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Wicaksono, Rianto Duta, and Yuli Kuswardani. "Translation analysis of subtitle from English into Indonesian in The Raid 2 Movie." English Teaching Journal : A Journal of English Literature, Language and Education 7, no. 2 (November 24, 2019): 79. http://dx.doi.org/10.25273/etj.v7i2.5439.
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<span>Indonesian movies make foreigners interested to watch it. English subtitle is the solution to make Indonesian movies worldwide. Subtitle’s strategies to make good subtitle is very important to make clear subtitle. The objective of the research are to identify subtitling strategies subtitle used in translating The Raid 2 movie and to describe the subtitling clarity of The Raid 2 movie’s English subtitle. The research method used is descriptive approach. The data are required from three source, they are the script of The Raid 2 movie, the reader evaluation and the expert evaluation. This research uses documentation as the technique of collecting data. The researchers use data, investigator, and theory triangulation to make this research can be trusted. The results of this research show that: (1) there are 11 strategies that subtitle used in translating The Raid 2 movie; (2) the clarity of subtitle in The Raid 2 movie is high. The percentage of subtitling clarity from respondents is 91, 02%. The researchers obtain 41 subtitles included into lowest score, 154 subtitles included into medium score, and 681 subtitles included into high score.</span>
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Qi, Jihang. "Analysis of the Subtitle Translation of The Shawshank Redemption from the Perspective of the Skopos Theory." Journal of Contemporary Educational Research 8, no. 2 (February 25, 2024): 151–56. http://dx.doi.org/10.26689/jcer.v8i2.6153.
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Translation is an important communication skill between different languages. In modern society, audiovisualproducts are distributed to worldwide areas as a popular means of mass media. As the globalization of economy and culture is advancing in the new century, audiovisual subtitle translation plays an increasingly important part. Good subtitles can enhance the audience’s experience of appreciating foreign films and make cultural communication more effective. This thesis conducts a brief survey on the strategies for film subtitle translation using the case study of the famous film The Shawshank Redemption. In this paper, based on Skopos theory, the author made a comprehensive analysis of subtitling activities and pointed out that subtitling, as a specialized area of translation, is not only guided by translation studies but also under the constraints of film properties. The Skopos theory of film subtitle translation is to provide, within the constraints of time and space, a well-translated subtitle that can contribute to a good understanding of what is happening on the screen. In short, the end justifies the means. Therefore, during the process of subtitle translation, the subtitler should take all the factors into consideration to identify the translation purpose, and then adopt corresponding translationstrategies. From this perspective, the author takes the Skopos theory as instruction and applies the reduction and addition method to analyze the film subtitle translation. In the age of globalization, foreign films are increasingly entering people’s lives. Watching foreign films is a popular and effective way to understand foreign cultures. However, in China, subtitle translation has not attracted as much academic attention as it deserves and few theories could be appropriately applied to subtitle translation. Therefore, the author hopes that subtitle translation could be paid more attention in terms of crosscultural communication.
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Aulia, Annisa, and Raden Arief Nugroho. "Comparative Translation Analysis of Subtitle and Dubbing in “Raya and the Last Dragon”." Journal of English Language Teaching and Linguistics 7, no. 3 (December 9, 2022): 577. http://dx.doi.org/10.21462/jeltl.v7i3.953.
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<em>The objectives of this study are (1) to classify the translation techniques used between subtitles and dubbing (2) to identify the quality of the accuracy instrument between subtitles and dubbing (3) to compare the quality of the accuracy instrument that is more accurate to use. The source data is a movie that is limited to the translated utterances that have different translations in subtitle and dubbing versions. This study used a qualitative method with the following steps; (1) Classifying the translation techniques of subtitle and dubbing data based on Molina and Albir’s (2002) classification. (2) Tabulating the comparison of translation techniques between subtitles and dubbing. (3) Identifying the translation quality of accuracy based on the theory of Nababan et al., (4) Drawing conclusions. As a result, both subtitle and dubbing mostly used the established equivalent technique. An established equivalent has a good effect on the quality of accuracy obtained. This technique makes it easier for the audience to understand because it prioritizes the prevalence and naturalness so that the message from SL is conveyed properly. The researcher discovered that dubbing translation is more accurate than subtitle translation. Some subtitle translations are still considered less accurate. The researchers concluded that subtitles are appropriate for adolescents or adults, particularly foreign language learners. Language learners can broaden their knowledge of the language by watching films with subtitles. Meanwhile, dubbing is more appropriate for younger audiences because the language used is typically simpler to comprehend and does not contain swear words or inappropriate words.</em>
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Li, Qun, and Bingwen Sun. "An Analysis of Subtitle Translation of Chang 'an from the Perspective of Skopos Theory." Studies in English Language Teaching 12, no. 2 (April 14, 2024): p22. http://dx.doi.org/10.22158/selt.v12n2p22.
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Movies are carriers of culture and have become an indispensable means of cultural dissemination in today's society. The demand for subtitle translation is also constantly increasing. Subtitle translation in films is constrained by time, space, and culture; therefore, subtitles should be concise and easy to understand. This article analyzed and evaluated the subtitle translation of the Chinese film "Chang 'an" based on three rules of Skopos theory: skopos rules, intratextual coherence and fidelity rule. The translation purpose of the translator is to help the audience have a better viewing experience and accurately convey the information of Chinese subtitles through a concise English translation. When translating Chinese to English subtitles, translators should omit repetitive or plot-irrelevant information, add conjunctions to make the translation smooth and coherent and transform cultural differences.
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Hsiao, Chi-hua. "Annotating as narrative performance in subtitle groups in China." Pragmatics and Society 7, no. 2 (June 7, 2016): 239–64. http://dx.doi.org/10.1075/ps.7.2.04hsi.
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This study examines how subtitlers in underground subtitle groups in China perform skills and display competence in applying the rules around which annotations are built. I argue that by annotating, the act of creating notes, representing information not linguistically coded in the original US TV programs, subtitlers engage in a performative act in concert. Annotations reveal not only subtitlers’ stances toward the contents being translated, but also their metathinking on these contents. The analysis shows that two contradictory forces provide the impetus for annotations. On the one hand, the desire for objectivity refers to subtitlers’ attempts to represent a professional and organized account of how Chinese subtitles are produced in the process of explicating knowledge. On the other hand, the desire for authenticity is implicit in the subtitlers’ narrative of what they actually experience when translating US TV programs.
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Ananda, Fenti Rizki, Diana Chitra Hasan, and Temmy Thamrin. "An Analysis of Translation Procedures Found in the Translation of Movie Subtitle: Zootopia." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 8, no. 1 (March 31, 2019): 11–15. http://dx.doi.org/10.30630/polingua.v8i1.75.
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In this research, the writer attempts to find out the translation procedures in the translation of movie subtitle: Zootopia from English to Indonesian subtitle to determine the intended audience of the movie. The research used a descriptive qualitative method. The data of this research are the utterances or sentences in movie subtitle both English and Indonesian with the source of the data of this research is Zootopia movie. The writer used Indonesian subtitle from the site called subscene where the translators around the world could translate movies into many languages. The data collected by watching the movie with both English and Indonesian subtitles, and categorized the collected data based on each translation procedures of Newmark. The writer figured out that the intended audience is all ages group and the writer also found ten translation procedures used in the movie subtitle: Zootopia. The ten translation procedures are couplets, modulation, paraphrase, reduction, literal translation, cultural equivalent, transference, functional equivalent, naturalisation, transposition/shifts. Based on the findings, it can be concluded that the intended audience of Zootopia movie is all ages group and there are ten from nineteen procedures are found in the movie subtitle: Zootopia.
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Citra, Kesia Ariani, Sulistini Dwi Putranti, and Neneng Sri Wahyuni. "An ANALYSIS OF THE SUBTITLE OF SIMILE AND PERSONIFICATION IN ANNA KARENINA (2012) MOVIE." LINGUA : JURNAL ILMIAH 16, no. 2 (October 31, 2020): 75–93. http://dx.doi.org/10.35962/lingua.v16i2.51.
