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Journal articles on the topic 'Subjective and extra-subjective forms of expressing author vision'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Halatska, Valentyna. "The Problem of an Author in Contemporary Theatre Publicism in Ukraine: Psycholinguistic Aspect." East European Journal of Psycholinguistics 1, no. 1 (2014): 32–40. https://doi.org/10.5281/zenodo.45776.

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<strong>Abstract.</strong> The article studies the realization of a communicative act (theatre reality – journalist reader) through the forms of  author’s  consciousness  expressing.  Esthetic and communicative effect, which is realized through particular psycholinguistic means and produces effective form of intercultural dialogue, is analysed. In today’s Ukrainian journals media aspect of theatrical art is represented in the active out – of- subject forms of expressing author’s consciousness. These forms can be found in informational (sho

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2

APOLLONOV, IVAN. "PHENOMENOLOGY OF THE PLASTIC IMAGE: HOW IS A PHILOSOPHICAL PARABLE POSSIBLE IN SCULPTURE?" HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 13, no. 2 (2024): 490–509. https://doi.org/10.21638/2226-5260-2024-13-2-490-509.

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The article examines the question posed in the title, which implies the consideration of sculpture as a method of sense making by plastic means, revealing the truth of being in spatial form. The study of the phenomenological perspective of this method is built upon I. Kant’s conception of art as a free play of genius, based on reason. The apparent contradiction between the spontaneity of the subjective assumption of an image, which implies the impossibility of its being deduced, and its rationality, assuming an extra-subjective universalism of meaning, is resolved based on the F. Schelling’s d

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Rama, Tamara, and Carmen Lloret. "Unveiling and Revealing the Mirror: Mobile Reverberations in Patrick Bokanowski’s Animated Films." Animation 14, no. 2 (2019): 83–101. http://dx.doi.org/10.1177/1746847719856997.

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The principal focus of this article is to provide an analysis of some of the most significant works by the independent filmmaker Patrick Bokanowski and the methodology he uses to create those animated films. It addresses Bokanowski’s technique of filming on various kinds of reflective surfaces as a strategy for transforming the image through optical deformation and thereby expressing his subjective vision in films and animation. He explores the practical application of creating reverberation as visual echoes, as well as the use of unusual reflections that appear in mirrors and other more unsta

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4

Riskin, Seth. "Light Dance." Leonardo 53, no. 1 (2020): 90–91. http://dx.doi.org/10.1162/leon_a_01636.

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The author discusses the origin and meaning of his Light Dance artwork. The simple approach—placing a source of light on the body and thereby manipulating the illumination of the surrounding space through body movements—alters the viewer’s perception of space and time. Architecture appears malleable as the performer affects the size, shape and speed of light forms that reach from the body to the boundaries of the room. Light, in this perceptual environment, is not a mere transmitter of information between the invariant material surroundings and the eye of the viewer; light is a space-defining

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T.S., Matvieieva. "THE PECULIARITIES OF FORMING OF ANTROPOCETRE IN UKRAINIAN NOVEL STUDY OF SECOND HALF OF XIX CENTURY." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, no. 87 (2018): 94–107. https://doi.org/10.5281/zenodo.1322524.

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The article analyzes the peculiarities of the construction of anthropocentre in Ukrainian novel study of the second half of the XIX century in connection with the strengthening of the tendency for homocentrism, which determined the purpose and the sphere of the studio observation. The result of the analysis of the literary material was differentiation and study of the factors infl uencing on methods, techniques, means of the depicturing of the world and a man in it, taking into account the objective (extra-literary) and subjective (proper aesthetic) priorities of the author’s thinking: r

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6

Sveshnikov, Alexandr V. "The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy." Journal of Flm Arts and Film Studies 8, no. 3 (2016): 72–82. http://dx.doi.org/10.17816/vgik8372-82.

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The widespread tendencies in art to focus on the expression of subjective attitude to an event rather than on accurate depiction of an object have led to an increasingly strong opinion that basic academic literacy has lost its former practicality. Art pedagogy theory often treats the classical and modern education methods as the opposites. Traditional education is claimed to be incompatible with the resolution of modern creative questions, and the instruction methods of the past are seen as outdated and unnecessary. Such contrasting of the old and the new fails to consider the existence of a c

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Sveshnikov, Alexander V. "The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy." Journal of Flm Arts and Film Studies 8, no. 4 (2016): 98–107. http://dx.doi.org/10.17816/vgik8498-107.

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The widespread tendencies in art to focus on the expression of subjective attitude to an event rather than on accurate depiction of an object have led to an increasingly strong opinion that basic academic literacy has lost its former practicality. Art pedagogic theory often treats the classical and modern education methods as opposites. Traditional education is claimed to be incompatible with the resolution of modern creative questions, and the instruction methods of the past are considered as outdated and unnecessary. Such contradistinction of the old and the new fails to consider the existen

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8

Ivanenko, Igor N., Viktor V. Shalin, and Yulian G. Tambiyants. "Historiosophical Aspects of Domestic Democracy: Early and Developed State: Article 2." Общество: философия, история, культура, no. 2 (February 21, 2024): 28–36. http://dx.doi.org/10.24158/fik.2024.2.3.

