Relevant bibliographies by topics / Sundanese Music

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Academic literature on the topic 'Sundanese Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sundanese Music"

1

Nurwansah, Ilham. "Penelusuran Jejak Musik Instrumental dalam Naskah Sunda Kuna." Manuskripta 10, no. 1 (August 25, 2020): 95. http://dx.doi.org/10.33656/manuskripta.v10i1.141.

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Abstract: Until the early 20th century, the Sundanese region was considered to have no musical history, even though such information contained, among others, the Old Sundanese script. Not many researches on the history of Sundanese music have used Old Sundanese textual sources. This paper discusses aspects of instrumental music found in Old Sundanese texts including terms used to refer to music and the types of musical instruments used. The sources used are Old Sundanese texts from the pre-Islamic period between the 15th and 17th centuries AD. Several Old Sundanese musical instruments are still known and used today with or without changes. Others are no longer known. Old Sundanese musical instruments are played alone or in groups, either on a stage or a parade. Its function is to accompany entertainment and also to accompany the ritual process. The basic material for the body of the musical instrument used is generally bronze metal and wood, including bamboo. --- Abstrak: Hingga awal abad ke-20 wilayah Sunda dianggap tidak memiliki sejarah musik, padahal informasi demikian antara lain terdapat dalam naskah Sunda Kuna. Penelitian sejarah musik Sunda pun tampaknya belum banyak yang menggunakan sumber tekstual Sunda Kuna. Tulisan ini membahas aspek-aspek musik instrumental yang terdapat pada teks-teks Sunda Kuna mencakup istilah yang digunakan untuk menyebut musik dan jenis-jenis alat musik yang digunakan. Sumber-sumber yang digunakan yaitu teks Sunda Kuna dari masa pra-Islam antara abad ke-15 sampai abad ke-17 M. Beberapa instrumen musik Sunda Kuna masih dikenal dan digunakan hingga sekarang dengan atau tanpa perubahan. Sebagian lainnya sudah tidak dikenal. Instrumen musik Sunda kuna ada yang dimainkan sendiri maupun berkelompok, baik pada sebuah panggung maupun parade. Fungsinya untuk mengiringi hiburan dan juga mengiringi proses ritual. Bahan dasar badan alat musik yang digunakan umumnya berupa logam perunggu dan kayu-kayuan, termasuk bambu. Keywords: Old Sundanese, music, instrumental. Kata Kunci: Sunda Kuna, musik, instrumental.
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Williams, Sean. "Constructing Gender in Sundanese Music." Yearbook for Traditional Music 30 (1998): 74. http://dx.doi.org/10.2307/768554.

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Williams, Sean. "Current Developments in Sundanese Popular Music." Asian Music 21, no. 1 (1989): 105. http://dx.doi.org/10.2307/834075.

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4

Permas, Imas, Asep Kosasih, Gan Gan Garmana Gardea, Kondin Herdinan, Endang Sukendar, Wu Man, and Chogyal Namkhai Norbu Rinpoche. "Tembang Sunda: Sundanese Classical Songs." Musical Times 134, no. 1809 (November 1993): 658. http://dx.doi.org/10.2307/1002813.

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5

Jamnongsarn, Surasak. "Music deculturation: A traditional thai Music tool for Indonesian Music Adoption." International Journal of Creative and Arts Studies 5, no. 1 (October 29, 2018): 31–40. http://dx.doi.org/10.24821/ijcas.v5i1.2213.

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There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( Java flute), Klong Jawa ( Java drum) and some traditional Thai song with foreign title have been legally and literally evident in Ayutthaya era. Some said that Thai people are open-minded in music, harmonious mixing overseas music culture with their own. Ethnomusicologists have seen this social phenomenon via music context and explained the revolution of traditional Thai music differently from the acceptance of music in general. This article reviewed the acceptance of Indonesian music, including Javanese music from Central Java and Sundanese music from West Java, into the Javanese Idiomatic Melody in traditional Thai music and Angklung Thai style. Indonesian music was seriously and forcefully deculturated. Playing technique has been adjusted to suit Thai music playing. Tuning system of Javanese Gamelan in Thailand has been fine tuned to conform to that of Thai music. Physical appearance of Sundanese Angklung has been replaced with Angklung Thai style. Javanese song have undergone music elaboration and rewritten to satisfy Thai musicians, with approval from elite Thai musicians and previous Thai music institutes together with Thai people in the society.
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Handayani, Kristiana Prasetya, Andrew Johan, and Chandra Bagus Ropyanto. "THE INFLUENCE OF SUNDANESE ZITHER (KACAPI) MUSIC THERAPY ON ANXIETY LEVELS IN PRE-CARDIAC CHATHETERIZATION PATIENTS." Belitung Nursing Journal 4, no. 2 (May 11, 2018): 256–62. http://dx.doi.org/10.33546/bnj.125.

