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Books on the topic 'SUEP (Firm)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

(Firm), SUEP. SUEP. Garden City Pub. Ltd., 2015.

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2

Bjørnkjær, Kristen. Øst for Suez: En rejse med Mærsk--og gennem livet. People'sPress, 2015.

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3

Marchionne, Sergio. Chi comanda è solo: Sergio Marchionne in parole sue. Rizzoli, 2012.

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4

Condon, Thomas J. "Fire me & I'll sue!": A manager's survival guide to employee rights. Modern Business Reports, 1986.

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5

Benigni, Sonia. Ville da sogno in Costa Smeralda: La storia della Filigheddu costruzioni raccontata attraverso le sue più importanti realizzazioni. Edited by Filigheddu costruzioni (Firm). Silvana, 2005.

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6

Folli, Carlo. San Gemini e le sue acque--: La storia di un'opportunità colta e di tante occasioni mancate. Armando, 2012.

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7

Cagnoni, Emilio. Fantozzi Kafka: Il ragioniere sotto processo e le sue tragicomiche metamorfosi. L'epos, 2007.

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8

il testo letterario e le sue metamorfosi nell'era dell'immagine (Conference) (2011 Università di Roma Tre) Oltre la pagina. Oltre la pagina: Il testo letterario e le sue metamorfosi nell'era dell'immagine. Edizioni di storia e letteratura, 2013.

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9

U.S. Nuclear Regulatory Commission, ed. FIRE BARRIER PENETRATION SEALS IN NUCLEAR POWER PLANTS... NUREG-1552, SUPP.1... U.S. NUCLEAR REGULATORY COMMISSION. s.n., 1999.

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10

Ciacci, Gianluigi. La firma digitale: Il sistema della firma digitale e il commercio elettronico su Internet : commento al D.P.R. 445-2000 e sue applicazioni pratiche. 3rd ed. Il sole 24 ore, 2002.

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11

1968-, Chapman James, Glancy H. Mark, and Harper Sue, eds. The new film history: Sources, methods, approaches / edited by James Chapman, Mark Glancy, and Sue Harper. Palgrave Macmillan, 2007.

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12

1968-, Chapman James, Glancey Mark 1962-, and Harper Sue, eds. The new film history: Sources, methods, approaches / edited by James Chapman, Mark Glancey, and Sue Harper. Palgrave Macmillan, 2007.

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13

U.S. Nuclear Regulatory Commission., ed. FIRE BARRIER PENETRATION SEALS IN NUCLEAR POWER PLANTS... DRAFT REPORT FOR COMMENT... NUREG-1552, SUPP. 1... U.S. NUCLEAR REGULATORY COMMISS. s.n., 1999.

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14

U.S. Nuclear Regulatory Commission, ed. FIRE BARRIER PENETRATION SEALS IN NUCLEAR POWER PLANTS... DRAFT REPORT FOR COMMENT... NUREG-1552, SUPP. 1... U.S. NUCLEAR REGULATORY COMMISS. s.n., 1999.

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15

Barozzi, Laura. Italienisches Capriccio di Glauco Pellegrini. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-452-3.

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Realizzato nel 1960 a Berlino, nell’ex DDR, dal regista Glauco Pellegrini, Italienisches Capriccio (Capriccio Italiano) si configura come una trasposizione cinematografica degli episodi più significativi della vita di Carlo Goldoni, reinventati in modo originale nello stile delle sue commedie. L’incredibile storia subita dal film, di cui fu osteggiata la lavorazione, l’‘imprigionamento’ della pellicola con l’edificazione del Muro nel 1961 e la sua ‘liberazione’, avvenuta per merito del regista Carlo Lizzani, testimoniano i fermenti culturali del cinema italiano degli anni ’50-’60 e il clima po

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16

Hillman. Law Firm Breakups Supp. Little, Brown Book Group Limited, 1993.

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17

Hillman. Law Firm Breakups Sup 92 Hb. Little, Brown Book Group Limited, 1992.

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18

Jackson, R. H. World Regional Geography - Issues for Today 3e Film Supp. John Wiley & Sons Inc, 1992.

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19

Grafius, Brandon. The Witch. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348356.001.0001.

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The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the individual characters which argues for the film as a critique of patriarchal family structures. The religious background of the film’s Puritan context is explored, including a discussion of some of the documents which Eggers used for his screenplay. The film is placed in the context of 21<sup>st</sup> century horror cinema, with an argument for its place in the context of the current wave of folk h

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20

Helm, MacArthur. How To Sue Your Deadbeat Attorneys and Law Firms. Page Publishing Inc., 2015.

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21

Helm, MacArthur. How to Sue Your Deadbeat Attorneys and Law Firms. Page Publishing Inc., 2015.

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22

Penrose, Angela. Australia. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198753940.003.0009.

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In 1955 Edith and Penrose undertook sabbaticals at the Australian National University in Canberra. Edith and her three sons travelled across the USA by train and sailed from California. She and Fritz Machlup corresponded extensively whilst she was away discussing the draft of her book, The Theory of the Growth of the Firm, particularly the final chapters. In Australia she encountered and began to study the multinational firm or enterprise, writing her first articles on the subject. The family returned to the USA via the Suez Canal and sailed from Southampton to New York so that Edith and her s

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23

Clayton, Wickham. SEE! HEAR! CUT! KILL! University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830319.001.0001.

