Relevant bibliographies by topics / Subject (Psychoanalysis)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Subject (Psychoanalysis)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Subject (Psychoanalysis)"

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Marshall, Cynthia. "Psychoanalyzing the Prepsychoanalytic Subject." PMLA/Publications of the Modern Language Association of America 117, no. 5 (October 2002): 1207–16. http://dx.doi.org/10.1632/003081202x60288.

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But look more carefully […]. [T]here is something other, some strewn matter, that does not absorb […].—Adam Thorpe, UlvertonDeclaring Psychoanalysis “Finally Dead and buried” is “one of the seasonal rituals of our intellectual life” (Žižek 7). In the latest salvo of this battle, Lee Patterson rehearses the argument that debunking the scientific base of Freudianism renders the theory useless to the humanities, and he objects particularly to the application of psychoanalytic models to medieval texts—an exercise, for him, in anachronistic reasoning. Patterson's claim recalls earlier rounds led by Stephen Greenblatt and, a decade before that, in a more totalizing vein, by Frederick Crews. My title indicates my interest in the dispute: where Patterson calls psychoanalysis an “ambulance” or “hearse” (656), I argue that the theory is less a vehicle to be abandoned or replaced and more something organic and renewable—an evolving body of ideas that provides techniques for reading. However, in this short essay I will not construct an apologia for psychoanalytic theory generally but take on the more limited task of characterizing recent uses of the theory in critical engagements with early modern texts. Salient qualities of this work have been overlooked by those who demonize psychoanalysis (a habit suggested by Žižek's image) or are allergic to anything linked to Freud.
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Welker, Chelsea L. "Producing the eco-subject through schizoanalysis." Journal of Psychosocial Studies 13, no. 1 (March 1, 2020): 87–98. http://dx.doi.org/10.1332/147867320x15803493354890.

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The relationship between the human psyche and concern for the environment remains enigmatic in the psychoanalytic literature. To further shed light on this relationship, I utilise the work of Deleuze and Guattari to investigate their understanding of ‘schizoanalysis’ and its possible utility for reconceptualising the relationship between humans and nature through a reorientation of human subjectivity. Ultimately, I argue that a Lacanian model of psychoanalysis based on ‘lack’ is largely insufficient for reconceptualising subjectivity in the context of climate and other environmental crises due to its structuralism. Due to these understandings of the human unconscious, psychoanalysis opens itself up to co-optation and infiltration by capitalist and fascist projects simultaneously. With this issue in mind, I argue that Deleuze and Guattari’s employment of schizoanalysis to examine the possibilities for the development of more ethical and ecological subjectivities opposed to capitalist homogenisation of the self constitutes a more productive endeavour based on affirmation/experimentation.
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EL SHAKRY, OMNIA. "THE ARABIC FREUD: THE UNCONSCIOUS AND THE MODERN SUBJECT." Modern Intellectual History 11, no. 1 (March 5, 2014): 89–118. http://dx.doi.org/10.1017/s1479244313000346.

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This essay considers how Freud traveled in postwar Egypt through an exploration of the work of Yusuf Murad, the founder of a school of thought within the psychological and human sciences, and provides a close study of the journal he co-edited,Majallat ʿIlm al-Nafs. Translating and blending key concepts from psychoanalysis and psychology with classical Islamic concepts, Murad put forth a dynamic and dialectical approach to selfhood that emphasized the unity of the self, while often insisting on an epistemological and ethical heterogeneity from European psychoanalytic thought, embodied in a rejection of the dissolution of the self and of the death drive. In stark contrast to the so-called “tale of mutual ignorance” between Islam and psychoanalysis, the essay traces a tale of historical interactions, hybridizations, and interconnected webs of knowledge production between the Arab world and Europe. Moving away from binary models of selfhood as either modern or traditional, Western or non-Western, it examines the points of condensation and divergence, and the epistemological resonances that psychoanalytic writings had in postwar Egypt. The coproduction of psychoanalytic knowledge across Arab and European knowledge formations definitively demonstrates the outmoded nature of historical models that presuppose originals and bad copies of the global modern subject—herself so constitutively defined by the presence of the unconscious.
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Trotter, Gregory A. "The Debate between Grunbaum and Ricoeur: The Hermeneutic Conception of Psychoanalysis and the Drive for Scientific Legitimacy." Études Ricoeuriennes / Ricoeur Studies 7, no. 1 (August 18, 2016): 103–19. http://dx.doi.org/10.5195/errs.2016.340.

