author introduces the subject, genre and historical background of the poem. The main content of the poem is a legation from False Dmitry to Cracow sent in order to keep an alliance with the Commonwealth by wedding per procura of Dmitry and Maryna Mniszech. Similar works of literature from the seventeenth century are also presented. The second part focuses on the details of the poem, referred to as a diplomatic poem, in New Diplomatic History’s language, since the subject of diplomacy determines the structure, the nature of the characters

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BASHIRLI, ULVIYA. "EDUCATIONAL SUBJECTS IN THE POEM “PHOENIX” BY THE AZERBAIJANI FOLK POET NARIMAN HASANZADEH." Sharqshunoslik. Востоковедение. Oriental Studies 02, no. 02 (2022): 26–29. http://dx.doi.org/10.37547/ot/vol-01issue-02-04.

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The works of the People's Poet of Azerbaijan Neriman Hasanzadeh are of great importance in the upbringing of the young generation in the spirit of patriotism. In this regard, the poem “Phoenix”, dedicated to our historical past, deserves to be remembered as a special. Although the events in the work cover the 1820s, they are still echoed today. The Russian Empire attacked Azerbaijan with a large army in order to conquer the Caucasus and enslave its inhabitants. He overthrew the existing Azerbaijani khanates and annexed their lands. Later he won the war with Iran and usurped the lands inhabited

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Asfour, Mohammad. "Deconstructive Reading." International Journal of Arabic-English Studies 3, no. 1 (2002): 45–53. http://dx.doi.org/10.33806/ijaes2000.3.1.4.

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This paper examines four poems by four different poets dealing with more or less the same subject. The subject is an invitation by a young man addressed to a young woman to come and live in his world. The situation is familiar enough, and it is fraught with possibilities, both poetic and moral. The poetic possibilities have to do with whether or not it is possible to write a good poem about an immoral theme, whether a good theme elevates the poem to its own level of goodness regardless of the artistry of the poet, and whether it is possible, to begin with, to separate the artistry from the mor

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O’Halloran, Ken. "A poem on the subject of Sleep Apnoea." Physiology News, Autumn 2016 (September 1, 2016): 11. http://dx.doi.org/10.36866/pn.104.11.

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Gasimli, G. "POEM TRADITION IN AZERBAIJANI LITERATURE AND POEM GENRE IN THE PERIOD OF INDEPENDENCE." Znanstvena misel journal, no. 83 (October 23, 2023): 42–45. https://doi.org/10.5281/zenodo.10032700.

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The article is about the study of the poem genre. The ideas of the world literary studies were addressed to the poem genre. The history of the genre's development in Azerbaijani literature has also been investigated. The characteristics of written poems are shown in the period of independence of Azerbaijan. Peculiarities of Azerbaijani poems were noted in the period of independence . Several authors and works are mentioned. In recent years the innovations of the genre were studied on the example of those works. The subject and idea of the poems were studied appeared in the Azerbaijani literatu

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SABLJIĆ, Jakov, and Mirjana MIJIĆ. "A POEM AND ITS PARODY IN THE CONTEXT OF TEACHING METHODOLOGY." Lingua Montenegrina 6, no. 2 (2010): 389–409. https://doi.org/10.46584/lm.v6i2.192.

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In Croatian textbooks for secondary schools Vesna Parun is represented with her famous poem „Ti koja imaš nevinije ruke“. This poem is an intimate confession of suffering female personalitiy who renounces her own fortune for a man beloved. The poem by Parun can be linked with the Bruno Andrić’s lyrical title „Ti koja imaš ruke nevinije od mojih“. It is a modern parody in which is very important the effect of comic and comedy. Using ludism, ilogicalness, simple and colloquial vocabulary, Andrić iro-nizes existential situation presented by Parun – emotional infatutation of the lyrical subject wi

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Hahn, Stephen. "William Carlos Williams and the Subject of Aging." William Carlos Williams Review 40, no. 2 (2023): 206–42. http://dx.doi.org/10.5325/willcarlwillrevi.40.2.0206.