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The focus of this research is to analyze the subtitle of 2 types of figurative languages; personification and simile, taken from the Anna Karenina movie directed by Joe Wright. This research aims to reveal the types of subtitle strategies applied to translate personification and simile found in the movie. The researcher uses qualitative method and document analysis to explain and describe the data. To analyze personification and simile, the researcher uses the theory of personification and simile proposed by Perrine (1997). Meanwhile, the researcher uses the theory of subtitle strategies proposed by Gottlieb (1992) to analyze the subtitle strategies. The researcher finds that there are 2 data classified as personification and 5 data classified as simile. However, there are 3 of 10 strategies applied to translate personification and simile, those are transfer, decimation and deletion. The result of this research indicates that the most used of the subtitle strategy is transfer. By using transfer strategy, all of the messages in the subtitles are delivered well because there is one on one equivalent in SL and TL.
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Siti Hunadah and Moh Kavin Lidinillah. "Analysis of Translation Techniques and Ideology in Olaf's Frozen Adventure Movie Subtitles." JELP: Journal of English Language and Pedagogy 2, no. 1 (January 31, 2023): 39–53. http://dx.doi.org/10.58518/jelp.v2i1.1470.
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This study aims to identify and analyze translation techniques and translation ideology used by translators in translating subtitle texts in the film Olaf's Frozen adventure. In this study using descriptive qualitative research with data in the form of words, phrases, clauses, sentences containing translation techniques in the subtitle text of the film Olaf's Frozen Adventure. The data collection technique in this study was to use documents and archives, by watching the film Olaf's Frozen Adventure and reading the available subtitles in both the source language and the target language and transcribing. In analyzing the data the steps taken by the researcher are watching and reading the subtitle text of the film Olaf's Frozen Adventure, analyzing translation techniques and translation ideology, and finally drawing conclusions.
Based on the results of the analysis, there are 12 translation techniques used by translators in translating the subtitles of the film Olaf's Frozen Adventure from 133 data. Based on the frequency of use of these techniques are: reduction technique 17, borrowing 9, literal translation 27, equivalent 24, calculus 14, transposition 11, amplification 5, particulation 2, linguistic compression 17, modulation 5, adaptation 1, and generalization 1. applied by translators in translating the subtitles of the film Olaf's Frozen Adventure is the ideology of domestication.
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Gu, Yuanyuan. "An Analysis of the Subtitles of Wednesday from the Perspective of Communicative Translation." Communications in Humanities Research 9, no. 1 (October 31, 2023): 166–74. http://dx.doi.org/10.54254/2753-7064/9/20231176.
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Cultural exchanges have drawn more and more attention in the literature in recent years, in which film and television subtitle translations play an undeniably important role. The study on the English to Chinese subtitles provides a good perspective to reveal the process of cultural exchange and thus is a promising topic to look into. This study investigates the Chinese subtitle translation of the US TV series Wednesday, which is a horror and fantasy drama released on 2022 by Netflix, and the analysis is based on the framework of Peter Newmarks eight translator methods. The translations have been mainly put through the three translation techniques: addition, omission and shift, and three translation methods are found, namely communicative translation, idiomatic translation and free translation. The analysis reveals the target-audience emphasis tendency of the subtitle translation, which is resulted from the translators habit, the purpose of the subtitle translation, the consideration of the audience, etc.
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Liu, Shiyi. "Research on English Translation of Movie Subtitles - Based on the Analysis of the Movie “Mulan”." Journal of Education, Humanities and Social Sciences 24 (December 29, 2023): 78–84. http://dx.doi.org/10.54097/54772q09.
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The English translation of movie subtitles is vital for cross-cultural communication in films. Analyzing the translation of the movie "Mulan" allows for an understanding of the challenges faced in conveying cultural elements, character traits, and plot nuances. This research explores effective translation strategies and techniques, considering factors like humor, slang, and language styles. Evaluating audience feedback further enhances subtitle quality. By focusing on "Mulan," this study aims to improve the accuracy, readability, and naturalness of English movie subtitle translations. This study is based on the film "Mulan" and explores the English translation of film subtitles. Firstly, the background and content of the film are introduced to provide the context for the research. Subsequently, the study focuses on translation strategies for film subtitles and the societal issues present within them, such as gender inequality and stereotyping of women. By analyzing examples of direct translation, adaptation, and subtitles that showcase gender inequality, the challenges and solutions in the translation process are revealed. Based on this analysis, some translation approaches are proposed with the aim of conveying the theme of gender inequality in the film more effectively and reducing the emphasis on female stereotypes. Through the analysis and discussion of this study, theoretical and practical guidance is provided for film subtitle translation and serves as a reference for translating films that address societal issues.
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Szarkowska, Agnieszka, Breno Silva, and David Orrego-Carmona. "Effects of subtitle speed on proportional reading time." Translation, Cognition & Behavior 4, no. 2 (December 3, 2021): 305–30. http://dx.doi.org/10.1075/tcb.00057.sza.
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Abstract How much time do viewers spend reading subtitles and does it depend on the subtitle speed? By posing these questions, in this paper we re-analyse previous data to address this issue while promoting two methodological advancements in eye-tracking audiovisual research: (1) the use of proportional reading time (PRT) as a metric of time spent on subtitle reading and (2) the analysis of data via linear mixed models (LMMs). We tested 19 Polish L1 viewers with advanced English proficiency watching two clips with English soundtrack with Polish subtitles. First, we compared PRT at two different subtitle speeds: 12 characters per second (cps) and 20 cps. Then, we used actual subtitle speed rates to better understand the speed-PRT relationship. The results showed a significantly higher PRT for 20 cps compared to 12 cps, with the models predicting a PRT of 45.24% at 20 cps. We have also found strong evidence of the advantage of LMMs over more commonly used statistical techniques.
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Imre, Attila. "Spotting Acronyms and Initialisms with the Help of Informatics." Acta Universitatis Sapientiae, Philologica 14, no. 3 (December 1, 2022): 51–76. http://dx.doi.org/10.2478/ausp-2022-0025.
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Abstract The growing popularity of streaming services has led to innumerable audiovisual material available for the audience. As movies, documentaries, or TV shows are part of the entertainment industry, they aim at reaching viewers worldwide with the help of dubbed and subtitled versions. Our aim is to collect the acronyms used in the transcripts/subtitles of several American political TV shows (24, Designated Survivor, House of Cards, and The West Wing) and analyse their translated versions into Hungarian. However, the strenuous activity of opening each subtitle file one by one and browsing through them to spot and collect the acronyms and initialisms would result in countless mouse clicks. Hence, a specific software (SRT Manager) was designed to speed up the process. As the majority of definitions regarding acronyms and initialisms focus on the fact that they result from the combination of at least two capital letters, once the software gets the input (multiple subtitle files of entire seasons), it provides all the consecutive two- or more capital letter instances (with or without periods) found in the raw data, such as AA or A.A. Further statistical data (the source file of each instance, counting all unique values and numbering occurrences, and adding sample lines from the subtitle) also saves a lot of time and energy, as it can easily be exported to spreadsheet programs for further data analysis.
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Benjamín, Maraza-Quispe, Olga Melina Alejandro-Oviedo, Walter Cornelio Fernandez-Gambarini, Luis Ernesto Cuadros-Paz, Walter Choquehuanca-Quispe, and Eduardo Rodriguez-Zayra. "Analysis of the Cognitive Load Produced by the Use of Subtitles in Multimedia Educational Material and Its Relationship with Learning." International Journal of Information and Education Technology 12, no. 8 (2022): 732–40. http://dx.doi.org/10.18178/ijiet.2022.12.8.1678.
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The research aims to develop an analysis of the cognitive load produced by the use of subtitles in multimedia educational material and its relationship with learning. The methodology used for the development of the research presents a qualitative approach of experimental type, the population selected for experimentation is made up of 100 students of the fifth year of secondary school of Regular Basic Education, of which a sample of 45 students was selected through a simple random sampling, which have been divided into 3 groups of 15 students each, four learning sessions are developed using subtitled multimedia videos and without subtitle and a pre test and post test are applied in order to analyze the cognitive load involved in the use of subtitled videos in the learning sessions, the scale standardized by Pass and Van Merrienboer is used. The results show that the application of subtitles in the videos mean a potential proposal in the teaching-learning processes, due to the improvement in learning since 30% of students improve their performance in relation to the initial Pretest, in addition to promoting inclusion through support for people with hearing disabilities, they also represent a constant support material. In conclusion, the application of subtitles in multimedia material is evaluated by the student and the developer, because not all videos are productive to apply them if there are videos where subtitles of an intralinguistic, bilingual and other nature are required; except for situations where the learning condition warrants it.