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Paul Ricœur’s hermeneutic approach to psychoanalysis stresses the interpretation of meanings revealed via the narratives woven through the discursive exchanges between analyst and analysand. Despite the tremendous influence Ricœur’s interpretation enjoyed both in philosophy and in psychoanalysis, his approach has been subject to severe criticism by Adolf Grünbaum who argues that Freud modeled psychoanalysis on the natural sciences, and therefore it should be judged according to natural scientific standards. I argue that Grünbaum incorrectly downplays the importance of speech and language in psychoanalytic theory and practice, and moreover, that Ricœur’s approach offers important insights that deserve to be redeployed today.
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Bersani, Leo. "Psychoanalysis and the aesthetic subject." Journal of Romance Studies 6, no. 3 (December 2006): 19–30. http://dx.doi.org/10.3828/jrs.6.3.19.

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Bersani. "Psychoanalysis and the Aesthetic Subject." Critical Inquiry 32, no. 2 (2006): 161. http://dx.doi.org/10.2307/3651458.

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Bersani, Leo. "Psychoanalysis and the Aesthetic Subject." Critical Inquiry 32, no. 2 (January 2006): 161–74. http://dx.doi.org/10.1086/500699.

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Shakry, Omnia El. "Psychoanalysis and the Imaginary: Translating Freud in Postcolonial Egypt." Psychoanalysis and History 20, no. 3 (December 2018): 313–35. http://dx.doi.org/10.3366/pah.2018.0271.

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This article imagines psychoanalysis geopolitically by way of an exploratory foray into the oeuvre of Sami-Ali, the Arabic translator of Sigmund Freud's Three Essays on the Theory of Sexuality, author of a large body of original psychoanalytic writings, and translator of the poetry of Sufi masters. Taken together, his writings enable a critical rethinking of the role of the imaginary, the mechanisms of projection, and the epistemology of non-knowledge in the workings of the unconscious. Significantly, such a rethinking of key psychoanalytic concepts drew upon the Sufi metaphysics of the imagination of Ibn ʿArabi. Yet such theoretical work cannot be understood outside of its wider clinical context and the conditions of (im)possibility that structure psychoanalysis within the postcolony. Reconstituting Sami-Ali's early theoretical writings alongside his work with the long-forgotten figures he observed, incarcerated female prostitutes in 1950s Cairo, I argue that his clinical encounters constituted the ground of his theorization of the imaginary within the embodied subject. Attending to the work of translation inherent within psychoanalytic practice – whether from Sigmund Freud's own German writings into French or Arabic, or from clinical practice into theoretical discourse – helps us conceptualize psychoanalysis as taking place otherwise at the intersection of multiple epistemological and ethical traditions.
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Karsenti, Bruno, and Louis Sass. "Sociology, Psychoanalysis, and the Modern Subject." Philosophy, Psychiatry, & Psychology 21, no. 4 (2014): 343–48. http://dx.doi.org/10.1353/ppp.2014.0053.

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ffytche, Matt. "Throwing the case open: The impossible subject of Luisa Passerini’s Autobiography of a Generation." History of the Human Sciences 33, no. 3-4 (July 15, 2020): 33–46. http://dx.doi.org/10.1177/0952695119888400.

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For John Forrester, the ‘case’, particularly in its psychoanalytic version, makes possible a science of the particular – knowledge open to the differences of individuals and situations. This article takes up that aspect of Forrester’s account that linked the psychoanalytic case with forms of autobiography – new narrations of that particular self. After Freud, many authors – literary and psychoanalytic – have taken up the challenge of narrating subjectivity in new forms, engaging a quasi-psychoanalytic framework (H. D., Walter Benjamin, Frantz Fanon, Eve Kosofsky Sedgwick are examples). Focusing on Luisa Passerini’s text Autobiography of a Generation, which deals with the Italian experience of 1968, the article examines some of the features of such hybrid texts, and argues that psychoanalysis makes a contribution not just to the forms of self-investigation they pursue, but more significantly to the search for a radically new methodology of narration. Such models end up as ‘impossible’ cases, but in so doing they explore new interdisciplinary means for understanding the historical shaping of subjectivity.
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Dissertations / Theses on the topic "Subject (Psychoanalysis)"

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Jones, Huw Richard. "The subject of nationalism : psychoanalysis and nation." Thesis, Manchester Metropolitan University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399559.

