Academic literature on the topic 'Subtitle analysis'
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Journal articles on the topic "Subtitle analysis"
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Wicaksono, Rianto Duta, and Yuli Kuswardani. "Translation analysis of subtitle from English into Indonesian in The Raid 2 Movie." English Teaching Journal : A Journal of English Literature, Language and Education 7, no. 2 (November 24, 2019): 79. http://dx.doi.org/10.25273/etj.v7i2.5439.
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<span>Indonesian movies make foreigners interested to watch it. English subtitle is the solution to make Indonesian movies worldwide. Subtitle’s strategies to make good subtitle is very important to make clear subtitle. The objective of the research are to identify subtitling strategies subtitle used in translating The Raid 2 movie and to describe the subtitling clarity of The Raid 2 movie’s English subtitle. The research method used is descriptive approach. The data are required from three source, they are the script of The Raid 2 movie, the reader evaluation and the expert evaluation. This research uses documentation as the technique of collecting data. The researchers use data, investigator, and theory triangulation to make this research can be trusted. The results of this research show that: (1) there are 11 strategies that subtitle used in translating The Raid 2 movie; (2) the clarity of subtitle in The Raid 2 movie is high. The percentage of subtitling clarity from respondents is 91, 02%. The researchers obtain 41 subtitles included into lowest score, 154 subtitles included into medium score, and 681 subtitles included into high score.</span>
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Qi, Jihang. "Analysis of the Subtitle Translation of The Shawshank Redemption from the Perspective of the Skopos Theory." Journal of Contemporary Educational Research 8, no. 2 (February 25, 2024): 151–56. http://dx.doi.org/10.26689/jcer.v8i2.6153.
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Translation is an important communication skill between different languages. In modern society, audiovisualproducts are distributed to worldwide areas as a popular means of mass media. As the globalization of economy and culture is advancing in the new century, audiovisual subtitle translation plays an increasingly important part. Good subtitles can enhance the audience’s experience of appreciating foreign films and make cultural communication more effective. This thesis conducts a brief survey on the strategies for film subtitle translation using the case study of the famous film The Shawshank Redemption. In this paper, based on Skopos theory, the author made a comprehensive analysis of subtitling activities and pointed out that subtitling, as a specialized area of translation, is not only guided by translation studies but also under the constraints of film properties. The Skopos theory of film subtitle translation is to provide, within the constraints of time and space, a well-translated subtitle that can contribute to a good understanding of what is happening on the screen. In short, the end justifies the means. Therefore, during the process of subtitle translation, the subtitler should take all the factors into consideration to identify the translation purpose, and then adopt corresponding translationstrategies. From this perspective, the author takes the Skopos theory as instruction and applies the reduction and addition method to analyze the film subtitle translation. In the age of globalization, foreign films are increasingly entering people’s lives. Watching foreign films is a popular and effective way to understand foreign cultures. However, in China, subtitle translation has not attracted as much academic attention as it deserves and few theories could be appropriately applied to subtitle translation. Therefore, the author hopes that subtitle translation could be paid more attention in terms of crosscultural communication.
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Aulia, Annisa, and Raden Arief Nugroho. "Comparative Translation Analysis of Subtitle and Dubbing in “Raya and the Last Dragon”." Journal of English Language Teaching and Linguistics 7, no. 3 (December 9, 2022): 577. http://dx.doi.org/10.21462/jeltl.v7i3.953.
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<em>The objectives of this study are (1) to classify the translation techniques used between subtitles and dubbing (2) to identify the quality of the accuracy instrument between subtitles and dubbing (3) to compare the quality of the accuracy instrument that is more accurate to use. The source data is a movie that is limited to the translated utterances that have different translations in subtitle and dubbing versions. This study used a qualitative method with the following steps; (1) Classifying the translation techniques of subtitle and dubbing data based on Molina and Albir’s (2002) classification. (2) Tabulating the comparison of translation techniques between subtitles and dubbing. (3) Identifying the translation quality of accuracy based on the theory of Nababan et al., (4) Drawing conclusions. As a result, both subtitle and dubbing mostly used the established equivalent technique. An established equivalent has a good effect on the quality of accuracy obtained. This technique makes it easier for the audience to understand because it prioritizes the prevalence and naturalness so that the message from SL is conveyed properly. The researcher discovered that dubbing translation is more accurate than subtitle translation. Some subtitle translations are still considered less accurate. The researchers concluded that subtitles are appropriate for adolescents or adults, particularly foreign language learners. Language learners can broaden their knowledge of the language by watching films with subtitles. Meanwhile, dubbing is more appropriate for younger audiences because the language used is typically simpler to comprehend and does not contain swear words or inappropriate words.</em>
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Li, Qun, and Bingwen Sun. "An Analysis of Subtitle Translation of Chang 'an from the Perspective of Skopos Theory." Studies in English Language Teaching 12, no. 2 (April 14, 2024): p22. http://dx.doi.org/10.22158/selt.v12n2p22.
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Movies are carriers of culture and have become an indispensable means of cultural dissemination in today's society. The demand for subtitle translation is also constantly increasing. Subtitle translation in films is constrained by time, space, and culture; therefore, subtitles should be concise and easy to understand. This article analyzed and evaluated the subtitle translation of the Chinese film "Chang 'an" based on three rules of Skopos theory: skopos rules, intratextual coherence and fidelity rule. The translation purpose of the translator is to help the audience have a better viewing experience and accurately convey the information of Chinese subtitles through a concise English translation. When translating Chinese to English subtitles, translators should omit repetitive or plot-irrelevant information, add conjunctions to make the translation smooth and coherent and transform cultural differences.
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Hsiao, Chi-hua. "Annotating as narrative performance in subtitle groups in China." Pragmatics and Society 7, no. 2 (June 7, 2016): 239–64. http://dx.doi.org/10.1075/ps.7.2.04hsi.
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This study examines how subtitlers in underground subtitle groups in China perform skills and display competence in applying the rules around which annotations are built. I argue that by annotating, the act of creating notes, representing information not linguistically coded in the original US TV programs, subtitlers engage in a performative act in concert. Annotations reveal not only subtitlers’ stances toward the contents being translated, but also their metathinking on these contents. The analysis shows that two contradictory forces provide the impetus for annotations. On the one hand, the desire for objectivity refers to subtitlers’ attempts to represent a professional and organized account of how Chinese subtitles are produced in the process of explicating knowledge. On the other hand, the desire for authenticity is implicit in the subtitlers’ narrative of what they actually experience when translating US TV programs.
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Ananda, Fenti Rizki, Diana Chitra Hasan, and Temmy Thamrin. "An Analysis of Translation Procedures Found in the Translation of Movie Subtitle: Zootopia." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 8, no. 1 (March 31, 2019): 11–15. http://dx.doi.org/10.30630/polingua.v8i1.75.
