Journal articles on the topic 'Sundarbans (Bangladesh and India) - Fiction'

Recent survey reports and observations from rivers in southern West Bengal (India) indicate the extirpation of Ganges River Dolphin (GRD) from the Indian Sundarbans. The present study undertaken during 2011–16 reviews the possible factors accountable for the disappearance of this obligatory freshwater cetacean from the major waterways of the Sundarbans, India and conclude that it is due to reasons of anthropogenic and geo-climatic origin. Sundarbans, the largest contiguous mangrove forest on earth encompassing almost 10,000km2 of India and Bangladesh is located at the head of the Bay of Bengal within 21.533–22.666 0N and 88.083–89.850 0E, of which 62% lies within Bangladesh and 38% in India (Spalding et al. 2010). The landscape is a network of mudflats and islands at the deltaic mouth of the rivers Ganga, Brahmaputra and Meghna created by accumulated sediments carried by the snow-fed Himalayan rivers and their tributaries along with anastomosing tidal water channels. Historic reports reveal the occurrence of GRD in the Sundarbans waters of both India and Bangladesh (Anderson 1879). Current data, however, confirms the disappearance of Platanista gangetica but there is continued occurrence of Orcaella brevirostris in the Indian part of the estuary. Analysis of causative factors in light of existing evidence validates the potential extirpation of Platanista from the majority of the Sundarbans in India, except for its persistence in only the westernmost segment in the lower reaches of river Hooghly as confirmed by this study. The present study also records the habitat preferences and limiting factors affecting GRD distribution, and maps the decline of its range.

Sundarbans, the largest mangrove forest of the world is located in Bangladesh and India. Studies done on the diversity of fish fauna in the Sundarbans mangrove forest of Bangladesh are sparse and patchy. Here we take the opportunity to provide an updated checklist of the fishes of the Sundarbans, Bangladesh based on primary and secondary data. Field surveys were undertaken in the aquatic habitat of Sundarbans core area along with its adjacent marine habitat from June 2015 to July 2017. Based on published information and primary observations the updated list of fishes covers a total of 322 species belonging to 217 genera, 96 families, and 22 orders. Additionally, four species of fishes, are newly reported in Bangladesh waters, viz., Mustelus mosis Hemprich & Ehrenberg, 1899; Lagocephalus guentheri Miranda Ribeiro, 1915; Carangoides hedlandensis Whitley, 1934; Uranoscopus cognatus Cantor, 1849. The global IUCN Red List status of each species has been enlisted. The updated checklist will constitute the reference inventory of fish biodiversity for the Sundarbans, a natural world heritage site.

Sundarbans is the largest mangrove forest of the world that lies in Bangladesh and India. This paper examined the correlation among population dynamics of Sundarbans impact zone (SIZ) from 1974 to 2011; impact of climate change on the forest; and changes in land cover of the forest from 1973 to 2010. Population size of SIZ was increased by 1.6 times between 1974 and 2011, whereas decreased by 2% during 2001 to 2011. During 1973 to 2010, water bodies, barren land and vegetated land reduced by 7.35%, 49.56% and 15.92% respectively; while grass land increased by 228.14% during the same period. But both population size and vegetated land declined during 2001 and 2011. This was due to the landfall of two severe cyclones in 2007 and 2009 through Sundarbans which resulted thousands of human casualties and out migration, and destruction of the forest. In addition, anthropogenic interventions like low flow from Ganges River and policy constraints also contributed to the demolition of Sundarbans. Thus, population growth, climate change and anthropogenic interventions are playing a decisive role to the depletion of forest resources from the Sundarbans mangrove forest.

