Academic literature on the topic 'Subject-recipient of fear'

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Journal articles on the topic "Subject-recipient of fear"

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Я., Ю. Сазонова. "АКТУАЛІЗАЦІЯ ВІДТІНКУ «СТРАХ-БЛАГОГОВІННЯ» КОМУНІКАТИВНОГО СМИСЛУ «СТРАХ» В АНГЛОМОВНИХ ТЕКСТАХ ЖАХІВ". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 161–68. https://doi.org/10.5281/zenodo.1048787.

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<em>The article aims at revealing the mechanisms of actualizing the communicative sense of a whole text («fear-awe») with the source of fear a monster. The topicality of the research is proved by the fact that the emotional component of any discourse has become the object of scientific attention of the representatives of most humanitarian spheres: from philosophers to linguists). The tasks set in the article include the comparison of the shades of the communicative sense «fear» implied in the nomination «monster» and synonymous units that lets us differentiate senses a priori and a posteriori
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Sazonova, Yaroslava. "PRAGMATIC POTENTIAL OF THE NOMINATION OF THE SUBJECT-SOURCE OF FEAR (A MONSTROSITY) IN TEXTS OF HORROR DISCOURSE." Verbum 8, no. 8 (2018): 20. http://dx.doi.org/10.15388/verb.2017.8.11323.

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The research is aimed at studying the pragmatic potential of nominations of the subject-source of fear (a monstrosity, in particular) in texts of horror discourse in English and Ukrainian. The idea is that the expression of the communicative sense “fear” in a subjectively created world according to an author’s intention is explicated in the nomination of the subject-source of fear (SSF). Generally, any SSF is a monster as far as its attributes and actions are harmful for the recipient of fear (SRF), its essence contradicts the SRF’s world creating norms. Psychologically, a SSF-monstrosity is a
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Kozin, A. A. "Why didn’t the Ballad Become a Horror?" Russian Studies in Philology, no. 2 (May 3, 2025): 97–104. https://doi.org/10.18384/2949-5008-2025-2-97-104.

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Aim. Horror as an aesthetic phenomenon has maintained a high popularity rating for over a century. Viewers, readers, and listeners of different age groups prefer works with horror elements; there appear communities and other kinds of fan groups for whom the feeling of fear is the basis of intrigue (Horrorscope, Club of Horror Lovers, Association of Horror Authors, etc.). Horror has long been the subject of conferences and discussions, which indicates its relevance in scientific sphere. As a syncretic phenomenon, this modern aesthetic phenomenon has its own history, dating back to ancient liter
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Fagundes, Giovanna Gonçalves, Márcia Eduarda Abreu Pacheco, Daniella Valença Daher de Almeida, and Tainá Galvão Cunha Rodrigues. "CAPTAÇÃO DE ÓRGÃOS E TECIDOS: UMA REVISÃO INTEGRATIVA DOS DESAFIOS NO CONTEXTO SOCIAL, CIENTÍFICO E DE SAÚDE." Revista ft 29, no. 141 (2024): 50–51. https://doi.org/10.69849/revistaft/pa10202412191450.

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The process of organ and tissue donation is a surgical procedure based on replacing organs and tissues that have permanent functional insufficiency in a sick person (recipient) with another normal organ or tissue from a donor. In 2021, Brazil performed more than 12,000 transplants through the SUS, but these numbers are still scarce given the progressive increase in the waiting list. The purpose of this study, an integrative literature review, was to categorize and summarize the main factors that hinder the process of organ and tissue procurement and donation.The analysis included 14 studies pu
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Mikla, Marzena, Anna Maria Cybulska, Antonio Rios, et al. "Attitudes of polish medical students toward organ donation." Frontiers in Public Health 13 (February 3, 2025). https://doi.org/10.3389/fpubh.2025.1531140.

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BackgroundThe aim of the study was to analyze determinants affecting attitudes toward organ donation among medical students at medical universities in Poland.Materials and methodsThe study involved 1,348 medical students. It was performed using a validated questionnaire of attitude toward organ donation and transplantation (ODT) [PCID-DTO RIOS: A questionnaire designed by the International Collaborative Organ Donation project about organ transplantation and donation].ResultsIt was shown that those who would not donate their family member’s organs for transplantation were far more likely to bel
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Ghorbanpour, Fateme, and Mahmoud Reza Ghorban Sabbagh. "Incarcerated Power: Tracing Foucault’s Footsteps in Nawal El Saadawi’s Woman at Point Zero." Hawwa, November 15, 2024, 1–20. http://dx.doi.org/10.1163/15692086-12341422.

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Abstract Many researchers have approached Nawal El Saadawi’s Woman at Point Zero from different perspectives; however, little has been done to show the complexity of the main character, Firdaus, and her transformation through the story. The present study focuses on the process of character transformation from what may seem to be a state of misery to that of disobedience and heroic resistance. Foucault’s theory of power, as followed by the third-wave feminists, can shed further light on the dynamic change in the personality of the central character. The study reveals that the laws in a patriarc
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Kincheloe, Pamela. "Do Androids Dream of Electric Speech? The Construction of Cochlear Implant Identity on American Television and the “New Deaf Cyborg”." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.254.

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Cyborgs already walk among us. (“Cures to Come” 76) This essay was begun as a reaction to a Hallmark Hall of Fame television movie called Sweet Nothing in My Ear (2008), which follows the lives of two parents, Dan, who is hearing (played by Jeff Daniels), and Laura, who is deaf (Marlee Matlin), as they struggle to make a decision about whether or not to give their 11-year-old son, Adam (late-deafened), a cochlear implant. Dan and Laura represent different perspectives, hearing and deaf perspectives. The film dramatizes the parents’ conflict and negotiation, exposing audiences to both sides of
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Starrs, Bruno. "Publish and Graduate?: Earning a PhD by Published Papers in Australia." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.37.

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Refereed publications (also known as peer-reviewed) are the currency of academia, yet many PhD theses in Australia result in only one or two such papers. Typically, a doctoral thesis requires the candidate to present (and pass) a public Confirmation Seminar, around nine to twelve months into candidacy, in which a panel of the candidate’s supervisors and invited experts adjudicate upon whether the work is likely to continue and ultimately succeed in the goal of a coherent and original contribution to knowledge. A Final Seminar, also public and sometimes involving the traditional viva voce or or
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Bartlett, Lexey A. "Who Do I Turn (in)to for Help?" M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2627.

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&#x0D; &#x0D; &#x0D; Many theories address the material adaptations that organisms—including humans—make to their environments, and many address the adaptation of art to different forms. The film Adaptation (Spike Jonze, 2002) by Charlie Kaufman, ostensibly an adaptation of Susan Orlean’s The Orchid Thief, addresses both kinds of adaptation, but also suggests how humans might psychically adapt to their emotional and mental environments, namely by doubling or multiplying their identities to create companions and helpmates who can help them cope with emotional and mental stresses. To expose some
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Ferdousi, Akter, and Al Mamun Md. "Study of Humanistic Education: A solution to Language Teaching in Bangladesh." November 18, 2019. https://doi.org/10.5281/zenodo.3545047.

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<strong>Introduction:</strong> In the realm of language teaching and learning, the humanistic approach is one of the most remarkable movements. It is such an approach where the learner is seen as a whole person with physical, emotional and social features as well as cognitive characteristics. It is pertinent to educate the whole person i.e. the intellectual and the emotional dimensions&rdquo; (Moskowitz,1978). It emphasizes the importance of the inner 1970, the behaviouristic and the mentalistic approaches dominated the second and some fresh suggestions came forward towards the end of the 1970
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