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In this research, the writer attempts to find out the translation procedures in the translation of movie subtitle: Zootopia from English to Indonesian subtitle to determine the intended audience of the movie. The research used a descriptive qualitative method. The data of this research are the utterances or sentences in movie subtitle both English and Indonesian with the source of the data of this research is Zootopia movie. The writer used Indonesian subtitle from the site called subscene where the translators around the world could translate movies into many languages. The data collected by watching the movie with both English and Indonesian subtitles, and categorized the collected data based on each translation procedures of Newmark. The writer figured out that the intended audience is all ages group and the writer also found ten translation procedures used in the movie subtitle: Zootopia. The ten translation procedures are couplets, modulation, paraphrase, reduction, literal translation, cultural equivalent, transference, functional equivalent, naturalisation, transposition/shifts. Based on the findings, it can be concluded that the intended audience of Zootopia movie is all ages group and there are ten from nineteen procedures are found in the movie subtitle: Zootopia.
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Citra, Kesia Ariani, Sulistini Dwi Putranti, and Neneng Sri Wahyuni. "An ANALYSIS OF THE SUBTITLE OF SIMILE AND PERSONIFICATION IN ANNA KARENINA (2012) MOVIE." LINGUA : JURNAL ILMIAH 16, no. 2 (October 31, 2020): 75–93. http://dx.doi.org/10.35962/lingua.v16i2.51.
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The focus of this research is to analyze the subtitle of 2 types of figurative languages; personification and simile, taken from the Anna Karenina movie directed by Joe Wright. This research aims to reveal the types of subtitle strategies applied to translate personification and simile found in the movie. The researcher uses qualitative method and document analysis to explain and describe the data. To analyze personification and simile, the researcher uses the theory of personification and simile proposed by Perrine (1997). Meanwhile, the researcher uses the theory of subtitle strategies proposed by Gottlieb (1992) to analyze the subtitle strategies. The researcher finds that there are 2 data classified as personification and 5 data classified as simile. However, there are 3 of 10 strategies applied to translate personification and simile, those are transfer, decimation and deletion. The result of this research indicates that the most used of the subtitle strategy is transfer. By using transfer strategy, all of the messages in the subtitles are delivered well because there is one on one equivalent in SL and TL.
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Siti Hunadah and Moh Kavin Lidinillah. "Analysis of Translation Techniques and Ideology in Olaf's Frozen Adventure Movie Subtitles." JELP: Journal of English Language and Pedagogy 2, no. 1 (January 31, 2023): 39–53. http://dx.doi.org/10.58518/jelp.v2i1.1470.
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This study aims to identify and analyze translation techniques and translation ideology used by translators in translating subtitle texts in the film Olaf's Frozen adventure. In this study using descriptive qualitative research with data in the form of words, phrases, clauses, sentences containing translation techniques in the subtitle text of the film Olaf's Frozen Adventure. The data collection technique in this study was to use documents and archives, by watching the film Olaf's Frozen Adventure and reading the available subtitles in both the source language and the target language and transcribing. In analyzing the data the steps taken by the researcher are watching and reading the subtitle text of the film Olaf's Frozen Adventure, analyzing translation techniques and translation ideology, and finally drawing conclusions.
Based on the results of the analysis, there are 12 translation techniques used by translators in translating the subtitles of the film Olaf's Frozen Adventure from 133 data. Based on the frequency of use of these techniques are: reduction technique 17, borrowing 9, literal translation 27, equivalent 24, calculus 14, transposition 11, amplification 5, particulation 2, linguistic compression 17, modulation 5, adaptation 1, and generalization 1. applied by translators in translating the subtitles of the film Olaf's Frozen Adventure is the ideology of domestication.
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Gu, Yuanyuan. "An Analysis of the Subtitles of Wednesday from the Perspective of Communicative Translation." Communications in Humanities Research 9, no. 1 (October 31, 2023): 166–74. http://dx.doi.org/10.54254/2753-7064/9/20231176.
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Cultural exchanges have drawn more and more attention in the literature in recent years, in which film and television subtitle translations play an undeniably important role. The study on the English to Chinese subtitles provides a good perspective to reveal the process of cultural exchange and thus is a promising topic to look into. This study investigates the Chinese subtitle translation of the US TV series Wednesday, which is a horror and fantasy drama released on 2022 by Netflix, and the analysis is based on the framework of Peter Newmarks eight translator methods. The translations have been mainly put through the three translation techniques: addition, omission and shift, and three translation methods are found, namely communicative translation, idiomatic translation and free translation. The analysis reveals the target-audience emphasis tendency of the subtitle translation, which is resulted from the translators habit, the purpose of the subtitle translation, the consideration of the audience, etc.
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Liu, Shiyi. "Research on English Translation of Movie Subtitles - Based on the Analysis of the Movie “Mulan”." Journal of Education, Humanities and Social Sciences 24 (December 29, 2023): 78–84. http://dx.doi.org/10.54097/54772q09.
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The English translation of movie subtitles is vital for cross-cultural communication in films. Analyzing the translation of the movie "Mulan" allows for an understanding of the challenges faced in conveying cultural elements, character traits, and plot nuances. This research explores effective translation strategies and techniques, considering factors like humor, slang, and language styles. Evaluating audience feedback further enhances subtitle quality. By focusing on "Mulan," this study aims to improve the accuracy, readability, and naturalness of English movie subtitle translations. This study is based on the film "Mulan" and explores the English translation of film subtitles. Firstly, the background and content of the film are introduced to provide the context for the research. Subsequently, the study focuses on translation strategies for film subtitles and the societal issues present within them, such as gender inequality and stereotyping of women. By analyzing examples of direct translation, adaptation, and subtitles that showcase gender inequality, the challenges and solutions in the translation process are revealed. Based on this analysis, some translation approaches are proposed with the aim of conveying the theme of gender inequality in the film more effectively and reducing the emphasis on female stereotypes. Through the analysis and discussion of this study, theoretical and practical guidance is provided for film subtitle translation and serves as a reference for translating films that address societal issues.
Dissertations / Theses on the topic "Subtitle analysis"
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Jin, Z. "A comparative analysis of film subtitle translation from English to Chinese : a case study of 15 popular animation films." Thesis, University of Salford, 2017. http://usir.salford.ac.uk/43726/.
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As film-making has evolved, subtitling has become “a translation practice that consists of presenting a written text, generally on the lower part of the screen”, which seeks to deliver “the original dialogue of the speakers” (Diaz-Cintas and Remael 2007: 8). Subtitle translation in the field of Audiovisual Translation has attracted increasing interest from scholars, who believe that the quality of subtitling is an important criterion when evaluating the quality of a film. Inspired by Even-Zohar’s (1978) polysystem theory and Gottlieb’s (1992) typology, this comparative study focuses on the subtitling of English-language animation films, which represent one of the main foreign film genres introduced to Chinese audiences, in order to identify effective strategies to improve the quality of translated subtitles from the perspective of cultural awareness. I propose three main hypotheses in this research: 1) that the length of a film subtitle translated into Chinese is generally greater than the corresponding original English text; 2) that effective translation is contingent on the use of Chinese idioms and traditional expressions within translated subtitles; 3) that effective translation is contingent on the use of popular expressions within contemporary Chinese culture. The methodologies employed to address these hypotheses are: a self-built parallel corpus (as the main research tool) comprising 15 sets of animation film subtitles; a questionnaire survey; and interviews with relevant AVT practitioners and scholars. The research findings are: 1) the length of a film subtitle translated into Chinese is generally greater than the corresponding original English text; 2) the two discussed types of expression are effectively employed in the data; 3) unnecessary, erroneous or inappropriate uses, among others, were highlighted by the data; 4) the frequency of using popular expressions is higher than for traditional expressions; 5) there is frequent use of the typology strategies of paraphrase, transfer, condensation and transcription, as well as newer strategies of globalization and localization.
