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Journal articles on the topic 'Sumerian Art'

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1

Ahmed, Farah. "Conceptual Dimensions of Conflict Scenes and their Representations in Sumerian Art." International Journal for Scientific Research 4, no. 2 (2025): 141–64. https://doi.org/10.59992/ijsr.2025.v4n2p7.

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The current research dealt with (the conceptual dimensions of conflict scenes and their representations in Sumerian art), through studying the religious, political, environmental, ideological and social dimensions from which the conflict scene emerged, which was represented in the aesthetic structure of cylindrical seals, obelisks, stone tablets and statues, during the Sumerian era. Therefore, the researcher sought in the first chapter to clarify the problem of the research, its importance and the need for it, in addition to the aim of the research, which was represented by the following: "Ide
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2

فرح حسين كاظم. "The aesthetics of sculptural and functional creativity in the art of carving Sumerian cylinder seals." Basrah Arts Journal, no. 27 (November 30, 2023): 67–79. http://dx.doi.org/10.59767/2023.11/27.5.

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The current research dealt with (the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals) through the study of the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals and the Sumerian era, so the researcher sought in the first chapter to clarify the research problem, its importance and the need for it, as well as the goal of the research, which It is represented by the following: defines "the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals." Then the
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3

Mardan, Ghassan. "Geometric Motifs in ancient Sumerian Art." Athar Alrafedain 1, no. 1 (2012): 189–99. http://dx.doi.org/10.33899/athar.2012.69784.

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4

Samsonia, Nino. "Enguri basin toponyms in cuneiform texts." Pro Georgia 33, no. 1 (2023): 147–60. http://dx.doi.org/10.61097/12301604/pg33/2023/147-160.

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In studying the semantic and phonetic coincidences of Abzu-Engur, we focused on the Sumerian word Laḫama, which is also related to the Svan toponyms Laḫamula and the river Enguri. 50 Laḫama of Engur, as well as Abzu-Engur is found in many Sumerian and Babylonian texts from the third millennium BC and is usually associated with the Engur, Abzu waters, or the abode of wisdom. The article presents and discusses the Sumerian cuneiform texts from III millenium BC., including the ancient Babylonian period, where the Sumerian word Lahama and the Akkadian equivalent Laḫmu are recorded. Analysis of the
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5

LIU, Changyu. "The Neo-Sumerian Texts in the Williams College Museum of Art." Orient 55 (2020): 155–72. http://dx.doi.org/10.5356/orient.55.155.

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6

Widell, Magnus. "The Identification of Wildlife and Animals in Sumerian:." Archiv orientální 92, no. 2 (2024): 157–74. http://dx.doi.org/10.47979/aror.j.92.2.157-174.

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Identifying specific animals in the Sumerian vocabulary often requires careful examination of textual contexts, alongside bioarchaeological data and representations in Sumerian art, as well as insights from linguistic, cross-cultural, ethnographic, and faunal studies. This article supports the notion that the Sumerian bird tu-gur4/8mušen referred to the European turtle dove. Artistic depictions and avifaunal remains confirm the presence of the turtle dove in early Mesopotamia, and references to tu-gur4/8mušen are common in Ur III texts, particularly in Puzriš-Dagan, where it was kept for elite
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7

Yun, Mi Ran. "A Study of Inanna’s Myth : The Effect of Sumerian Myth on Modern Art." Europe Culture Arts Association 13, no. 2 (2022): 61–80. http://dx.doi.org/10.26854/jeca.2022.13.2.61.

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8

KAIRZHANOV, Abay, Gulbagira AYUPOVA та Azhar SHALDARBEKOVA. "The Ancient Turkic Book of Reasoning and Revelations "Їrq bitig" of X Century". Utopía y Praxis Latinoamericana 23, № 82 (2018): 100–109. https://doi.org/10.5281/zenodo.1495802.

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EN: The article analyzes the texts of legends in the ancient Turkic "The book of reasoning and revelations" ("Їrq bitig"). In order to reveal the implicit text layer of legends there are used methods and techniques of comparative approach, hermeneutics, component analysis, as well as some of the techniques of modern linguistics. Identified different ideological incorporation borrowed from other mythological systems to Turkic environment, which were entered by Silk Road: proto-Sumerian borrowing, ideas of Nestorian Christian, Manichean beliefs, ideas of various kinds of Budd
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9

AKPINARLI, Neyire, and Hasan Utku ŞATIROĞLU. "STELE OF VULTURES: INFERENCES REGARDING THE LAW AMONG THE SUMERIAN CITY STATES." Ankara Üniversitesi Hukuk Fakültesi Dergisi 71, no. 2 (2022): 819–84. http://dx.doi.org/10.33629/auhfd.942304.