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Abstract This essay examines how Williams’s approach to the subject of aging in his poetry developed over time, from an early and inchoate desire for deeper knowledge of life to a complex celebration of aging as an integral part of the life process. It argues that Williams’s treatment of aging subjects (whether identified with the lyric speaker of a poem or a person characterized in a poem) is distinct from that of other major poets, encouraging the reader’s empathetic engagement while also pointing up the aging subject’s resistance to care. The essay concludes that Williams’s distinctive view

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Tidjani, Ridwan Adewale. "Al muqaranah Al Adabiyah Baina Imru Al Qais wa Lord Alfred Tennysson." (الطموحات ) EL-THUMUHAT 2, no. 1 (2020): 1–13. http://dx.doi.org/10.25299/elthumuhat.2019.vol2(1).2340.

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Abstract Imru-l-qais remains an idol in the ancient Arabic poem. He had transformed it by introducing some new metaphor and rhetoric, which Arabian poets stayed on for decades after. Also, Imru-l-qais poem has been able to move outside Arabian peninsula into other international literature. This paper focused on one of his greatest poem (Almuhalaqoh) and how influencial this work was received by poets in their different literature - English, French, Dutch, and Russian. Alfred Lord Tennyson's _Locksley_ _Hall_ (1892) was was inspired by Imru-l-qais' poem. He read it, diggest it, and reprod

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Chen, Yijing, and Yixuan Zou. "A Study of Donne's Poetry in Postcolonial Feminist Perspective: To His Mistress Going to Bed." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 78–82. http://dx.doi.org/10.54097/ajhrhb49.

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To His Mistress Going to Bed is a love poem by John Donne, a British metaphysical poet. The poem describes the process in which the male protagonist seduces the female protagonist. Most critics focus on the mystical metaphor of Donne as a poet, but lack attention to the underlying significance of this poem. This article analyzes the female subject in poetry based on the theory of postcolonial feminism, revealing that the female subject in the poem is in a state of being banned by mainstream Western society, suppressed by patriarchal society, and colonized. It studies the issue of identity loss

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Ibragimova, Karina. "EARLY WORK OF E. POUND AND W.B. YEATS (PECULIARITIES OF THE LYRICAL SUBJECT IN THE POEM “PLANH”)." Lomonosov Journal of Philology 48, no. 1, 2025 (2025): 192–200. https://doi.org/10.55959/msu0130-0075-9-2025-48-01-15.

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The article is dedicated to Ezra Pound’s poem “Planh” (Lament), which is included in the poet’s book of poems Exultations. Exploring the phenomenon of Pound’s early poetics, the author of the article pays attention to its extreme sensitivity to various literary influences. The individual poetic voice of the young Pound was largely influenced by the work of W.B. Yeats. Using the example of the poem “Planh”, the article examines the techniques by which Pound borrowed from Yeats some grammatical and syntactic constructions (archaisms, Irishisms, enjambments) as well as the theme and imagery of Th

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Lucas, Rose. "Poetry and Breathing: Beyond subject and object." Axon: Creative Explorations 13, no. 2 (2024): 81–91. http://dx.doi.org/10.54375/001/vxzmirsxxj.

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This paper will consider the ways in which the poetic form echoes a visceral experience of embodiment that re-imagines the relationship between subject and object. Through a focus on poetic elements such as the rise and flow of line, the vital pauses of punctuation and white space together with the slip of association and metaphoricity, this paper contends that the lyric poem in particular not only recreates the experience of the respiring body but offers us an inhabited insight into an interplay of inside and outside, self and other, what sustains and what speaks. In this way, both poetry and

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Mandarino, Francesco Vito, Edoardo Vespa, Alberto Barchi, et al. "Precision Endoscopy in Peroral Myotomies for Motility Disorders of the Upper Gastrointestinal Tract: Current Insights and Prospective Avenues—A Comprehensive Review." Life 13, no. 11 (2023): 2143. http://dx.doi.org/10.3390/life13112143.