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Background: Patients who will have cardiac catheterization mostly experience anxiety. Unresolved anxiety may have a harmful effect such as increasing frequency of heart, breathing and blood pressure as well as risks of complication. Music is considered effective in reducing anxiety.Objective: This study aims to examine the effect of Sundanese zither (kacapi) music therapy on anxiety level in pre-cardiac catheterization patients.Methods: This was a quasi-experimental study. Fifty-six respondents were selected using consecutive sampling technique, which 28 respondents assigned in the experiment group and control group. Anxiety was measured using Hamilton Anxiety rating Scale (HARS). Data were analyzed using Wilcoxon and Mann-Whitney test.Results: The results showed an average decrease in anxiety value in the experiment group of 10.28, and in the control group of 3.25. Mann-Whitney test results obtained p value <0.001, which indicated that there was a significant difference of mean decrease between the experiment group and the control group.Conclusion: This study proves that the intervention of Sundanese kacapi music significantly decreasing anxiety levels (p <0.001) in pre-cardiac catheterization patients. It is suggested that Sundanese kacapi music can be used as an alternative therapy in the independent nursing interventions.
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7

Lahpan, Neneng Yanti Khozanatu. "Islamic Musical Forms and Local Identity in Post-Reform Indonesia." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 175, no. 2-3 (July 12, 2019): 284–308. http://dx.doi.org/10.1163/22134379-17502003.

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Abstract Through an analysis of local Sundanese music in distinct settings in village and urban contexts, this article observes and analyses different constructions of meaning around Sundanese Islamic music, as well as the role played by cultural activists and village audiences in those constructions. Based on fieldwork in Tasikmalaya, West Java, I explore the novel meanings given to village genres in urban contexts, and contrast that with the affective responses of village audiences. I find that musical meanings offer different processes of identity formation within particular social boundaries. Emergent Indonesian political developments shape these processes.
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Julia, Julia, and Tedi Supriyadi. "The inheritance of values in Sundanese song of Cianjuran in West Java." Harmonia: Journal of Arts Research and Education 17, no. 2 (December 24, 2017): 120. http://dx.doi.org/10.15294/harmonia.v17i2.8645.

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<p>This article examines the issue of inheritance that occurs in the Sundanese Song of Cianjuran. During this time, the inheritance is dominated by the transfer of skills only, while the transfer of value tends to be ignored. Consequently, the public cannot grasp the value of what is important to Sundanese Song of Cianjuran, so that over time the Sundanese Song of Cianjuran being abandoned. Through research conducted by observation into the studio and the training venues of Sundanese Song of Cianjuran, and interviews with the artists of Sundanese Song of Cianjuran, the study results showed two things. First, the Sundanese Song of Cianjuran contains the value both in lyrics and music accompaniment, in the lyrics have meaning is quite diverse, whereas the musical accompaniment contains any value in the form of symbolic treatment. Second, the process of inheritance value, on the one hand, occurs at certain times through a casual chat after training Sundanese Song of Cianjuran finished, and on the other hand, the value of inheritance is one drawback in the regeneration of Sunda Cianjuran song, because teachers tend to pass on the skills aspect alone.</p>
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9

Arifitama, Budi, and Ade Syahputra. "Cultural Heritage Digitalization on Traditional Sundanese Music Instrument Using Augmented Reality Markerless Marker Method." Jurnal Teknologi dan Sistem Komputer 5, no. 3 (July 31, 2017): 101–5. http://dx.doi.org/10.14710/jtsiskom.5.3.2017.101-105.

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Research into cultural heritage which implements augmented reality technology is limited. Most recent research on cultural heritage are limited on storing data and information in the form of databases, this creates a disadvantage for people who wants to see and feel at the same moment on actual cultural heritage objects. This paper, proposes a solution which could merge the existing cultural object with people using augmented reality technology. This technology would preserve traditional instrument in the form of 3D object which can be digitally protected. The result showed that the use of augmented reality on preserving cultural heritage would benefit people who try to protect their culture.
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10

Herlinawati, Lina. "FUNGSI KARINDING BAGI MASYARAKAT CIKALONGKULON KABUPATEN CIANJUR." Patanjala : Jurnal Penelitian Sejarah dan Budaya 1, no. 1 (March 1, 2009): 96. http://dx.doi.org/10.30959/patanjala.v1i1.237.

