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Relevant bibliographies by topics / Suites (Tuba and piano)

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Dissertations / Theses
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Academic literature on the topic 'Suites (Tuba and piano)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Suites (Tuba and piano)"

1

Byrne, Frank, and Alec Wilder. "Suite No. 1 for Tuba and Piano ("Effie Suite")." Notes 41, no. 4 (1985): 794. http://dx.doi.org/10.2307/940898.

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Mullen, Erin. "Suite for Horn and Piano, and: Suite (Twelve Duets) for Horn and Tuba, and: Horn Sonata, and: Horn! for Horn in F and Piano, and: Sonata for Horn and Piano (review)." Notes 60, no. 3 (2004): 801–4. http://dx.doi.org/10.1353/not.2004.0030.

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Byrne, Frank, and Leonard Salzedo. "Sonata for Tuba and Piano, Op. 93." Notes 43, no. 2 (1986): 421. http://dx.doi.org/10.2307/897411.

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Byrne, Frank, and Jan Krzywicki. "Ballade; For Tuba or Baritone Horn and Piano." Notes 43, no. 2 (1986): 422. http://dx.doi.org/10.2307/897412.

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Cai, Z. "Using Folk Literature in Chinese Piano Suites." Университетский научный журнал, no. 49 (2019): 148–53. http://dx.doi.org/10.25807/pbh.22225064.2019.49.148.153.

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MacDonald, Calum. "Further reviews." Tempo 60, no. 238 (2006): 49–50. http://dx.doi.org/10.1017/s0040298206330318.

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CYRIL SCOTT: Piano Concerto No.1; Symphony No.4; Early One Morning. Howard Shelley (pno), BBC Philharmonic c. Martyn Brabbins. Chandos CHAN 10376.SCOTT: Complete Piano Music Volume One – Suites and Miniatures. Leslie De'Ath, Cyril Scott (pnos). Dutton Epoch CDLX 7150 (2-CD set).SCOTT: Complete Piano Music Volume Two – Complete Piano Sonatas. Leslie De'Ath (pno). Dutton Epoch CDLX 7155.SCOTT: Complete Piano Music Volume Three – Concert Pieces, Ballet Scores, Unpublished Works, Two-piano Works. Leslie De'Ath, Anya Alexeyev (pnos). Dutton Epoch CDLX 7166 (2-CD set).SCOTT: Sonata op.66; Second Son

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Gillmor, Alan M. "Musico-poetic Form in Satie's "Humoristic" Piano Suites (1913-14)." Canadian University Music Review, no. 8 (1987): 1. http://dx.doi.org/10.7202/1014932ar.

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8

v, Radu. "Tango Margareta for flute, clarinet and piano by C. Rusnac – characteristic aspects of language, structure and interpretation." Dialogica. Revistă de studii culturale și literatură, no. 1 (May 2025): 69–72. https://doi.org/10.59295/dia.2025.1.08.

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In this article, the author proposes to analyze the characteristic elements of language and structure of the creation Tango Margareta for flute, clarinet and piano by C. Rusnac. At the same time, the aim is also to elucidate the most important interpretative aspects in order to determine the degree of complexity but also to codify the essential musical idea. The importance of the works in music for clarinet from the Republic of Moldova: the compositional repertoire for clarinet is quite vast and diverse in terms of genre – fantasies, sonatas, trios, etc., but also instrumental composition – cl

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Yuhan, Qin. "Du Mingxin’s solo piano works: genre-style and performance aspects." Aspects of Historical Musicology 37, no. 37 (2024): 167–81. https://doi.org/10.34064/khnum2-37.08.

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Statement of the problem. The article examines the piano works of the famous Chinese composer, pianist, violinist and conductor with international prestige Du Mingxing. The composer is known primarily as the author of large-scale symphonic works, ballets, choral, vocal and instrumental works, numerous arrangements of folk songs. Solo piano works of the composer are analyzed – the suites “Red Women’s Battalion”, “Mermaid”, “New Century”, the piece “Etude”, and the arrangement of folk tune "Lotus Dance". The genre component of the composer’s piano works is studied and their stylistic features ar

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Oláh, Boglárka Eszter. "Minuet - The Reminiscence of the Individual Dance Form in Maurice Ravel’s Piano Works." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (2021): 315–27. http://dx.doi.org/10.24193/subbmusica.2021.1.20.

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"The minuet is one of the most representative dance forms of the Baroque era. Thanks to its popularity, it becomes part of stage works like operas and ballets, instrumental suites, later (in the Classical and Romantic era) movements of symphonies, sonatas, string quartets, and trios. Ravel had a special interest in old dance forms. Among his musical works there are several dance-movements like Pavane, Rigaudon, Forlane, or Menuet. The use of these in individual works is limited, having only three minuets written for piano solo: the Menuet antique (1895), the Menuet in C sharp minor (1904), and

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Dissertations / Theses on the topic "Suites (Tuba and piano)"

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Calkin, Joshua Russell. "The singing tuba : art songs transcribed for tuba and piano as beginning lyrical etudes." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/1434.