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Supardi, Moh, and Dea Amanda Putri. "Audio-Visual Translation Techniques: Subtitling and Dubbing of Movie Soundtrack in Frozen: Let it Go." Buletin Al-Turas 24, no. 2 (October 30, 2018): 399–414. http://dx.doi.org/10.15408/bat.v24i2.8621.
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This article is aimed at finding out the technique of subtitle and dubbing translation in OST Frozen: Let it Go. The article analyzes the lyrics of the song as the corpus. The data are analyzed qualitatively by using the subtitle translation techniques. The data collection is conducted through reading source language and target language, selecting and comparing the translation techniques done by the translator/dubber, marking, classifying and analyzing them based on the theories of translation technique proposed by Molina and Albir. The result shows that subtitle techniques done by the translator consist of eleven techniques. Based on the analysis of translation process translated from the lyrics into the subtitled version, the translator seems to use most of the technique. While the dubber only uses nine techniques in translating the lyrics into the dubbed version. In general, the translator’s technique applied in the subtitled version is mostly literal translation; While the dubbed version’s most common techniques are modulation and reduction.---Artikel ini bertujuan untuk mengetahui tentang teknik penerjemahan subtitle dan dubbing dalam OST Frozen: Let It Go sebagai korpusnya. Data dianalisis secara kualitatif dengan menggunakan teknik terjemahan subtitle. Pengumpulan data dilakukan melalui proses membaca bahasa sumber dan bahasa target, memilih dan membandingkan teknik penerjemahan yang dilakukan oleh penerjemah / dubber, menandai, mengklasifikasi dan menganalisisnya berdasarkan teknik penerjemahan yang diajukan oleh Molina dan Albir. Hasilnya menunjukkan bahwa teknik subtitle yang dilakukan oleh penerjemah terdiri dari sebelas teknik. Berdasarkan analisis proses terjemahan yang diterjemahkan dari lirik ke dalam versi subtitle, penerjemah tampaknya menggunakan sebagian besar teknik. Sedangkan dubber hanya menggunakan sembilan teknik dalam menerjemahkan lirik ke dalam versi yang dijuluki. Secara umum, teknik penerjemah yang diterapkan dalam versi subtitle sebagian besar adalah terjemahan harfiah; Sementara teknik yang paling umum dijuluki versi adalah modulasi dan reduksi.
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Khafik, Muhammad, and Ikke Dewi Pratama. "Analyzing Errors in Students’ Subtitle Products." ELE Reviews: English Language Education Reviews 2, no. 1 (May 31, 2022): 59–73. http://dx.doi.org/10.22515/elereviews.v2i1.5180.
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Subtitling has constraints that are different from other types of translation. In the pedagogical field, lecturers in subtitling courses must ensure that the students are aware of the constraints to creating a qualified subtitle. The constraints in subtitling frequently cause errors in the subtitles composed by the students. This article discusses the errors found in students’ subtitle products. The researchers took the subtitles of Miacademy Youtube channel videos composed by EFL students studying in one of the state universities in Central Java, Indonesia. Nine videos of Miacademy and their subtitles were analyzed to find the errors in the subtitles. The results revealed that the most frequent error is errors in spatial parameters, specifically on the excessive number of characters per line. The second most dominant error is the errors in the temporal parameter in which most of the students still found problems in obeying the rules of the maximum duration for either a full two-line or a single-line subtitle. Punctuation and letter case errors result from students’ lack of comprehension in mastering the target text language convention. Error in target text editing mainly occurs due to the too-long subtitles, segmentation that is not syntactically acceptable, the decision to omit or retain the source text, and the occurrence of dialect. Further analysis showed that the students need to practice adjusting their translation with the constraints. Likewise, a subtitling brief must be conducted before the lecturer delivers the task to the students by helping the students analyze the possible problems and solutions when composing the subtitles.
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Podmogilnaya, Nataliya Vasilievna, and Marina Olegovna Trofimova. "SUBTITLE FILMS AS A LINGUISTIC PROBLEM." Problems of General and Slavic Linguistics, no. 3 (July 1, 2019): 107–17. http://dx.doi.org/10.15421/251914.
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The object of study is the series, which were shown on various Ukrainian TV channels: “Merezhivo Doli” (“Inter” TV channel), “Boronene kokhannya” (“Inter” TV channel), “Forget & Zgadai” (“Ukraine” TV channel), “Slid” ( TV channel "Ukraine"), "Bezsmertnik" (TV channel "Ukraine"). Subject of research: lack of subtitling as a way of audiovisual translation, as well as analysis recorded in Ukrainian subtitles, made in the course of working with Russian-language TV shows. Objective: to prove the need for more thorough and competent editing of Ukrainian subtitles, received in text form on the air of the leading domestic TV channels based on specific examples from subtitled films. During the work the following methods were used: observation, descriptive, comparative, analysis and synthesis, as well as generalizations. As a result of the research, it was established that it is the poor quality work of the editor that leads to the fact that Russian-language TV shows are superimposed on low-quality Ukrainian subtitles, and this plays an important role in shaping the general literacy of Ukrainians. The analysis of errors requiring the response of the professional community and recipients has a social and cultural significance. Visual perception of incorrectly written words or unedited sentences and phrases is one of the ways to popularize illiteracy among the population of our country. Today, representatives of the media community, having the necessary arsenal of knowledge and relevant technical equipment, are sometimes disregarding the performance of their professional duties, and this indicates a low level of their skills and special training. Conclusions: working on subtitles for an audiovisual product, the editor or subtitle covers not only all textual material, but also draws attention to other aspects of media art (working with monologues, dialogues, sound effects, images, and the general atmosphere of the frame). Professionalism involves not only creating a high-quality text product for the viewer / reader, but also an appropriate and adequate connection between non-verbal and verbal elements of the original and the translation.
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Cai, Qi, Wanyu Chen, and Yao Zhou. "An Analysis of the Chinese Subtitles of Kung Fu Panda 3 from the Perspective of Communicative Translation." Communications in Humanities Research 5, no. 1 (September 14, 2023): 290–98. http://dx.doi.org/10.54254/2753-7064/5/20230286.
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Film is always a concentrated embodiment of culture and languages. Nowadays, attention has also been paid to film subtitle and its translation. As China further promotes the spread of culture, traditional Chinese symbols such as "Kung fu" and "martial arts" are also becoming familiar to foreign countries. This work has selected the film Kung Fu Panda 3 as as the research object, which is a story based on a Chinese cultural background while presents in an English context. Through a comparative analysis of Chinese and English subtitles of the film, the film subtitle translation strategies and skills are explored from three translation techniques among Peter Newmark's translation theories.
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Cao, Jing, Nor Shahila Binti Mansor, Lay Hoon Ang, and Diana Abu Ujum. "Subtitle Translation of American Sitcom The Big Bang Theory From the Perspective of Eco-Translatology." Journal of Language Teaching and Research 13, no. 2 (March 1, 2022): 377–85. http://dx.doi.org/10.17507/jltr.1302.19.
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Eco-translatology is a theory of translation put forward by Professor Hu Genshen, which regards translation as a process of “selective adaptation” and “adaptive selection”. The popularity of American TV dramas has aroused a huge demand for subtitle translation, resulting in the rapid growth of subtitle translation by fansub groups and increasing enthusiasm for subtitle translation studies in China. While there is no accordant idea about the understanding of subtitle translation of TV dramas on the internet translated by fansub groups. Based on the theoretical framework of Eco-translatology theory, this study examines the subtitle translation of The Big Bang Theory to analyze translators’ “selection” and “adaptation” on linguistic, cultural, and communicative dimensions. It also pays attention to the inappropriate selection of translation techniques made by the fansub groups. The analysis shows that in the translation process of The Big Bang Theory’s subtitles, the translators adopted various translation techniques which include the applications of buzzwords, Chinese idioms, annotations, and free translation to implement adaptive selection in linguistic, cultural, and communicative dimensions. And the fansub groups make some inappropriate selections as abusing the Chinese dialect in translation. These findings attempt to provide a reference for subtitle translation of American TV dramas available on the internet, as well as evidence of the explanatory power of Eco-translatology theory in subtitle translation studies, in order to supplement a new perspective on subtitle translation and more attention on this developing translation theory.
