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Dissertations / Theses on the topic 'Sufi Muslim'

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1

Massoud, Sami 1962. "Sufis, Sufi ṯuruq̲ and the question of conversion to Islam in India : an assessment". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27956.

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The purpose of this thesis is to analyze the topoi found in various writings on the Indian subcontinent, which depict Muslim mystics, the Sufis, as responsible for the conversion, forced or peaceful, of non-Muslim Indians to Islam. Our analysis of various historiographical traditions produced in the Subcontinent between the eleventh and the twentieth centuries, will show that this image of Sufis qua missionaries is more the result of socio-political considerations (legitimization of imperial order; posthumous images of Sufis in the eyes of different folk audiences, etc.) than the reflection of
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2

Abdul, Nabi Saleh Ali. "The concept of the Sufi Saintly Miracle: A Literary Approach." University of Western cape, 2020. http://hdl.handle.net/11394/7302.

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Masters of Art<br>study analyses the concept of al-Karāmah al-Sūfīyah (the Sufi Saintly Miracle) in both its religious and literary dimensions. The researcher will shed more light on this genre of narrative literary phenomena by developing its definition and placing it in the social and historical context of the Sufi thought as a whole. Many communities in the Islamic world embrace and practice the Sufi doctrine and also believe in the Ṣūfī Sheikhs’ saintly miracles and its paranormal aspects, which they also consider to be parallel in its sacredness to the miracles of the Prophets. Furthermo
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3

Armstrong, Amatullah. "The artist transformed : Sufi views on the development of the self and art." Thesis, Queensland University of Technology, 1997.

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Abu Madyan Shu'ayb, the exalted Sufi Shaykh of twelfth century North Africa and a contemporary of Shaykh Muhyi-d-Din Ibn al' Arabi, used to say to his disciples, "Feed us with fresh meat." He did not want them to merely relate what another person had to say about Knowledge of Allah. He wanted his disciples, those who struggled on the Sufi Path, to bring forth from the depths of their own hearts that particular Knowledge which Allah had given to each of them. Shaykh Ibn al-'Arabi often quotes the famous Sufi axiom, "Selfdisclosure never repeats Itself" that is, Allah never reveals or unveils H
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4

Kose, Ali. "Conversion to Islam : a study of native British converts." Thesis, King's College London (University of London), 1994. https://kclpure.kcl.ac.uk/portal/en/theses/conversion-to-islam--a-study-of-native-british-converts(1d25f982-fc90-49c0-8a3b-dacdffddc178).html.

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5

Johnston, Sharilee Mehera. "Poetics of performance : narratives, faith and disjuncture in qawwali /." Digital version:, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004299.

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6

Spellman, Kathryn Rosemary. "Religion, nation and identity : Iranians in London." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367944.

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7

Atay, Tayfun. "Naqshbandi Sufis in a western setting." Thesis, SOAS, University of London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261459.

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8

Randall, Yafiah. "Remembering Al-Andalus : Sufi pathways of engagement between Jews and Muslims in Israel and their contribution to reconciliation and conflict transformation." Thesis, University of Winchester, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.698124.

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9

Utter, Hans Fredrick. "Networks of Music and History: Vilayat Khan and the Emerging Sitar." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308392450.

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10

Lundkvist, Jakob. "Brukens Hus." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223458.

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11

Ciliberti, Galliano. "Francesco Coppetta de' Beccuti in musica. E la trasmissione dei suoi testi poetici." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37090.

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12

Ungari, Ludovica <1993&gt. "La programmazione lineare come metodo per realizzare visite personalizzate. Il caso di Venezia e dei suoi Musei Civici." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14949.