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Brendt, Norbert. "Die Klaviersuite zwischen 1850 und 1925 /." Kassel : G. Bosse, 1997. http://catalogue.bnf.fr/ark:/12148/cb369650335.

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Erickson, Clipper. "The six piano suites of Nathaniel Dett." Thesis, Temple University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3623149.

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<p> The six piano suites of R. Nathaniel Dett (1882-1943) constitute a substantial body of piano music that illustrates the musical development of an important, but historically neglected American musician. Dett was a seminal figure in the preservation and study of spirituals, both as a writer and choral leader, and as a great teacher and inspirer of African-American musicians in the generations that followed him. Educated at Oberlin and Eastman, he was lauded as the first American composer to fuse Negro folk music with European art music tradition. </p><p> The writing of a series of li

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Sansbury, Sally Liew. "The Xinjiang piano suites of Shi Fu." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584.

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Peng, Wenjuan. "Complete solo piano suites by Rodion Shchedrin." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6246.

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Griffeath-Loeb, Brian Griffeath-Loeb Brian Griffeath-Loeb Brian Griffeath-Loeb Brian. "Three pieces." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453364.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>The 2nd work for piano, amplified guitar, baritone saxophone, and tuba. Accompanying disc is DVD-ROM, and contains sound files of recordings of works. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Durations: ca. 8:00 ; ca. 6:00 ; ca. 11:00-12:00. Explanatory or program notes precede each work.

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Cohen, Marcos Jacob Costa. "Suite for piano and chamber orchestra /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422346.

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Araujo, Filho Alfeu Rodrigues de. "Estudo analitico e interpretativo sobre as tres suites brasileiras de Oscar Lorenzo Fernandez." [s.n.], 1996. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284306.

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Orientador: Mauricy Matos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-23T05:44:14Z (GMT). No. of bitstreams: 1 AraujoFilho_AlfeuRodriguesde_M.pdf: 3958957 bytes, checksum: cd9df1d7b2825aef4089a2696e37717b (MD5) Previous issue date: 1996<br>Resumo: Esta pesquisa consiste inicialmente em um levantamento histórico sobre a vida do compositor ( conteúdo biográfico), seguido de um estudo sobre o movimento nacionalista, detectando as principais influências que o mesmo exerceu na formulação das Três Suítes Brasileiras. O en

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Lee, Chen-Tien. "Mussorgsky's Pictures at an exhibition : an analytical and performance study /." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1187906733.

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Kono, Yutaka. "Discussion of transcribing music for tuba and a transcription of Sergei Rachmaninoff's Sonata for cello and piano in G minor, op. 19 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3075616.

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Books on the topic "Suites (Tuba and piano)"

1

Wilder, Alec. Suite no. 2 for tuba and piano: ("Jesse"). Margun Music, 1993.

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Wilder, Alec. Suite: (twelve duets) for horn and tuba. Margun Music, 1996.

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3

Fine, Irving. Diversions: For piano. Joclem Music, 1996.

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4

Weiner, Lawrence. Suite for solo piano. Southern Music Co., 1987.

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Rodrigo, Joaquín. Suite para piano (1923). Schott, 1994.

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Hétu, Jacques. Petite suite: Piano = Klavier. Doberman-Yppan, 1985.

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Schifrin, Lalo. Resonances: (1987) : piano solo. Scherzo Music, 1987.

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8

Brubeck, Dave. Glances: Suite for solo piano. Warner Bros., 1995.

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9

Zaimont, Judith Lang. Suite impressions: For solo piano. Vivace Press, 1996.

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10

Mamlok, Ursula. Grasshoppers: Six humoresques for piano. Casia Pub. Co., 1993.

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Book chapters on the topic "Suites (Tuba and piano)"

1

"Duos for Piano and Tuba." In The Piano in Chamber Ensemble, Third Edition. Indiana University Press, 2021. http://dx.doi.org/10.2307/j.ctv21hrj5p.22.

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Beaudoin, Richard. "Sounds of Touch." In Sounds as They Are. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197659281.003.0004.

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Abstract Chapter 3 analyzes touch sounds as music. It is organized as a north-south tour of the body, from fingertips to toes. The traversal begins with motivic fingernail clicks in Chapman Nyaho’s recording of Dett and Arrau’s recording of Beethoven. Fingertip placement sounds are exemplified by the Guarneri Quartet’s recording of Schubert. The location of Nelsova’s hammer-ons is related to the tonality in a cello courante by Bach. The relationship between harmonic form and classical guitar squeaks is demonstrated by recordings of Tárrega by Archilés, Hartzell, and Bream. The sounded movement

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Conference papers on the topic "Suites (Tuba and piano)"

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Trocinel, Daniela. "Sketches on the creative portrait of the composer A. B. Mulear." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.15.

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This article attempts to present sketches of the compositional creativity of Alexandr Boris Mulear (1922–1994), who is one of the most important figures of the music culture in the Republic of Moldova and belongs to the older generation of composers, as his glory years were between 1950 and 1980. The composer’s record contains a valuable artistic heritage that is appreciated by performers but the study of his works is not in the center of interest of musicologists yet. However, the article will present some examples of the Mulearian creativity. Analyzing the composition portfolio of A. Mulear,

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