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The institutions, norms and customs regulating the relations among the Sumerian city states which are deemed to be the first civilization in the history are the basis of many institutions of the current international law. The Stele of Vultures which is a Sumerian inscription that survived from the 3rd century BCE, presents a great amount of data with its inscription and depiction in various fields from history to art, religion to history of politics. The royal inscription which is accepted to be prepared by Lagash king E-anatum, is accepted to be the oldest document related to the history of i
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10

Омар Фавваз Джаббар, Аль-Чалаби. "The aspects of the artistic works of Rakan Dabdoob." Академический вестник УралНИИпроект РААСН, no. 3(50) (September 30, 2021): 71–76. http://dx.doi.org/10.25628/uniip.2021.50.3.012.

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В статье исследуются творческие работы иракского художника Ракана Дабдуба (1941-2017). Статья описывает и анализирует искусство этого художника, его исследования в Европе и то, как на него повлияли несколько художественных направлений, а также развитие его творчества на протяжении его карьеры. Автор отмечает, что на художника повлияли его исторические корни, такие как шумерская и вавилонская культуры, и его окружение в городе Мосул. Представлены наиболее заметные работы художника. The article studies the artistic works of the Iraqi artist Rakan Dabdoob (1941-2017). The article describes and an
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11

Winter, Irene J. "Eannatum and the "King of Kis"?: Another look at the Stele of the Vultures and "cartouches" in early Sumerian art*." Zeitschrift für Assyriologie und vorderasiatische Archäologie 76, no. 2 (1986): 205–12. http://dx.doi.org/10.1515/za-1986-760227.

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12

Areej, Fatma, and Ahuja Vipin. "History of dentistry – from Ancient to Modern Era." Global Journal of Research in Dental Sciences 2, no. 5 (2022): 7–13. https://doi.org/10.5281/zenodo.7165035.

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The art of treating diseases concerning to the teeth and jaws has been a long and rich history and the progress of dentistry into an advanced science is truly remarkable one. This article scratches the surface of how dentistry evolved. Skeletal fossil records have revealed that dentistry is one of the oldest professions, dating back to 7000 B.C. The first known recorded description related to dentistry occurs in Sumerian text 5000 B.C. In the present article an attempt has been made to document the journey of this multifaceted profession from Hesy- Re, Huang Ti, Hippocrates-II, Aristotle, Maya
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13

Abdullah al-Ahsan. "Law, Religion and Human Dignity in the Muslim World Today: An Examination of OIC's Cairo Declaration of Human Rights." Journal of Law and Religion 24, no. 2 (2008): 569–97. http://dx.doi.org/10.1017/s0748081400001715.

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Human dignity is the recognition and respect of human need, desire and expectation one individual by another. This recognition is indispensable because no human being survives alone: Human dignity creates the foundation of society and civilization. Our knowledge of history suggests that religious ideas have provided this basic foundation of civilization. Describing the first recognized civilization in history one historian says, “Religion permeated Sumerian civic life.” According to another historian, “Religion dominated, suffused, and inspired all features of Near Eastern society—law, kingshi
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14

Stančius, Antanas, and Petras Grecevičius. "Influence of Ancient Mesopotamian Aesthetics of Gardens/Parks and Water Installations on the Development of Landscape Architecture." ATHENS JOURNAL OF ARCHITECTURE 8, no. 1 (2022): 9–34. http://dx.doi.org/10.30958/aja.8-1-1.

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Based on the information from fundamental historical sources, the oldest origins of civilization can be found in the river valleys of the Tigris and the Euphrates. Throughout Mesopotamia important routes of trade and migration of peoples followed, which influenced the emergence and development of one of the world’s first urban-type civilizations. It was here that the Sumerian civilization evolved, leading to a major cultural and technological breakthrough. Their widely used irrigation canals influenced not only the landscape, but also the entire ecological, economic and political systems of th
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15

KURAN, Onur, and Tevfik Fikret UÇAR. "BİR GÖRSEL İLETİŞİM ARACI OLARAK TİPOGRAFİK İMGE." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 14–26. http://dx.doi.org/10.31567/ssd.720.

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Writing is one of the main communication tools that has been widely used since the Sumerian civilization discovered it. While it had a symbolic attitude in its form in the first periods of its discovery, it was simplified over time and brought to the basic form we use today. With the discipline of typography, which allows us to use writing, which is one of the main constituent of visual communication and graphic design, both aesthetically and functionally, graphic designers visualize writing in variety of different forms, traditional and contemporary. Today, visual communication is one of the
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16

Bock, Bettina. "GERMAN STAMMBAUM ‘FAMILY TREE’ — A MULTIMODAL WORD HISTORY." German Philology at the St Petersburg State University 12 (2022): 454–73. http://dx.doi.org/10.21638/spbu33.2022.124.