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Martín-Castaño, Mónica. "Translating Disney songs from The Little Mermaid (1989) to Tarzan (1999) : an analysis of translation strategies used to dub and subtitle songs into Spanish." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/91531/.
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The area of audiovisual translation indisputably awakens a growing interest amongst scholars. However, the study of the translation of songs in an audiovisual context (AVC) has not been thoroughly explored. The purpose of this research is to offer a descriptive analysis on the area of translating songs (from English into Spanish) in an AVC. In particular, the research focuses on the translation of the songs included in nine animated Disney films from the Disney Renaissance Period (1989-1999). The study assesses how non-linguistic elements such as rhyme, rhythm, images or lip synchrony affect the task of translating songs by observing specific practical examples. Both subtitling and dubbing are analysed as translation practices. The different constraints involving each form of translation are assessed. Furthermore, the thesis offers a descriptive analysis of strategies used in the translation of songs in AVCs. This study highlights the importance of assessing the impact of non-linguistic elements in future studies on the translation of vocal music in AVCs and aims to provide a model for the contrastive analysis of song lyrics between the ST and the TT.
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Silvester, Hannah. "Translating banlieue film : an integrated analysis of subtitled non-standard language." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30976/.
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This thesis examines the subtitling of films depicting the French banlieue into English. The banlieues are housing estates situated on the outskirts of large towns and cities, and are primarily home to the underprivileged, and immigrants to France or their descendants. The sociolect spoken in the banlieue differs from standard French in terms of grammar, lexicon and pronunciation. Three films released between 2000 and the present day are studied; La squale (Genestal, 2000), L'esquive (Kechiche, 2003) and Divines (Benyamina, 2016). A new integrated methodology is developed, which examines the films within their broader contexts of release, and in light of paratextual material contributing to the context of reception, and to the viewer's understanding of the topic at hand. Directors representing the banlieue on screen generally do so with a view to provoking thought or public discussion in relation to the banlieues. In addition to macro- and micro-contextual analysis of the films and subtitles, the work is underpinned by an examination of the subtitling situation, encompassing the views and experiences of subtitlers working on banlieue film, and technical analysis of the subtitles in terms of readability. Through interviews of professional subtitlers, and close technical analysis of the subtitles, this research is contextualised within the industry, and within current conventions and guidelines. Close analysis of subtitles and the translation solutions they present reveals that some of the socio-political messages presented in the films may not be evident to a non-French speaking viewer of the English-subtitled versions. Although the informal nature of many conversations featuring the langage de banlieue is sometimes clear in the subtitled version, the unique sociolect of the characters is not. In two of the case study films, a dialect-for-dialect approach was adopted, where African American vernacular English was used in the subtitles to demonstrate the use of non-standard language. However, it is argued that ultimately, this dialect-for-dialect approach, combined with cultural similarities between the French banlieue and American street culture, could lead the British Anglophone viewer to negotiate the banlieues and those who live there via their knowledge of American street culture. This could contribute to American cultural hegemony, and does not convey the specificity of France's banlieues as cultural melting pots.
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Lu, Ching-Ting. "Analysis of English subtitles produced for the Taiwanese movie Cape No.7." AUT University, 2010. http://hdl.handle.net/10292/870.
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The purpose of this thesis is to explore how the approaches identified for the translation of Taiwanese Mandarin dialogues into English subtitles is different from those described in research studies which examined the translation of English film dialogues into Mandarin subtitles using data gathered from a Taiwanese movie entitled Cape No. 7. Taiwanese Mandarin is significantly influenced by the Tai-yu dialect, and in order to carry out the translation of Taiwanese Mandarin, it is important to deal with the functions of the dialect and related culture-specific items (CSIs). Therefore, the researcher of this thesis has investigated whether the translator of Cape No. 7 successfully applied a variety of translation strategies and prioritized the translation criteria well, to enable the target audience to receive the same message of the film as the source audience, especially when subtitling is constrained by time and space. There are two research areas which have been examined: slang and humour. The data analysis of slang scenes included Tai-yu slang and swearing, while humorous scenes were divided into three areas: puns, irony and metaphor. The research data have been analysed by means of analysis diagrams, which were trialled in a pilot study, described in Chapter Three. The pilot study lead to a new categorization based on previous researchers’ taxonomies (Aixelá, 1996; Davies, 2003; Tveit and Fong 2005, as cited in Yang, 2006), and this was applied to the analysis diagrams. According to the findings from the analysis chapters (Chapter Four & Five), the translator of Cape No. 7 preferred to use mostly the paraphrasing strategy in translating Tai-yu slang and humour, and the synonymy strategy in conveying swearing. In addition, the translator often strengthened swear words rather than toning them down in the English subtitles. However, when subtitling humorous scenes, the translator preferred to incorporate two strategies to deal with the cultural barriers when conveying the humorous effect. The compensation strategy was not used often in slang translation. In regard to the translation criteria, pragmatics and accuracy appeared to have been deemed more important by the translator than other criteria. Surprisingly functional equivalence did not seem to have been the translator’s first priority, as suggested by earlier research. Overall, this research study appeared to show that the translator of Cape No. 7 considered the paraphrase strategy to be the most efficient strategy for maintaining CSIs, and that pragmatics and accuracy were the translator’s most important criteria, which differs from the findings of previous research studies.
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Bengtsson, Sara. "Bokomslagets betydelse : En paratextanalys av fem populära böcker valda avelever i årskurs 5." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-65333.
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The aim of the study is to apply a paratext analysis to investigate what it is in thepackaging of books that can appear attractive to children and what are the distinctiveshared features of popular pupil choices among books. The analysis consists of anexamination of each book and then a comparative section. The analytical categories arethe title and subtitle, author’s name, publisher’s information, cover pictures, the backcover, the spine, the format of the book, endpapers, and the series emblem. Thetheoretical premises are hermeneutics and semiotic interpretations of signs. The studyproceeds from Genette’s concepts of paratext, peritext and epitext. A prominent common feature of the books was series emblems in the form ofmain titles and colours. Another significant conclusion is that the cover often depictssome climactic event in the content of the book. The content and the cover mustharmonize so that the reader will not feel disappointed. The didactic conclusions are thatteachers must have a good understanding of the effect a book cover can have on pupils.Often teachers try to motivate pupils by telling them about the exciting content, but ifthe pupil is not motivated by the paratext, the threshold will be too high. It is of greatrelevance that teachers offer pupils several different books with varying paratexts.