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Li, Wenxuan. "The Application of Subtitle Translation Characteristic Culture in Journey to the West from the Skopos Theory." Lecture Notes in Education Psychology and Public Media 43, no. 1 (March 14, 2024): 228–32. http://dx.doi.org/10.54254/2753-7048/43/20240873.
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In the current era, cross-cultural communication has become an important issue in today's society. Film art communication is one of the effective ways of cross-cultural communication, such as the Hollywood movies, India's Bollywood films and so on. It not only attracted the attention of the world for the film itself; but more importantly it attracts the attention of the national culture around the world. In the communication of film art, subtitle translation builds a bridge between different languages and countries so subtitle translation plays a very important role in the communication of film art. This paper uses the movie Journey to the West as an example and analyzes the full application of Skopos theory and translation strategies in the subtitle translation of this film. Film of Chinese culture subtitles translation is mainly reflected in the local dialect, literary classics and some contemporary cultural vocabulary. The analysis of this paper shows that subtitle translation plays an important role in film culture.
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Zhao, Xinshu. "A Brief Analysis of English Film Subtitle Translation Based on Relevance Theory -- A Case Study of the Film Green Book." Communications in Humanities Research 3, no. 1 (May 17, 2023): 191–97. http://dx.doi.org/10.54254/2753-7064/3/20220244.
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As an art form, the film plays an important role in spreading national culture and enhancing cultural exchanges. Nowadays, more and more English movies are screened on the big screen in China and have received wide acclaim and lively discussions among audiences in China. In this context, a good translation of English movie subtitles is important for understanding foreign cultures. Based on the application of relevance theory in translation and combining with the characteristics of film subtitles, this paper makes a simple analysis of the subtitle translation of the film Green Book from the aspects of content and style, with a view of removing the barriers and providing a better experience for the target language audience. Besides, this paper believes that when translating, translators also master the basic subtitle translation theory and do more information checks in many aspects when translating to ensure the accuracy of the translation. This is responsible for both the movie and the audience.
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Ziyazova, Irina. "Typographical devices in subtitling (a case study of English and Russian subtitles)." Anuari de Filologia Lleng�es i Literatures Modernes - LLM, no. 6 (January 12, 2017): 27–35. http://dx.doi.org/10.1344/aflm2016.6.3.
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The paper examines the role of typographical devices in subtitling practices. As subtitling is significantly determined by its temporal and spatial constraints, the verbal part of a subtitle may be rather condensed and incomplete for perception, which requires additional means to modify meaning-making processes and add up information. The research gives a systematic account of typographical devices and their functions in a subtitled filmic text. The common graphical devices featured are typefaces, colour, punctuation marks, and numeric signs. The performed analysis showed that typographical devices do not only assist in dealing with technical considerations, but they may also serve as means of intersemiotic cohesion linking subtitles with visual or acoustic-or both-components of a film and enabling their functional cooperation. The drawn conclusions allow to state that graphical devices in subtitling possess such functions as they contribute to intersemiotic texture of a subtitled filmic text; help to manoeuvre in spatial and temporal circumstances; enhance reading and comprehending.
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Camelia, Camelia, and Neneng Sri Wahyuningsih. "AN ERROR ANALYSIS OF ENGLISH-INDONESIAN SUBTITLE TRANSLATION IN AVENGERS: ENDGAME." JURNAL BAHASA ASING LIA 4, no. 01 (June 28, 2023): 12–32. http://dx.doi.org/10.35962/jurnalbahasaasing-lia.v4i01.187.
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ABSTRACT
This study aims to identify what kind of errors that the writer found in English-Indonesian subtitle of Avengers: Endgame movie. The method that was used in this study is a qualitative descriptive. The data are collected by watching the movie Avengers: Endgame with subtitles made by non-professional translators and professional translators at the same time to find errors that the non-professional made. The errors are analysed by using Mossop’s revision parameters. The result shows 21 errors. The most error found are related to errors in accuracy with 16 errors (76,2%). The second error is smoothness and completeness with 2 errors found (9,5%) . For errors in idiomatic there is only one error (4,8%). It can be concluded that the majority of mistakes involved poor word choices (diction) when translating the text into the target language, which led to improper translation and maybe misled readers that caused by lack of research that the translator do before translating the subtitle. The same mistakes in smoothness caused sentences to sound confusing and made the content difficult to read or even unreadable and mistakes in idiom that caused by failed to understand what is the real meaning of the idiom which make the audience get the wrong message.
Keyword: subtitle, error analysis, Mossop’s revision parameters. ABSTRAK
ABSTRAK
Penelitian ini bertujuan untuk mengidentifikasi kesalahan apa yang ditemukan penulis dalam film Avengers: Endgame subtitle bahasa Inggris-Indonesia. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Data dikumpulkan dengan menonton film Avengers: Endgame dengan subtitle yang dibuat oleh penerjemah non-profesional dan penerjemah profesional secara bersamaan untuk menemukan kesalahan yang dibuat oleh non-profesional. Kesalahan dianalisis dengan menggunakan parameter revisi Mossop. Hasilnya menunjukkan 21 kesalahan. Error yang paling banyak ditemukan adalah error pada akurasi dengan 16 error (76,2%). Kesalahan kedua adalah kelancaran dan kelengkapan dengan 2 kesalahan ditemukan (9,5%). Untuk kesalahan idiomatik hanya ada satu kesalahan (4,8%). Dapat disimpulkan bahwa sebagian besar kesalahan melibatkan pilihan kata (diksi) yang buruk ketika menerjemahkan teks ke dalam bahasa target, yang menyebabkan terjemahan yang tidak tepat dan mungkin menyesatkan pembaca yang disebabkan oleh kurangnya penelitian yang dilakukan penerjemah sebelum menerjemahkan subtitle. Kesalahan yang sama dalam kelancaran menyebabkan kalimat terdengar membingungkan dan membuat konten sulit dibaca atau bahkan tidak dapat dibaca dan kesalahan dalam idiom disebabkan oleh kegagalan untuk memahami apa arti sebenarnya dari idiom sehingga membuat penonton mendapatkan pesan yang salah.
Kata kunci: subtitle, analisis kesalahan, parameter revisi Mossop
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Novita, Novita Sari, Junaedi Setiyono, and Tusino Tusino. "Lexico-Grammatical Analysis of Alice's Adventure in Wonderland and Its Pedagogical Implication." Scripta : English Department Journal 8, no. 1 (May 31, 2021): 8–16. http://dx.doi.org/10.37729/scripta.v8i1.847.
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This study aims to reveal: (1) the translation differences between source language (SL) and target language (TL) of the human translator and the machine translator on the translation of the Indonesian subtitle of Alice’s Adventures in Wonderland Movie, (2) lexical difference in translation differences between source language (SL) and target language (TL), (3) grammatical difference in translation differences between source language (SL) and target language (TL) and (4) the advantages in examining the translation differences related to vocabulary and grammar teaching for the tenth grade students of senior high school. This study used a qualitative descriptive. The data were taken subtitles sentences because what the researchers analyzes is the form of written language. The source of the data was script by Linda Woolverton (SL), the Indonesian subtitle was translated by Pein Akatsuki (TL 1) and the second Indonesian translator was Google translate (TL 2). This study used the researchers as the main instrument for collecting, classifying, and analyzing the data. The researchers read the script of English and Indonesian subtitle of the Alice’s Adventures in Wonderland Movie. The results of the descriptive analysis show that there are 147 data of the translation. It reveals that: (1) the translation of this research are 114 data (78%) difference and 33 data (22%) no translation difference of Indonesian Subtitle of Alice's Adventures in Wonderland Movie, (2) in the translation differences (351 items) there are lexical differences (169 items), (3) whereas, the difference of translations are grammatical differences (182 items), (4) there are several advantages in improving students’ vocabulary skills, teaching grammar, and finding the vocabulary and grammar in a course book Bahasa Inggris.