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The paper deals with the concept of family tree and the German word Stammbaum. The concept is placed in the larger context of the plant-human metaphor. This metaphor is already found in the Ancient Near East in the Sumerian cosmogony. It is also known from the Bible. And it is deeply rooted in Indo-Europeania and can be traced through reconstructed Proto-Indo-European, Greek and Latin mythology, or Germanic and Slavic wood idols. The article compiles the frequently cited Latin texts passages on the topic and can add an early evidence for a “tree of kinship”. The oldest attestation dates back t
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17

Bouzek, Jan. "Obraz světa a člověka v uměních starověku." Lidé města 8, no. 1/18 (2006): 22–33. https://doi.org/10.14712/12128112.3836.

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The article discusses how the picture of man and his world changed from the Neolithic until the end of Classical antiquity. The two ways of perception, through the eye and through the ideas about what I see, are present since the beginnings of visual arts, but its development underwent important changes. The art of the Late Paleolithic and Mesolithic reflects the early mind of “dreaming”, those of the Maltese and Cycladic figurines, though based on Geometric construction, reflects still similar kind of perception based on inner experience. Late Neolithic and Early Bronze Age in the Mediterrane
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18

Frahm, Eckart. "Royal hermeneutics: Observations on the commentaries from Ashurbanipal's libraries at Nineveh." Iraq 66 (2004): 45–50. http://dx.doi.org/10.1017/s0021088900001613.

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The British excavations at Nineveh, initiated in 1845 by Austen Henry Layard, produced about 30,000 clay tablets or fragments of tablets, most of them coming from the citadel mound of Kuyunjik. This textual material can be divided into two main groups: on the one hand, library tablets, consisting of literary, lexical and historical texts, rituals, medical compendia, Sumerian prayers and above all omen texts, and on the other, archival documents, such as letters, contracts and administrative notes. The great, and rather unique, potential of the texts from Kuyunjik lies in the fact that they rev
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19

Attinger, Pascal. "Les pronoms personnels indépendants de la 1re et de la 2e singulier en Sumérien." Zeitschrift für Assyriologie und Vorderasiatische Archäologie 101 (December 1, 2011): 173–90. https://doi.org/10.1515/za.2011.010.

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Le pronom pers. de la 1<sup>re</sup> sing. &eacute;tait originellement /ĝa&rsquo;e/. Au plus tard &agrave; l&rsquo;&eacute;p. pal&eacute;obab., mais peut-&ecirc;tre d&eacute;j&agrave; ant&eacute;rieurement, /ĝa&rsquo;e/ a &eacute;volu&eacute; en /ĝe&rsquo;e/, puis &eacute;ventuellement en /ĝe/. En ce qui concerne le pronom pers. de la 2<sup>e</sup> sing., on peut h&eacute;siter entre /za&rsquo;e/ et /ze/ (ou /ze/). A l&rsquo;&eacute;p. pal&eacute;obab., et peut-&ecirc;tre d&eacute;j&agrave; au III<sup>e</sup> mill&eacute;naire, il existe une opposition entre des formes non marqu&eacute;es en /
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20

Karahashi, Fumi, and Dietz Otto Edzard. "Sumerian Grammar." Journal of the American Oriental Society 124, no. 3 (2004): 602. http://dx.doi.org/10.2307/4132297.

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21

Jacobsen, Thorkild, and Marie-Louise Thomsen. "Sumerian Grammar Today." Journal of the American Oriental Society 108, no. 1 (1988): 123. http://dx.doi.org/10.2307/603251.

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22

Attinger, Pascal. "e2-dub-ba-a et ge-dub-b." Nouvelles Assyriologiques Brèves et Utilitaires N.A.B.U. 43, no. 2 (2018): 72–75. https://doi.org/10.5281/zenodo.3556665.

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Quoique M. Civil ait soulign&eacute; d&eacute;j&agrave; en 1989 que e<sub>2</sub>-dub-ba-a n&#39;est pas une relation g&eacute;nitivale (apud HALLO 1989:237 n. 2), les &laquo; maisons des tablettes &raquo; (et leurs cong&eacute;n&egrave;res dans d&#39;autres langues europ&eacute;ennes), bas&eacute;es sur l&#39;akkadien bīt tuppim, continuent de hanter nos discussions consacr&eacute;es &agrave; l&#39;&eacute;cole sum&eacute;rienne (v. r&eacute;cemment MICHALOWSKI 2011:9 avec n. 6, RUBIO 2016:246 avec n. 372), 3) et CANCIK-KIRSCHBAUM/KAHL 2018:544)). Que e<sub>2</sub>-dub-ba-a n&#39;est normalem
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23

Liu, Changyu. "Twenty-Three Ur III Texts from Detroit Institute of Arts." Bulletin of the John Rylands Library 98, no. 2 (2022): 1–47. http://dx.doi.org/10.7227/bjrl.98.2.1.

