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1

Lundt, Bea. "Sammelbesprechung: 100 Jahre Frauenwahlrecht." Das Historisch-Politische Buch 67, no. 2 (June 1, 2019): 297–300. http://dx.doi.org/10.3790/hpb.67.2.297.

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Antonia Meiners (Hg.): Die Suffragetten. Sie wollten wählen – und wurden ausgelacht. 176 S., Elisabeth Sandmann Verlag, München 2016 Hedwig Richter / Kerstin Wolff (Hg.): Frauenwahlrecht. Demokratisierung der Demokratie in Deutschland und Europa. 295 S., Verlag des Hamburger Instituts für Sozialforschung, Hamburg 2018 Unda Hörner: 1919 – Das Jahr der Frauen. 249 S., Ebersbach & Simon-Verlag, Berlin 2018
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2

Langowski, Judith. "Das Equal Rights Amendment – ein Katalysator für die US-Frauenbewegung oder ein Relikt der Suffragetten?" Forschungsjournal Soziale Bewegungen 34, no. 1 (March 1, 2021): 138–47. http://dx.doi.org/10.1515/fjsb-2021-0009.

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Zusammenfassung Seit fast 100 Jahren kämpft die feministische Bewegung für ein Equal Rights Amendment zur US-Verfassung. Getragen von einem neuen, aus Ablehnung der Trump-Administration heraus entfachten Momentum, erreichte das ERA im Januar 2020 die letzte der 38 benötigten bundesstaatlichen Ratifizierungen – und steht damit, so scheint es, seinem Ziel zum Greifen nah. Gleichzeitig jedoch hinterlässt Trump einen noch konservativer ausgerichteten Obersten Gerichtshof, der die über Jahrzehnte erarbeiteten Erfolge der Bewegung zunichtemachen könnte. Dieser Artikel liefert auf Basis journalistischer Interviews und Recherchen einen Überblick über die ERA-Bewegung, die mehrere Generationen an Frauen mobilisiert, empört und für ihre Rechte sensibilisiert hat; die zugleich Spalter und Katalysator für eine professionelle Frauenbewegung war. Neben den Kernforderungen der Bewegung und ihren aktuellen Akteurinnen beleuchtet dieser Artikel die zentralen Kritikpunkte, die das ERA noch immer von beiden Seiten des politischen Spektrums der USA anzieht, und gibt einen Ausblick zu seiner Zukunft.
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3

Cowman, Krista. "“Doing Something Silly”: The Uses of Humour by the Women's Social and Political Union, 1903–1914." International Review of Social History 52, S15 (November 21, 2007): 259–74. http://dx.doi.org/10.1017/s0020859007003239.

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Investigations into uses of humour associated with the militant suffrage campaign of the Women's Social and Political Union have been largely concerned with the satirizing of suffragettes. The uses that suffragettes themselves made of humour as a considered political tactic have been less considered. This paper explores three ways in which suffragettes turned humour to their advantage during their campaign: by deliberately adopting “silly” behaviours as a counterpoint to over-formal and male dominated Edwardian politics; by quick-witted retorts to hecklers who sought to disrupt suffragette meetings and finally as a means of venting private political dissent and alleviating some of the stresses of hectic political campaigning. The exploration of humour within the WSPU's work reveals some of the links between humour and social protest in the early twentieth century, and considers the extent to which its use in public political behaviour might be gendered.
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4

BEARMAN, C. J. "AN ARMY WITHOUT DISCIPLINE? SUFFRAGETTE MILITANCY AND THE BUDGET CRISIS OF 1909." Historical Journal 50, no. 4 (November 8, 2007): 861–89. http://dx.doi.org/10.1017/s0018246x07006413.