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Xiong, Bing. "A Study of Dialect Films Subtitle Translation Strategies Guided by the Theory of Functional Equivalence — Taking the Dialect Film "A Cool Fish" as an Example." Journal of Higher Education Research 3, no. 4 (August 5, 2022): 359. http://dx.doi.org/10.32629/jher.v3i4.964.
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Subtitle translation is a field of translation where the subtitles of films or TV series are translated simultaneously. With the development of China's film and television industry and the inflow of outstanding foreign films and TV dramas, subtitle translation for film and television is flourishing.Due to the constraints of space and time, film and television subtitles are generally characterised by the following features: synchronicity, brevity and clarity, accessibility, colloquialism and a high degree of aesthetics. In recent years, the Chinese film and television industry has gradually begun to tell the stories of marginal characters, who are mostly told in dialect. In the vast expanse of China, according to incomplete statistics, there are about seventy dialects, which are officially divided into ten broad categories. Replacing Mandarin with dialects in film and television dramas not only reflects the regional characteristics and makes the audience feel more immersed, but dialect films are also highly aesthetic works of art with a cultural load. In this paper, we will analyse the dialect subtitle translation in the famous 2018 dialect film A COOL FISH from the perspective of the theory of functional equivalence, providing a detailed analysis of which for dialect words, sentences and rhetoric.
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Cheng, Xin, Lap Ki Chan, Hongmei Cai, Mei-yao He, Yunqing Li, and Xuesong Yang. "Subtitle." Advances in Social Sciences Research Journal 8, no. 2 (February 28, 2021): 511–22. http://dx.doi.org/10.14738/assrj.82.9773.
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In order to investigate the correlation between teachers’ age and anatomy education online in China during the Covid-19 pandemic, we conducted a nationwide survey among the anatomists in three age cohorts (i.e., 30-39, 40-49, 50-59 years old) at the medical schools in mainland China, Hong Kong and Macau. Of the 359 respondents, there were 31% (n=108) anatomists aged 30-39, 46% (n=160) anatomists aged 40-49, and 23% (n=80) anatomists aged 50-59 years old, who were teaching clinical medicine students online at medical schools in China during the pandemic. The survey questionnaire contains the following items on online anatomy courses during the pandemic: theoretical sessions, practical sessions, active learning, assessment and perception. Based on the Chi-Square statistical analysis, although this study demonstrated that some noticeable differences existed in several items, we found the statistically significant difference was on “the formats of recording the theoretical sessions for asynchronous recorded broadcasting of online course”, among the three age groups, more teachers aged 30-39 chose to capture the PowerPoint presentation screen without the teacher appearing in the recorded video. Overall, this survey revealed that the teachers’ age and their teaching experience offline would not be the decisive factors in implementing anatomy online course effectively during the pandemic.
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Qingqing, Wu. "Perspective of Multimodal Discourse Analysis: A Case Study of The Big Bang Theory." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 074–80. http://dx.doi.org/10.22161/ijels.76.12.
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This paper, taking the subtitle translation of an American comedy The Big Bang Theory as the object of the study, selects the subtitle translations of some typical clips. Based on the integrated framework of multimodal discourse analysis proposed by Professor Zhang Delu, the subtitle translation is analyzed from four levels including culture, context, content, and expression. This paper concludes that multiple modalities interact each other in complementary ways. The interactions between multiple modalities help viewers better understand subtitle translation. Subtitle translation, together with other modalities, helps viewers grasp the plot of the TV series. The author hopes that this study can provide some reference for subtitle translators.
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Shirazi, Roya Rostam, Akbar Hesabi, and Shahla Simin. "Effects of Pedagogical Movie Persian Subtitles on Vocabulary Improvement: The Case of Iranian EFL Learners." International Letters of Social and Humanistic Sciences 55 (July 2015): 111–20. http://dx.doi.org/10.18052/www.scipress.com/ilshs.55.111.
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Throughout the history of language teaching, using subtitles has had their particular advocates in teaching English as a second language. This study was conducted to investigate the impacts of Persian subtitled movies on vocabulary knowledge improvement of Iranian intermediate EFL learners. To achieve this goal, out of 35 participants, 20 female learners from a language institute in Isfahan, took part in the study. Their ages were between 12 to 16 years old and they were randomly divided into two homogenous groups (controllable and uncontrollable subtitle groups) based on Oxford Placement Test (OPT). As the pretest of the study, a content specific vocabulary test was administered which consisted of 30 multiple-choice items and was developed by the present researchers. Instructional materials included 10 parts of a movie, titled ‘Tangled’ (produced in 2010). During 10 sessions of treatment, vocabularies were instructed to the participants. Experimental group was instructed watching a controllable subtitled movie (English dialogues with repeated Persian subtitles) while control group was instructed using the same audiovisual materials but without any repetition; watching an uncontrollable subtitled movie (English dialogues with unrepeated Persian subtitles). After treatment, as the posttest, the two groups were administered a test similar to the pretest and under the same conditions. Based on the findings of analysis of covariance on the pretest and posttest vocabulary test scores, the results indicated that the group using controllable Persian subtitles outperformed than the other group. Material designers and instructors can use the findings of this investigation to include movies with Persian subtitles for learners to learn more vocabulary due to the fact that these learners have learnt to appreciate the importance and the value of vocabulary, including its effectiveness in communicative tasks.
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Alsager, Sara, and Monira Al-Mohizea. "An Analysis of Subtitle Translation of Mulan: Skopos Theory-Inspired Perspective." Arab World English Journal For Translation and Literary Studies 7, no. 3 (August 24, 2023): 50–68. http://dx.doi.org/10.24093/awejtls/vol7no3.4.
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English films, TV series, and audiovisual materials are widespread in the Middle East, and they require subtitle translation to convey the intended meaning and engage the viewer. Subtitle translation can be very challenging, and this is especially the case with cultural-specific items. This study will analyze the Arabic subtitle translation of the film Mulan 2020. The study aims to contribute to the literature evaluating subtitle translation in the Arab world. Therefore, the analysis will identify translation violations in light of the Skopos theory at different linguistic levels. To address the issues underpinning the violations in the subtitle translation, the strategies used in translation will also be analyzed. Moreover, using a questionnaire, the study will investigate the audience’s perception of the quality of the subtitle translation. The analysis of the data employed a mixed-method design. The findings show that the rules of Skopos theory were sometimes dismissed at the word and phrase levels in the subtitle translation. At the discourse level, the skopos rule was violated. The findings also reveal that the most used strategy was providing a literal translation. As for the audience perception, the findings reveal that the audience rated the Arabic subtitle translation of Mulan 2020 as fairly good. Overall, the findings suggest that the Skopos theory can be used as a tool to evaluate subtitle translation and help improve the overall translation quality while meeting the audience’s expectations.
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Weina, Yang, and Wang Qun. "A Brief Analysis of Chinese-English Subtitling Translation of the “NEZHA” from Cultural Translation Theory." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 033–39. http://dx.doi.org/10.22161/ijels.93.4.
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In recent years, China has made significant breakthroughs in animated films. Qualified domestic films have been highly praised domestically and gained popularity in Western countries. Based on Cultural Translation Theory, the paper takes the film “NEZHA,” rich in elements of excellent traditional Chinese culture, as an example, examining its English subtitles and putting forward several suggestions on Chinese-English subtitle translation, with the hope to promote Chinese animated films to spread overseas.
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Subrata, Monika Rosalia, and Jumanto Jumanto. "Subtitling Strategies Used in Translating Cultural Words in The Subtitle of Disney Animation Movie: Coco." Journal of Linguistics, Culture and Communication 1, no. 1 (June 24, 2023): 1–25. http://dx.doi.org/10.61320/jolcc.v1i1.1-25.
