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1

Janet Frame: Subversive fictions. University of Queensland Press, 1994.

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2

Marianne Moore, subversive modernist. University of Texas Press, 1986.

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3

Counseling to end violence against women: A subversive model. Sage Publications, 1996.

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4

Subversive sequels: New readings of biblical women and men. Jewish Publication Society, 2009.

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5

1960-, Cossman Brenda, ed. Subversive sites: Feminist engagements with law in India. Sage Publications, 1996.

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6

Appropriately subversive: Modern mothers in traditional religions. Harvard University Press, 2002.

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7

Impertinent voices: Subversive strategies in contemporary women's poetry. Routledge, 1991.

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8

Callahan, Vicki, and Virginia Kuhn. Future texts: Subversive performance and feminist bodies. Parlor Press, 2015.

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9

Salper, Roberta L. Domestic subversive: A feminist's take on the left 1960-1976. Anaphora Literary Press, 2014.

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10

Marso, Lori Jo. (Un)Manly citizens: Jean-Jacques Rousseau's and Germaine de Staël's subversive women. Johns Hopkins University Press, 1999.

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11

The subversive stitch: Embroidery and the making of the feminine. I. B. Taurisr, 2010.

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12

Parker, Rozsika. The subversive stitch: Embroidery and the making of the feminine. Women's Press, 1996.

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13

Parker, Rozsika. The subversive stitch: Embroidery and the making of the feminine. Routledge, 1989.

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14

Callil, Carmen. Subversive Sybils: Women's popular fiction this century : a talk. The British Library, Centre for the Book, 1996.

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15

Bessie Head: Subversive identities in exile. University Press of Virginia, 1996.

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16

Caminero-Santangelo, Marta. The madwoman can't speak, or, Why insanity is not subversive. Cornell University Press, 1998.

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17

Suleiman, Susan Rubin. Subversive intent: Gender, politics, and the avant-garde. Harvard University Press, 2012.

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18

Suleiman, Susan Rubin. Subversive intent: Gender, politics, and the avant-garde. Harvard University Press, 1990.

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19

Subversive intent: Gender, politics, and the avant-garde. Harvard University Press, 1990.

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20

Subversive discourse: The cultural production of late Victorian feminist novels. St. Martin's Press, 1995.

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21

Subversive discourse: The cultural production of late Victorian feminist novels. Macmillan, 1995.

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22

Fosl, Catherine. Subversive sourtherner: Anne Braden and the struggle for racial justice in the Cold War South. Palgrave Macmillan, 2002.

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23

Subversive silences: Nonverbal expression and implicit narrative strategies in the works of Latin American women writers. Fairleigh Dickinson University Press, 2009.

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24

The novels of Mrs. Oliphant: A subversive view of traditional themes. P. Lang, 1994.

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25

Women's comedic art as social revolution: Five performers and the lessons of their subversive humor. McFarland & Company, Inc., Publishers, 2012.

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26

Laughing feminism: Subversive comedy in Frances Burney, Maria Edgeworth, and Jane Austen. Wayne State University Press, 1998.

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27

The feminine unconventional: Four subversive figures in Israel's tradition. Fortress Press, 1990.

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28

Subversive southerner: Anne Braden and the struggle for racial justice in the Cold War South. Palgrave Macmillan, 2002.

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29

The subversive psyche: Contemporary women's narrative from Argentina and Uruguay. Clarendon Press, 1995.

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30

Subversive heroines: Feminist resolutions of social crisis in the condition-of-England novel. University of Michigan Press, 1994.

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31

Subversive voices: Eroticizing the other in William Faulkner and Toni Morrison. University of Tennessee Press, 2001.

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32

Art and life in the novels of Anita Brookner: Reading for life, subversive re-writing to live. Peter Lang, 2004.

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33

Beneath the American Renaissance: The subversive imagination in the age of Emerson and Melville. Oxford University Press, 2011.

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34

Kennedy, Kathleen. Disloyal mothers and scurrilous citizens: Women and subversion during World War I. Indiana University Press, 1999.

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35

Beneath the American Renaissance: The subversive imagination in the age of Emerson and Melville. Harvard University Press, 1989.

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36

Reynolds, David S. Beneath the American Renaissance: The subversive imagination in the age of Emerson and Melville. Knopf, 1988.

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37

Broner, E. M. The Red Squad. Knopf Doubleday Publishing Group, 2009.

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38

The Red Squad. Pantheon Books, 2009.

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39

Subversion: A romantic suspense story. Broadway Books, 2001.

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40

Mifflin, Margot. Bodies of subversion: A secret history of women and tattoo. Juno Books, 1997.

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41

Mifflin, Margo. Bodies of subversion: A secret history of women and tattoo. Juno Books, 2001.

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42

Bodies of subversion: A secret history of women and tattoo. Juno Books, 2001.

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43

Ayres, Brenda. Dissenting women in Dickens' novels: The subversion of domestic ideology. Greenwood Press, 1998.

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44

(Editor), Marie M. Roberts, ed. Subversive Women Series (Subversive Women). Thoemmes Press, 1996.

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45

(Editor), Marie M. Roberts, and Margaret C. Jones (Illustrator), eds. Journal of a Feminist (Subversive Women). Thoemmes Press, 1994.

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46

Grand, Sarah. The Beth Book: 1897 Edition (Subversive Women). Thoemmes Press, 1996.

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47

Faxneld, Per. Subversive Satanic Women in Decadent Literature and Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0007.

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Chapter 7 discusses Decadence as a highly visible counter-discourse, which popularized tactics of counter-reading. Félicen Rops’s enthusiastically debauched engravings and paintings of Satanic women are examined. Next, J.-K. Huysmans’s novel Là-bas (1891) is considered, especially the female Satanist Mme Chantelouve who is portrayed in it. She is a self-governing woman with modern ideas about free love and described as hysterical. Hysteria carried connotations of feminism, and the independent Chantelouve can be seen as a caustic caricature of an emancipated New Woman. Certain bohemian females were undaunted and approached her as an object of identification. Finally, Stanislaw Przybyszewski’s highly ambivalent attitude towards the demonic feminine is read in view of his œuvre at large, which makes it difficult to understand his at times quite ghastly descriptions of female Satanists as a simple condemnation. At times unwittingly, Decadents contributed to a destabilization of gendered categories and ideals.
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48

Subversive women: Historical experiences of gender and resistance. Zed Books, 1995.

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49

Janet Frame: Subversive Fictions. University of Otago Press, 1996.

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50

Martin, Taffy. Marianne Moore, Subversive Modernist. University of Texas Press, 2012.

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