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SEE! HEAR! CUT! KILL!: Experiencing Friday the 13<sup>th</sup>, is the first book entirely devoted to the analysis of the Friday the 13 <sup>th</sup> franchise. The story a film tells is usually filtered through a particular perspective, or point of view. This book argues that slasher films, and the Friday the 13<sup>th</sup> movies particularly, use all the stylistic tools at their disposal to create a complex and emotionally intense approach to perspective, which develops and shifts across the decades. Chapter one discusses the history of perspective in horror, and the different critical con

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24

Essential Radio Journalism. Bloomsbury Publishing Plc, 2009.

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25

Essential Radio Journalism: How to Produce and Present Radio News. Bloomsbury Publishing Plc, 2009.

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26

Essential Radio Journalism: How to Produce and Present Radio News. Bloomsbury Publishing Plc, 2009.

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27

Evans-Powell, David. The Blood on Satan's Claw. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348349.001.0001.

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Widely regarded as one of the foundational 'Unholy Trinity' of folk horror film, The Blood on Satan's Claw (1971) has been comparatively over-shadowed, if not maligned, when compared to Witchfinder General (1968) and The Wicker Man (1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate - the first monograph dedicated solely to an analysis of the film, and released to coincide with the 50<sup>th</sup

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28

Herle, Anita, and Jude Philp, eds. Recording Kastom. Sydney University Press, 2020. http://dx.doi.org/10.30722/sup.9781743326480.

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Recording Kastom brings readers into the heart of colonial Torres Strait and New Guinea through the personal journals of Cambridge zoologist and anthropologist Alfred Haddon, who visited the region in 1888 and 1898. Haddon's published reports of these trips were hugely influential on the nascent discipline of anthropology, but his private journals and sketches have never been published in full. The journals record in vivid detail Haddon's observations and relationships. They highlight his preoccupation with documentation, and the central role played by the Islanders who worked with him to reco

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29

Walden, Kiri Bloom. Peeping Tom. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348370.001.0001.

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Reviled on it’s release, Peeping Tom all-but ended the career of celebrated director Michael Powell. The story of a murderous cameraman and his compulsion to record his killings, Powell’s film stunned the same critics who had acclaimed him for work he had made with Emeric Pressburger (as ‘The Archers’) in the years before. Luckily Peeping Tom was rediscovered and saved, largely due to the efforts of Martin Scorsese, and it is now considered a masterpiece of the Horror genre. In this Devil’s Advocate, published in the wake of the film’s 60<sup>th</sup> Anniversary, Kiri Bloom Walden charts the

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30

Upshaw, Larry, and Coyt R. Johnston. Held Hostage by Lawyers: How to Hire, Fire, Sue or Absolve Your Attorney. Professional Solutions Group, 2000.

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31

Yŏnghwa kija ŭi kŭl ssŭgi suŏp: Chu Sŏng-ch'ŏl kija ŭi yŏnghwa kŭl ssŭgi t'ŭkkang. Meit'ŭ Puksŭ, 2018.

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32

FIRE BARRIER PENETRATION SEALS IN NUCLEAR POWER PLANTS... NUREG-1552, SUPP.1... U.S. NUCLEAR REGULATORY COMMISSION. s.n., 1999.

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33

Pride and prejudice [videorecording] / co-production of BBC Television and BBC Worldwide Americas ; in association with A&E Network ; producer, Sue Birtwistle ; director, Simon Langton. 2nd ed. New Video Group, 1996.

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34

Myers, Carla S. Copyright and Course Reserves. ABC-CLIO, LLC, 2022. http://dx.doi.org/10.5040/9798216184911.

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With the guidance of this book, academic librarians wishing to provide print, electronic, and streaming media (music and film) course reserve services for their campus communities can do so in compliance with U.S. copyright law. Many academic libraries offer print and electronic course reserve services that encourage learning by connecting students and faculty with less expensive and supplementary educational materials. Unfortunately, there are many misconceptions regarding how U.S. copyright law affects course reserve services; as a result, many academic libraries restrict the scope of the se

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35

Papanikolaou, Dimitris. Greek Weird Wave. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474436311.001.0001.

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This book is the first to provide a reading of the recent ‘Weird’ or ‘New Wave’ of Greek cinema, both through the concept of biopolitics and in the context of contemporary World Cinema politics, aesthetics, as well as production and circulation strategies. Its main aim is to show the ways in which, since the beginning of the 21<sup>st</sup> century, cinema and other cultural forms in Greece have responded to a sense of Crisis and an ever expansive management of life that we have now come to call biopolitics. Through close cultural and film analysis, the Greek Weird Wave is proposed as a paradi

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36

Reades, Jonathan, and Martin Crookston. Why Face-to-Face Still Matters. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529215991.001.0001.

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Face-to-Face: The Persistent Power of Cities In a Post-Pandemic Era, is about the way that people and firms are adapting to the world of always-on and everywhere digital access, and what that means for cities and regions. Twenty years after The Death of Distance—and in the midst of a pandemic that has led some to question the future of cities—many people still think that we are on track for ‘business anywhere’. The book shows why that's not the case, and provides a structure for thinking about the next twenty years of social and economic upheaval. It shows how the changing fortunes of cities a

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37

Fisk, Nathan. Understanding Online Piracy. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216029663.

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The complex world of online piracy and peer-to-peer file sharing is skillfully condensed into an easy-to-understand guide that provides insight into the criminal justice approach to illegal file sharing, while offering guidance to parents and students who have concerns about potential legal action in response to file-sharing activities. While the actual impact of digital piracy is nearly impossible to precisely calculate, the threat of financial damage from illegal peer-to-peer (P2P) file sharing to the world's highest-grossing entertainment firms (and even entire industries!) has garnered att

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