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Ouenniche, Kaouther. "Multimodal deep learning for audiovisual production." Electronic Thesis or Diss., Institut polytechnique de Paris, 2023. http://www.theses.fr/2023IPPAS020.
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Dans le contexte en constante évolution du contenu audiovisuel, la nécessité cruciale d'automatiser l'indexation et l'organisation des archives s'est imposée comme un objectif primordial. En réponse, cette recherche explore l'utilisation de techniques d'apprentissage profond pour automatiser l'extraction de métadonnées diverses dans les archives, améliorant ainsi leur accessibilité et leur réutilisation. La première contribution de cette recherche concerne la classification des mouvements de caméra. Il s'agit d'un aspect crucial de l'indexation du contenu, car il permet une catégorisation efficace et une récupération du contenu vidéo en fonction de la dynamique visuelle qu'il présente. L'approche proposée utilise des réseaux neuronaux convolutionnels 3D avec des blocs résiduels. Une approche semi-automatique pour la construction d'un ensemble de données fiable sur les mouvements de caméra à partir de vidéos disponibles au public est également présentée, réduisant au minimum le besoin d'intervention manuelle. De plus, la création d'un ensemble de données d'évaluation exigeant, comprenant des vidéos de la vie réelle tournées avec des caméras professionnelles à différentes résolutions, met en évidence la robustesse et la capacité de généralisation de la technique proposée, atteignant un taux de précision moyen de 94 %.La deuxième contribution se concentre sur la tâche de Vidéo Question Answering. Dans ce contexte, notre Framework intègre un Transformers léger et un module de cross modalité. Ce module utilise une corrélation croisée pour permettre un apprentissage réciproque entre les caractéristiques visuelles conditionnées par le texte et les caractéristiques textuelles conditionnées par la vidéo. De plus, un scénario de test adversarial avec des questions reformulées met en évidence la robustesse du modèle et son applicabilité dans le monde réel. Les résultats expérimentaux sur MSVD-QA et MSRVTT-QA, valident la méthodologie proposée, avec une précision moyenne de 45 % et 42 % respectivement. La troisième contribution de cette recherche aborde le problème de vidéo captioning. Le travail introduit intègre un module de modality attention qui capture les relations complexes entre les données visuelles et textuelles à l'aide d'une corrélation croisée. De plus, l'intégration de l'attention temporelle améliore la capacité du modèle à produire des légendes significatives en tenant compte de la dynamique temporelle du contenu vidéo. Notre travail intègre également une tâche auxiliaire utilisant une fonction de perte contrastive, ce qui favorise la généralisation du modèle et une compréhension plus approfondie des relations intermodales et des sémantiques sous-jacentes. L'utilisation d'une architecture de transformer pour l'encodage et le décodage améliore considérablement la capacité du modèle à capturer les interdépendances entre les données textuelles et vidéo. La recherche valide la méthodologie proposée par une évaluation rigoureuse sur MSRVTT, atteignant des scores BLEU4, ROUGE et METEOR de 0,4408, 0,6291 et 0,3082 respectivement. Notre approche surpasse les méthodes de l'état de l'art, avec des gains de performance allant de 1,21 % à 1,52 % pour les trois métriques considérées. En conclusion, ce manuscrit offre une exploration holistique des techniques basées sur l'apprentissage profond pour automatiser l'indexation du contenu télévisuel, en abordant la nature laborieuse et chronophage de l'indexation manuelle. Les contributions englobent la classification des types de mouvements de caméra, la vidéo question answering et la vidéo captioning, faisant avancer collectivement l'état de l'art et fournissant des informations précieuses pour les chercheurs dans le domaine. Ces découvertes ont non seulement des applications pratiques pour la recherche et l'indexation de contenu, mais contribuent également à l'avancement plus large des méthodologies d'apprentissage profond dans le contexte multimodalWithin the dynamic landscape of television content, the critical need to automate the indexing and organization of archives has emerged as a paramount objective. In response, this research explores the use of deep learning techniques to automate the extraction of diverse metadata from television archives, improving their accessibility and reuse.The first contribution of this research revolves around the classification of camera motion types. This is a crucial aspect of content indexing as it allows for efficient categorization and retrieval of video content based on the visual dynamics it exhibits. The novel approach proposed employs 3D convolutional neural networks with residual blocks, a technique inspired by action recognition methods. A semi-automatic approach for constructing a reliable camera motion dataset from publicly available videos is also presented, minimizing the need for manual intervention. Additionally, the creation of a challenging evaluation dataset, comprising real-life videos shot with professional cameras at varying resolutions, underlines the robustness and generalization power of the proposed technique, achieving an average accuracy rate of 94%.The second contribution centers on the demanding task of Video Question Answering. In this context, we explore the effectiveness of attention-based transformers for facilitating grounded multimodal learning. The challenge here lies in bridging the gap between the visual and textual modalities and mitigating the quadratic complexity of transformer models. To address these issues, a novel framework is introduced, which incorporates a lightweight transformer and a cross-modality module. This module leverages cross-correlation to enable reciprocal learning between text-conditioned visual features and video-conditioned textual features. Furthermore, an adversarial testing scenario with rephrased questions highlights the model's robustness and real-world applicability. Experimental results on benchmark datasets, such as MSVD-QA and MSRVTT-QA, validate the proposed methodology, with an average accuracy of 45% and 42%, respectively, which represents notable improvements over existing approaches.The third contribution of this research addresses the multimodal video captioning problem, a critical aspect of content indexing. The introduced framework incorporates a modality-attention module that captures the intricate relationships between visual and textual data using cross-correlation. Moreover, the integration of temporal attention enhances the model's ability to produce meaningful captions, considering the temporal dynamics of video content. Our work also incorporates an auxiliary task employing a contrastive loss function, which promotes model generalization and a deeper understanding of inter-modal relationships and underlying semantics. The utilization of a transformer architecture for encoding and decoding significantly enhances the model's capacity to capture interdependencies between text and video data. The research validates the proposed methodology through rigorous evaluation on the MSRVTT benchmark,viachieving BLEU4, ROUGE, and METEOR scores of 0.4408, 0.6291 and 0.3082, respectively. In comparison to state-of-the-art methods, this approach consistently outperforms, with performance gains ranging from 1.21% to 1.52% across the three metrics considered.In conclusion, this manuscript offers a holistic exploration of deep learning-based techniques to automate television content indexing, addressing the labor-intensive and time-consuming nature of manual indexing. The contributions encompass camera motion type classification, VideoQA, and multimodal video captioning, collectively advancing the state of the art and providing valuable insights for researchers in the field. These findings not only have practical applications for content retrieval and indexing but also contribute to the broader advancement of deep learning methodologies in the multimodal context
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Jones, Nathan. "Subtitling: An Analysis of the Process of Creating Swedish Subtitles for a National Geographic Documentary about Mixed Martial Arts." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-21580.
