Relevant bibliographies by topics / Summerstoke (England : Imaginary place)

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Academic literature on the topic 'Summerstoke (England : Imaginary place)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Summerstoke (England : Imaginary place)"

1

Denish Raja Durai. K and Dr. N. Lakshmi Priya. "Hardy’s Wessex: An Imaginary-Literary-Topography." Creative Launcher 4, no. 1 (2019): 79–85. http://dx.doi.org/10.53032/tcl.2019.4.1.13.

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Geo - (topo) graphically Hardy’s Wessex is located on the West Country of England and lying south of the Thames and the Bristol Channel. The invention of “Wessex” is described by hardy in his preface to Far from the Madding Crowd in which, he first re- introduced the old word to give territorial definition. Travelling into Hardy, I wish to argue that place ought to receive special attention. Most of the writers have written their works with deep concerned with their native special attention. Place needs to be understood as something local, regional and real, despite the complexities and diffic
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Sherman, Alexander. "Four Theses on the Real and Imaginary British Empire, 1697–1829." PMLA/Publications of the Modern Language Association of America 139, no. 3 (2024): 470–92. http://dx.doi.org/10.1632/s0030812924000634.

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AbstractThe entanglement of colonial power's cultural and material manifestations has been an important topic in anticolonial thinking. I tentatively term this the problem of relating the imperial imaginary and imperial reality. This essay focuses on the imaginary and real geographies of the eighteenth-century British maritime empire, using digital methods (custom named entity recognition and mapping) to compare place-names mentioned in maritime fiction and nonfiction with the movements of British ships. In Edward Said's terms, structures of reference are used to see the structures of attitude
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3

Jackson, Andrew J. H. "Conceptualising place in historical fact and creative fiction: rural communities and regional landscapes in Bernard Samuel Gilbert’s ‘Old England’ (c. 1910–1920)." Rural History 31, no. 2 (2020): 195–209. http://dx.doi.org/10.1017/s0956793319000359.

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Abstract The theme of place guides much exploration in rural history and local history. Attempts have been made to create definitions and typologies of place, but these have had to contend with the diverse, complex and dynamic realities of historical pattern and process, local and regional. Nonetheless, historians and those in other disciplines have evolved different approaches to the concept. This study considers how these can inform the investigation of places existing in historical fact in particular periods in the past, and can do similarly for those places located contemporaneously in fic
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4

Shpak, G. V. "Between History and Poetry: Defining the Genre of the Novel in England in the Mid-17th Century." Prepodavatel XXI vek, no. 4/2 (December 30, 2023): 288–99. http://dx.doi.org/10.31862/2073-9613-2023-4-288-299.

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In the 17th century England, the problem of distinguishing between the imaginary (poetry) and documentary (history) was especially relevant due to the loss of the monopoly of the church and universities on the spread of knowledge about the world, as well as the increase in the number of printed books in the national language. F. Bacon distinguished three “faculties of the rational soul”: memory (history), imagination (poetry) and rational judgment (philosophy). In contrast to the Neoplatonists’ ideas, F. Bacon reserved for poetry the status of an instrument of heuristics, contributing to the s
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Pyzikov, Denis D. "CULTURAL AND HISTORICAL CONTEXT OF THE MYTHMAKING OF H.P. LOVECRAFT." Study of Religion, no. 1 (2019): 137–42. http://dx.doi.org/10.22250/2072-8662.2019.1.137-142.

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H.P. Lovecraft created an original mythology that has not only become science fiction and fantasy classics, but also determined horror genre development in general. In his literary works, Lovecraft used images derived from both ancient religious traditions and contemporary western esotericism, filling his imaginary worlds with mysterious cosmic creatures. The writer’s cultural and historic environment played a very important role as the cultural landscape of New England and theosophical concepts widespread at that time had a great impact on the author’s work and writing. The original “mytholog
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Spracklen, Karl. "Making sense of metal in the United Kingdom and the future of metal music studies: A case study of Wytch Hazel and Arð." Metal Music Studies 11, no. 1 (2025): 11–21. https://doi.org/10.1386/mms_00165_1.

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Heavy metal in the United Kingdom, as in many countries around the world, is thriving and has become a respectable form of popular culture, and its fans and musicians are seen everywhere. The same position of respectability has been gained by academics and the once-mocked subject field of metal music studies. In this article, I try to map metal in the United Kingdom today through a case study of Wytch Hazel and Arð, two bands located in the north of England. I will argue that metal in the United Kingdom is still a space for resistance to the commodification of the mainstream and the constructi
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7

Matei-Chesnoiu, Monica. "Epitomes of Dacia: Wallachia, Moldavia, and Transylvania in Early Modern English Travelogues." Multicultural Shakespeare: Translation, Appropriation and Performance 25, no. 40 (2022): 151–63. http://dx.doi.org/10.18778/2083-8530.25.10.

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This essay examines the kaleidoscopic and abridged perspectives on three early modern principalities (Wallachia, Moldavia, and Transylvania), whose lands are now part of modern-day Romania. I examine travelogues and geography texts describing these Eastern European territories written by Marco Polo (1579), Abraham Ortelius (1601; 1608), Nicolas de Nicolay (1585), Johannes Boemus (1611), Pierre d’Avity (1615), Francisco Guicciardini (1595), George Abbot (1599), Uberto Foglietta (1600), William Biddulph (1609), Richard Hakluyt (1599-1600), Fynes Moryson (1617), and Sir Henry Blount (1636), publi
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8

Hershkoff, Helen. "The Dick Whittington Story: Theories of Poor Relief, Social Ambition, and Possibilities for Class Transformation." Texas Wesleyan Law Review 12, no. 1 (2005): 67–79. http://dx.doi.org/10.37419/twlr.v12.i1.3.