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ABSTRACTThis article analyses more than thirty demonstrations by suffragettes of the Women's Social and Political Union (WSPU) connected with the Budget crisis of 1909, and challenges many of the established orthodoxies about suffragette militancy. Demonstrations did not represent spontaneous activity by the rank and file, but were carried out or at least led by WSPU employees or ‘professional’ militants, with several visible changes in tactics which indicate an organized campaign directed by the leadership. Damage to property, and the political violence which culminated in the terrorist tactics of 1912–14, did not begin as a response to wrongs done to the suffragettes, but because the leaders decided it was necessary. But these tactics were a counter-productive mistake which caused an adverse public reaction and justified the government in the introduction of forcible feeding. The WSPU was obliged to retreat in a humiliating reversal.
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5

Makarova, Eva. "The ideological origins of American feminism." nauka.me, no. 2 (2022): 1. http://dx.doi.org/10.18254/s241328880021388-0.

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Feminism is an important part of nineteenth- and twentieth-century US political and social life. This article examines women's struggles for their rights and the impact of suffragette ideas on people of colour. The article looks at prominent nineteenth- and twentieth-century suffragettes with their actions and the results of the actions they came to as a result of the struggle. In addition to actions aimed at asserting their own rights, the article describes women's participation in the Civil War, 1861-1865, and in the First World War. This work explains the background to the emergence of major anti-discrimination movements such as Me Too and Black Lives Matter, among others, through an accepted methodology
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6

Bigourdan, Nicolas, Kevin Edwards, and Michael McCarthy. "Steamships to Suffragettes." Museum Worlds 4, no. 1 (July 1, 2016): 138–54. http://dx.doi.org/10.3167/armw.2016.040111.

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ABSTRACTSince 1985 the shipwreck site and related artifacts from the steamship SS Xantho (1872) have been key elements in the Western Australian Museum Maritime Archaeology Department’s research, exhibition, and outreach programs. This article describes a continually evolving, often intuitive, synergy between archaeological fieldwork and analyses, as well as museum interpretations and public engagement that have characterized the Steamships to Suffragettes exhibit conducted as part of a museum in vivo situation. This project has centered on themes locating the SS Xantho within a network of temporal, social, and biographical linkages, including associations between the ship’s engine and a visionary engineer (John Penn), a controversial entrepreneur (Charles Broadhurst), a feminist (Eliza Broadhurst), and a suffragette (Kitty Broadhust), as well as to Aboriginal and “Malay” divers and artists. Achieved with few funds, the project may be a valuable case study at a time when funds allocated to museums and archaeological units are rapidly diminishing.
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7

Danbolt, Matias. "Bølgebrydning. At tune ind på queerfeministisk historie med FRANKs Voluspå." Periskop – Forum for kunsthistorisk debat, no. 19 (May 30, 2018): 10–27. http://dx.doi.org/10.7146/periskop.v0i19.114001.

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2013 marked the centenary celebration of the suffragettes’ fight for the right to vote in parliamentary elections in Norway. The article “Breaking the Waves: Tuning into Queer History with FRANK’s Voluspå” analyses the Norwegian queer feminist platform FRANK’s response to the centenary, which included the artist book Voluspå (2013) and the exhibition Marie Høeg Meets Klara Lidén (2013–14), where photographs by the Norwegian suffragette and photographer Marie Høeg (1866-1949) were brought in dialogue with Swedish contemporary artist Klara Lidén. Through an analysis of FRANK’s “performative historiography,” the article discusses the value of revisiting one of feminist history’s most central narrative figures: the wave metaphor. With inspiration from feminist theorists including Clare Hemmings, Ednie Kaeh Garrison, and Tina Campt, the article suggests the importance of recalibrating the wave metaphor from an oceanic to an auditive register, as this opens up for a model of historical engagement attuned to the politics of affective dissonances and resonances across time and place.
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8

Fiig, Christina. "Valgretsdebattens vitale stemmer - Et offentlighedsperspektiv." Slagmark - Tidsskrift for idéhistorie, no. 69 (March 9, 2018): 123–38. http://dx.doi.org/10.7146/sl.v0i69.104326.