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This study is an analysis of the process of creating subtitles for the National Geographic documentary Fight Science: Mixed Martial Arts. The difficulties encountered during this project have included the translation of subject-specific terminology, the handling of source-text mistakes and the process of deciding how to condense the spoken dialogue when writing the subtitles. By studying these issues, certain conclusion can be drawn about the difficulties encountered when creating subtitles and translating texts with subject-specific terminology. The study is primarily based on the theories of Runo Ingo (2007), Vinay & Darbelnet (1977) and Chesterman & Wagner (2002). To find appropriate translations for subject-specific terminology, it is important to understand which translation device should be used (for example a loan or literal translation) through the examination of parallel texts and it is important that the translator be familiar with this terminology. How to properly handle mistakes in the source material depends greatly on the situation, the text concerned and the translator’s judgment. Decisions about which information can be omitted can be based on the information’s importance to the overall understanding of the show or the implicit nature of the information. The science of translation can be considered vague, but there exist theories and principles to aid translators when making such touch decisions as those encountered during this project.
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Mujaddadi, A. "Recontexualising racial slurs from English to Arabic : a comparative analysis of subtitles in relation to translation strategies and socio-cultural norms." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3011717/.
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Although Audiovisual Translation (AVT) studies have proliferated in the past two decades, studies that tackle AVT in Arabic are still in their early stages. More specifically, very few studies investigate subtitling as a norm-governed, micro-level process that reflects macro-level, socio-cultural structures. Therefore, this thesis investigates the subtitling of racial slurs from English to Arabic by utilising the principles of Critical Discourse Analysis (CDA) and Descriptive Translation Studies (DTS). It seeks to identify the main subtitling strategies that Arab subtitlers use to translate racial slurs in English-language films into Arabic and the ideological underpinnings behind those strategies. Racial slurs are seen as aspects of lingua-culture; their occurrence represents the ideologies of race and racism that operate within a given socio-culture. This study shows that racial slurs serve as tools for characterisation through stereotyping. Moreover, the study demonstrates how racial slurs are a manifestation of the audience design involved in producing a film’s script. A dataset that consists of 556 racial slurs found in 102 films which were recorded from Arab satellite channels is compiled. The study identifies transfer, decimation, imitation, resignation, and omission as the main strategies that Arab subtitlers use in translating racial slurs. After the main subtitling strategies have been identified, the dataset is approached from the angle of racial categories targeted by racial slurs. This approach forms the basis of the in-depth, qualitative analysis of several representative scenes from the films under investigation. First, the analysis focuses on racial slurs targeting Blacks, which are the most recurring in the dataset. Then I analyse the sporadic racial categories of Whites, Asians, Latinos, and Jews. Finally, I focus on racial slurs that target Arabs and Muslims, as these groups represent the members of the audience in the Arab socio-culture. The analysis shows that the subtitling strategy of transfer is more prone to be used with racial slurs that have readily available equivalents in Arabic, such as those that target Blacks and Jews. Reduction strategies are used more frequently with sporadic racial categories and with those categories in which finding an equivalent in Arabic poses a challenge. I argue that the subtitling of racial slurs represents a process in which slurs are entextualised from their original contexts and their linguistic and lingua-cultural layers thereby altered. This process serves as an index of the different ideologies of racism that exist in Western and Arab socio-cultural contexts. It also manifests the role of patronage in controlling the subtitling industry and the subtitled product that reaches Arab audiences. It can be suggested that Arab subtitlers tend to apply domestication as a governing norm in the subtitling of racial slurs, as the acceptability of the subtitled text for the Arab audience seems to be the main priority for subtitlers.
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Prajapati, Rohit. "Analysis of the Bacillus subtils sporulation protein SpoVM and its interaction with the multifunctional protease FtsH." Thesis, Royal Holloway, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405110.
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Champetier, Tiphaine. "Deep Learning pour l’identification de différences phénotypiques visuelles subtiles entre lignées neuronales, modèles de la maladie de Parkinson." Electronic Thesis or Diss., Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLE037.
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Le criblage à haut contenu connaît un essor important depuis le milieu des années 2000. Cette technologie est d’un intérêt primordial pour l’industrie pharmaceutique car elle permet en principe la découverte de molécules à visée thérapeutique pour des maladies dont les voies moléculaires sont mal identifiées. Jusqu’à présent un phénotype cellulaire mesurable doit au préalable être identifié afin d'évaluer l’effet d’une banque de composés sur celui-ci. Du point de vue de l’analyse d’image, les cellules traitées sont détectée automatiquement sur des centaines de milliers d’images et des mesures de descripteurs permettent de différencier finement les traitements effectifs par rapport à un contrôle négatif. En collaboration avec les entreprises Ksilink et Sanofi, nous avons été confrontés à un nouveau type de crible à haut contenu pour identifier des composés efficaces contre la maladie de Parkinson. Celui-ci, présentant des images de neurones, rendait caduque l’analyse dépendant d’une segmentation robuste des cellules. Par ailleurs, grâce à des techniques de différentiation cellulaire et d’édition de génome, les contrôles du modèle cellulaire sont deux cultures de neurones, isogéniques à une mutation près : la mutation GS2019 induisant la maladie. Néanmoins, l’hétérogénéité propre à ces cellules de forme complexe, et les différences fines entre les deux lignées isogéniques ne permettent pas à l’œil humain l’identification de deux phénotypes distincts. Dans le but de permettre la mise en évidence automatique des différences entre phénotypes, nous avons proposé d’employer des approches de deep learning. Ce travail s’est décomposé principalement en deux étapes. La première étape a consisté à identifier une architecture de réseau capable de classifier des images de neurones. Nous avons appris que les cultures de neurones montraient des différences de phénotype de manière très hétérogène et donc pas systématique. La deuxième étape a consisté à proposer des méthodes pour expliquer et interpréter les différences subtiles de phénotype, ceci afin de s’assurer que le crible soit effectué sur la base d’une différence avérée entre phénotypes et non sur la base d’un biais technique. Partant du principe que les différences entre phénotypes neuronaux sont difficiles à appréhender visuellement entre deux images différentes du à la grande variabilité naturelle des neurones, nous proposons l’idée que la transformation d’une même image d’un phénotype à un autre peut représenter une approche intéressante. En effet, nous montrons qu'il est possible d'entraîner des réseaux antagonistes à transformer une image de neurone non porteur de la mutation en neurone porteur et inversement. De cette façon, nous avons pu mettre en évidence des potentiels biais de l’assay mais également ce que nous pensons être de véritables différences morphologiques liés à la mutation pathologique auparavant invisiblesHigh-content screening has experienced a significant growth since the mid-2000s. This technology is of primary interest to the pharmaceutical industry as it allows in principle the discovery of therapeutic molecules for diseases whose molecular pathways are poorly identified. Until now, a measurable cell phenotype must first be identified in order to evaluate the effect of a compound library on it. From an image analysis point of view, treated cells are automatically detected in hundreds of thousands of images and measurements of descriptors allow to finely differentiate effective treatments from a negative control. In collaboration with the companies Ksilink and Sanofi, we have been confronted with a new type of high-content screen to identify compounds effective against Parkinson's disease. This one, presenting images of neurons, made analysis dependent on robust cell segmentation obsolete. In addition, using cell differentiation and genome editing techniques, the controls of the cell model are two neuron cultures, isogenic but for one mutation: the GS2019 mutation that induces the disease. Nevertheless, the heterogeneity of these complex cells and the fine differences between the two isogenic lines do not allow the human eye to identify two distinct phenotypes. In order to allow the automatic detection of differences between phenotypes, we have proposed to use deep learning approaches. This work was mainly divided into two steps. The first step consisted in identifying a network architecture capable of classifying neural images. We learned that neuron cultures show phenotype differences in a very heterogeneous and therefore not systematic way. The second step consisted in proposing methods to explain and interpret subtle differences in phenotype, to ensure that the screening is performed on the basis of a proven difference between phenotypes and not on the basis of a technical bias. Based on the premise that differences between neuronal phenotypes are difficult to visually apprehend between two different images due to the high natural variability of neurons, we propose the idea that transforming the same image from one phenotype to another may represent an interesting approach. Indeed, we show that it is possible to train antagonistic networks to transform an image of a neuron that does not carry the mutation into a neuron that carries it and vice versa. In this way, we have been able to highlight potential assay biases but also what we believe to be true morphological differences related to the pathological mutation that were previously invisible
Books on the topic "Subtitle analysis"
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Incorporated, DPRA, and United States. Office of Solid Waste. Economics, Methods, and Risk Assessment Division, eds. Background documents for the cost and economic impact analysis of listing four petroleum refining wastes as hazardous under RCRA subtitle C. Washington, D.C: Office of Solid Waste, Economics, Methods and Risk Assessment Division, U.S. Environmental Protection Agency, 1998.