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AbstrakKarinding adalah satu jenis alat musik tradisional, dibuat dari bambu atau pelepah enau. Alat musik itu dimainkan oleh mulut disertai pukulan jari tangan, sehingga menghasilkan bunyi yang yang unik dan low decible. Alat musik tersebut diciptakan oleh leluhur petani Sunda. Selain untuk bermain musik, bunyi alat itu dipercaya dapat mengusir hama dan binatang perusak tanaman. Fungsi karinding demikian itu masih berlangsung pada masyarakat Cikalongkulon Kabupaten Cianjur.Seiring dengan perkembangan zaman, kemudian karinding menjadi alat hiburan, bahkan kini menjadi bentuk kesenian yang menarik, karena dapat dikola-borasikan dengan alat-alat musik lain. AbstractKarinding is a traditional music instrument, which is made from bamboo or palm leaf. This music instrument is played by mouth, alongside with tap from finger, creating an unique, low decible sound.This music instrument is created by the Sundanese farmer ancestor. In addition to its function as a music instrument, the sound of this instrument is believed as a pest repellant. This specific function is still believed by the people of Cikalong Kulon in Bandung Residence.Along with time, karinding developed into an entertainment tool, even as an attractive form of art because its combinable with other music instrument.
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Books on the topic "Sundanese Music"

1

Sundanese dance and masculinity in West Java. Chicago: The University of Chicago Press, 2010.

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2

Soepandi, Atik. Kamus istilah karawitan Sunda. Bandung: Pustaka Buana, 1988.

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Suparli, Lili. Diksi karawitan Sunda: Penelitian dasar. Bandung, Jawa Barat, Indonesia: Sunan Ambu STSI Press Bandung, 2009.

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Suparli, Lili. Diksi karawitan Sunda: Penelitian dasar. Bandung, Jawa Barat, Indonesia: Sunan Ambu STSI Press Bandung, 2009.

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5

Weintraub, Andrew. A manual for learning Sundanese gamelan. [S.l: s.n.], 1985.

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Zanten, Wim van. Sundanese music in the Cianjuran style: Anthropological and musicological aspects of tembang Sunda. Dordrecht, Holland: Foris Publications, 1989.

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Weintraub, Andrew. A Manual for Learning Sundanese Gamelan: Senior thesis in music. Oakland: American Gamelan Institute, 1985.

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Upandi, Pandi. Metode pembelajaran kiliningan: Kawih dan gending pirigannya. Bandung: STSI Press, 2010.

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Natapradja, Iwan. Sekar gending: Catatan pribadi tentang karawitan Sunda. 2nd ed. Bandung: Karya Cipta Lestari, 2003.

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10

Yunus, Ahmad. Pengukuhan nilai-nilai budaya melalui lagu-lagu permainan rakyat pada masyarakat Sunda. [Jakarta]: Departemen Pendidikan dan Kebudayaan, Direktorat Jenderal Kebudayaan, Direktorat Sejarah dan Nilai Tradisional, Proyek Penelitian, Pengkajian dan Pembinaan Nilai-Nilai Budaya, 1993.

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Book chapters on the topic "Sundanese Music"

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Ridwan, Indra. "Creativity in Sundanese music and radio broadcasting in West Java, Indonesia." In Routledge Handbook of Asian Music: Cultural Intersections, 294–319. [1.] | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003142720-13.

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"Sundanese Gamelan Degung." In Focus: Gamelan Music of Indonesia, 161–78. Routledge, 2010. http://dx.doi.org/10.4324/9780203930991-17.

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"Identity, Authenticity, and Tradition in Sundanese Dance Music." In Focus: Gamelan Music of Indonesia, 179–220. Routledge, 2010. http://dx.doi.org/10.4324/9780203930991-18.

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"10 Sundanese Penca Silat and Dance Drumming in West Java." In The Fighting Art of Pencak Silat and its Music, 317–34. BRILL, 2016. http://dx.doi.org/10.1163/9789004308756_012.

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"11 Dancing Toward Autonomy: Jaipongan and the Assertion of Sundanese Identity." In The Fighting Art of Pencak Silat and its Music, 335–56. BRILL, 2016. http://dx.doi.org/10.1163/9789004308756_013.

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"9. Encounters in the Context of Inspiring Sundanese Music and Problematic Theories." In Recollecting Resonances, 203–30. BRILL, 2014. http://dx.doi.org/10.1163/9789004258594_010.

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Conference papers on the topic "Sundanese Music"

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Kusumandari, Dwi Esti, Muhamad Agung Suhendra, Muhammad Ilham Rizqyawan, Artha I. Simbolon, Arjon Turnip, Prabu Wardono, and Adriani Rizka. "Effect of Sundanese music on daytime sleep quality based on EEG signal." In THE 4TH BIOMEDICAL ENGINEERING’S RECENT PROGRESS IN BIOMATERIALS, DRUGS DEVELOPMENT, HEALTH, AND MEDICAL DEVICES: Proceedings of the International Symposium of Biomedical Engineering (ISBE) 2019. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5139394.

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