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Campbell, Janet. "The mother as subject within the writings of psychoanalysis and women's writings." Thesis, University of Sussex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238820.

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Washington, Michael. "Giving an account of the queer subject : plasticity, psychoanalysis, and queer theory." Thesis, Kingston University, 2017. http://eprints.kingston.ac.uk/41037/.

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The aim of this thesis will be to ask what is the relationship betweeen the concept of plasticity and queer theoretical discourse? Plasticity being, at its most basic level, the idea that difference itself can change form, that it does not just manifest spatially and temporally within acts of inscription, but also within material forms as well. The thesis will attempt to show that what is at work inherently within both discourse (both at the level of logic and objects of analysis) allows for them to speak alongside one another, and even if placed in close enough proximity, to provoke transformations in the other in productive and generative ways. The central claim that will be defended throughout the thesis is that the concept of plasticity has deep and profound implications for queer theory. It will attempt to reveal and explore the ways in which both are committed to thinking change and transformation within a form in ways that implicate the other. The analysis of the relation between the two will be divided into three moments of encounter in which the resonance between both discourses could be seen to be most generative and productive, these staged encounters compromising the three main sections of the thesis: plasticity's relation to the theory performativity, its relation to the anti-social turn within queer thought, and its relation to the affective turn within queer theory. The overall objective will be to demonstrate not only the philosophical underpinnings that animate queer theory, but also the ways in which philosophy itself has been marked and changed by certain interventions of queer thought.
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Sözalan, Hürriyet Özden. "The representation of the female subject in contemporary women's dramatic writing." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310122.

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Kuntz, John L. "Freud, discourse analysis, and otherness : the historical hermeneutics of creativity and aesthetics in the subject formations of writing and psychoanalysis." Thesis, University of South Wales, 2008. https://pure.southwales.ac.uk/en/studentthesis/freud-discourse-analysis-and-otherness(2dc9ecb9-5328-4afc-8720-b601c21c00f5).html.