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Our review delves into the realm of peroral endoscopic myotomies (POEMs) in the upper gastrointestinal tract (UGT). In recent years, POEMs have brought about a revolution in the treatment of UGT motility disorders. Esophageal POEM, the first to be introduced, has now been validated as the primary treatment for achalasia. Subsequently developed, G-POEM displays promising results in addressing refractory gastroparesis. Over time, multiple endoscopic myotomy techniques have emerged for the treatment of Zenker’s diverticulum, including Z-POEM, POES, and hybrid approaches. Despite the well-establis

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Milyutina, Marina G. "“Grammar poetry” in the poem O. Sedakova “Alatyr”." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 47–53. http://dx.doi.org/10.20339/phs.5-22.047.

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It is known that grammar is a link between the meanings of lexical and figurative-symbolic. The article proposes one of the possible options for interpreting O. Sedakova’s poem “Alatyr”, based mainly on his poetic grammar. Attention is focused on the change of temporal plans, infinitive series and the subject sphere of the poem. It has been shown that grammatical semantics, reinforced by lexical indicators, helps the poet to more accurately and deeply reveal the symbolic image of Alatyr through the image of the “cross of time” connecting the past with the future, to come to sleep, life with de

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Baransi, Rima Abu Jaber. "How the Visual Form of the Poem Serves the Poetic Indications? An Analytical Reading of Two Poems by the Poet Anwar Saba." European Journal of English Language and Literature Studies 12, no. 1 (2024): 1–19. http://dx.doi.org/10.37745/ejells.2013/vol12n1119.

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The place in the creative space of poetry has always been a focus of sight, and a subject that occupies the pioneers and scholars of this art, who have counted the place as an integral part of the identity of both the poetic text and the poet alike. The concept of 'place' is not exclusive to the physical space or geographical space in which events take place but an important element that demonstrates the relationship between man and place, identity, belonging, and the origins that bind man to the past and present, and the characters with their concerns, feelings, pains and hopes. In my talk ab

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Enjuto Rangel, Cecilia. "Nicolás Guillén y la Guerra Civil española." Periphērica 2, no. 1 (2022): 129–58. http://dx.doi.org/10.5399/uo/peripherica.2.1.7.

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The poetry that emerges from the Spanish Civil War (1936-1939) develops a poetic discourse, to motivate its readers to become active historical agents and witnesses, and to politically support the Republican cause. In España: Poema en cuatro angustias y una esperanza (Spain: Poem in Four Anguishes and One Hope) the Cuban poet Nicolás Guillén (1902-1989) defends a poetics of solidarity with Republican Spain, while also acknowledging the colonial and postcolonial history that problematizes this “transatlantic” aesthetic position. Particularly in the “Angustia primera” and in the last poem “La vo

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Malkina, Victoria Ya. "THE UNIVERSAL “WE” OF A GENERATION. LYRICAL SUBJECT AND LYRICAL PLOT." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2020): 177–86. http://dx.doi.org/10.28995/2686-7249-2020-10-177-186.

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The paper considers a type of lyrical subject that can be described as a universal “we”. It is a subject that is expressed by the first-person plural pronoun. At the same time, the “we” remains throughout the poem and denotes an unmanageable multitude united in some commonality. The article analyses texts in which such a commonality belongs to a generation: the poems “We” by P. Antokolsky (1927), “We are young. We have stockings with darns” (1980) and A. Gorodnitsky’s “We have been” (2019). The type of subject in those poems is called the personal universal “we”: the subject expressed by the p

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S, Shini. "The Structure of the Kurunthokai Kurinchithinai Poems on the Basis of the Thinai Theory." International Research Journal of Tamil 4, S-13 (2022): 200–204. http://dx.doi.org/10.34256/irjt224s1328.

