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Books on the topic 'Sundarbans (Bangladesh and India) - Fiction'

Author: Grafiati
Published: 11 December 2022
Last updated: 24 January 2023

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1

Choudhury, Khasru. The Bangladesh Sundarbans: A photoreal sojourn. [Dhaka: IUCN Bangladesh Country Office, IUCN the World Conservation Union, 2001.

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2

The Hungry Tide. Boston: Houghton Mifflin, 2005.

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3

Ghosh, Amitav. The hungry tide. London: HarperCollins, 2004.

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4

The Hungry Tide. London: HarperCollins, 2005.

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5

Sundarabana. Ḍhākā: Anindya Prakāśana, 1988.

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6

Niaz, Zaman, ed. Arshilata: Women's fiction from India and Bangladesh. Dhaka: writers.ink, 2007.

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7

Sustainable eco-tourism as a practical site management policy?: A case study on the Sundarbans world heritage site in Bangladesh. Dhaka: A H Development Pub. House, 2003.

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8

Mandal, A. K. Fauna of Sundarban mangrove ecosystem, West Bengal, India. Calcutta: Zoological Survey of India, 1989.

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9

Preeti, Kapuria, and Kumar Pushpam, eds. Biodiversity, land-use change, and human well-being: A study of aquaculture in the Indian Sundarbans. New Delhi: Oxford University Press, 2009.

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10

Chopra, Kanchan Ratna. Biodiversity, land-use change, and human well-being: A study of aquaculture in the Indian Sundarbans. New Delhi: Oxford University Press, 2009.

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11

A divided legacy: The partition in selected novels of India, Pakistan, and Bangladesh. Dhaka, Bangladesh: University Press Ltd., 1999.

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12

A divided legacy: The partition in selected novels of India, Pakistan, and Bangladesh. Dhaka: University Press, 1999.

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13

Scenes from early life. New York: Faber and Faber, 2013.

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14

Ghosh, Amitav. Hungry Tide. Ravi Dayal, 2004.

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15

Ghosh, Amitav. Hungry Tide: A Novel. Houghton Mifflin Harcourt Trade & Reference Publishers, 2014.

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16

Ghosh, Amitav, and Firdous Bamji. The Hungry Tide. Recorded Books, Inc., 2005.

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17

David, Fletcher. Brian on the Brahmaputra: With Sujan in the Sundarbans. Troubador Publishing Limited, 2013.

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18

David, Fletcher. Brian on the Brahmaputra : (with Sujan in the Sundarbans). Troubador Publishing Limited, 2013.

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19

1954-, Islam Manu, and Centre for Bangaldesh Culture, eds. Śilpasāhitye Sundarabana. [Ḍhākā]: Senṭāra phara Bāṃlādeśa Kālacāra, 2002.

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20

Arshilata: Women's Fiction from India and Bangladesh. Dhaka, Bangladesh: writers.ink, 2007.

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21

Zaman, Niaz. A Divided Legacy: The Partition in Selected Novels of India, Pakistan, and Bangladesh. Oxford University Press, USA, 2001.

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22

Billah, Khaleda. Beyond Destiny: Volume 2. AuthorHouse, 2021.

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23

Beyond Destiny. Xlibris Corporation LLC, 2009.

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24

Billah, Khaleda. Beyond Destiny. Xlibris Corporation LLC, 2009.

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25

Ghosh, Amitav. Hungry Tide. Houghton Mifflin Harcourt Trade & Reference Publishers, 2014.

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26

Hungry Tide. Penguin Canada, 2005.

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27

Ghosh, Amitav. Hungry Tide. HarperCollins Publishers Limited, 2016.

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28

The Hungry Tide: A Novel. Mariner Books, 2006.

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29

Colopy, Cheryl. Dirty, Sacred Rivers. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199845019.001.0001.

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Dirty, Sacred Rivers explores South Asia's increasingly urgent water crisis, taking readers on a journey through North India, Nepal and Bangladesh, from the Himalaya to the Bay of Bengal. The book shows how rivers, traditionally revered by the people of the Indian subcontinent, have in recent decades deteriorated dramatically due to economic progress and gross mismanagement. Dams and ill-advised embankments strangle the Ganges and its sacred tributaries. Rivers have become sewage channels for a burgeoning population. To tell the story of this enormous river basin, environmental journalist Cheryl Colopy treks to high mountain glaciers with hydrologists; bumps around the rough embankments of India's poorest state in a jeep with social workers; and takes a boat excursion through the Sundarbans, the mangrove forests at the end of the Ganges watershed. She lingers in key places and hot spots in the debate over water: the megacity Delhi, a paradigm of water mismanagement; Bihar, India's poorest, most crime-ridden state, thanks largely to the blunders of engineers who tried to tame powerful Himalayan rivers with embankments but instead created annual floods; and Kathmandu, the home of one of the most elegant and ancient traditional water systems on the subcontinent, now the site of a water-development boondoggle. Colopy's vivid first-person narrative brings exotic places and complex issues to life, introducing the reader to a memorable cast of characters, ranging from the most humble members of South Asian society to engineers and former ministers. Here we find real-life heroes, bucking current trends, trying to find rational ways to manage rivers and water. They are reviving ingenious methods of water management that thrived for centuries in South Asia and may point the way to water sustainability and healthy rivers.
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30

Das, Chaity. ‘Strange Meeting’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199474721.003.0006.

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The final chapter juxtaposes fiction from Pakistan, Bangladesh, and India. The war crimes tribunal and the post-war histories of Pakistan and Bangladesh raise questions of justice and impunity. The attempt here is to listen to the stories and what they tell us about the possibility of recognizing of each other’s wounds and suffering. While only one work by an Indian author is discussed, it points to the transnational stake in the memories of 1971. While one of the objectives of this work was to take stock of the war literature of Bangladesh, it is clear that any politics that addresses open injuries of history cannot be constructed without recognizing the entangled nature of our pasts—1947 and 1971 to name only two—and the future. This chapter also tries to make a division of chapters on the basis of genre arguing that the method was defined by the material and not the other way round. Works by Tahmima Anam, O.V. Vijayan, Intizar Husain, Yasmin Saikia and others are analysed.
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31

Das, Chaity. In the Land of Buried Tongues. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199474721.001.0001.

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This work treats the events of 1971 in East Pakistan as a liberation war in order to contend with its memories, inheritances, and silences. Delving primarily into literature from Bangladesh, it also considers the tripartite site of history by bringing in responses in fiction from India and Pakistan. In addition to history and testimonial writing, fictional narratives are critical to understand the complex traces of those intense nine months in the history of the subcontinent. To facilitate this, the book takes stock of memoirs and testimonies of women and men in separate sections in order to underline the gendered nature of war. It then moves to fiction from Bangladesh and in the final chapter from Pakistan and India as well. Since the memories and representation of war is inseparable from its aftermath, these works clearly hint towards the unfinished task of memorialization, which is a process that cannot be reduced to monuments commemorating victory or rationalizing of defeat/loss. It is true that 1971 has been a casualty to nationalist historiography in all three countries. But as this reading of memoirs, testimonies, and fiction will demonstrate, it is possible to listen to the buried voices of 1971 as much in nationalist accounts as in less compliant ones. If we are to appreciate the violent, traumatic legacies of 1971 and its continued relevance to our lives, a multi-genre study involving victims of wartime rape, memoirs by combatant and non- combatant men, military accounts, and fiction from transnational sites might add to our current understanding of 1971.
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