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This article approaches the struggles for enfranchisement within a perspective of a public sphere as conceptualized by Jürgen Habermas and Nancy Fraser. It focuses on one Danish suffragette organisation and its membership magazine, Kvindevalgret (1908-1915), as an exemplification of a type of opinion-forming public. In so doing the article is informed by the assumption that this type of public is a central democratic arena in which the process of deliberation has intrinsic value. The case demonstrates how participants in such a public can use a public arena as a means of politicising their situation, of democratic learning and of constructing political identities – in this case as mature, capable female voters. This was a controversial identity formation in the historical period of strong Conservative forces. The suffragettes’ in the debate were inspired by the contemporary philosophy of John Stuart Mill, in particular his liberal and utilitarian thinking on women as mature adults and as contributors to society’s well being.
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Kean, Hilda. "Some problems of constructing and reconstructing a suffragette's life: Mary Richardson, suffragette, socialist and fascist." Women's History Review 7, no. 4 (December 1998): 475–93. http://dx.doi.org/10.1080/09612029800200184.

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Campbell, Lara. "Modernity and Progress: The Transnational Politics of Suffrage in British Columbia (1910-1916)." Atlantis 41, no. 1 (December 16, 2020): 90–104. http://dx.doi.org/10.7202/1074021ar.

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Canadian historians have underplayed the extent to which theproject of suffrage and first wave feminism was transnational in scope. The suffrage movement in British Columbia provides a good example of the global interconnections of the movement. While BC suffragists were relatively uninterested in pan-Canadian campaigns they explicitly situated provincial suffrage within three transnational relationships: the ‘frontier’ myth of the Western United States, radical direct action by suffragettes in the United Kingdom, and the rise of modern China. By the second decade of the 20thcentury, increasingly confident women’s suffrage societies hosted international visits and contributed to global print culture, both of which consolidated a sense of being part of a modern, international and unstoppable movement. BC suffragists were attuned to American suffrage campaigns in California, Oregon and Washington, which granted female suffrage after referenda and situated political rights for settler women in the context of Western progress narratives. The emphasis on progress and modernity intersected with growing connections to non-Western countries, complicating racialized arguments for settler women’s rights to vote. BC suffragists were particularly impressed by the role of feminism in Chinese political reform and came to understand Chinese women as symbolizing modernity, progress, and equality. Finally, the militant direct action in the British suffrage movement played a critical role in how BC suffragists imagined the role of tactical political violence. They were in close contact with the militant WSPU, hosted debates on the meaning of direct action, and argued that suffragettes were heroes fighting for a just cause. They pragmatically used media fascination with suffragette violence for political purposes by reserving the possibility that unmet demands for political equality might lead to Canadian conflict in the future.
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11

Moore, Wendy. "The medical suffragettes." Lancet 391, no. 10119 (February 2018): 422–23. http://dx.doi.org/10.1016/s0140-6736(18)30111-9.

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12

De Pascalis, Ilaria A. "Film review: Suffragette." European Journal of Women's Studies 24, no. 2 (April 19, 2017): 189–92. http://dx.doi.org/10.1177/1350506817691866.

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13

Kociołek, Katarzyna. "London’s Suffragettes, Votes for Women, and Fashion." Anglica. An International Journal of English Studies, no. 27/1 (September 17, 2018): 81–95. http://dx.doi.org/10.7311/0860-5734.27.1.06.