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The form of poetry is the oldest of literary genres. This form of art, the poem, has many elements. Tolkappiyar's theory of Thinai explains these aspects. Tolkappiyar refers to the objects found in the poem in three categories, namely, the Muthal, the Karu, and the Uri. According to Tolkappiyar, all agam literature would be created into scenes using what is necessary for these materials. The agam literature of the Sangam has been developed with subtle methods of fiction. In agam literature, Thinai elements have been used for the creation of agam. It is noteworthy that all the internal songs of

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Ivannikova, Liudmyla. "FOLKLORE SUBJECTS INCORPORATED IN ORAL MEMOIRES ABOUT THE FAMINE OF 1932–1933." Siverianskyi litopys (2021) 1 (April 2, 2021): 121–32. https://doi.org/10.5281/zenodo.4679456.

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<strong><em>The article aims </em></strong><em>to find out the folklore origin of individual subjects incorporated into memoires about the famine. <strong>The methodology</strong> is based on comparative & typological method. <strong>The scientific novelty. </strong>There are three most common subjects found in many stories. The author submits a number of proofs they are folklore texts. This includes presence of variants and their existence in very remote regions as well as almost complete identity of poetic samples they contain. <strong>Conclusions. </strong>In the foreground is the image

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DOMANSKII, YURI V. "THE FORMULA “THE CHERRY ORCHARD” IN ROMAN TYAGUNOV’S POEM“NOBODY IS GUILTY OF ANYTHING...”: ON CULTURAL CLICHES IN ARTISTIC CONTEXTS." Челябинский гуманитарий 70, no. 1 (2025): 84–89. https://doi.org/10.47475/1999-5407-2025-70-1-84-89.

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The article examines the title formula “the cherry orchard” in Roman Tyagunov’s poem “Nobody is guilty of anything…”, which goes back to Chekhov’s last play. Like many formulas of this kind, formulas taken from the titles of classical literary texts, this formula has largely lost its semantic connection with the source text - Chekhov’s comedy - but has become an independent formulaic text in subsequent culture, a cultural cliché with its own meanings, which often depend on the contexts where the classical formula falls. In Tyagunov’s poem, the formula “the cherry orchard” is associated with th

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Woźniewska-Działak, Magdalena. "Syberie by Norwid." Studia Norwidiana 37 English Version (2020): 43–60. http://dx.doi.org/10.18290/sn.2019.37-3en.

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The article is an interpretation of Norwid’s poem entitled Syberie, one of the works in the Vade-mecum series. Referring to the literature of the subject (inter alia, Zofia Trojanowiczowa, Włodzimierz Toruń), the author puts forward the thesis that the poem is a lyrical masterpiece, maximally condensing the extensive content related to Siberia and the exiles, which is a major subject of 19th-century Polish literature. Norwid’s poem, set in author’s contexts and in the contexts of the epoch, reveals its depth and possibilities of poetic synthesis. In the article, the author proves the “particip

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Geyer, Charlie. "Alegoría del deseo: trascendencia y temporalidad en el Diario de un poeta reciencasado de Juan Ramón Jiménez." Revista de Estudios Hispánicos 58, no. 2 (2024): 499–522. http://dx.doi.org/10.1353/rvs.2024.a937022.

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Abstract: This essay examines the politics of poetic form in Juan Ramón Jiménez’s Diario de un poeta reciencasado (1917), specifically, the manner in which the work’s heterogeneous composition of prose poems and verse lyrics engenders conflicting ontologies for the lyric subject, marked by both transcendental desire and existential dread. Whereas Juan Ramón’s verse poems follow a symbolist tradition in which the poetic symbol becomes a site of transcendence of the material and temporal world, the prose poem challenges this project by bringing the symbol into contact with the social and the his

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Wood, Chauncey. "George Herbert's "Grief": The Poem, Its Placement, and Its Subject." George Herbert Journal 42, no. 1-2 (2018): 16–28. http://dx.doi.org/10.1353/ghj.2018.0002.

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Baek, Seungho. "On Yun Haengim’s Poems in response to the King's poem." Korea University Institute for Sinographic Literatures and Philology 19 (September 30, 2024): 361–87. https://doi.org/10.31666/jspklls.2024.9.19.361.

