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Journal articles on the topic 'Suburbs in literature. Suburbs American fiction'

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1

Barone, Dennis. "Machines are Us: Joseph Papaleo and the Literature of Sprawl." Forum Italicum: A Journal of Italian Studies 42, no. 1 (2008): 99–113. http://dx.doi.org/10.1177/001458580804200106.

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This essay examines the work of Italian American fiction writer Joseph Papaleo in the context of suburbanization, globalization, and ethnic heritage and identity. In doing so I demonstrate that Papaleo's fiction provides understanding of how Italian Americans have looked at Italy as they experienced the alienation of a consumer culture. Papaleo's fiction presents a mixed nostalgia for what Italy represents and recognition that it, too, like the United States, confronts continuous auto-dependent sprawl. Papaleo adds a suburban focus to the more frequently urban-centered literature of Italian Am
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Sarzynski, Andrea, and Thomas J. Vicino. "Shrinking Suburbs: Analyzing the Decline of American Suburban Spaces." Sustainability 11, no. 19 (2019): 5230. http://dx.doi.org/10.3390/su11195230.

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Recent popular and scholarly work has drawn attention to the issue of shrinking cities. In particular, a growing body of literature has focused on the impacts of population loss on European cities, and more recently, the deindustrialized areas of the United States. Fewer scholars have examined the phenomenon of shrinkage in the suburban context. This paper explores the evolution of shrinking suburbs in the United States from 1980 to 2010. Three research questions motivate this study: (1) What is the population change in suburban neighborhoods and places from 1980 to 2010? (2) Where are shrinki
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Filion, Pierre. "Enduring Features of the North American Suburb: Built Form, Automobile Orientation, Suburban Culture and Political Mobilization." Urban Planning 3, no. 4 (2018): 4–14. http://dx.doi.org/10.17645/up.v3i4.1684.

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As any social phenomenon, the evolution of suburbs can be seen as at the confluence of two contradictory sets of forces. There are first forces of change, which propel suburbs in new directions. Much of the present literature on suburbs highlights suburban transitions in the form of social and economic diversification, and of new forms of development. The article attempts to rebalance the discourse on suburbs by emphasizing forces of durability. It does not deny the importance of observed suburban transitions, but argues that there is, at the heart of North American suburbs, an enduring automo
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Jindrich, Jason. "Suburbs in the City." Social Science History 36, no. 2 (2012): 147–67. http://dx.doi.org/10.1017/s0145553200011731.

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Political boundaries are the criterion scholars use most often to define American suburbs; a problematic approach when applied to the late nineteenth century. Annexation distended the boundaries of nineteenth-century cities so far as to obscure broad swaths of suburban and rural districts within their limits. The absence of a literature about these “suburbs in the city” is problematic, because it encourages historical researchers to consider newly annexed territory as urban equivalents of older city districts. This article argues that under the generally accepted definition of suburb, the cond
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LATHAM, PETER. "“Irreversible Torpor”: Entropy in 1970s American Suburban Fiction." Journal of American Studies 54, no. 1 (2018): 131–58. http://dx.doi.org/10.1017/s0021875818000956.

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Although entropy has been identified as a theme in urban American fiction of the 1960s, it is far more significant in a strand of 1970s suburban fiction, in Joseph Heller'sSomething Happened(1974), John Updike'sRabbit Is Rich (1981), and the stories of Raymond Carver. I argue that in these texts the suburbs function as closed systems, subject to entropy, and that the suburbanite protagonists have a heightened sense of physical and metaphysical entropy, a reflection in part of the prevailing sense of irreversible economic and cultural decline and decay in that decade
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Monacell. "In the American Grid: Modern Poetry and the Suburbs." Journal of Modern Literature 35, no. 1 (2011): 122. http://dx.doi.org/10.2979/jmodelite.35.1.122.