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Jin, Zhuo. A comparative analysis of film subtitle translation from English to Chinese: A case study of 15 popular animation films = Dian ying zi mu Ying Han fan yi li lun de dui bi xing yan jiu : yi 15 bu liu xing dong hua dian ying shuang yu zi mu wei li. Shanghai Shi: Fu dan da xue chu ban she, 2018.
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Marie, Biscio, and Ní Mhainnín Máire Áine, eds. Audiovisual translation: Subtitles and subtitling : theory and practice. Oxford: Peter Lang, 2011.
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The New Weibull Handbook,Fourth Edition, Subtitle, Reliability & Statistical Analysis for Predicting Life, Safety, Survivability, Risk, Cost and Warranty Claims. 4th ed. Robert B Abernethy, 2000.
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Lim, Song Hwee. Taiwan Cinema as Soft Power. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197503379.001.0001.
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This book seeks to understand cinema as a form of soft-power tool. It proposes Taiwan as a prime example of cinema’s effect in assisting a small nation gain prominence on the international stage. It maps Taiwan’s cinematic output in the twenty-first century through the three keywords in the book’s subtitle—authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that began in the early 1980s and has had a lasting impact upon filmmakers and cinephiles worldwide for nearly 40 years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema’s ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called “little freshness,” which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema’s significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.
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Suganami, Hidemi. The Argument of The Anarchical Society. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198779605.003.0002.
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There are two notable discrepancies in The Anarchical Society: Bull claims that he does not canvass any solution to the problems that humankind faces, yet this is precisely what he does; and contrary to what the book’s subtitle, A Study of Order in World Politics, signifies in his own conceptual vocabulary, and to how he thinks the ‘world political system’ should be studied, the book remains almost exclusively a much more narrowly focused study of international order in the contemporary global ‘international system’. This chapter first analyses the key moves of the book’s argument step by step. It then investigates in detail the underlying sources of the two discrepancies in Bull’s argument to obtain a deeper understanding of his thought structures. A brief concluding section outlines what could fruitfully be done by others to make further contributions to a study of order, and other related goals, in contemporary world politics.
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NDONGO-KELLER, Justine, Évariste NTAKIRUTIMANA, Mame THIERNO CISSE, and Marc VAN CAMPENHOUDT, eds. La traduction et l’interprétation en Afrique subsaharienne : les nouveaux défis d’un espace multilingue. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.9782813003898.
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Cet ouvrage collectif rassemble quatorze contributions scientifiques consacrées à La traduction et l’interprétation en Afrique subsaharienne. Le sous-titre Les nouveaux défis d’un espace multilingue se situe au cœur des préoccupations des auteurs, qui allient souvent une expérience professionnelle indéniable à leur statut universitaire. Rédigées en français et en anglais, leurs analyses couvrent au moins sept pays différents, lorsqu’elles ne décrivent pas des réalités et des défis qui transcendent largement les frontières. Les problématiques abordées sont nombreuses et étroitement imbriquées : enseignement multilingue, formation professionnelle des interprètes et des traducteurs, interprétation communautaire, besoins des administrations et des organisations internationales, création de ressources lexicales, ingénierie linguistique… This collective work contains fourteen scientific contributions related to Translation and Interpretation in Sub-Saharan Africa. The subtitle ‘The New Challenges in a Multilingual Space’ is at the heart of the concerns of the authors, who often blend their undeniable professional experience with their university status. Their analyses, written in French and English, cover at least seven different countries, and sometimes describe realities and challenges that largely transcend borders. Numerous issues that are closely intertwined are addressed including multilingual education, professional training of interpreters and translators, community interpreting, the needs of governments and international organizations, the development of lexical resources, language engineering, etc.
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Greenwald, Roy. Shifting Places. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0011.
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This chapter examines representations of sand in pre-state Hebrew poetry. It first considers the poem “A Small Letter” (1894), subtitled “From the Diaspora to My Brothers in Zion,” by Hayim Nahman Bialik, who describes the diaspora as unstable ground on which permanent residence is impossible. It then discusses changes in the Yishuv’s attitude toward the geographical space of Eretz Israel in the 1920s and how these relate to the evolving political structure of the Yishuv. It also analyzes the poetry of the Third Aliyah, including Avot Yeshurun’s Hunger and Thirst, in which the sand draws its meaning from place. The chapter suggests that the poetry of the Third Aliyah portrays Tel Aviv as a text written on sand, and that such portrayal is intertwined with the city’s location on the coast.
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Meško, Gorazd, and Rok Hacin, eds. Criminal Justice and Security in Central and Eastern Europe: The United Nations Sustainable Development Goals – Rural and Urban Safety and Security Perspectives, Book of Abstracts. University of Maribor Press, 2023. http://dx.doi.org/10.18690/um.fvv.6.2023.
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The fourteenth international biennial conference Criminal Justice and Security in Central and Eastern Europe, organised by the Faculty of Criminal Justice and Security, University of Maribor (UM FCJS) on 12–14 September 2023, is subtitled The United Nations Sustainable Development Goals – Rural and Urban Safety and Security Perspectives and addresses current challenges related to the UN SDGs and the provision of security in local communities. Topics of the conference are related to a research project of the UM FCJS on local safety and security – rural and urban perspectives (2019-20124) based on the UN SDGs that aim at the development of democratic societies trying to achieve seventeen ambitious goals globally. The conference is also a milestone that signifies thirteen years of membership of the UM FCJS in the United Nation’s Academic Impact Network (UNAI). The book of abstracts includes more than sixty abstracts of papers presented at the conference. The main topics of this year’s conference are rural criminology, criminal justice, policing, covid-19, crime, criminality, crime prevention, perception of crime, crime analysis, safety, security, community (oriented) policing, victimology and penology. Thanks for this great academic event go to the programme and organising committees, authors, participants and conference supporters nationally and internationally.