Sundarban is the largest mangrove wetland in the world. It covers an area of about 1mha, of which 60% is located in Bangladesh and the remaining western portion, comprising 40%, lies in India. Mangrove ecosystems are of great ecological significance in the tropical and sub-tropical coast. They protect our coast from heavy wind, tidal waves, coastal erosion and sea water intrusion, generate substantial quantities of fishery resources and provide many useful forestry products. The Sundarban ecosystem supports rich fisheries diversity. This ecosystem support 27 families and 53 species of pelagic fish, 49 families 124 species of demersal fish, 5 families and 24 species of shrimps, 3 families and 7 species of crabs, 8 species of lobster. A total 334 plants, 165 algal, 13 special orchids, 17 fern, 87 monocotyledon and 230 dicotyledon belonging to 245 genera and 75 families from the sundarbans and adjacent area are found available. The principal tree species is Sundry (Heritiera fomes) which covers about 73% to total landmass and the second species is Gewa (Excoecaria agallocha) which covers about 16% of total forest area. The plant species include 35 legumes, 29 grasses, 19 sedges, and 18 euphorbias. Of the 50 true mangrove plant species recorded throughout the globe, the Sundarbans alone contain 35 species. The magnificent among the animals on land is Royal Bengal Tiger, Spotted deer, barking deer and wild boars are there in plenty. Besides those jungle cats, fishing cat, civet cat, monkey, bengal fox, jackle, water monitor, monitor lizard and snakes are important faunal spp. Moreover, abundant of the Sundarbans are purple heron, pond heron, cattle egret, little egret, open billed stork, smaller adjutant stork, brahmini kite, spotted dove, rose ringed parakeet, crow pheasant, wood pecker, bee eater, drongo, pide myna, jungle myna, bulbul, tailor bird, magpie robin, sparrow etc., Otherwise, recorded that wild Buffalo, 2 species of deer, javan rhinoceros extinct and presently 2 species of amphibians, 14 species of reptiles 25 species of birds and 5 species of mammals are considered as endangered species. This paper is to produce a new assessment of the mangroves ecology of Sundarbans. DOI: http://dx.doi.org/10.3329/jsf.v8i1-2.14618 J. Sci. Foundation, 8(1&2): 35-47, June-December 2010

This essay foregrounds the Sundarbans, a littoral zone in India that moves between sea and land and is a site of global history. It studies the pantheon of divinities, especially Bonbibi (Lady of the Forest), a mythical figure of Muslim origin. Such deities are worshipped by both Hindus and Muslims exclusively in the Sundarbans (Beautiful Forest) that straddles the state of West Bengal (India) and the nation-state of Bangladesh. It demonstrates how the Sundarbans, during Islamisation in the medieval era actively adapted, as against passively adopting, the global faith of Islam to suit the local needs of the people there. The result was a religious worldview that was not quite Islamic, but not quite Hindu either, but rather a singular faith system unique to the region and suited to meet the needs of the people there. And because this faith system does not conform to the orthodox beliefs of either Hinduism or Islam, it can accurately be described as a heterodox pantheon.

English Abstract: The article critically examines the conservation politics in a transboundary protected area (TBPA) in South Asia, the Sundarbans mangrove forests in Bangladesh and India. It explores the reasons why, despite collaborative measures by the two states, conservation has largely tended to conform to sovereignty practices, making it top-down and exclusionary. This makes the very demarcation of territory for protected areas an intensely political act with significant implications for social equity. The article examines the cultural politics of conservation since contestations to state power have often entailed the articulation of popular sovereignty in the Sundarbans. It argues that the social sustainability of conservation will critically hinge on how issues of resource access and governance are framed, negotiated, and addressed.Spanish Abstract: El artículo examina críticamente la política de conservación en el Área Protegida Transfronteriza (APT): los Sundarbans en Bangladesh e India. Explora por qué, a pesar de la colaboración bilateral, la conservación ha tendido en gran medida a ajustarse a prácticas de soberanía vertical y excluyente. La sola demarcación territorial de las APT, se convierte en un fuerte acto político con implicaciones signifi cativas en la equidad social. El artículo examina la política cultural de la conservación, ya que las protestas al poder del Estado a menudo tienen implicaciones en la articulación de la soberanía popular en los Sundarbans. Argumenta que la sostenibilidad social de la conservación dependerá fundamentalmente de cómo se enmarquen, negocien y aborden las cuestiones de acceso a los recursos y su gobernanza.French Abstract: L’article analyse de manière critique la politique de conservation dans une aire protégée transfrontalière (APT) en Asie du sud, la forêt des mangroves des Sundarbans au Bangladesh et en Inde. Il explore les raisons pour lesquelles, malgré les instruments de coopération entre les deux États, la conservation a adopté des pratiques de souveraineté étatique qui l’ont rendue erticale et exclusive. La démarcation du territoire des aires protégées est un acte profondément politique qui a des implications en matière d´égalité sociale. L’article examine la politique de conservation à travers des actes contestaires vis-à-vis du pouvoir étatique qui ont souvent favorisé une articulation de la souveraineté populaire dans les Sundarbans. Il met en évidence que la durabilité sociale de la conservation dépend de l’encadrement, de la négociation et de la promotion des thèmes d’accès aux ressources et de la gouvernance.