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Curtin, Mary Elizabeth. "“LIKE BOTTLED WASPS”: BEERBOHM, HUYSMANS, AND THE DECADENTS’ SUBURBAN RETREAT." Victorian Literature and Culture 39, no. 1 (2010): 183–200. http://dx.doi.org/10.1017/s1060150310000331.

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Such was George Orwell's vision of suburban life in his 1939 novel Coming Up for Air – a vision of mindless, middle-class consumerism teetering always on the edge of financial ruin – a domestic life-in-death. Over the course of the twentieth century, suburbia has become the topos of bourgeois complacency, the locus of psychic decline. Strange, then, to think that at the end of the nineteenth century, two of Europe's Decadent writers – Max Beerbohm and Joris-Karl Huysmans – could find in the suburbs of London and Paris an aesthetic retreat from the snares of bourgeois urban life. In 1884, Huysm
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Murphy, Alexandra K. "The Suburban Ghetto: The Legacy of Herbert Gans in Understanding the Experience of Poverty in Recently Impoverished American Suburbs." City & Community 6, no. 1 (2007): 21–37. http://dx.doi.org/10.1111/j.1540-6040.2007.00196.x.

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Reports based on data collected from the 2000 U.S. Census reveal a dramatic transformation in the landscape of poverty and inequality in the United States in the 1990s. U.S. central city areas have witnessed considerable decreases in rates of poverty while, at the same time, suburbs have experienced significant increases in rates of poverty. Indeed, the outcome of this shift has resulted in demographic trends, quality of life issues, economic and social outcomes, and signs of physical deterioration that we often associate with deteriorating inner cities now being found in a number of American
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Tereszewski, Marcin. "Liminal Space in J. G. Ballard’s "Concrete Island"." Text Matters, no. 9 (December 30, 2019): 345–55. http://dx.doi.org/10.18778/2083-2931.09.21.

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This article explores the way in which surrealist techniques and assumptions underpin spatial representations in Ballard’s Concrete Island. With much of Ballard’s fiction using spatiality as an ideologically charged instrument to articulate a critique that underpins postcapitalist culture, it seems important to focus on exactly the kind of spaces that he creates. This paper will investigate the means by which spatiality is conceptualized in Ballard’s fiction, with special emphasis on places situated on the borders between realism and fantasy. Ballard’s spaces, often positioned on the edgelands
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Pelayo Sañudo, Eva. "Elegies and Genealogies of Place: Spatial Belonging in the Italian/American Culture and Literature." Miscelánea: A Journal of English and American Studies 62 (January 25, 2021): 125–46. http://dx.doi.org/10.26754/ojs_misc/mj.20205155.

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This article examines the poetics and politics of place in Italian/American culture and in Tina De Rosa’s novel Paper Fish (1980), particularly its portrayal of ‘elegies and genealogies of place’, an appropriate framework through which to read the importance of spatial belonging. It investigates the way in which cultural identity is mostly built on both imagined communities and imagined places, as is common in migrant and diasporic cultures, through the evocation or creation of ancestors and the homeland. In addition, the Italian/American community leaves the characteristic Little Italy enclav
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Korsunsky, Alex. "From vacant land to urban fallows: a permacultural approach to wasted land in cities and suburbs." Journal of Political Ecology 26, no. 1 (2019): 282. http://dx.doi.org/10.2458/v26i1.22949.

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<p>While vacant land in cities has long been considered a sign of decline, a growing literature now suggests that such land can serve valuable social and ecological functions. In this article, I argue that such approaches advocated to date, while beneficial, operate within a New Urbanist framework that is essentially concerned with filling in vacant land with new 'green' projects. Unfortunately, such approaches are limited by a conceptualization of the city that treats inner city vacant lots as paradigmatic and makes invisible the systematic creation of functionally vacant land through z
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Breitinger, Eckhard. "Popular Urban Theatre in Uganda: between Self-Help and Self-Enrichment." New Theatre Quarterly 8, no. 31 (1992): 270–90. http://dx.doi.org/10.1017/s0266464x00006904.