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The New Yorker cartoon, with its pessimistic emphasis on a child's economic prospects, provides a foil to the Whittington story and its optimistic attitude toward law and social possibility. I suggest in this talk that contemporary children's literature shares with the cartoon a similar lack of confidence in law's capacity to generate advancement and prosperity. My comments rely on Eleanor Updale's award-winning Montmorency series and Philip Pullman's widely acclaimed His Dark Materials trilogy to try to glean a better sense of cultural understandings of law and of law's contemporary relation
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9

Richards, Joan L. "Generations of Reason: A Family's Search for Meaning in Post-Newtonian England." Perspectives on Science and Christian Faith 75, no. 1 (2023): 63–65. http://dx.doi.org/10.56315/pscf3-23richards.

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GENERATIONS OF REASON: A Family's Search for Meaning in Post-Newtonian England by Joan L. Richards. New Haven, CT: Yale University Press, 2021. 456 pages, with 21 b/w illustrations, 1,218 endnotes, and a 35-page index. Hardcover; $45.00. ISBN: 9780300255492. *The title gives no clue who this book is about. Nor does the publisher's description on its website, the abbreviated blurb inside the book jacket, the four endorsements posted on the jacket's back ("beautifully written," "epic masterpiece," "magnificent study," "compelling and wide-ranging"), or even the chapter titles. The reader first l
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Wright, David. "‘One of our own’: Statues of comedians, popular culture, and nostalgia in English towns." European Journal of Cultural Studies, October 31, 2022, 136754942211265. http://dx.doi.org/10.1177/13675494221126547.

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The 21st century has seen the rise of a new phenomenon – the creation of statues and monuments celebrating the lives of entertainers. Drawing on debates about popular culture, placemaking and heritage, and in the context of recent controversies about the politics of statues and memorials, this paper examines a manifestation of this phenomenon as represented by statues of comedians erected in the towns of Northern England. The paper begins by sketching the characteristics of the statues and their subjects. It proceeds by reflecting on their emergence in the context of debates about the conteste
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Books on the topic "Summerstoke (England : Imaginary place)"

1

Thirkell, Angela Mackail. High rising. Virago, 2012.

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Thirkell, Angela Mackail. Enter Sir Robert: A novel. Moyer Bell, 2000.

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Knox, Ronald Arbuthnott. Barchester pilgrimage. The Trollope Society, 1989.

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Thirkell, Angela Mackail. County chronicle: A novel. Moyer Bell, 1998.

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Thirkell, Angela Mackail. What did it mean?: A novel. Moyer Bell, 1999.

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6

Read. Summer at Fairacre. Penguin, 1986.

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Read. Summer at Fairacre. Center Point Pub., 2008.

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Thirkell, Angela Mackail. Summer half. Moyer Bell, 2002.

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9

Shaw, Rebecca. Trouble in the village: Tales from Turnham Malpas. Orion, 2005.

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Rhea, Nicholas. Constable beats the bounds. Magna, 2011.

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Book chapters on the topic "Summerstoke (England : Imaginary place)"

1

Wiseman, Sam. "In Two Worlds at Once: Animism, Borders and Liminality in Mary Butts." In The Reimagining of Place in English Modernism. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9780990895886.003.0004.

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Mary Butts’ examination of place derives its central vitality from a grounding in the landscapes of Dorset. Her attempts to re-enchant this world by drawing upon myth and mysticism often become ideologically problematic; her project is fundamentally ambivalent, combining a deep sense of attachment to her home region with a similarly strong desire to reinvent that area. Such reimaginings take complex forms: sometimes expressing a deracinated sensibility that reclaims rural England as a cosmopolitan zone in which marginalised socio-cultural groups can thrive; and emphasising the landscape’s anim
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2

Smith, Emma. "Self-Reading Books." In The Oxford Handbook of the History of the Book in Early Modern England. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846239.013.28.

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Abstract Reviewing the recent interest and excitement in marginalia and readers’ marks, this chapter offers some methodological reflection. Often marginalia are read for their biographical information about the writing reader, with the attendant excitement of human connection across time and place: I discuss the imaginary life-story of the early annotator reverse-engineered from the notes in a copy of Shakespeare’s First Folio. This biographical approach restricts marginalia to self-disclosure. Instead, using reader-response criticism, I suggest the possibility of that the book itself might ac
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3

Briggs, Julia. "Other Peoples, Other Lands." In This Stage-Play World. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780192892867.003.0004.

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Abstract Thomas More ‘s dialogue Utopia (1517) consists of an imaginary debate between More himself, his friend the Flemish humanist Peter Giles, and a fictional traveller, Raphael Hythloday, who has visited Utopia (translatable either as ‘no place ‘ or ‘good place ‘). Hythloday is introduced as a Portuguese, a man who had accompanied Amerigo Vespucci on one of his famous voyages to the New World, and had been left behind in Brazil. He has come across Utopia in his wanderings. The egalitarian and communistic state of Utopia, while providing a commentary on the practices of Tudor England, also
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Gillen, Katherine. "Chaste Treasure and National Identity in the Rape of Lucrece and Cymbeline." In Chaste Value. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474417716.003.0007.

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This chapter addresses chastity’s role in English (and British) national identity, arguing that Shakespeare’s Rape of Lucrece and Cymbeline question the Roman myth’s application in early capitalist England. In particular, both works employ chastity-as-treasure tropes tointerrogate the ways in which commercial models disrupt national ideologies that align Elizabeth I’s virgin body with the integrity of the state. The Rape of Lucrece exposes the ways in which mercantile treasure discourse invites sexual violence, compromising a woman who metonymically symbolises the state. In Cymbeline, Shakespe
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