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The study aims to identify the subtitling strategies used in translating cultural words in the subtitle of Disney Animation Movie: Coco. This descriptive qualitative study employed the data in words, sentences, and logical arguments related to the topic. The data were English combined with Spanish subtitle as the source language and Indonesian subtitles as the target language. The theories used in the analyzing process and describing the analysis were the classification of cultural words by Newmark (1988:94-103) and the subtitling strategies based on Gottlieb's theory (1992:66). There were 100 cultural words found in the subtitles, which were divided into five classifications of cultural words, namely: Ecology (26%), Material Culture (22%), Social Culture (20%), Gesture and Habit (18%) and also Organization (14%). On the other hand, after the researcher grouped the cultural words, then the words were analyzed using the subtitling strategies theory of Gottlieb (1992), in which the subtitling strategies were divided into ten types: Transfer (41%), Imitation (14%), Transcription (14%), Paraphrase (7%), Expansion (7%), Deletion (4%), Condensation (3%), Dislocation (3%), Decimation (2%), and Resignation (2%). The dominant subtitling strategy in translating the cultural words is Transfer with 41 data. Based on the analysis result, within this mainly used Transfer strategy, the translator directly translated the text, word-to-word, so that the translation result in the subtitle becomes complete and accurate with its literal meaning according to the source language.
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Liu, Wen. "A Multimodal Discourse Analysis on Subtitle Translation of the Knockout: A Chinese Political-Themed TV DramaA Multimodal Discourse Analysis on Subtitle Translation of the Knockout: A Chinese Political-Themed TV Drama." International Journal of Languages, Literature and Linguistics 9, no. 4 (December 2023): 437–40. http://dx.doi.org/10.18178/ijlll.2023.9.6.446.
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In recent days, more and more Chinese films and TV series including political-themed TV series are aired internationally and have received extensive attention with the improvement of the quality of Chinese audiovisual works. Such political-themed TV works are produced to reflect social realities and include the bulk of political terminology such as official titles and institution names as well as concepts related to newly-mentioned political terms and slogans, which may be quite unfamiliar to foreign audience. Therefore, audiovisual translation and subtitling play an important role in avoiding misunderstanding. Although a striking number of studies on subtitle translation have been made, these analyses appear to emphasize more on the verbal mode instead of different multimodal contexts. Guided by the theory of multimodal discourse analysis, this paper is aimed to analyze the characteristics of the subtitle translation of China’s politicalthemed TV series in terms of content, conversation and social semiotic levels by building a micro-corpus based on the research materials of the knockout. This paper will discuss not only the translation of interlingual subtitles for dialogues or monologues, but also that of other captions shown on the screen such as voiceover and images of shop signboards, in order to point out the shortcomings and provide reference for further relevant studies.
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Dong, Zisheng. "Analysis of the Subtitle Translation Strategy of the Film Confucius." International Journal of Education and Humanities 3, no. 2 (July 13, 2022): 141–44. http://dx.doi.org/10.54097/ijeh.v3i2.894.
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Subtitle translation is an important part of cross-cultural communication in films. This paper attempts to explore the subtitle translation of the film Confucius from a teleological perspective. The translator uses a combination of translation strategies and methods such as dissimilation, naturalization, reduction and addition to achieve the function of cultural communication and dissemination according to the characteristics and purposes of film subtitle translation.
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Syahrani, Nilda Iman, Amri Tanduklangi, and Muhammad Khusnun Muhsin. "THE ANALYSIS OF TRANSLATION PROCEDURES IN SUBTITLE OF “BOYCHOIR” MOVIE." Journal of Teaching English 4, no. 3 (September 6, 2019): 265. http://dx.doi.org/10.36709/jte.v4i3.13956.
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The purposes of this study are to anlyze the translation procedure and the way of the translator in translating the subtitle of Boychoir movie. The scope of this study is focused on the type of translation procedures in translating the subtitle movie and also analyze the way of the translator in translating the subtitle on Newmark’s (1988:81) translation procedures which the procedures consist of 18 types. The methodology of this study was qualitative research. The researcher analyzed the data descriptively and presented the analysis result in the explanation form and supported by data presented in the form of table. In analyzing the data the procedures were as follows: juxtaposing both of English and Indonesian version, identifying, analyzing and classifying, and calculating the total numbers. The translation procedures found in the subtitle of the movie were literal translation, transference, naturalisation, cultural equivalent, functional equivalent, synonymy, transpositions, modulation, reduction and expansion, couplets. Keywords: Translation, Translation procedure, Subtitle, Boychoir movie
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Li, Muzhi. "Analysis of the Subtitle Translation of My people, My country from the Perspective of Skopos Theory." International Journal of Education and Humanities 8, no. 1 (April 2, 2023): 53–58. http://dx.doi.org/10.54097/ijeh.v8i1.6879.
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With the development of cross-cultural communication, subtitle translation has gradually become an important part of translation in various countries. My people, My country is a masterpiece jointly directed by seven directors to celebrate the 70th anniversary of the founding of China in 2019. The film contains four stories and tell the history of China's gradual prosperity and strength since its founding to domestic audiences. It also shows the strength of China to foreign audiences. Skopos theory is the most important theory in functionalist translation theory. It was founded by Vermeer, a German translation theorist, in the 1970s as an external study of translation. It focuses on the choice of various purposes in the process of translation and adds a new research perspective to the multi-disciplinary study of translation. This thesis will discuss and analyze the subtitle translation of My people, My country from the perspective of Skopos theory, and will use the three principles of Skopos Theory and the combination of literal translation, free translation, omission, amplification, conversation to analysis and discussion the subtitles in the film. By studying the translation methods and techniques of this film, more translators can pay more attention to the subtitle translation of China's excellent films, promote the international cultural communication of China's excellent films to a certain extent, and enable foreign viewers to have a better experience and make a better evaluation of China's excellent films.
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Pratama, Ryan Andhika, and Gheza Damara. "AN ANALYSIS OF IDIOMATIC EXPRESSION TRANSLATION IN SCHOOL OF ROCK MOVIE." ELTR Journal 2, no. 1 (January 13, 2018): 46–55. http://dx.doi.org/10.37147/eltr.v2i1.95.
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English native speakers express their feelings and condition using idiomatic expressions. Idiomatic expressions in English cannot be translated literally in the target language. Furthermore, idiomatic expressions translation can be found in movie dialog as a subtitle. This research answers one research problem, which is the idiomatic expressions translation in School of Rock movie. The instruments of this study are the English subtitle and the Indonesian subtitle of School of Rock movie.
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Pratama, Ryan Andhika, and Gheza Damara. "AN ANALYSIS OF IDIOMATIC EXPRESSION TRANSLATION IN SCHOOL OF ROCK MOVIE." ELTR Journal 2, no. 1 (January 13, 2018): 46–55. http://dx.doi.org/10.37147/eltr.v2i1.95.
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English native speakers express their feelings and condition using idiomatic expressions. Idiomatic expressions in English cannot be translated literally in the target language. Furthermore, idiomatic expressions translation can be found in movie dialog as a subtitle. This research answers one research problem, which is the idiomatic expressions translation in School of Rock movie. The instruments of this study are the English subtitle and the Indonesian subtitle of School of Rock movie.
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Zhou, Yang, and Rouqi Zhang. "A Brief Analysis of Subtitle Translation of Documentary Wild China from the Perspective of Eco-translatology." Theory and Practice in Language Studies 9, no. 10 (October 1, 2019): 1301. http://dx.doi.org/10.17507/tpls.0910.06.
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Based on the principle of truth, the documentary exchanges knowledge and conveys emotions. The documentary Wild China has received strong attention from domestic and foreign audiences since its launch on National Geographic. However, due to the differences between Chinese and Western cultures, most Chinese viewers need subtitle translation to have a better understanding of this documentary. Unlike the subtitle translation of films and TV plays, the content of the documentary has strong professionalism and knowledge. Thus, documentary subtitle translation requirements are also higher than those of films and TV plays. Meanwhile, it is necessary to discuss the subtitle translation of documentaries. Ecological translation was first proposed by Professor Hu Gengshen. In the past ten years, many remarkable research results have been achieved. Taking ecological translation as the theoretical support, this paper chooses the subtitle translation of the documentary Wild China (CCTV) as the research object, and combines the theoretical discussion and the case analysis to focus on the translator’s “adaptation” and “selection” in the linguistic, cultural and communicative dimensions, thus verifying the guiding significance of eco-translatology to the subtitle translation of the documentary and supplementing the theoretical research perspective of subtitle translation of the documentary.