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This thesis aims to identify the characteristic aspects of the Yun Haengim’s Sino-Korean poem, focusing on his poems in response to the king’s poem. There are 264 poems in Seogjaego, his collective works and 60 poems are the poems in response to the king’s poem. In addition, his relationship with the king Jeongjo is important in his studies and literature. Therefore, it is important to study the poems in response to the king’s poems in his poetic world. As the King's letter to Yi Mansu indicates, Jeongjo sent a letter to his favorite subjects and asked them to write a reply to embody the king'

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Baek, Seungho. "On Yun Haengim’s Poems in response to the King's poem." Korea University Institute for Sinographic Literatures and Philology 19 (September 30, 2024): 361–87. https://doi.org/10.31666/jspklls.2023.9.19.361.

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This thesis aims to identify the characteristic aspects of the Yun Haengim’s Sino-Korean poem, focusing on his poems in response to the king’s poem. There are 264 poems in Seogjaego, his collective works and 60 poems are the poems in response to the king’s poem. In addition, his relationship with the king Jeongjo is important in his studies and literature. Therefore, it is important to study the poems in response to the king’s poems in his poetic world. As the King's letter to Yi Mansu indicates, Jeongjo sent a letter to his favorite subjects and asked them to write a reply to embody the king'

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MILLER, ANDREW. "Favoring Nature: Herman Melville's “On the Photograph of a Corps Commander”." Journal of American Studies 46, no. 3 (2012): 663–79. http://dx.doi.org/10.1017/s0021875811001381.

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This paper involves a close reading of Herman Melville's poem “On the Photograph of a Corps Commander,” published in Melville's 1866 collection Battle-Pieces. Realizing that Melville's poem is one of the first descriptions (ekphrases) of a photograph in verse, the paper explores how Melville's poem uses physiognomy to describe the subject of the photograph: an American Civil War general, who is only identified as “the Corps Commander.” In this way, Melville's poem reflects the nineteenth-century philosophical and popular notions of photography. These notions came to regard photography as a Neo

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Chirume, Silvanos. "The ‘Stupidity’ of √2." Global Academic Journal of Linguistics and Literature 5, no. 1 (2023): 1–2. http://dx.doi.org/10.36348/gajll.2023.v05i01.001.

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This poem is deemed suitable for mathematics students and teachers, lecturers and teacher educators of either college or university undergraduate levels. The poem is intended to encourage teaching and learning of mathematics (e.g., number theory and proofs) and this could be achieved more effectively through humour (which ‘warms’ the classroom environment and reduces fear and anxiety), historical anecdotes, research (to discover new knowledge and verify given points as true or false), innovation, and application. The poem can be recited, acted or dramatised or transformed into a video to be sh

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Figueiredo, Junior Selmo Ribeiro. "Aspectos morfossintáticos, fonológicos e semânticos do poema Motivo de Cecília Meireles [orig.] / Semantic, phonological, and morphosyntactic aspects of Motive, a poem by Cecília Meireles." Revista Querubim 5, no. 9 (2009): 129–33. https://doi.org/10.5281/zenodo.6607762.

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[In English below.] Neste artigo, o poema Motivo de Cecília Meireles é tratado em seus aspectos morfossintáticos e fônicos, bem como são tecidos apontamentos pertinentes a significação e às deduções daí advindas. Para essa empresa, conta-se com o aporte teórico de Bosi (2000), Chkloviski (1971), D'Onofrio (1978), Cipro Neto & Ulisses (2003) e Silva (2000). Palavras-Chave: estrutura; significação; eu-lírico. Cite como (ABNT): FIGUEIREDO JR., S. R. Aspectos morfossintá

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KIM, Yangsoon. "Eliot’s The Waste Land and Thomson’s The City of Dreadful Night: Exploring a Cityscape and a Soundscape." Journal of the T. S. Eliot Society of Korea 32, no. 2 (2023): 27–60. http://dx.doi.org/10.14364/t.s.eliot.2023.32.1.27-60.