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Suffragettes’ militant campaigns for voting rights are commonly dissociated from fashion, yet, in fact clothing and accessories were widely used by Emmeline Pankhurst and her fellow activists to gain visibility and increase public support for the suffrage movement. As commented by Katrina Rolley (1990), the suffragettes were frequently confronted with unfavourable representation of themselves in the press. Yet, thanks to their distinctive use of fashion, as observed by Paula Bartley (2002), the so called “Coronation Procession” held on 17 June 1911 in London was “one of the most colourful and spectacular of all the women’s suffrage demonstrations” (122‒123). Because there is little research on the importance of fashion in public space and the relationship between fashion and the women’s movement, the objective of the article is to show how sartorial practices of suffragettes countered their negative representation in the press. By applying elements of Cognitive Metaphor Theory to selected political cartoons by William Kerridge Haselden in the Daily Mirror, and fashion advertisements in Votes for Women magazine, the article demonstrates that the suffragettes used fashion in order to both increase their public visibility and to conform to normative femininity.
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14

Aronson, Amy, and Ellen Gruber Garvey. "From Suffragette to Sweeperette." Women's Review of Books 13, no. 12 (September 1996): 13. http://dx.doi.org/10.2307/4022447.

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15

Borghi, Elena. "Sophia: princess, suffragette, revolutionary." Feminist Review 114, no. 1 (November 2016): 143–45. http://dx.doi.org/10.1057/s41305-016-0017-8.

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16

Winslow, Barbara, and June Purvis. "The Most Prominent Suffragette." Women's Review of Books 20, no. 8 (May 2003): 13. http://dx.doi.org/10.2307/4024138.

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Jørgensen, Anna Vestergaard. "Stik, skær, brænd. Sprækken som (kunst)historisk berøringspunkt i værker af Carla Zaccagnini, Annarosa Krøyer Holm og La Vaughn Belle." Periskop – Forum for kunsthistorisk debat, no. 19 (May 30, 2018): 46–63. http://dx.doi.org/10.7146/periskop.v0i19.114004.

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On the 10th of March 1914, Mary Richardson went into the National Gallery in London and attacked Diego Velázquez’ Venus del espejo (1647-51) with around seven cuts from an axe before she was stopped by the museum guard. Richardson was one of the English suffragettes that since 1903 had been organized in Women’s Social and Political Union. The suffragettes organized more or less violent demonstrations and actions in order to create focus on the lack of women’s right to vote. In 1913-14 they attacked works and objects in English museum collections. Seen through the violent attacks by the suffragettes, museum collections appear as places where an ongoing fight for visibility, history, and identity exists. With the suffragettes’ attacks in museum collections as a starting point, this article will analyze contemporary works of art that cut, slit, and burn different white surfaces in the museum space: Annarosa Krøyer Holm’s Tent (2015), La Vaughn Belle’s Cuts and Burns (2016), and Carla Zaccagnini’s Elements of Beauty (2012). These are works that have an aesthetic connection through the white colour and through the very tangible incisions that break the surfaces of the works. These are works that not only engage different historical moments, but also make cuts in these histories. Through a reading of the works, the article seeks to ask how it is possible to (re-)read the museum’s space as a place filled with violence and pain? This is done through a queer feminist and decolonial perspective.
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MACKENZIE, NORMAN. "Vida Goldstein: the Australian Suffragette." Australian Journal of Politics & History 6, no. 2 (April 7, 2008): 190–204. http://dx.doi.org/10.1111/j.1467-8497.1960.tb00858.x.

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19

Delahanty, Patricia. "Suffragette Memorials Around the Country." Sculpture Review 69, no. 4 (December 2020): 28–43. http://dx.doi.org/10.1177/0747528420985353.

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Bearman, C. J. "An Examination of Suffragette Violence." English Historical Review 120, no. 486 (April 1, 2005): 365–97. http://dx.doi.org/10.1093/ehr/cei119.

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Purvis, June. "The suffragette and women's history." Women's History Review 14, no. 3-4 (September 1, 2005): 357–64. http://dx.doi.org/10.1080/09612020500200441.

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Inglis, Lucy. "Elsie Inglis, the suffragette physician." Lancet 384, no. 9955 (November 2014): 1664–65. http://dx.doi.org/10.1016/s0140-6736(14)62022-5.

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23

Gelfand, Elissa. "Hubertine Auclert: The French suffragette." Women's Studies International Forum 11, no. 6 (January 1988): 621–22. http://dx.doi.org/10.1016/0277-5395(88)90121-5.