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In this article Eckhard Breitinger traces the sources of present-day popular theatre in Uganda back to the situation shortly before and after independence, when Europeans, Indians, Goans, and Ugandans each had their own separate cultural and theatrical traditions. Theatrical activity came to a virtual standstill under the repressive regimes of Obote and Amin, when many prominent theatre people were killed or exiled, but quickly began to flourish again after 1986: in downtown Kampala semi-professional groups thus produce commercial comedies, while in the suburbs amateur companies use theatre to
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McKay, D. "White Women Writing White: H.D., Elizabeth Bishop, Sylvia Plath, and Whiteness; The Color of Sex: Whiteness, Heterosexuality, and the Fictions of White Supremacy; White Diaspora: The Suburb and the Twentieth-Century American Novel." American Literature 75, no. 1 (2003): 207–9. http://dx.doi.org/10.1215/00029831-75-1-207.

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Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri
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Flew, Terry. "Right to the City, Desire for the Suburb?" M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.368.

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The 2000s have been a lively decade for cities. The Worldwatch Institute estimated that 2007 was the first year in human history that more people worldwide lived in cities than the countryside. Globalisation and new digital media technologies have generated the seemingly paradoxical outcome that spatial location came to be more rather than less important, as combinations of firms, industries, cultural activities and creative talents have increasingly clustered around a select node of what have been termed “creative cities,” that are in turn highly networked into global circuits of economic cap
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Burns, Belinda. "Untold Tales of the Intra-Suburban Female." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.398.

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Australian suburbia, historically and culturally, has been viewed as a feminised domain, associated with the domestic and family, routine and order. Where “the city is coded as a masculine and disorderly space… suburbia, as a realm of domesticity and the family, is coded as a feminine and disciplinary space” (Wilson 46). This article argues how the treatment of suburbia in fiction as “feminine” has impacted not only on the representation and development of the character of the “suburban female”, but also on the shape and form of her narrative journeys. Suburbia’s subordination as domestic and
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Scannell, John. "Becoming-City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1951.

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Graffiti remains a particularly resilient aspect of the contemporary urban landscape and as a pillar of Hip-Hop culture enjoys an enduring popularity as a subject of academic inquiry.1 As the practice of graffiti is so historically broad it is within the context of Hip-Hop culture that I will limit my observations. In this tradition, graffiti is often rationalised as either a rebellious attempt at territorial reclamation by an alienated subculture or reduced to a practice of elaborate attention seeking. This type of account is offered in titles such as Nelson George's Hip-Hop America (George 1
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Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b
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Ossenbach, Carlos. "Charles H. Lankester (1879-1969): his life and legacy." Lankesteriana 13, no. 3 (2014). http://dx.doi.org/10.15517/lank.v13i3.14424.

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Charles Herbert Lankester (1879-1969) was without a doubt the most dominant figure of Central American orchidology during his time. Better known as ‘Don Carlos’, Lankester was born in Southampton, England, on June 14 1879. It was in London that he read an announcement offering a position to work as an assistant to the recently founded Sarapiquí Coffee Estates Company in Costa Rica, he applied and was hired. Surely influenced by his uncle’s zoological background, Lankester was at first interested in birds and butterflies. However, living in Cachí, at that time one of the regions with the greate
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Piatti-Farnell, Lorna, and Erin Mercer. "Gothic: New Directions in Media and Popular Culture." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.880.

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In a field of study as well-established as the Gothic, it is surprising how much contention there is over precisely what that term refers to. Is Gothic a genre, for example, or a mode? Should it be only applicable to literary and film texts that deal with tropes of haunting and trauma set in a gloomy atmosphere, or might it meaningfully be applied to other cultural forms of production, such as music or animation? Can television shows aimed at children be considered Gothic? What about food? When is something “Gothic” and when is it “horror”? Is there even a difference? The Gothic as a phenomeno
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Simpson, Catherine. "Cars, Climates and Subjectivity: Car Sharing and Resisting Hegemonic Automobile Culture?" M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.176.

