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Books on the topic 'Subversive art'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Subversive strategies in contemporary Chinese art. Leiden: Brill, 2011.

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2

Aiko, Iida, and Martin Lesley A, eds. Full vinyl: The subversive art of designer toys. New York, NY: Collins Design, 2006.

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3

Lloyd, Mark. The art of military deception. London: L. Cooper, 1997.

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4

Lloyd, Mark. The art of military deception. New Delhi: Bookmart Publishers, 1999.

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5

editor, Dózsai Mónika, Kliems Alfrun 1969 editor, Polakova Darina editor, and Schmidt Henrike, eds. Unter der Stadt: Subversive Ästhetiken in Ostmitteleuropa. Köln: Böhlau Verlag, 2014.

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6

Subversive expectations: Performance art and paratheater in New York, 1976-85. Ann Arbor, MI: University of Michigan Press, 1998.

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7

Wiebe, Henry. Art, myth, religion, and ritual: The subversive artist : invoking archetypal roots. Kitchener, Ont: Evenstone Press, 1998.

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8

The subversive stitch: Embroidery and the making of the feminine. London: I. B. Taurisr, 2010.

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9

Parker, Rozsika. The subversive stitch: Embroidery and the making of the feminine. London: Women's Press, 1996.

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10

Parker, Rozsika. The subversive stitch: Embroidery and the making of the feminine. New York: Routledge, 1989.

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11

Lilja, Efva. Do you get what I'm not saying?: On dance as a subversive declaration of love. Lund, Sweden: Ellerströms, 2012.

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12

Women's comedic art as social revolution: Five performers and the lessons of their subversive humor. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2012.

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13

Rebecca, Horn. Colonies of bees undermining the moles' subversive effort through time: Concert for Buchenwald, Part 1 Tram Dept, Part 2 Schloss Ettersburg. Zurich: Scalo, 2000.

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14

Horn, Rebecca. The colonies of bees undermining the moles' subversive effort through time: Concert for Buchenwald : part 1, Tram Depot : part 2, Schloss Ettersburg. Zurich: Scalo, 2000.

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15

Art and life in the novels of Anita Brookner: Reading for life, subversive re-writing to live. Bern: Peter Lang, 2004.

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16

Between the Avant-Garde and the everyday: Subversive politics in Europe from 1957 to the present. New York: Berghahn Books, 2011.

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17

Đảng cộng sản Việt Nam. Ban chỉ đạo tổng kết. Tổng kết lịch sử an ninh khu 9 thời kỳ chống Mỹ cứu nước, 1954-1975. Hà Nội]: Nhà xuất bản Công an nhân dân, 2010.

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18

Riekenbrauk, Klaus. Die Verfassungsfeind-Bestimmung in den veröffentlichten Verfassungsschutzberichten des Bundes und der Länder: Ein Beitrag zum Verfassungsschutz neuer Art. [Münster?: s.n.], 1986.

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19

Modern fiction and the art of subversion. New York: P. Lang, 1999.

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20

Fairy Tales and the Art of Subversion. London: Taylor and Francis, 2006.

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21

Chapon, François. Collages: Invention, subversion ou diversion. Bourges: Musée Estève, 1999.

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22

Dreams of subversion in medieval Jewish art & literature. University Park, Pa: Pennsylvania State University Press, 1997.

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23

Rochlitz, Rainer. Subversion et subvention: Art contemporain et argumentation esthétique. [Paris]: Gallimard, 1994.

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24

Weckel, Petra. Wilhelm Fraenger (1890-1964): Ein subversiver Kulturwissenschaftler zwischen den Systemen. Potsdam: Verlag für Berlin-Brandenburg, 2001.

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25

S, High Steven, and Baxter Gallery (Portland, Me.), eds. Aggression, subversion, seduction: Young German painters. Portland, Me: Baxter Gallery, Portland School of Art, 1986.

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26

From diversion to subversion: Games, play, and twentieth-century art. University Park, Pa: Pennsylvania State University Press, 2011.

