Relevant bibliographies by topics / Subject-the-source of horror

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Academic literature on the topic 'Subject-the-source of horror'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Subject-the-source of horror"

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Сазонова, Ярослава Юріївна. "ТЕКСТОТВІРНИЙ МЕХАНІЗМ ВИРАЖЕННЯ ТЕНСИВНОСТІ ЕМОЦІЙ (НА МАТЕРІАЛІ ОПОВІДАНЬ ЖАХІВ)". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 97–103. https://doi.org/10.5281/zenodo.32831.

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<em>In view of the topicality of the studying of the horrible in a range of humanitarian studies the article contains an attempt of elaborating the mechanism of creating emotional tension on the textual level in horror discourse, which allows proving the independence of the emotional dimension from the plot line. The elaborated mechanism bases on the achievements of an interdisciplinary level; in particular it involves semiologists&rsquo; experience, which helps analyze the emotional dimension of a text and its linguistic realization. As a result, having used the text of Joseph Sheridan Le Fan
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Сазонова, Ярослава Юріївна. "ТИПИ РЕФЕРЕНЦІЇ В ТЕКСТАХ ДИСКУРСУ ЖАХІВ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 43 (6 квітня 2016): 208–16. https://doi.org/10.5281/zenodo.49231.

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The article contains a brief review of the topical problems of a modern linguistic trend &ndash; the analysis of reference in artistic discourse. The aim of the article is to define and prove the existence of the referential types in the texts of horror discourse, taking as the example texts written in Ukrainian and English. The analysis is made accounting for the influence of the theory of possible worlds on the pragmatic approach to the text studies; also the results of psychological studies are used during the analysis of the phenomenon of reference. Six types of reference, singled out in t
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Я., Ю. Сазонова, та В. Захарова К. "ІДЕНТИФІКАЦІЯ СУБ’ЄКТА-ДЖЕРЕЛА СТРАХУ ЛІНГВІСТИЧНИМИ ЗАСОБАМИ ОЗНАЧЕНОСТІ/НЕОЗНАЧЕНОСТІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 44 (7 листопада 2016): 122–29. https://doi.org/10.5281/zenodo.165094.

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The article is devoted to the research of peculiarities of identification of the subject-the source of horror in terms of the topical for modern linguistics communicative-pragmatic approach. The aim of the article is to investigate the peculiarities of reference and nomination of the source of horror as a means of influence on the emotional state of the reader. The research is based on the modern statements of the theory of reference, text linguistics, artistic discourse and it is illustrated with the quotations from the artistic texts of the corresponding genre. The analysis of the usage of m
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Sazonova, Yaroslava. "PRAGMATIC POTENTIAL OF THE NOMINATION OF THE SUBJECT-SOURCE OF FEAR (A MONSTROSITY) IN TEXTS OF HORROR DISCOURSE." Verbum 8, no. 8 (2018): 20. http://dx.doi.org/10.15388/verb.2017.8.11323.

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The research is aimed at studying the pragmatic potential of nominations of the subject-source of fear (a monstrosity, in particular) in texts of horror discourse in English and Ukrainian. The idea is that the expression of the communicative sense “fear” in a subjectively created world according to an author’s intention is explicated in the nomination of the subject-source of fear (SSF). Generally, any SSF is a monster as far as its attributes and actions are harmful for the recipient of fear (SRF), its essence contradicts the SRF’s world creating norms. Psychologically, a SSF-monstrosity is a
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Liu, Yuchen. "The Horror Writing of Strange Tales from Liaozhai." Communications in Humanities Research 3, no. 1 (2023): 563–68. http://dx.doi.org/10.54254/2753-7064/3/20220505.

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Strange Tales from Liaozhai is a representative work of the Zhiguai Chuanqi of Chinese classical literature, and the writing of horror stories is one of its most essential parts, which contains adequate meaning, showing its rich details and vivid writing characteristics, which also reflects a certain extent of the author, Pu Songling's unique aesthetic and value orientation. This paper analyzes the setting of the time and space environment of the original text, the use of the third-person limited angle of view in the narrative, and the selection of horror images, respectively, from the scene o
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Kozin, A. A. "Why didn’t the Ballad Become a Horror?" Russian Studies in Philology, no. 2 (May 3, 2025): 97–104. https://doi.org/10.18384/2949-5008-2025-2-97-104.