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Al Gore brought climate change into … our living rooms. … The 2008 oil price hikes [and the global financial crisis] awakened the world to potential economic hardship in a rapidly urbanising world where the petrol-driven automobile is still king. (Mouritz 47) Six hundred million cars (Urry, “Climate Change” 265) traverse the world’s roads, or sit idly in garages and clogging city streets. The West’s economic progress has been built in part around the success of the automotive industry, where the private car rules the spaces and rhythms of daily life. The problem of “automobile dependence” (New
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Seale, Kirsten. "Location, Location." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2668.

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 Last year, the ABC’s Media Watch (17 Oct. 2005) noted the continuing outrage in the tabloid media over “the dirtiest house in NSW”. The program took issue with Sydney newspaper The Daily Telegraph, and the descriptor “exclusive” attached to their article on a property in beachside Bondi (9 Oct. 2005). In fact, as Media Watch pointed out, Channel Seven’s current affairs flagship Today Tonight had already made repeat visits to the residence. A Current Affair, Channel Nine’s rival show, as well as Bondi’s local newspaper also offered coverage. However, I am interested not in
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Baker, Sarah. "The Walking Dead and Gothic Excess: The Decaying Social Structures of Contagion." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.860.

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The Walking Dead is an American post-apocalyptic horror drama television series based on the comic book series of the same name. In the opening episode, Sheriff’s Deputy Rick Grimes awakens after months in a coma in an abandoned hospital to find a post-apocalyptic world dominated by flesh eating zombies. The cause of the apocalypse is unknown, and Grimes does not know what has happened to his family. The start of the programme is situated around his quest to find his family, and the encounters he has with the many other survivors along the way. The plot of The Walking Dead centres on the survi
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Garbutt, Rob. "Local Order." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2478.

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 I A sense of in-between shapes contemporary theoretical perspectives on identity through concepts such as fluidity, hybridity and diaspora. These concepts have traction when theorising global social and cultural orders characterised by ‘a delocalized transnation’. In this formation, Appadurai argues, ‘the formula of hyphenation (as in Italian-Americans, Asian-Americans, and African-Americans) is reaching the point of saturation, and the right-hand side of the hyphen can barely contain the unruliness of the left-hand side’ (803). Yet in the relatively monocultural space of
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Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u
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Johnson, Laurie, and Shelly Kulperger. "The issue of the urban ..." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1945.

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The release of the Urban issue of M/C a journal of media and culture is particularly timely. This same month, the United Nations General Assembly is hosting the World Urban Forum [http://www.unhabitat.org], designated as an advisory body to support implementation of the Habitat Agenda and to meet the Millennium Development goal of improving living conditions of slum dwellers throughout the globe. Anna Kajumulo Tibaijuka, Executive Director of UN-Habitat, promotes the forum by asking us to imagine a world without slums, replaced with productive and inclusive cities that meet the needs of all th
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Bruns, Axel. "The n-Dimensional Village." M/C Journal 1, no. 4 (1998). http://dx.doi.org/10.5204/mcj.1723.

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These days, when we speak of the Internet, electronic networks, or computer-mediated communication (CMC) in general, the term 'cyberspace' all too readily presents itself as a blanket description of these communications systems. Without question it's an attractive and powerful metaphor -- and that "the way we think, what we experience, and what we do every day is very much a matter of metaphor" (Lakoff & Johnson 3) has by now been proven convincingly by the work of cognitive linguists. They have found that "metaphors serve to organise and interpret experience" (Closs Traugott 49), and so t
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Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri
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Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in
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Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl
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Foster, Kevin. "True North: Essential Identity and Cultural Camouflage in H.V. Morton’s In Search of England." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1362.