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Levinson, Marjorie. Thinking Through Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.001.0001.
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This is a work of and about literary criticism. Its title signals a contribution to debates about reading. We think “through”—“by means of,” “with”—poems, sympathetically elaborating their surfaces. We “think through” poems to their end—solving a problem, getting to their roots. And we “think through” to “go beyond,” in a philosophical, speculative criticism to which the poem carries us. All three meanings of “through” are in play throughout. The subtitle applies “field” first to Romantic studies—offering new readings of canonical British Romantic poems to address contemporary topics (depth vs. surface, formalism’s return, materialism, theory vs. history of lyric), and narrating, enacting, and conceptualizing the arc of the field’s scholarship since the 1980s. Examples are drawn especially from Wordsworth, but also from Coleridge and, for Romanticism’s afterlife, from Stevens. In addition, “field” indicates the shift during that time-span from a unitary to a field-concept of form, a concept that synthesizes form and history, privileges analytic scale, and displaces entity (text) by “relation” as object of investigation. Connecting early 19th-century intellectual trends to antecedents in Spinoza and related 20th/21st-century revolutions in the postclassical sciences, the book introduces new models to literary study. Unlike accounts of science’s influence on literature, or various “literature + X” approaches (literature and ecology, literature and cognitive science), it constructs its object in a way cognate with work in non-humanities disciplines, thus highlighting a certain unity to knowledge. The claim is that literary critics can renew understanding of their own field by studying the thinking of certain scientific communities.
Book chapters on the topic "Subtitle analysis"
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St. John, Karen. "Acceptability of Risk: Vinyl Chloride and RCRA Subtitle D, Potential Decision Framework." In The Analysis, Communication, and Perception of Risk, 459–68. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-2370-7_47.
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Chen, Jinhua. "An Analysis of Film Subtitle Translation from the Perspective of Intercultural Communication." In Advances in Intelligent Systems and Computing, 739–46. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98776-7_86.
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Lim, Wootaek, Inseon Jang, and Chunghyun Ahn. "Dynamic Subtitle Authoring Method Based on Audio Analysis for the Hearing Impaired." In Lecture Notes in Computer Science, 53–60. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-08596-8_9.
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Messerli, Thomas C., and Miriam A. Locher. "Chapter 10. Contrastive analysis of English fan and professional subtitles of Korean TV drama." In Pragmatics and Translation, 221–48. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.337.10mes.
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We compare fan subtitles and subtitles produced by professionals in order to detect what concepts each of them foreground, and how they differ in register and in translation strategy. Differences are systematically explored with the help of corpus-assisted discourse analysis to contrast two sets of English subtitles from 26 Korean dramas and 451 episodes – fan subtitles from Viki and professional subtitles from Netflix. Results reveal that professional translators show more target text orientation, whereas fan translators position themselves and their readers as expert members of their community, aiming for access to the source text. We find no clear difference in register, but professional subtitles are more concise, whereas Viki subtitles are longer and employ, e.g., hedges and disfluency markers.
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Guillot, Marie-Noëlle. "Film subtitles and the conundrum of linguistic and cultural representation." In Contrastive Media Analysis, 101–22. Amsterdam: John Benjamins Publishing Company, 2012. http://dx.doi.org/10.1075/pbns.226.07gui.
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Buljan, Ivan. "Research Procedures." In Collaborative Bioethics, 31–47. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-22412-6_3.
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AbstractThis chapter offers a guide on how to implement good research practices in research procedures, following the logical steps in research planning from idea development to the planning of analysis of collected data and data sharing. This chapter argues that sound research methodology is a foundation for responsible science. At the beginning of each part of the chapter, the subtitles are formulated as questions that may arise during your research process, in the attempt to bring the content closer to the everyday questions you may encounter in research. We hope to stimulate insight into how much we can predict about a research study before it even begins. Research integrity and research ethics are not presented as separate aspects of research planning, but as integral parts that are important from the beginning, and which often set the directions of research activities in the study.
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Grubner, Bernadette. "„Es gibt eine Art moralischen Handelns, bei der die Moral in die Binsen geht!“ Zur Axiologie in Günter de Bruyns Buridans Esel (1968)." In Abhandlungen zur Literaturwissenschaft, 187–204. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05764-8_12.
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ZusammenfassungIst Günter de Bruyns Buridans Esel (1968) ein sozialistischer Ehebruchsroman, der die Verfehlungen eines egozentrischen Bibliothekars vor dem Hintergrund der konsoliderten DDR-Gesellschaft nachzeichnet, oder eine subtile Gesellschaftskritik, die sich gegen den real existierenden Sozialismus wendet? In den Rezeptionszeugnissen lassen sich beide Auffassungen finden. Der vorliegende Beitrag zeigt, worauf diese höchst unterschiedlichen Lesarten zurückzuführen sind, indem er den Roman im Hinblick auf seine Wertorientierung untersucht – also die Frage, wer oder was im Text moralisch verurteilt oder affirmiert wird. Durch eine genaue Analyse der Erzählweise wird gezeigt, dass die Bewertung des Figurenverhaltens durch gezielte Strategien der Sympathieerzeugung und Entlarvung in der Schwebe gehalten wird. Dadurch entsteht gelegentlich der Eindruck axiologischer Unzuverlässigkeit, den die genaue Analyse allerdings nicht bestätigt. Der Text ordnet weder dem Verhalten der Hauptfigur noch der sozialistischen Gesellschaft als solcher widerspruchsfreie Werte zu. Stattdessen wird die Frage der Beurteilung des Geschilderten konsequent an den Leser und die Leserin zurückgespielt.
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Brabant, Dominik. "Vieldeutige Begegnungen und latente Wirkkräfte." In Ästhetische Eigenlogiken des europäischen Genrebildes, 119–46. Bielefeld, Germany: Bielefeld University Press / transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468982-005.