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Aim. Horror as an aesthetic phenomenon has maintained a high popularity rating for over a century. Viewers, readers, and listeners of different age groups prefer works with horror elements; there appear communities and other kinds of fan groups for whom the feeling of fear is the basis of intrigue (Horrorscope, Club of Horror Lovers, Association of Horror Authors, etc.). Horror has long been the subject of conferences and discussions, which indicates its relevance in scientific sphere. As a syncretic phenomenon, this modern aesthetic phenomenon has its own history, dating back to ancient liter
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Arya, Rina. "Abjection interrogated: Uncovering the relation between abjection and disgust." Journal of Extreme Anthropology 1, no. 1 (2017): 48–61. http://dx.doi.org/10.5617/jea.4337.

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Julia Kristeva’s theory of abjection, as propounded in Powers of Horror, emphasises the centrality of the repulsion caused by bodily experience in human life, and explains behaviours in and attitudes to our environment. The phenomenology of abjection bears similarities to the phenomenology of disgust. Both involve physical feelings of repulsion caused by a source, and the concomitant need to reject the source in various ways. Abjection is conceptualized within a psychoanalytic framework where it refers to the repudiation of the maternal prior to the production of an autonomous subject, and the
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Kozhukhovskaya, Yulia V., and Sophia S. Burdyko. "Corpus analysis in determining the structure of metaphorical frames: A case study of nominations of fear in Modern Greek media texts." Media Linguistics 12, no. 1 (2025): 22–42. https://doi.org/10.21638/spbu22.2025.102.

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The article focuses on the study of realization of nominations of fear — one of the most pronounced emotions in media texts, and their metaphorization, that reflect interrelation between linguistic consciousness and sociocultural processes. The corpus analysis enables to specify lexical meaning in the context and to set the features of figurative word usage that are at the core of linguoculture under study. The first stage of the research included the selection of nominations that contain the seme of fear, the analysis of dictionary definitions, including component analysis. Following that the
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Kuznetsova, Olga A. "SCENES OF VIOLENCE ON 18TH - 19TH CENTURIES PAINTED TILES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 4 (2023): 88–99. http://dx.doi.org/10.28995/2686-7249-2023-4-88-99.

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The paper considers scenes of violence on Russian smooth painted tiles. Usually that genre scenes represent an armed warrior who kills his vanquished enemy. Related to that subject are solitary figures of mounted and foot soldiers, armed with swords, sabers, rapiers, bows and pistols. Weapons and horses became an attributes of heroic plot. The main visual source for scenes of violence on tiles was engravings from folk bibles. A variety of plots, from executions and suicide attempts to everyday scenes of a peaceful nature could be interpreted as a warrior’s victory in battle. Text clichés (mott
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Ciornea, Andrei. "Preservation of Christian dignity and identity in the oppressive context of the communist confinement regime. Young Nicolae Rădulescu’s carceral periplus." DIALOGO 10, no. 2 (2024): 298–309. http://dx.doi.org/10.51917/dialogo.2024.10.2.20.

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The present paper examines the modifications that occur to human beings amidst the deplorable conditions of Romania’s communist confinement system, using Nicolae Rădulescu’s story as a case study. After being imprisoned, the individual endured a horrifying system that elevated horror and treason to new heights. His stigma as a political and counter-revolutionary prisoner naturally drew dramatic consequences, both inside and outside of prison. From the Security people’s point of view, he was a pariah, a peripsema mundi who only needed to be forced in order to satisfy the demands of the new Sovi
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Books on the topic "Subject-the-source of horror"

1

Hargreaves, Richard. Opening the Gates of Hell. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781472869432.

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A unique account of the opening weeks of history’s largest, most brutal conflict, told through the eyes of those who were there and based on original source material from across Europe. Opening the Gates of Hell is based on over a decade’s research in archives and sites across Europe. It is a ground-breaking examination of the start of the Nazi–Soviet conflict, a narrative history not just of the fighting, but also the impact on civilians, the atrocities committed by both sides and ethnic cleansing carried out by the inhabitants of the regions invaded. This fascinating history tells the storie
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