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The twenty-three Ur III cuneiform texts presented in this article are housed in the collections of the Detroit Institute of Arts. This article publishes thirteen Neo-Sumerian tablets from Puzriš-Dagan which primarily deal with animals, and a further ten texts from Umma, including five messenger texts. The aim of the article is to offer an edition and an updated catalogue of these texts, with a special focus on the Neo-Sumerian administration.
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24

Mander, Pietro. "Sumerian Personal Names in Ebla." Journal of the American Oriental Society 108, no. 3 (1988): 481. http://dx.doi.org/10.2307/603871.

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25

Black, J. A., I. L. Finkel, and M. J. Geller. "Sumerian Gods and Their Representations." Journal of the American Oriental Society 119, no. 4 (1999): 698. http://dx.doi.org/10.2307/604860.

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26

Tinney, Steve. "Notes on Sumerian Sexual Lyric." Journal of Near Eastern Studies 59, no. 1 (2000): 23–30. http://dx.doi.org/10.1086/468765.

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27

Ferrara, A. J. "Reading Sumerian Poetry. Jeremy Black." Journal of Near Eastern Studies 61, no. 4 (2002): 285–87. http://dx.doi.org/10.1086/469047.

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28

Oller, Gary H., and Harriet Crawford. "Sumer and Sumerians." Journal of the American Oriental Society 115, no. 1 (1995): 131. http://dx.doi.org/10.2307/605331.

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29

Bauer, Josef, Åke W. Sjöberg, and Ake W. Sjoberg. "The Sumerian Dictionary Volume 2 (B)." Journal of the American Oriental Society 107, no. 2 (1987): 324. http://dx.doi.org/10.2307/602843.

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30

Jacobsen, Thorkild. "The Historian and the Sumerian Gods." Journal of the American Oriental Society 114, no. 2 (1994): 145. http://dx.doi.org/10.2307/605826.

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31

Rubio, Gonzalo, and Yitschak Sefati. "Inanna and Dumuzi: A Sumerian Love Story." Journal of the American Oriental Society 121, no. 2 (2001): 268. http://dx.doi.org/10.2307/606565.

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32

Veldhuis, Niek, and Esther Fluckiger-Hawker. "Urnamma of Ur in Sumerian Literary Tradition." Journal of the American Oriental Society 122, no. 1 (2002): 127. http://dx.doi.org/10.2307/3087682.

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33

Xalilova, Nazrin. "THE HİSTORİCAL ROOTS OF THE EİGHT-POİNTED STAR SYMBOL." Polis Akademiyasının Elmi Xəbərləri 13, no. 2 (2024): 111–15. https://doi.org/10.62130/otuc1740.

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The beliefs of the Sumerians, considered the cradle of the Ikichayarasi culture, are based on more ancient ones. The eight-pointed star, considered the symbol of the moon god Inna, has passed through different eras of history and has taken root in Turkish culture and Seljuk art. The adoption of Islam contributed to the development of the orthodox Muslim East, especially the cultural and religious heritage of the Turks. We see the number eight as an element of the eight-pointed star on stamps and flags.
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34

Ferrara, A. J. "Love Songs in Sumerian Literature. Yitschak Sefati." Journal of Near Eastern Studies 61, no. 2 (2002): 131–34. http://dx.doi.org/10.1086/468999.

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35

Dick, Michael B. "A Neo‐Sumerian Ritual Tablet in Philadelphia." Journal of Near Eastern Studies 64, no. 4 (2005): 271–80. http://dx.doi.org/10.1086/498384.

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36

Edzard, D. O., and Thorkild Jacobsen. "The Harps That Once...: Sumerian Poetry in Translation." Journal of the American Oriental Society 110, no. 1 (1990): 119. http://dx.doi.org/10.2307/603925.

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37

ALHUDEEB, Faeza Abdulameer Nayyef. "WOMEN IN MESOPOTAMIAN CIVILIZATION." International Journal of Education and Language Studies 2, no. 04 (2021): 10–21. http://dx.doi.org/10.47832/2791-9323.4-2.2.