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In diesem Beitrag wird der Versuch unternommen werden, Bildphänomene der Temporalität, der Ambiguität und der Latenz bei einigen Wahrsagerinnen-Szenen des französischen Caravaggisten Valentin de Boulogne herauszuarbeiten. Dabei wird der Akzent der Analyse auf die wechselseitige Verschränkung dieser Aspekte gelegt. Dies lässt sich besonders gut im Vergleich mit Gemälden des gleichen Motivs von Zeitgenossen darlegen, etwa von Caravaggio oder Bartolomeo Manfredi. Dabei soll aufgezeigt werden, dass diese Phänomene bei allen hier zu betrachtenden Künstlern jeweils wichtige Rollen für die dadurch ermöglichte Rezeption der Genreszenen spielen. Demgegenüber gilt es aber, die jeweils unterschiedlichen Ausformulierungen von Verzeitlichung, Vieldeutigkeit und der Inszenierung des Verborgenen oder Nicht-Sichtbaren differenziert zu betrachten. So wird der Blick auf Valentins spezifische Auffassung von Genremalerei gerichtet, die er als eine Art Bildraum von latent wirkenden und ambivalenten Kräften zu begreifen schien. Mit seiner psychologisch subtilen Schilderung, aber auch durch kompositorische und stilistische Raffinessen ist es dem Künstler gelungen, komplexe Interaktionen zwischen den gemalten Figuren, aber auch ein breites Register an unterschiedlichen Bewusstseinszuständen und Intentionen zu inszenieren, ohne dabei dem Publikum allzu klare oder gar eindeutige Lesarten der dargestellten Szenen aufzuzwingen.
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Kimmons, Royce, and Ross Larsen. "Research Impact Metrics." In 50 Years of Education Research Trends, 133–45. EdTech Books, 2021. http://dx.doi.org/10.59668/226.4065.
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By analyzing 50 years of citation counts of 51,281 research articles across 86 education journals in conjunction with textual analysis of article titles and abstracts, we explore how a variety of article features, such as title length, use of a subtitle, reading difficulty, and open access status, have historically influenced the impact of education research articles. Results indicate that (a) shorter titles are more likely to be cited than long titles, (b) articles with subtitles (designated with a colon) are more likely to be cited, (c) articles with lengthy and more technical abstracts are more likely to be cited, and (d) open access status has no effect.
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"Chapter 1. Graphematical analysis." In LINGUISTIC ANALYZER: AUTOMATIC TRANSFORMATION OF NATURAL LANGUAGE TEXTS INTO INFORMATION DATA STRUCTURE, 16–26. St. Petersburg State University, 2019. http://dx.doi.org/10.21638/11701/9785288059278.02.
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Graphematical analysis marks the first stage of text processing. However, prior to it, basic text structuring takes place, resulting in the identification of paragraphs and their types, e.g. title, subtitle, author name(s), chapter and section titles, footnotes, endnotes, figures, appendices, epigraphs, etc. After that, graphematical analysis proper begins. Its aim is to decompose the flow of letter and non-letter graphemes into character strings such as individual words, abbreviations, numbers, and hybrid strings (e.g. mathematical formulae). The procedure implies an iterative process of unit assembling, from individual characters to what is called atoms, next to tokens (roughly equivalent to word occurrences), sentence parts and finally, a whole sentence. At every stage, each unit is assigned its type. Assembling relies on the rules based solely on a thorough structural analysis of context. No formal models or statistical methods are applied, this being a central principle of the linguistic analyzer, inherent in all its algorithms. At this stage, complications arise primarily through the ambiguity of punctuation marks. They are discussed at length throughout the chapter.
Conference papers on the topic "Subtitle analysis"
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Davoudi, Mohsen, Mehdi Davoudi, and Nima SeifNaraghi. "Adaptive Subtitle and Caption Coloring Using Fuzzy Analysis." In 2009 WRI World Congress on Computer Science and Information Engineering. IEEE, 2009. http://dx.doi.org/10.1109/csie.2009.841.
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Na'mah, Inayatun, and Sugirin Sugirin. "Analysis of Conversational Implicature in the Hobbit Movies Subtitle." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.150.
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Na'mah, Inayatun, and Sugirin Sugirin. "Analysis of Conversational Implicature in the Hobbit Movies Subtitle." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.257.
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Na'mah, Inayatun, and Sugirin Sugirin. "Analysis of Conversational Implicature in the Hobbit Movies Subtitle." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.43.
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Yudha, Raden Rama Widya Kartika, and Teguh Setiawan. "Techniques and Translation Ideology Analysis in a Political Interview Subtitle." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.59.
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Trahorsch, Petr, and Roman Kroufek. "Environmental visualization of selected Czech regions: analysis of geography textbooks." In 27th edition of the Central European Conference with subtitle (Teaching) of regional geography. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9694-2020-16.
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The aim of this paper is to evaluate the quality of environmental visualization of selected regions in Czech geography textbooks for primary and lower secondary schools. The method of quantitative content analysis of visuals was used. The categories of quantitative analysis were defined based on the content of the environmental and geographical curriculum, for example landscape type, emotional charge etc. The results show a relatively similar structure of environmental visualization between textbooks: emotionally positive visuals showing the protection of cultural-historical heritage and protection of nature dominate. The exception is the Moravskoslezský kraj, which is visually presented in a negative way compared to other regions. In textbooks there are a minimum of abstract visuals or visuals showing the tendencies of environmental components.
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Liang Sang and Jingqi Yan. "Rolling and non-rolling subtitle detection with temporal and spatial analysis for news video." In 2011 International Conference on Modelling, Identification and Control. IEEE, 2011. http://dx.doi.org/10.1109/icmic.2011.5973717.
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Krogmann, Alfred, Magdaléna Němčíková, Ján Veselovský, and Andrej Svorad. "Geographical approach to the analysis of elections on the example of parliamentary elections in Slovakia in 2016." In 27th edition of the Central European Conference with subtitle (Teaching) of regional geography. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9694-2020-8.
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With regard to surprising results of Parliamentary elections in Slovakia their geographic dimension is also important. The aim of this article is to analyze the milieu of elections and the subsequent spatial differentiation of the results of the 8 parties which were successful to enter the Parliament. Election data were processed via the diversification of election preferences, the identification of areas of election support and correlation analysis by means of which the mutual cohesion of individual parties election results was studied. We found out that within the diversification of election preferences the one party dominance – the winning SMER – SD (40 out of Slovakia’s 79 districts) – prevails. Further we have dealt with the identification of areas of political parties support, with emphasis to their core regions.
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Ardi, Havid, Don Narius, and Saunir Saun. "US Hegemony in The Indonesian Subtitle of The Act of Valor? A Critical Discourse Analysis." In Proceedings of the Sixth of International Conference on English Language and Teaching (ICOELT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icoelt-18.2019.10.
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Song, Yapeng. "A Functionalist Analysis of the Film Subtitle Translation. A Case Study of "The Flowers of War"." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.112.
Full textReports on the topic "Subtitle analysis"
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Williams, Diane. Analysis for Phase IV and V Sustained Operations Studies and Development of a Load Carriage Performance Analysis Model. Subtitle: The Effect of Chemical Defense Measures of Sustained Military Operations. Fort Belvoir, VA: Defense Technical Information Center, October 1992. http://dx.doi.org/10.21236/ada266828.
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Throckmorton, Hodges T., and Allan Lundy. Analysis of, Continuation of, and Report on Data Gathered at Dover AFB Mortuary during Operation Desert Storm: ARO Short Term Analysis Service Program (STAS). Subtitle: Anticipated and Actual Stress of Deployment to the Dover AFB Mortuary during Operation Desert Storm. Fort Belvoir, VA: Defense Technical Information Center, October 1992. http://dx.doi.org/10.21236/ada258991.
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