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Jones, Denise. "Articulating the threatened suffragette body: suffragette embroidered cloths worked in Holloway Prison, 1911–1912." Women's History Review 29, no. 6 (March 30, 2020): 970–99. http://dx.doi.org/10.1080/09612025.2020.1745403.

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Gupta, Amit Kumar. "Book review: Sumita Mukherjee, Indian Suffragettes: Female Identities and Transnational Networks." Indian Historical Review 47, no. 2 (December 2020): 347–48. http://dx.doi.org/10.1177/0376983620968922.

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Alexanian, Tamar. "Black Women & Women's Suffrage: Understanding the Perception of the Nineteenth Amendment Through the Pages of the Chicago Defender." Michigan Journal of Gender & Law, no. 29.1 (2022): 63. http://dx.doi.org/10.36641/mjgl.29.1.black.

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Susan B. Anthony once famously stated, “I will cut off this right arm of mine before I will ever work for or demand the ballot for the Negro and not the woman.” The racism of many early suffragettes has been well documented and discussed; Black suffragettes and other suffragettes of color were, at best, relegated to the margins of the movement and, at worst, scorned and turned away by white suffragettes. Moreover, part of white suffragettes’ strategy for passage of the Nineteenth Amendment was based on racist appeals to white men; white suffragettes claimed that passage of the Nineteenth Amendment would help keep white voters in the majority and, ultimately, would help uphold white supremacy. Against this backdrop, Black women—and much of the Black community more generally—still supported and fought for the passage of the Nineteenth Amendment. Recent legal and historical scholars have been dedicated to studying the often-overlooked and instrumental role that Black women played in the Suffrage Movement and Black enfranchisement. This Article seeks to look at the coverage by Black—largely male—journalists at the Chicago Defender in the ten years preceding and proceeding the passage of the Nineteenth Amendment. In doing so, this Article hopes to better understand the ways that some Black community members understood and viewed the Nineteenth Amendment and how that perception changed. Although in hindsight we understand that the Nineteenth Amendment was not the liberating feat for Black women that it was for white women, what does Black journalistic coverage in the period immediately before and after its passage tell us about the perception of the Nineteenth Amendment and Black women’s enfranchisement at the time? The methodology of this research differs from those used in other historical research regarding Black women’s suffrage. Many historians have focused on understanding Black women’s suffrage through studying individual women’s stories: In her groundbreaking and well-received book Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All, legal historian Martha Jones says that “by recounting the lives of some of the many Black women who engaged in political fights, the picture of a whole comes into view.” These histories rely on a large variety of historical documents left behind by, and about, individual suffragists and events to gain an understanding of “the picture of a whole.” This Article takes a different approach: it looks deeply at only one set of primary documents—articles printed in the Chicago Defender— to better understand the changes and patterns in community perception revealed through journalistic coverage. This is not counter to the important work of these other historians, who have helped recover the overlooked stories of suffragists of color. Instead, this Article seeks to further our understanding of these stories through a different medium.
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Belliard, Corinne. "1903-1928 : les luttes des suffragettes." Diplômées 272, no. 1 (2020): 11–25. http://dx.doi.org/10.3406/femdi.2020.10229.

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Yang, Shu. "Wrestling with Tradition: Early Chinese Suffragettes and the Modern Remodeling of the Shrew Trope." Modern Chinese Literature and Culture 34, no. 1 (June 2022): 128–69. http://dx.doi.org/10.3366/mclc.2022.0007.