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This dissertation is a theoretical study with a hermeneutical praxis. The portfolio consists of four interrelated sections that combine research and theory with discourse and creativity: (a) "Part One: Overview: Freud, Discourse Analysis, and Otherness: The Historical Hermeneutics of Creativity and Aesthetics in the Modern Subject Formations of Writing and Psychoanalysis"; (b) "Part Two: Bridging Thesis: The Metaphor of Meaning: The Uncanny Nature of Discourse in Modern Narratives"; (c) "Part Three: Thesis: Psychoanalytic Theory and Creativity: Freud, Otherness, and the Historical Hermeneutics of Modern Subject-Formation"; and (d) "Part Four: Novel: Route 40 Pure Oil Truck Stop". The dissertation's critical analyses utilize an interdisciplinary, contextual, historical, and yet, as we will see in "Part Two: Bridging Thesis", practical approach. And, although the portfolio covers Freud's narrative works in writing and psychoanalysis, his use of discourse analysis in the theoretical formulations of psychoanalysis, and the creative otherness the Freudian oeuvre that exists in the metaphorical language and symbolism of his writing, the success of the research project lies within the application and interaction of scholarly research on the one hand and the creative discourse that is developed on the other. Still, due to its overarching and holistic methodology, the dissertation connects research and scholarship with creativity and writing theory, which juxtaposes my creativity as a novelist with my academic abilities as a researcher. The following five-part format outlines the subsequent sections of the dissertation's research design in the "Overview": (a) "Introduction: Freud and the Creative Moment"; (b) "The History and Scope of the Research: Neurology, Writing and Psychoanalysis, and Cultural Criticism"; (c) "The Importance of the Research: Narrative Theory to a Hypertext to a Metapsychology"; (d) "The Originality of the Research Project: Aesthetics, Creativity, and Otherness in the Subject-Formations of Writing and Psychoanalysis"; and (e) "Research Methodology: The Qualitative Approach to Grounded Theory in Psychoanalysis". As a theoretical study of Freudian psychoanalysis, the hermeneutical praxis for this dissertation was first developed from the readings, research and writing of "Part Three: Thesis: Psychoanalytic Theory and Creativity: Freud, Otherness, and the Historical Hermeneutics of Modern Subject-Formation". Overall, its exploration and analyses of Freud, psychoanalysis, and the use of aesthetics in his theoretical formations cover a wide spectrum of creative desire, otherness, and the hermeneutics of writing and psychoanalysis, hi the dissertation's development, the research begins with a five-part thesis (Part Three) that covers writing and psychoanalysis's early historical development from neurology and physiology to aesthetics and the art form, creativity and the artist, and subsequently the discourse analysis of Freud's subject formations over his 40-year career as a psychoanalytic theorist. From a historical and discursive approach to qualitative research, I formulated the overarching and holistic scope of my thesis into a hypothesis that would analyse the following: (a) Freud's early neurological writings that form the theoretical foundation for his hermeneutics for creativity and aesthetics; (b) his specific writings on creativity and the artist; (c) the implicit writings about creativity, as it relates to religion and the new creation account of psychoanalysis; (d) an account of the place of writing within his discussion of religion, culture and civilization, which forms a critical juncture between early Freudian writings and later Freudian attempts to use psychoanalysis as cultural commentary; and finally, (e) a conclusion, which brings the thesis together, that will suggest that writing poses a particular problem for Freud because of his unresolved frustrations about creativity and critical discourse Freud's own "return of the repressed". These interrelated topics form sub-sets of the major dissertation thesis by informing and guiding my examination and analysis while chronicling the historical significance of Freud's autobiographical, creative oeuvre, and an academic life that accounted for his development as a researcher, life writer of psychoanalysis, and modern theorist of the mind. As a final analysis of his discourse, the thesis will analyse Freud's problems with his approach to aesthetics, creativity and the artist, especially concerning his problems with writer's block. Thus using a chronological and evolutionary approach to historiography that traces fifty years of Freud's lifetime writings between 1889 and 1939, the intent of this multi-faceted study is to examine writing and psychoanalysis as it developed from neurology and physiology into narrative and literary subject-formations of aesthetics, discourse analysis, and cultural criticism.
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Langford, Wendy. "The subject of love : a study of domination in the heterosexual couple." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306913.

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Roose-Beauprez, Olivia. "Suivre à la trace : de la "trace-habilitée" au vérifiable, qu'en est-il de la pratique clinique aujourd'hui ?" Thesis, Université Côte d'Azur (ComUE), 2016. http://www.theses.fr/2016AZUR2032.

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Cette démarche prend corps au sein du quotidien et de ma pratique clinique de psychologue. Ce qui tente de se mettre en mouvement ici, en pensées, tourne autour de la notion de la trace. Notion à multiples définitions que je vais tenter d’interroger et de mettre au travail. Il s’agit en cela, de réfléchir au contemporain qui pointe et « trace » l’individu alors que la psychanalyse montre justement ce qu’il n’est pas. Cela fait écho au regard commun actuel, où il s’agit de situer le trauma comme une trace ou une empreinte à repérer. Que signifie donc la ou les trace(s) ? Où se trouve cette parole du sujet ? En quoi la recherche des « traces » du passé ou des « traces » d’un traumatisme fait davantage du psychologue un « chercheur » un « pisteur » et cela au nom d’une science devenue scientisme. Pouvons-nous encore parler de « traces du sujet » ou est-ce plutôt de « trace-habilitée » dont il s’agit ?
This work takes its origin in my daily clinical practice of psychologist. It is trying to think about the notion of trace. The trace is a notion of multiple definitions that I will try to examine and get to work. It is question to think on contemporary where the human subject is tracked while psychoanalysis shows that he always escapes. This echoes the current common look, where the trauma is located or tracked as a trace or footprint. So what does it mean trace(s) ? Are we still able to pay attention to what the patient says ? In the name of science became scientism, why finding "traces" of the past or "traces" of trauma make a psychologist more a “researcher” or a “tracker”? Are we still able to speak of " traces of the subject" or is it now rather "trace-ability" ?
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Mantilla, Lagos Carla Eugenia. "Cavell, M. (2006). Becoming a subject. Reflections in philosophy and psychoanalysis. Nueva York: Oxford University Press. 182 p." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/101369.