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Starting with Eliot’s own acknowledgement of a particular debt toward James Thomson, this study closely compares Eliot’s The Waste Land and Thomson’s The City of Dreadful Night, and examines how the two poets’ interest in London as a subject is manifested in their works and how the cityscape is embodied in each poem. It may be easy to find the thematic similarities from the sterile urban settings between the two poems: the speaker(s)’ quest, the hellish city reality, and the pessimistic overtones. Based on a detailed analysis of both poems, this paper also discusses the types of factors that m

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Johnston, Elizabeth D. "Stripp'd." Excursions Journal 6, no. 1 (2020): 1–3. http://dx.doi.org/10.20919/exs.6.2015.203.

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This poem pays stylistic and thematic homage to 18th century writer Charlotte Smith's poem, "Thirty-Eight," which takes as its subject the revelations that come with age. However, the subject of this poem is decidely modern. Having visited Las Vegas in her "naive" twenties, the author of "Stripp'd" (at age 38) revisits Las Vegas under quite different circumstances: as a professor of humanities attending a working teacher's conference. The poem is a poignant depiction of the vexed relationship between the public nature of teaching and private industry, gesturing as it does toward the ways

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Rygielska, Małgorzata. "Man’s measures. Piotr Mitzner and fundamental anthropological questions." Tekstualia 3, no. 62 (2020): 111–22. http://dx.doi.org/10.5604/01.3001.0014.5623.

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The articles concerns various possibilities of interpreting Piotr Mitzner’s poem Jest miarąfrom the volume of poems I po kropce (2013). Three important interpretative contexts for Mitzner’s poem can be identifi ed: 1) different ways of understanding Protagoras’ maxim anthroposmetron consi-dered to be the „magnacharta of Western relativism” (G. Reale); 2) the theoretical and practical implications of the development of craniometry, with its connections to the physical and cultural anthropology of the 19th and 20th centuries (along with references to the ideological use of human skull measuremen

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Anamika Kumari. "The Poetry of A. K. Ramanujan: In Search of Self." Creative Launcher 4, no. 6 (2020): 71–76. http://dx.doi.org/10.53032/tcl.2020.4.6.12.

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Self at the centre of all kinds of search manifests itself in Ramanujan’s art from the very beginning of his creative life and the artist has all through assumed an elusive character till his vision clears; well, but his vision is gained through experience. His vision of the self permeates most of his elusive poems, the poems which have so far been faulted on one count or another. First, perhaps is “The Stridess” which is not by chance, the first poem of Ramanujan’s first volume of poems, and this volume The Striders is also entitled after this poem. Ramanujan concern with the self and hence h

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Lamzina, Anna Vladislavovna, and Lyubov' Gennad'evna Kikhnei. "The “echo” of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period." Litera, no. 1 (January 2021): 1–14. http://dx.doi.org/10.25136/2409-8698.2021.1.34645.

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The subject of this research is the hidden allusions to the novels of Edgar Poe in Anna Akhmatova&rsquo;s &ldquo;Poem without a Hero&rdquo; and poems later period. The research material contains the framework text of the &ldquo;Poem without a Hero&rdquo; &ndash; the set of epigraphs to different parts of the poem, authorial commentaries, history of used and discarded epigraphs at various stages of revision of the poem, text of the &ldquo;Poem without a Hero&rdquo;, as well as the author's &ldquo;Prose about the Poem&rdquo; and a number of poems created d

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Gasimli, G. "POEM GENRE IN AZERBAIJANI LITERATURE OF THE PERIOD OF INDEPENDENCE." POLISH JOURNAL OF SCIENCE, no. 67 (October 17, 2023): 34–37. https://doi.org/10.5281/zenodo.10012663.