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This article investigates the rehabilitation of the traditional trope of the Chinese shrew in depictions of early Chinese radical suffragettes after the establishment of the Republic of China. It argues that, rather than dying out as China entered the modern age, the shrew became central to the ways in which first-wave feminists were portrayed and perceived in public discourses. Although still typically used to insult women in early Republican China, the archetype of the shrew also functioned as a transgressive model of female empowerment that manifested modern expectations for the qualities of the new woman. Starting from analyses on how the male-dominated media deployed variations of the traditional shrew to describe the visible and confrontational nature of the radical suffragettes, this article then turns to explore how the women themselves played a part in shaping their public images. They, as social actors, exhausted every right and freedom to carve out new subjectivities for themselves to perform in society. In sometimes aligning with and other times rejecting their public labeling as shrews, the suffragettes opened a new direction for understanding the vitality of the shrew trope and for conceiving of the newly emergent public or political woman at the turn of the twentieth century.
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Moore, Wendy. "The suffragette surgeons of Endell Street." Lancet 395, no. 10229 (March 2020): 1030–31. http://dx.doi.org/10.1016/s0140-6736(20)30641-3.

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30

Chandran, Anita. "Hertha Ayrton: pioneering inventor and suffragette." Physics World 35, no. 9 (November 1, 2022): 26–30. http://dx.doi.org/10.1088/2058-7058/35/09/25.

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Physicist, mathematician, engineer, inventor and suffragette – Hertha Ayrton was many things at a time when women were expected to simply keep house and raise a family. Anita Chandran explores the life of this remarkable scientist, who died a century ago next year.
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Fournier, Martine. "Le féminisme, des suffragettes à l’ère #MeToo." Les Grands Dossiers des Sciences Humaines N° 63, no. 6 (June 1, 2021): 6–8. http://dx.doi.org/10.3917/gdsh.063.0006.

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Fowler, Rowena. "Why Did Suffragettes Attack Works of Art?" Journal of Women's History 2, no. 3 (1991): 109–25. http://dx.doi.org/10.1353/jowh.2010.0130.

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Davey, Jennifer. "Indian suffragettes: female identities and transnational networks." Women's History Review 28, no. 4 (April 9, 2019): 698–700. http://dx.doi.org/10.1080/09612025.2019.1602200.

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Rotunno, Laura. "Trained Bodies: From Gymnasts to "Jujutsu Suffragettes"." Victorian Review 42, no. 1 (2016): 37–43. http://dx.doi.org/10.1353/vcr.2016.0038.

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Bagüés Bautista, Marta. "Deeds and Words: The Holloway Jingles and the Fight for Female Suffrage." ES Review. Spanish Journal of English Studies, no. 42 (November 11, 2021): 283–303. http://dx.doi.org/10.24197/ersjes.42.2021.283-303.

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This article explores the importance of the written word of the Holloway Jingles in the fight for female suffrage through the analysis of the Foreword, “There’s a Strange Sort of College” and “L’Envoi.” Firstly, it will focus on the importance of writing as a venting tool for the suffragettes and it will demonstrate the idealization of imprisonment in the collection by comparing it to realistic and autobiographical accounts of life in Holloway Gaol, as well as the relevance of such an idealization in order to strengthen the bonds between the suffragettes both inside and outside of prison. Secondly, it will explore the impact of the collection within the feminist movement relating it to Virginia Woolf’s and Mary Wollstonecraft’s ideas, thus focusing on a wider notion of justice and freedom that was essential for their emancipatory fight.
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Bascou-Bance, Paulette. "La première suffragette : Jeanne Deroin (1805-1894)." Diplômées 212, no. 1 (2005): 338–40. http://dx.doi.org/10.3406/femdi.2005.10319.

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Nym Mayhall, Laura E. "Domesticating Emmeline: Representing the Suffragette, 1930-1993." NWSA Journal 11, no. 2 (July 1999): 1–24. http://dx.doi.org/10.2979/nws.1999.11.2.1.

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Mayhall, Laura E. Nym. "Domesticating Emmeline: Representing the Suffragette, 1930-1993." NWSA Journal 11, no. 2 (1999): 1–24. http://dx.doi.org/10.1353/nwsa.1999.0016.