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Poulin, Adam Neil. "On the Subject of Autism: Lacan, First-Person Writing, and Research." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/997.

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In his essay, Don’t Mourn for Us, Jim Sinclair describes autism as a “way of being.” He maintains there is “no normal child hidden behind the autism” and that “it colors every experience, every sensation, perception, thought, emotion, and encounter, every aspect of existence.” In an attempt to appreciate the depth of Sinclair’s statements, this thesis approaches autism as a “way of being” through the psychoanalytic theory of Jacques Lacan. By applying Lacan’s conceptual framework to first-person writing and scientific research, I lay an interdisciplinary foundation for the case I make. Although this project requires significant conceptual scaffolding across different epistemological systems, I consider how Lacanian theory possesses a unique capacity to conceive of autism as a way of being and to open new ways of approaching the source material. Implicitly, Sinclair asks that we consider the question of what it means “to be” – autistic, neurotypical, or otherwise. I approach this from the premise that an individual exists as a thinking being, or a “subject.” Because psychoanalysis is concerned with the constitutive role of the unconscious in structuring consciousness, this thesis invests substantial space in consideration of how the Lacanian subject is oriented around a fundamental lack. To this end, I return frequently to Lacan’s concept of objet a, understood as a representative of the subject’s lack in the perceptual realm that is itself lacking. Further, Lacan’s unique interpretation of Freud consists in placing language as the ultimate mediating structure of subjectivity; it both generates lack and establishes a system for mitigating it. One’s way of being is always a way of being in language.1 Given the predominant roles of language and social communication impairments in the DSM-V diagnostic criteria for autism, a main goal of this project is to consider how an autistic way of being entails a unique structuration of lack.2 Autism and psychoanalysis share a history that extends back to the origins of the diagnosis. I explore this history with a focus on how different psychoanalytic theories conceptualize the autistic subject and to what extent they honor or undermine Sinclair’s position. Contemporary Lacanian thinkers of autism do both. Unique to Lacan’s structural approach, the concept of the Other is inclusive of a radical alterity, yet also the system of language, the body, and certain aspects of the maternal and paternal functions. The subject is unthinkable apart from the Other. I suggest an autistic way of being is discernible in the autistic subject’s relation to each aspect of the Other. I find support for this claim in recent sensorimotor research. Referred to loosely as the movement perspective, this research suggests that differences in how autistic individuals move and perceive others is a “unifying characteristic” of autism.3 Importantly, the movement perspective is proactively inclusive of first-person knowledge. Read through Lacan’s conceptual framework, movement differences address the underlying mechanism of the autistic subject’s relation to the Other, and thus its way of being. Most fundamentally, this thesis is a work of theory that attempts to articulate something universal about being a subject, without simultaneously eliding what is unique about being an autistic subject
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Parrish, Jordan G. "The Undead Subject of Lost Decade Japanese Horror Cinema." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

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Books on the topic "Subject (Psychoanalysis)"

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The Freudian subject. Stanford, Calif: Stanford University Press, 1988.

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The Lacanian subject: Between language and jouissance. Princeton, N.J: Princeton University Press, 1995.

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The subject of psychosis: A Lacanian perspective. Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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Critical desire: Psychoanalysis and the literary subject. London: E. Arnold, 1995.

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1945-, Lombardi Karen L., ed. Subject relations: Unconscious experience and relational psychoanalysis. New York: Routledge, 1998.

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The subject of liberation: Žižek, politics, psychoanalysis. New York: Bloomsbury Academic, 2014.

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Williams, Linda Ruth. Critical desire: Psychoanalysis and the literary subject. London: Edward Arnold, 1995.

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American Psychoanalytic Association. Study Group for Improving Psychoanalytic Indexing and Indexes. and American Psychoanalytic Association. Committee on Scientific Activities., eds. A guide to the language of psychoanalysis: An empirical study of the relationships among psychoanalytic terms and concepts. Madison, CT: International Universities Press, 1993.

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Subject to change: Jung, gender, and subjectivity in psychoanalysis. New York: Brunner-Routledge, 2004.

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Against adaptation: Lacan's "subversion of the subject". New York: Other Press, 2002.