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Altalidi, Bandar. "The socio-digital manifestations of subtitling COVID-19-related clips on social media platforms in Saudi Arabia." Journal of Internationalization and Localization 9, no. 2 (December 31, 2022): 97–119. http://dx.doi.org/10.1075/jial.00022.alt.
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Abstract This paper examines how digital users in the Kingdom of Saudi Arabia responded to the COVID-19 pandemic via engaging with crisis translation by subtitling COVID-19-related videos. It explores two aspects: (1) how did social media during the pandemic encourage subtitled videos? and (2) how were these clips distributed and received by social media users? It is argued that during the pandemic, social media facilitated the production and circulation of user-generated content by both individuals and institutions to subtitle global news and other genres. To understand the socio-digital dynamics of (fan)subtitling, this article analyses the subtitled clips posted on Twitter by the Saudi Ministry of Health (MoH) and 17 fansubbers during 2020. Subtitling is considered crucial in spreading accurate information to KSA people in time for them to take precautions against the pandemic in 2020. Another relevant factor is the developed technological infrastructure in KSA and the increased digital practice of Saudi Arabians using social media. Following the analysis of 175 clips from the 17 chosen fansubbers and 255 clips from the MoH, it was discovered that social media increased the visibility of COVID-19 clips with subtitles. There was an apparent competition among the fansubbers to accumulate social capital (social media capital), which gave rise to social media fansubbing, a form of non-professional subtitling produced by social media users. The subtitled clips were accompanied by various digital parataxis that supports the analysis and examination of social media fansubbing and crisis transition on Twitter1.
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Kang,Hyun-Ok. "formative analysis of entertainment program's subtitle." Journal of Korea Design Forum ll, no. 27 (May 2010): 323–32. http://dx.doi.org/10.21326/ksdt.2010..27.030.
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Moura, Willian. "The Subtitling of Swearing: A Pilot Reception Study." Languages 9, no. 5 (May 17, 2024): 184. http://dx.doi.org/10.3390/languages9050184.
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Reception studies in audiovisual translation seek to explore how translation choices affect the audience’s comprehension, emotional engagement, enjoyment, and overall viewing experience of audiovisual materials. This study focuses on the subtitling product and analyzes the acceptability of swear words translated through different stimuli: subtitles with softened, maintained, and intensified swearing, along with standard Netflix subtitles (control). Employing a multi-method approach, the study collected data through a survey, using questionnaires with a Likert scale and interviews, following the user-centered translation model to understand how participants receive and perceive swear words in subtitling. The results indicate that the control group had the highest acceptability of the participants, while the group with softened swear words presented the lowest acceptability rate. The analysis shows that participants across all groups reported that discomfort does not arise from reading the swear word in the subtitle but from perceiving a deliberate change in its offensive load—usually softened. The findings demonstrate that this change can lead to a breach of the contract of illusion in subtitling, as participants are exposed to the original dialogue and the translated subtitle simultaneously. In conclusion, when perceived, the change in the offensive load can redirect the viewer’s focus from the video to the subtitles, negatively affecting the enjoyment of the audiovisual experience.
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Ahmad, Lusiana, Warsidi Warsidi, and Nur Muthmainnaah Halim. "TRANSLATION SHIFTS IN THE INDONESIAN SUBTITLE OF GUY RITCHIE’S THE COVENANT (2023) MOVIE." UC Journal: ELT, Linguistics and Literature Journal 5, no. 1 (May 20, 2024): 1–14. http://dx.doi.org/10.24071/uc.v5i1.8595.
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Translation is important for people who don't know a foreign language. Translators face challenges, but use of techniques like translation shifts can make translations sound more natural and effectively communicate the original meaning to the target audience. This research aims to identify the types of translation shifts used in the Indonesian subtitle of Guy Ritchie’s The Covenant movie and to identify the possible reasons the translators used translation shifts in this movie. The research applied the theory of translation shift proposed by Catford to analyze the data. It used descriptive qualitative methods and the data is from the movie subtitle of Guy Ritchie’s The Covenant. The researcher used the Oxford Dictionary and Big Indonesian Dictionary (KBBI) applications as instruments for analyzing the data, and to ensure the analysis results. The analysis found that the Indonesian subtitles for Guy Ritchie’s The Covenant movie included all types of shifts as proposed by Catford's theory. The shifts identified in the Indonesian subtitles included level shifts and category shifts (including structure shift, unit shift, class shift, and intra-system shift). However, among these shifts, category shifts especially unit shifts, were the most dominant. The translator probably used these translation shifts due to cultural and linguistic differences, time constraints, and creative translation choices.
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Chu, Buxiao, Dannong Xu, and Dongze Wu. "Comparison and analysis of the machine learning in the movie subtitle document classification." Applied and Computational Engineering 5, no. 1 (June 14, 2023): 642–48. http://dx.doi.org/10.54254/2755-2721/5/20230669.
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With the rapid iteration of film and technology, the quantity of movie related subtitle document has been rapidly expanded. However, the issue of classifying these documents is becoming non-negligible. This paper aims to compare different methods of classification of every machine learning algorithm on movie subtitle document and then analyse the result of each method. For the classification of movie subtitle document, this paper mostly does the following features of the work: firstly, retrieve of movie subtitle document and pre-processing step of text document. Secondly, deletion of the irrelevant text and extraction of the related texts, the methods are unsupervised machine learning approach and supervised machine learning approach respectively. Furthermore, analyse each classifier in various model which applied with different approach. Lastly, compare the result of different approach and each model then display the results.
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Putri, Haryati Utami, Hidayati Hidayati, and Irwandi Irwandi. "Translating Analysis of Subtitle and Dubbing Japan Song into Indonesian Version at a Car-toon Movie “Doraemon”." International Social Sciences and Humanities 2, no. 1 (August 8, 2022): 77–83. http://dx.doi.org/10.32528/issh.v2i1.125.
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One of the well-known films containing singing characters in it is a film entitled “Doraemon” released by Educational Broadcasting System from Toyama, Japan. Firstly dubbed from Japanese into English and by the demand of viewers then dubbed into Indonesian and known as Indonesian version. According to its content, it is a children movie. It tells the way children react toward each others in daily life. In order to accomplish this, the objective of this study was to analyze the translating of subtitle and dubbing of song lyrics as a media based on their accuracy and acceptability from the English into Indonesian language. In this research, the researcher decides to use qualitative design to the researcher employs a descriptive qualitative method. In this research, the data is the song lyrics taken from a cartoon movie entitled "Doraemon". The data are observed to determine the way to translate the song lyrics. Moreover, the research is also aimed at identifying the level of the accuracy and the acceptability of the translation. The result illustrates the eleven processes the translator that used construct the subtitles. Based on the analysis of translation process, In general, the subtitled version uses mostly literal translation, such as This dream (ingin ini), That dream (ingin itu), and wishes are everywhere (banyak sekali), whereas the dubbed version typically uses modulation and reduction. Song lyrics translating also called for a translator who is musical, has excellent association abilities, a wide vocabulary, and excels at manipulating words.
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Saputra, Mar'i Muhammad Bima. "THE SUBTITLE STRATEGY OF SLANG TRANSLATION IN 21 JUMP STREET MOVIE FAN SUBTITLES." CrossOver 1, no. 2 (December 31, 2021): 61–72. http://dx.doi.org/10.22515/crossover.v1i2.4163.
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Abstract Slang is one of the aspects of languages that requires experience and knowledge. Some of the slang is not only for delivering certain meaning but also for identifying or expressing the speaker. Slang also appears in the subtitles of the film. Related to this case, this research aims (1) to describe types of slang that is found in 21 Jump Street movie by Original Film, (2) to describe what subtitle strategies that the subtitler used to translate the slang in 21 Jump Street movie by Original Film, and (3) to describe the relationship between the most widely used subtitling strategies and the type of slang that dominantly appears in 21 Jump Street movie. This research is descriptive qualitative research and the expert is involved in the case to validate the data analysis. There were 145 data collected. 21 data are categorized as "Group- and subject-restriction", 2 data as "Secrecy and Privacy", 67 data as "Informality and Debasement", and 55 data as "Vulgarity and Obscenity." The most common category is the "Informality and Debasement" category. On the second analysis, of these 145 data, the strategy mostly used by the subtitler or translator is the "paraphrase" strategy with a total of 57 data. The type of slang that is mostly found which is "Informality and Debasement" is most dominantly translated using the "paraphrase" strategy. This suggests that slang representing intimacy and informality cannot be translated into the same form and way as the source language. The informality here can mean that the characters in this film see the people around them as close people or even to make strangers closer. The strategy used also influences the meaning contained. Some of them need to be translated not synthetically in order to convey the meaning of the slang.