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Norden, Martin F. "A Good Travesty Upon the Suffragette Movement." Journal of Popular Film and Television 13, no. 4 (January 1986): 171–77. http://dx.doi.org/10.1080/01956051.1986.10662005.

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Laurie, Robert. "Suffragette and related material in the Library." Bulletin of the Marx Memorial Library 139, no. 1 (March 2004): 24–29. http://dx.doi.org/10.3828/bbml.2004.139.5.

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Cowman, Krista. "A footnote in history? Mary Gawthorpe, Sylvia Pankhurst, the suffragette movement and the writing of suffragette history [1]." Women's History Review 14, no. 3-4 (September 1, 2005): 447–66. http://dx.doi.org/10.1080/09612020500200446.

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Stokes, John, Joel H. Kaplan, and Sheila Stowell. "Theatre and Fashion: Oscar Wilde to the Suffragettes." Yearbook of English Studies 26 (1996): 302. http://dx.doi.org/10.2307/3508693.

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Roberts, Elizabeth A. M., and David Rubinstein. "Before the Suffragettes: Women's Emancipation in the 1890s." American Historical Review 92, no. 5 (December 1987): 1213. http://dx.doi.org/10.2307/1868542.

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Lafferty, Yvonne, and Jim McKay. "“Suffragettes in Satin Shorts”? Gender and Competitive Boxing." Qualitative Sociology 27, no. 3 (2004): 249–76. http://dx.doi.org/10.1023/b:quas.0000037618.57141.53.

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Chanin, Eileen. "Soldiers and Suffragettes: The Photography of Christina Broom." Modernism/modernity 23, no. 1 (2016): 243–48. http://dx.doi.org/10.1353/mod.2016.0023.

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Hwang, Hye Jean. "The Prison Experiences of the Suffragettes: Class Mattered?" Journal of Western History 59 (November 30, 2018): 157–95. http://dx.doi.org/10.16894/jowh.59.5.

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Smith, Hilda L., and Hilda Kean. "Deeds Not Words: The Lives of Suffragette Teachers." History of Education Quarterly 32, no. 4 (1992): 551. http://dx.doi.org/10.2307/368975.

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48

Geddes, Jennian F. "Louisa Garrett Anderson (1873–1943), surgeon and suffragette." Journal of Medical Biography 16, no. 4 (November 2008): 205–14. http://dx.doi.org/10.1258/jmb.2007.007048.

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Abstract:
Louisa Garrett Anderson, daughter of Britain's first woman doctor, has been largely forgotten today despite the fact that her contribution to the women's movement was as great as that of her mother. Recognized by her contemporaries as an important figure in the suffrage campaign, Anderson chose to lend her support through high-profile action, being one of the few women doctors in her generation who risked their professional as well as their personal reputation in the fight for women's rights by becoming a suffragette – in her case, even going so far as to spend a month in prison for breaking a window on a demonstration. On the outbreak of war, with only the clinical experience she had gained as outpatient surgeon in a women's hospital, Anderson established a series of women-run military hospitals where she was a Chief Surgeon. The most successful was the Endell Street Military Hospital in London, funded by the Royal Army Medical Corps and the only army hospital ever to be run and staffed entirely by women. Believing that a doctor had an obligation to take a lead in public affairs, Anderson continued campaigning for women's issues in the unlikely setting of Endell Street, ensuring that their activities remained in the public eye through constant press coverage. Anderson's achievement was that her work played no small part in expunging the stigma of the militant years in the eyes of the public and – more importantly – was largely instrumental in putting women doctors on equal terms with their male colleagues.
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49

Mayhall, Laura E. Nym. "Household and Market in Suffragette Discourse, 1903—14." European Legacy 6, no. 2 (April 2001): 189–99. http://dx.doi.org/10.1080/10848770120031378.

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50

Mayhall, Laura E. Nym. "Household and Market in Suffragette Discourse, 1903–14." European Legacy 6, no. 2 (April 1, 2001): 189–99. http://dx.doi.org/10.1080/10848770125357.

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