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Book chapters on the topic "Subject (Psychoanalysis)"

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Haley, Christopher W. "The subject of psychoanalysis." In The Subject of Human Being, 144–65. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315642499-5.

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Frosh, Stephen. "The Racist Subject." In Psychoanalysis and Psychology, 207–49. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19993-8_6.

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Hadar, Uri. "The Subject." In Psychoanalysis and Social Involvement, 13–41. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137301093_2.

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Frosh, Stephen. "Conclusion: The Different Subject." In Psychoanalysis and Psychology, 250–56. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19993-8_7.

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Parkin-Gounelas, Ruth. "The Subject of Hysteria." In Literature and Psychoanalysis, 131–62. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-13362-5_6.

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Layton, Lynne. "What divides the subject?" In Toward a Social Psychoanalysis, edited by Marianna Leavy-Sperounis, 45–54. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Relational perspectives book series: Routledge, 2020. http://dx.doi.org/10.4324/9781003023098-5.

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Figlio, Karl. "Psychoanalysis and the ‘Social Subject’." In Remembering as Reparation, 45–72. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59591-1_3.

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Wilson, Samuel. "Does the psychoanalysis of music have a ‘subject’?" In Music—Psychoanalysis—Musicology, 119–35. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315596563-7.

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Becker-Leckrone, Megan. "The Subject, the Abject, and Psychoanalysis." In Julia Kristeva and Literary Theory, 19–41. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80195-0_2.

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De Vos, Jan. "Psychoanalysis and Its Doubles: Towards a Hauntology of Psychologization." In Psychologization and the Subject of Late Modernity, 128–59. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137269225_6.

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Conference papers on the topic "Subject (Psychoanalysis)"

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Aglieri Rinella, Tiziano. "Le Corbusier’s uncanny interiors." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.708.

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Abstract: The reception of Le Corbusier’s early buildings in Paris provoked an astonishing sensation of shock and estrangement in the public of the time. This troubling sensation of wonder is still alive today, after almost a century from their construction, and it is particularly vivid in some of the interiors, as we can notice from the photographic documentation of the time. Sigmund Freud, in his book “The interpretation of dreams”, underlined the direct relation existing between the interior of the human psyche and the interior of the house a subject lives in. He defined the interior of each man’s home as a sort of “diagnostic box” of the human mind, able to disclose the psyche of the individual, expressing his dreams, desires and obsessions. In his purist houses, Le Corbusier seems to have imposed his overwhelming personality on the clients, somehow expressing his own idealistic dream of the city of the future and foreseeing the visionary scenarios of a modernist utopia. This paper’s goal is to present a psychoanalytic reading of Le Corbusier’s buildings of the time, analyzing a number of significant examples in order to identify their uncanny effects, disclosing the hidden relations between cause and effect, and decoding the related composing technics used in the interior design. Resumen: La recepción de los primeros edificios de Le Corbusier en París provocó una sensación asombrosa de shock y extrañamiento en el público de la época. Esta sensación inquietante de asombro sigue vivo hasta hoy, después de casi un siglo de su construcción, y es particularmente viva en algunos interiores, como podemos observar en la documentación fotográfica de la época. Sigmund Freud, en su libro "La interpretación de los sueños", subrayó la relación directa existente entre el interior de la psique humana y el interior de la casa donde un sujeto vive. Él definió el interior de la casa de cada hombre como una especie de "caja diagnóstica"de la mente humana, capaz de revelar la psique del individuo, expresando sus sueños, deseos y obsesiones. En sus casas puristas, Le Corbusier parece haber impuesto su personalidad arrolladora en los clientes, expresando de alguna manera su propio sueño idealista de la ciudad del futuro y previendo los escenarios visionarios de una utopía modernista. El objetivo de este trabajo es de presentar una lectura psicoanalítica de los edificios de Le Corbusier de la época, analizando una serie de ejemplos significativos con el fin de identificar sus efectos extraños, revelar las relaciones ocultas entre causa y efecto, y decodificando las relativas técnicas compositivas utilizadas en el diseño de los interiores. Keywords: Le Corbusier; Interiors; Architecture; Uncanny; Freud; Surrealism. Palabras clave: Le Corbusier; Interiores; Arquitectura; Perturbador; Freud; Surrealismo DOI: http://dx.doi.org/10.4995/LC2015.2015.708
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