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Qiu, Xinyue. "Analysis of Naturalization and Alienation in Subtitle Translation of Modern Family." International Journal of Education and Humanities 10, no. 2 (August 29, 2023): 17–20. http://dx.doi.org/10.54097/ijeh.v10i2.11320.
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With the exchange of world cultures, cultural industries between different countries have begun to spread widely. Foreigners discuss Chinese costume dramas enthusiastically, and Chinese people also like to watch foreign sitcoms. As the number of people watching American TV dramas is increasing year by year, how to do subtitle translation well has become the focus of translation scholars. Based on the theory of domestication and foreignization put forward by the famous American translation theorist Lawrence Venuti, this paper analyzes the subtitle translation in the classic American TV series Modern Family, and discusses how to promote the best communication between different cultures in subtitle translation.
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Putri, Widya Ivani. "Realization of Cultural Filter in The Indonesian – English Translation of “Gundala Movie” Subtitle." English Education Journal 11, no. 3 (September 15, 2021): 366–75. http://dx.doi.org/10.15294/eej.v11i1.45387.
Full textAbstract:
Translating a movie subtitle from Indonesian into English should be done carefully because Indonesian and English have some differences which may lead to ineffective communication, such as the changing of structures, the difference of meanings, and also dissimilarity of corresponding cultures. This phenomenon might be a concern since many Indonesian movies have entered international audiences and won some international awards, such as the Gundala movie that is directed by Joko Anwar. This study focused on analyzing the cultural filter implemented in Indonesian – English audio-visual translation of Gundala movie subtitles. The analysis utilizes the cultural filter theory proposed by House (2015). The data analysis focused in this study includes the characters’ utterances in Indonesian and its English subtitle provided in the Gundala movie. The subject is the Indonesian transcription from verbal dialogues produced by the movie characters in Gundala movie and its English subtitles shown on the screen. The object of the study is words, phrases, and sentences produced by the characters in the Gundala movie. Most translations applied cultural filter achieves functional equivalence. Theoretically, the cultural filter can help the translator to achieve functional equivalence. Practically, for the next translation project, it could be a good challenge for the next researcher to explore the translation studies using this theory. Pedagogically, the reader should be more familiar with the cultural differences between Indonesian and English.
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Afandi, Mujad Didien, and Nailul Authar. "ANALYSIS OF TRANSLATION TECHNIQUES IN THE ENGLISH SUBTITLE OF THE MOVIE "KETIKA CINTA BERTASBIH 1"." EXPOSURE : JURNAL PENDIDIKAN BAHASA INGGRIS 10, no. 2 (December 6, 2021): 358–80. http://dx.doi.org/10.26618/exposure.v10i2.6105.
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A mistake in translating a single word may cause thousands of deaths. An unimaginable fact that mistranslation cost 80.000 lives in Japan in August 1945 proves that translating a text should be taken into consideration and done carefully. Translating a source language (SL) into a target language (TL) is problematic and not as simple as only transposing SL into TL because this activity closely relates to different cultures. Therefore, this study is aimed at analyzing the translation techniques in the English subtitle of the movie “Ketika Cinta Bertasbih 1”. This qualitative study focuses on Molina and Albir’s translation techniques used in the English movie subtitle. The primary data were collected from the dialogs and the English subtitle and selected based on the translation problems. Furthermore, the data were analyzed and interpreted descriptively to identify and explain why and how the translation techniques are used in the English subtitle. This study found that five translation techniques were used to translate the dialogs in bahasa Indonesia (SL) into English subtitle (TL). In the subtitle, this study found the use of adaptation (10 times), transposition (9 times), borrowing (7 times), generalization (3 times) and compensation (once). Those techniques were applied to solve problems in translation, such as cultural differences, in equivalence, untranslatability, and grammatical differences. This study concludes that the techniques proposed by Molina and Albir in 2002 have been a great contribution in the field of translation. The cultural problems which lead to in equivalence and untranslatability, as well as grammatical differences are no longer problematic to translators.
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Alyunina, Ya M. "Methodological Foundations of Film Speech Analysis Using Corpora: Technical, Social, and Cultural-National Aspects." Nauchnyi dialog 13, no. 2 (March 22, 2024): 199–225. http://dx.doi.org/10.24224/2227-1295-2024-13-2-199-225.
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The aim of this study is to describe the possibilities and limitations of the corpus approach to the analysis of film subtitles, taking into account their technical, social, and culturalnational features. It offers a review of existing film content corpora accompanied by their critical interpretation, firstly from the perspective of subtitle quality as empirical data for linguistic research, and secondly from the perspective of corpus quality as an environment for quantitative analysis of empirical material. Furthermore, based on established subtitling practices, the author proposes her own viewpoint on subtitles as material for studying film speech, considering technical (line length, screen size adaptation), social (subtitles for the deaf and hard of hearing), and cultural-national (subtitling countries vs dubbing countries) aspects of subtitling in different languages and countries. In the course of the work, it was found that the largest number of subtitles available in open repositories are translated equivalents of cinema speech. It is noted that subtitling is preferred in the USA, UK, India, China, and Japan. The features of subtitling in countries such as Serbia, Finland, and Russia are described. The author concludes that these features are important for the quality of linguistic research on the basis of translated movie speech represented by subtitles.
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Triana, Ilma, Endang Susilawati, and Luwandi Suhartono. "Subtitling Strategies of English Indonesian Translation Applied in Toy Story 4 Movie." International Journal of Learning and Instruction (IJLI) 5, no. 1 (April 18, 2023): 35. http://dx.doi.org/10.26418/ijli.v5i1.65424.
Full textAbstract:
Subtitling strategies are needed to translate the subtitles of Toy Story 4 movie to give information about the story to the target language viewer. The research aimed to identify the subtitling strategies and analyze which strategies frequently occurred in the Indonesian subtitle of Toy Story 4. The data were taken directly from the English and Indonesian subtitle text of Toy Story 4. This study used a qualitative approach to describe the results of the analysis of subtitling strategies. In gathering the data, the writer used several steps. They are watching, transcribing, identifying, classifying, and reporting. After evaluating the data, the writer presented the finding using the qualitative method. The collected data were transferred to a table and analyzed using the descriptive qualitative method. The finding of this research was 1337 data. The procedure of analyzing data was done by arranging side by side the original dialogue and subtitle versions in the table. The findings of the strategy analysis consist of translation by paraphrase (10.70%), translation by using the transfer (44.05%), translation by using transcription (1.94%), translation by using dislocation (7.78%), translation by imitation (21.02%), moreover translation by condensation (5.98%), translation by decimation (1.12%), in addition, translation by using deletion (3,74%) and translation by using resignation (3.66%). Based on the result of each strategy, it was found that translation by using transfer was the most used in this study, and decimation was the least used in this study. Keywords: Descriptive study, Translation, Movie, Subtitling Strategies
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Vula, Elsa. "The Implementation of Textual Coherence on the Albanian Subtitles of “Great Gatsby” Film." European Journal of Multidisciplinary Studies 3, no. 4 (November 29, 2018): 131. http://dx.doi.org/10.26417/ejms.v3i4.p131-144.
Full textAbstract:
Coherence as one of the most significant elements of text analysis will be the main focus of this research paper. Based upon relevant theoretical background it presents empirical study of coherence in Albanian subtitles of “Great Gatsby” film. This paper will elaborate on the theory of coherence focusing on its role and importance in the text, as well as the difficulties of implementing it during the translation process. The empirical research has been realized on the analysis of fourteen Albanian subtitles from the “Great Gatsby” film, furthermore the study based on the translation (Albanian subtitles) elaborates the implementation of coherence and changes that are made during the translation process. In addition, there are identified the problems, structural changes, cultural loss, parts of the film that were not translated, and at the same time recommendations are given for each selected Albanian subtitle.