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When the National Trust was established in 1895 its founders, Canon Rawnsley, Sir Robert Hunter and Octavia Hill, were, as Cannadine notes, “primarily concerned with preserving open spaces of outstanding natural beauty which were threatened with development or spoliation.” This was because, like Ruskin, Morris and “many of their contemporaries, they believed that the essence of Englishness was to be found in the fields and hedgerows, not in the suburbs and slums” (Cannadine 227). It was important to protect these sites of beauty and historical interest from development not only for what they w
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Lyons, Craig, Alexandra Crosby, and H. Morgan-Harris. "Going on a Field Trip: Critical Geographical Walking Tours and Tactical Media as Urban Praxis in Sydney, Australia." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1446.

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IntroductionThe walking tour is an enduring feature of cities. Fuelled by a desire to learn more about the hidden and unknown spaces of the city, the walking tour has moved beyond its historical role as tourist attraction to play a key role in the transformation of urban space through gentrification. Conversely, the walking tour has a counter-history as part of a critical urban praxis. This article reflects on historical examples, as well as our own experience of conducting Field Trip, a critical geographical walking tour through an industrial precinct in Marrickville, a suburb of Sydney that
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Mason, Jody. "Rearticulating Violence." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1902.

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Wife (1975) is a novel ostensibly about immigration, but it is also about gender, ethnicity, and power. Bharati Mukherjee's well-known essay, "An Invisible Woman" (1981), describes her experience in Canada as one that created "double vision" because her self-perception was put so utterly at odds with her social standing (39). She experienced intense and horrifying racism in Canada, particularly in Toronto, and claims that the setting of Wife, her third novel, is "in the mind of the heroine...always Toronto" (39). Mukherjee concludes the article by saying that she eventually left Toronto, and C
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McDonald, Donna. "Shattering the Hearing Wall." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.52.

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She leant lazily across the picnic hamper and reached for my hearing aid in my open-palmed hand. I jerked away from her, batting her hand away from mine. The glare of the summer sun blinded me. I struck empty air. Her tendril-fingers seized the beige seashell curve of my hearing aid and she lifted the cargo of sound towards her eyes. She peered at the empty battery-cage before flicking it open and shut as if it was a cigarette lighter, as if she could spark hearing-life into this trick of plastic and metal that held no meaning outside of my ear. I stared at her. A band of horror tightened arou
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Dominey-Howes, Dale. "Tsunami Waves of Destruction: The Creation of the “New Australian Catastrophe”." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.594.

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Introduction The aim of this paper is to examine whether recent catastrophic tsunamis have driven a cultural shift in the awareness of Australians to the danger associated with this natural hazard and whether the media have contributed to the emergence of “tsunami” as a new Australian catastrophe. Prior to the devastating 2004 Indian Ocean Tsunami disaster (2004 IOT), tsunamis as a type of hazard capable of generating widespread catastrophe were not well known by the general public and had barely registered within the wider scientific community. As a university based lecturer who specialises i
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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi
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Khamis, Susie. "Nespresso: Branding the "Ultimate Coffee Experience"." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.476.

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Introduction In December 2010, Nespresso, the world’s leading brand of premium-portioned coffee, opened a flagship “boutique” in Sydney’s Pitt Street Mall. This was Nespresso’s fifth boutique opening of 2010, after Brussels, Miami, Soho, and Munich. The Sydney debut coincided with the mall’s upmarket redevelopment, which explains Nespresso’s arrival in the city: strategic geographic expansion is key to the brand’s growth. Rather than panoramic ubiquity, a retail option favoured by brands like McDonalds, KFC and Starbucks, Nespresso opts for iconic, prestigious locations. This strategy has been
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Ellison, Elizabeth. "The #AustralianBeachspace Project: Examining Opportunities for Research Dissemination Using Instagram." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1251.

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IntroductionIn late 2016, I undertook a short-term, three-month project to share some of my research through my Instagram account using the categorising hashtag #AustralianBeachspace. Much of this work emerged from my PhD thesis, which is being published in journal articles, but has yet to be published in any accessible or overarching way. I wanted to experiment with the process of using a visual social media tool for research dissemination. I felt that Instagram’s ability to combine text and image allowed for an aesthetically interesting way to curate this particular research project. My rese
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