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In the article, were studied the examples of poems written after the restoration of Azerbaijan's independence. The articles of scholars who studied are shown the poem genre in Azerbaijani literature of the period of independence. The innovations of the authors who have special services in the development of the genre are mentioned. The characteristics of written poems are shown in the period of independence of Azerbaijan. Peculiarities of Azerbaijani poems were noted in the period of independence . Several authors and works are mentioned. In recent years the innovations of the genre were studi

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Semyonov, Vadim. "“A Din and a Dirdy, a Garray and a Hirdy Girdy”: the specifics of the composition of pars prima of the Scottish mock epic "Colkelbie Sow"." St. Tikhons' University Review. Series III. Philology 74 (March 31, 2023): 66–81. http://dx.doi.org/10.15382/sturiii202374.66-81.

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The article deals with «Colkelbie Sow», the epic poem of the 15th century, created by an anonymous author in Middle Scots. The Anglo-Scottish publishers of this mock-epic perceived the poem as strange, incomprehensible, with a bizarre composition. Therefore, its plot and narrative structure became the subject of our study. The research methods are historical poetics, versification and linguopoetics. The main attention was focused on the vaguest part of the poem - Pars Prima. The study revealed significant differences between this part and the Proemium and the following parts. The differences a

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Pavlova, Tatiana, Alena Aleksandrovna Ustinovskaya, Ekaterina Aleksandrovna Drozdova, and Ol'ga Geral'dovna Belousova. ""I'm some kind of anti-Browning": the counterpoint of the English pretext and subtext in the "Poem without a Hero" of A. Akhmatova." Филология: научные исследования, no. 5 (May 2022): 21–31. http://dx.doi.org/10.7256/2454-0749.2022.5.37960.

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The subject of the study is the intertextual dialogue of the "Poem without a Hero" by A. Akhmatova with texts by Robert Browning: the poetic diptych "Porphyria's Lover" and "My last Duchess". The object of the study is the counterpoint of the pretext and subtext of English literature in the multilayered and polysemantic text of the "Poem without a Hero", to which Akhmatova herself attributed the "triple bottom". The authors consider in detail the overlap of the motives of Browning's poems with the text of the "Poem without a Hero" and demonstrate the systemic "mirroring" of the reflection of s

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Panova, E. A. "The soul and the mask: linguopoetic analysis of V. Bryusov’s poem "If you could not guess yourself..." (to the 150th anniversary of the birth)." Russian language at school 84, no. 6 (2023): 40–47. http://dx.doi.org/10.30515/0131-6141-2023-84-6-40-47.

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The article analyses one of the late V. Ya. Bryusov’s little-known poems. The research focuses on the composition, key semantic fields and oppositions, spatial and temporal organization of the text. The article pays meticulous attention to the ways of presenting the lyrical hero and the linguistic means of expressing agent-object relations. The semantic-stylistic analysis of the text and the method of slow reading show how the lyrical plot unfolds, what accent the linguistic form brings to the interpretation of the figurative and semantic content of the poem, as well as to its subtext formatio

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Martin, Serge. "On Rhythm: Voice and Relation." Comparative Critical Studies 15, no. 3 (2018): 331–47. http://dx.doi.org/10.3366/ccs.2018.0299.

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I would like to start from a short proposition by Henri Meschonnic in his masterwork Critique du rythme – ‘La voix est relation’1(‘The voice is relation’) – in order to propose a historical and relational anthropology of the voice. Such an anthropology necessarily passes through the poem, as a form of attentiveness building on the poem. Starting from the dialogism of the poem as ‘la position du sujet de l'énonciation et du sujet de la lecture’ (p. 456) (‘the position of the subject of enunciation and of the subject of reading’), and the specific continuity that the poem constructs from the ind

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Nie, Yuxuan. "On the naturalistic connotation of The Rime of the Ancient Mariner from the perspective of Christianity." Journal of Education, Humanities and Social Sciences 7 (January 13, 2023): 324–28. http://dx.doi.org/10.54097/ehss.v7i.4698.