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La tesi si articola in quattro capitoli, partendo dall'analisi del pubblico museale, passando dal concetto di creatività ed innovazione. Si prosegue con l'analisi della tecnologia digitale applicata ai Beni Culturali. Al centro della tesi c'è il metodo quantitativo della programmazione lineare attraverso il racconto della sua applicazione in ambito culturale. Infine il caso studio illustra l'esperimento applicato ai Musei Civici di Venezia.
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13

Camara, Samba. "Recording Postcolonial Nationhood: Islam and Popular Music in Senegal." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510780384221502.

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14

Saib, Yunus. "Sufi Sahib's [1850-1911] contribution to the early history of Islam in South Africa." Thesis, 1993. http://hdl.handle.net/10413/7420.

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15

Hendricks, Seraj. "Tasawwuf (Sufism) : its role and impact on the culture of Cape Islam." Diss., 2005. http://hdl.handle.net/10500/1849.

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The primary focus of this dissertation is to establish the extent to which ta§awwuf, commonly referred to as Islamic Spirituality, impacted on Cape Muslim culture. The study spans the time period between the arrival of the first significant political exiles at the Cape in 1667 to the founding of the Muslim Judicial Council in 1945. To this end a short historical review of ta§awwuf as it unfolded since its inception in the Muslim world is given in order to provide the necessary background against which any study of ta§awwuf at the Cape must be measured. This, in the authorÕs opinion, has not
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16

Sonneborn, D. A. "Music and meaning in American Sufism the ritual of Dhikr at Sami Mahal, a Chishtiyya-derived Sufi Center /." 1995. http://catalog.hathitrust.org/api/volumes/oclc/38298248.html.

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17

Newell, James Richard. "Experiencing Qawwali sound as spiritual power in Sufi India /." Diss., 2007. http://etd.library.vanderbilt.edu/ETD-db/available/etd-09262007-151811/.

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18

Lin, Kuang-Hui, and 林光輝. "A Study of Islamic Sufi Music in India and Pakistan─Taking Qawwali For Example." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/72299534574411463741.

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碩士<br>玄奘人文社會學院<br>宗教學研究所<br>92<br>The topic is Qawwali, it is an often seenly musical form in northern India and Pakistan. Qawwali is a kind of songs mixed by Islamic and Indian influences. The Sufis(you can understand them as an school of Islam, but it is not nearly right) in this area depend or use Qawwali to get the situation of hāl(it is an arabian word, meaning ecstasy or trance), and they say they could get closer to Allah(God of Islam) in Qawwali. Qawwali is believed to survive in this area at least 800 years. The texts of Qawwali are the words of Qur’ān(Bible of Islam), Hadi
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19

Chen, Po-Jung, and 陳柏蓉. "A Study of the relationship between the Chiu Tsu Music and the Music Culture in Sui and Tang Dynasty." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/60649716712339194846.

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20

Koerbin, Paul V. "I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş)." Thesis, 2011. http://handle.uws.edu.au:8081/1959.7/507150.

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The lyric songs of Turkish oral tradition broadly understood by the term deyiş provide one of the richest perspectives on the historical construction, communal perceptions and creative impetus of Turkish Alevi culture. One of the most evident defining characteristics of the deyiş is the convention in which the poetic persona to which the lyric is attributed, known as the mahlas, is incorporated in the final verse. While this convention is ubiquitous in this lyric form it has received little scholarly attention particularly in regards to is role in expressive culture. This study approaches Alev
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21

Yeh, Wen-chieh, and 葉文傑. "Studies of the evolution of the elementary schools’ music education in Taiwan(1981-2000)-A Case Study from Tam-Sui Town." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/11718785783190736128.

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碩士<br>東吳大學<br>音樂學系<br>90<br>The subject of this dissertation is the history of the music education field of elementary schools in Taiwan from 1981-2000. The study has three levels. The first discusses elementary schools’ music educational issues including music curriculum, textbook, pedagogy and equipment. The second is about the teachers’ source and in-service training issues, and the third level is about the music activity. This research is adopting methods of documentary analysis, and investigative questionnaires for schools’ data. It will also make use of interviews i
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