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27

The art of subversion in inquisitorial Spain: Rojas and Delicado. West Lafayette, Ind: Purdue University Press, 2005.

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28

Painting the underworld sky: Cultural expressions and subversion in art. Santa Fe: School of American Research, 2005.

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29

Fernández, Sergio E. Miradas subversivas: Ocios de un escritor. México, D.F: Consejo Nacional para la Cultura y las Artes, Dirección General de Publicaciones, 1997.

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30

Facts are subversive: Political writing from a decade without a name. London: Atlantic, 2010.

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31

Ash, Timothy Garton. Facts Are Subversive: Political Writing from a Decade without a Name. New Haven, CT: Yale University Press, 2010.

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32

Paola, Antonelli, and Victoria and Albert Museum, eds. Postmodernism: Style and subversion, 1970-1990. London: V&A Pub., 2011.

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33

Dépression et subversion: Les racines de l'avant-garde. Paris: Centre Pompidou, 2004.

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34

Theater und Subjektkonstitution: Theatrale Praktiken zwischen Affirmation und Subversion. Bielefeld: Transcript, 2012.

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35

Son, images, langage: Anthropologie esthétique et subversion. Paris: Beauchesne, 2009.

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36

Laplantine, François. Son, images, langage: Anthropologie esthétique et subversion. Paris: Beauchesne, 2009.

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37

Dupuis, Michael. Are today's seminaries Catholic?: The unholy subversion of priestly formation. Dickinson, Tex: Angelus Press, 1990.

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38

Some of my best friends are white: Subversive thoughts from an urban Zulu warrior. Cape Town: Two Dogs, 2007.

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39

Stiftung, Albrecht Dürerhaus, ed. Von der Freiheit der Bilder: Spott, Kritik und Subversion in der Kunst der Dürerzeit. Petersberg: Michael Imhof, 2013.

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40

Craig, Hight, ed. Faking it: Mock-documentary and the subversion of factuality. Manchester: Manchester University Press, 2001.

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41

Dana, Self, and Edwin A. Ulrich Museum of Art., eds. Subversive domesticity. Wichita, Kan: Edwin A. Ulrich Museum of Art, Wichita State University, 1996.

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42

Subversive ceramics. Bloomsbury Academic, 2016.

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43

Film As A Subversive Art. D.A.P./C.T. Editions, 2005.

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44

Film as a Subversive Art. C.T. Editions, 2005.

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45

Vogel, Amos. ILL - Film as a subversive art. 2004.

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46

The subversive art of Zelda Fitzgerald. University of Missouri, 2017.

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47

Wiseman, Mary, and Liu Yuedi, eds. Subversive Strategies in Contemporary Chinese Art. BRILL, 2011. http://dx.doi.org/10.1163/ej.9789004187955.i-446.

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48

Vartanian, Ivan. Full Vinyl: The Subversive Art of Designer Toys. Collins Design, 2007.

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49

Faxneld, Per. Subversive Satanic Women in Decadent Literature and Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0007.

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Abstract:

Chapter 7 discusses Decadence as a highly visible counter-discourse, which popularized tactics of counter-reading. Félicen Rops’s enthusiastically debauched engravings and paintings of Satanic women are examined. Next, J.-K. Huysmans’s novel Là-bas (1891) is considered, especially the female Satanist Mme Chantelouve who is portrayed in it. She is a self-governing woman with modern ideas about free love and described as hysterical. Hysteria carried connotations of feminism, and the independent Chantelouve can be seen as a caustic caricature of an emancipated New Woman. Certain bohemian females were undaunted and approached her as an object of identification. Finally, Stanislaw Przybyszewski’s highly ambivalent attitude towards the demonic feminine is read in view of his œuvre at large, which makes it difficult to understand his at times quite ghastly descriptions of female Satanists as a simple condemnation. At times unwittingly, Decadents contributed to a destabilization of gendered categories and ideals.

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50

Vartanian, Ivan. Full Vinyl: The Subversive Art of Designer Toys. Collins Design, 2007.

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