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Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner." is his most important and complete literary work, published in the first Lyric Ballads, started the English romantic poetry "supernatural" mystery theme. As one of the representative poets of the Romantic period, Coleridge's poems have been interpreted by numerous critics in various ways. Through their analysis, readers have a deeper understanding of his aesthetic thoughts, religious beliefs and critical theories. This paper will make a deep analysis from the subject of crime and punishment in Christian meaning, and at the same

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46

Mankovsky, Arkady. "“GOOD NIGHT” (1843) BY Ap. GRIGORIEV AND “FEVER” (1847) BY A. FOETH: UNACCOUNTED ASPECTS OF COMPARISON." Lomonosov Journal of Philology, no. 6 (March 19, 2023): 185–96. http://dx.doi.org/10.55959/msu0130-0075-9-2022-6-185-196.

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The poems by A. Grigoriev and A. Foeth mentioned in the title have already been compared in studies of diff erent years (see works by B. Bukhshtab, A. Ilyushin, L. Tatarenkova and M. Maslova in the “References”). However, it appears that not all possible aspects of comparison were taken into account; fi rst of all, the subject of study did not cover poetry as such: the features of its structure, imagery, poetic technique, etc. Th e author attempts to fi ll this gap: the subject of his attention is primarily the “semantic halo of meter” in both poems (the question was partially addressed by M.

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47

Drozdov, V., and A. Šela. "Problem of the Authorship of the ‘Ishq-name (“The Book of Love”) Poem Attributed to Sana’i from the Regard of Academic Oriental Studies and Modern Computer Technologies." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 2 (2021): 53–62. http://dx.doi.org/10.31250/1238-5018-2021-27-2-53-62.

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One of the greatest Persian Sufi poets of the 12th century Sana’i (d. 535/1140 or 545/1150) is founder of the Sufi didactical mathnawi poem in Iran. His works exerted enormous influence upon many posterior authors in the Persian Sufi and secular poetry. But the problem of the authorship of Sana’i in regard to the short poems has been debated among the scientists during 20th century and right up to the nowadays. The paper covers the history of studying of the short poems attributed to Sana’i , special attention is devoted to ‘Ishq name (“The Book of Love”), one of the main Sufi writing in the P

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48

Obrigewitsch, Alex. "Intimations of a Lyricism sans Subject." Croatian journal of philosophy 24, no. 70 (2024): 35–52. http://dx.doi.org/10.52685/cjp.24.70.3.

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The lyric is a form or genre of poetry often intimately related to subjectivity. But is a lyricism divested of the subject possible? By examining the philosophical refl ections of Philippe Lacoue-Labarthe upon lyricism, poetry, and their relation to subjectivity, this article explicates how an impersonal lyricism is not only possible, but perhaps necessary. If we wish to do justice to the phrasing or saying of poetic language, then we must endeavour to think the displacement of the subject in and by the very language that the poem expresses. Following Lacoue-Labarthe, this article explores the

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49

Shvets, Anna V. "Digital poetry between the printed page and cinema: the difference in agency structures." Slovo.ru: Baltic accent 15, no. 3 (2024): 83–99. http://dx.doi.org/10.5922/2225-5346-2024-3-5.

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This article delves into the early era of 'digital poetry', focusing on poems from the digital poetry collection First Screening (1984) by bpNichol — a poet renowned for his 'movies of words'. Two poems from this collection — 'Letter' and 'After the Storm' — were initially published in print, coming out in 1967 and 1973, respectively. The poet's creative journey from crafting 'poem-pictures' to producing 'poem-movies' sparks inquiries into the contrasting subjective frameworks of printed poems versus their digital adaptations translated into a media language akin to cinema. The author suggests

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50

Monzon, Sofia. "Poem and its Self-translation." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 2 (2020): 69–71. http://dx.doi.org/10.21992/tc29514.

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“Poema II/ Poem II”, a bilingual expression that goes beyond a mere literary translation, is part of the series Poetízame las ganas/ Turn My Yearnings into Poetry. Although it started as an original poem in Spanish, my first language, an English translation ended up coming together from the first lines. Very much influenced by the playful translations of Eliot Weibenger into English, I enjoy playing with source and target languages to puzzle the reader, by erasing the traces of the translation process, while, at the same time, keeping a foreign debris within the kind of language I use in both

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