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The ancient Mesopotamia had ancient civilizations such as Babylonian and Sumerian, which provided many civilizational achievements, such as laws and legislation, which urged respect for women's rights and other legislations to protect such laws, such as the reforms of Prince Urkagina and the law of Hammurabi, which emphasis on some women's rights and dignity and curb violations of men's abuse. However, in most agricultural civilizations, especially the Mesopotamian, the status of women has declined in a patriarchal society. Men direct all aspects of life with their different diversities, make
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38

Michalowski, Piotr. "Sumerian Literary Texts. Bendt Alster , Markham J. Geller." Journal of Near Eastern Studies 54, no. 1 (1995): 49–51. http://dx.doi.org/10.1086/373720.

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39

Widell, Magnus, and Marcel Sigrist. "Neo-Sumerian Archival Texts in the Nies Babylonian Collection." Journal of the American Oriental Society 122, no. 4 (2002): 878. http://dx.doi.org/10.2307/3217647.

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40

Gomi, Tohru, and Marcel Sigrist. "Neo-Sumerian Account Texts in the Horn Archaeological Museum." Journal of the American Oriental Society 107, no. 1 (1987): 151. http://dx.doi.org/10.2307/602979.

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41

Yuhong, Wu. "Rabies and Rabid Dogs in Sumerian and Akkadian Literature." Journal of the American Oriental Society 121, no. 1 (2001): 32. http://dx.doi.org/10.2307/606727.

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42

Farber, Gertrud. ""Inanna and Enki" in Geneva: A Sumerian Myth Revisited." Journal of Near Eastern Studies 54, no. 4 (1995): 287–92. http://dx.doi.org/10.1086/373771.

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43

Trifonov, Viktor, Denis Petrov, and Larisa Savelieva. "Party like a Sumerian: reinterpreting the ‘sceptres’ from the Maikop kurgan." Antiquity 96, no. 385 (2022): 67–84. http://dx.doi.org/10.15184/aqy.2021.22.

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The Bronze Age Maikop kurgan is one of the most richly furnished prehistoric burial mounds in the northern Caucasus. Its excavation in 1897 yielded a set of gold and silver tubes with elaborate tips and decorative bull figurines. Interpretations of these tubes include their use as sceptres and as poles to support a canopy. Re-examination of these objects, however, suggests they were used as tubes for the communal drinking of beer, with integral filters to remove impurities. If correct, these objects represent the earliest material evidence of drinking through long tubes—a practice that became
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44

Topaloğlu, Yasin, and Murat Kılıç. "An Analysis of the Gods and Heroes in Ancient Mesopotamian Art." Art and Interpretation, no. 44 (September 25, 2024): 41–49. http://dx.doi.org/10.47571/sanatyorum.1522971.

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Mesopotamia, the region between the Euphrates and Tigris rivers, was home to many civilizations such as Sumer-Akkadian, Babylonia, and Assyria. Mesopotamian culture is based on a common religious view and consists of theocratic states ruled first by priest-kings. Mesopotamia is one of the crucial geographies where history is illuminated by art. This art reflects the feelings and thoughts of people and provides important clues about their world. The Sumerians' invention of writing was a significant development, but other developments and innovations in Mesopotamia also affected ancient societie
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45

Michalowski, Piotr, and Jacob Klein. "Three Šulgi Hymns: Sumerian Royal Hymns Glorifying King Šulgi of Ur." Journal of the American Oriental Society 106, no. 4 (1986): 839. http://dx.doi.org/10.2307/603566.

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46

Ferrara, A. J. "Urnamma of Ur in Sumerian Literary Tradition. Esther Flückiger-Hawker." Journal of Near Eastern Studies 61, no. 4 (2002): 283–85. http://dx.doi.org/10.1086/469046.

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47

Alster, Bendt. "The Harps That Once...: Sumerian Poetry in Translation. Thorkild Jacobsen." Journal of Near Eastern Studies 54, no. 2 (1995): 148–50. http://dx.doi.org/10.1086/373747.

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48

Reade, Julian. "The Early Iranian Stone "Weights" and an Unpublished Sumerian Foundation Deposit." Iran 40 (2002): 249. http://dx.doi.org/10.2307/4300627.

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49

Wood, Jon. "Gods, graves and sculptors: Gudea, Sumerian sculpture and the avant-garde, c. 1930-1935." Sculpture Journal 10, no. 1 (2003): 67–82. http://dx.doi.org/10.3828/sj.2003.10.1.6.

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MacGinnis, John. "The Sumerian World. Edited by Harriet Crawford. pp. 659. London, Routledge, 2013." Journal of the Royal Asiatic Society 24, no. 4 (2014): 643–44. http://dx.doi.org/10.1017/s1356186314000182.

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