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The article presents the second part of the work on the historiosophical vision of Russian democracy. Based on the concept of stages of state genesis by L. Grinin, the authors analyze domestic manifestations of democracy at the stages of an early and developed state. Despite the fact that in the conditions of the early state the high-est authority had very superficial control over social processes, already in the Kievan period there was a clear tendency for the leading political subjectivity to transition to princely power. In subjective terms, the popular consciousness preferred the figure of

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9

Фадеева, Татьяна Евгеньевна. "VIEWER IN THE VIRTUAL REALITY SPACE: PLANETARY OPTICS’ FORMATION." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(33) (May 5, 2022): 73–96. http://dx.doi.org/10.23951/2312-7899-2022-3-73-96.

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Рассматривается особый способ телесного присутствия зрителя в различных произведениях виртуальной реальности (VR). В некоторых из них зритель присутствует лишь в роли наблюдателя / свидетеля, или «призрака», не способного взаимодействовать с миром виртуальной инсталляции и влиять на происходящие в нем события. В других же элемент интерактивности проявляется ярче, роль зрителя более не сводится исключительно к наблюдению, он становится активным участником инсталляции. Произведения искусства, созданные с применением технологий виртуальной реальности, – это искусственные «миры», предлагающие зрит

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10

Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it

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11

Biniewicz, Jerzy. "Obraz historii Polski (1818-1918) w komiksie Henryka Jerzego Chmielewskiego." Avant, August 27, 2023. http://dx.doi.org/10.26913/ava1202309.

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Henryk Chmielewski is the author of a historical comic book devoted to the 100th anniversary of Poland regaining its independence. The comic book of Chmielewski is a subjective vision of Polish history, because every act of creation is first of all an act of destruction. Artist says about very difficoult moment of Polish history (the 19th century, the early 20th century). He creates original story, argues, that the idea of Poland as an independent state was never not lost. Polish people were formed armyduring the Napoleonic Wars, and Polish organisations started major uprisings (the Polish–Rus

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12

Binns, Daniel. "The Allure of Artificial Worlds." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3105.

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Fig. 1: ‘Vapourwave Hall’, generated by the author using Leonardo.Ai, 2024. Introduction With generative AI (genAI) and its outputs, visual and aural cultures are grappling with new practices in storytelling, artistic expression, and meme-farming. Some artists and commentators sit firmly on the critical side of the discourse, citing valid concerns around utility, longevity, and ethics. But more spurious judgements abound, particularly when it comes to quality and artistic value. This article presents and explores AI-generated audiovisual media and AI-driven simulative systems as worlds: virtua

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13

Marshall, Jonathan. "Inciting Reflection." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2428.

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   Literary history can be viewed alternately in a perspective of continuities or discontinuities. In the former perspective, what I perversely call postmodernism is simply an extension of modernism [which is], as everyone knows, a development of symbolism, which … is itself a specialisation of romanticismand who is there to say that the romantic concept of man does not find its origin in the great European Enlightenment? Etc. In the latter perspective, however, continuities [which are] maintained on a certain level of narrative abstraction (i.e., history [or aesthetic descri

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14

Das, Devaleena. "What’s in a Term: Can Feminism Look beyond the Global North/Global South Geopolitical Paradigm?" M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1283.

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Introduction The genealogy of Feminist Standpoint Theory in the 1970s prioritised “locationality”, particularly the recognition of social and historical locations as valuable contribution to knowledge production. Pioneering figures such as Sandra Harding, Dorothy Smith, Patricia Hill Collins, Alison Jaggar, and Donna Haraway have argued that the oppressed must have some means (such as language, cultural practices) to enter the world of the oppressor in order to access some understanding of how the world works from the privileged perspective. In the essay “Meeting at the Edge of Fear: Theory on

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15

Kwaymullina, Blaze, Brooke Collins-Gearing, Ambelin Kwaymullina, and Tracie Pushman. "Growing Up the Future: Children's Stories and Aboriginal Ecology." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.487.

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We are looking for a tongue that speaks with reverence for life, searching for an ecology of mind. Without it, we have no home, have no place of our own within the creation. It is not only the vocabulary of science that we desire. We also want a language of that different yield. A yield rich as the harvests of the earth, a yield that returns us to our own sacredness, to a self-love and respect that will carry out to others (Hogan 122). Through storytelling the world is created and recreated: in the values and worldviews stories offer, in the patterns of thinking and knowing that listening and

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16

Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b

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17

Maher, Laura-Jane. "You Got Spirit, Kid: Transmedial Life-Writing across Time and Space." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1365.

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In November 2015 the progressive rock band, Coheed and Cambria, released their latest album and art-book, both titled The Color before the Sun (Color) (2015). This album deviates from their previous six releases by explicitly using a biographical frame for the art-book, the album, and their paratexts. This is a divergence from the band’s concept album approach, a transmedia storyworld, The Amory Wars (TAW) (2002-17), which fictionalised the life experiences of Claudio Sanchez, the band’s lead singer. When scholars discuss transmedia they often refer to fantastic and speculative fictions, such

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