Sundarbans is the world’s largest contiguous mangrove forest and is a designated world heritage site, shared by India and Bangladesh, it is home to several species including tigers. The habitat supports approximately 4.37 million people. Mangrove ecosystem is a unique, fragile, highly productive ecosystem in the sea-land interphase, is the conglomerations of plants, animals and microorganisms acclimatized in the fluctuating environment of tropical intertidal zone. This ecosystem is a highly valued ecosystem in terms of economy, environment and ecology. This mangrove ecosystem of Indian subcontinent is well known not only for the aerial extent, but also for the species diversity. The biodiversity of Sundarbans includes numerous species of phytoplankton, zooplankton, microorganisms, benthic invertebrates, molluscs, amphibians and mammals. As per the research conducted it is believed that the Sundarbans have soaked in 4.15 crore tonnes of carbon dioxide. But the scenario has been changed during past few decades. Due to climate change the Sundarbans faces several challenges. Recorded data shows that a huge number of flora and fauna were compelled to be eliminated due to the consequences of climate change during the last century. Climate change components that affect mangroves and its inhabitants include changes in sea-level, high-water events, storminess, precipitation, temperature, atmospheric CO2 concentration and ocean circulation patterns. The study was conducted to identify the threats on the diversity and its effect on the socio-economic condition of the local community. With risk of the Sundarbans submerging, there is an urgent need for global reduction of emissions and replacement of fossil fuels with renewable energy.

Communities of landless Hindus and Muslims in the Sundarbans, a mangrove-forested river delta sprawling across the Bangladesh–India border, have common class-based grievances and concerns for the imperiled ecosystem that transcend their religious differences. Their shared beliefs and practices include veneration of the same Muslim saint, Bonbibi (the Lady of the Forest), who is regarded as a protector of the forest and the landless poor who depend on it to eke out a livelihood. Their ecumenical practices reflect religious ideals shaped by the complex, delicate ecosystem that sustains them. This tradition is not a muddled synthesis of Islam and Hinduism; it is rooted in the history of settlement in the region.

The present study provides an updated species checklist for free-living marine nematode species from the world’s largest contiguous mangrove ecosystem, the Sundarbans (India and Bangladesh). The species checklist includes information available from Sundarbans from the 1950s to the present (2016), using the most recent taxonomic classification of nematodes. The species list contains 179 species in 84 genera and 29 families. Four families, Xyalidae (22 species), Linhomoeidae (18 species), Desmodoridae (16 species) and Chromadoridae (15 species) were most speciose. The genera Halalaimus (9 species), Sabatieria and Daptonema (8 species each) were most species rich; 50 genera were represented by just a single species. Six species are new distributional records for Indian waters. The species checklist is the most extensive list of free-living marine nematodes from the Sundarbans mangrove ecosystem to date and provides a framework for studying biogeography of free-living marine nematodes from mangrove ecosystems globally.

India has a long tradition of mangrove forest management. The Sundarbans mangroves, located in the Bay of Bengal (partly in India and partly in Bangladesh), were the first mangroves in the world to be put under scientific management. The area's first management plan was implemented in 1892. Recognizing the importance of mangroves, the Government of India set up the National Mangrove Committee in the Ministry of Environment and Forests in 1976 to advise the government about mangrove conservation and development. In its first meeting, the panel, which consists of scientists, research scholars and experts on the mangrove ecosystem, emphasized the need to conduct a survey of the extent of existing mangrove areas within the country.

India has a long tradition of mangrove forest management. The Sundarbans mangroves, located in the Bay of Bengal (partly in India and partly in Bangladesh), were the first mangroves in the world to be put under scientific management. The area's first management plan was implemented in 1892. Recognizing the importance of mangroves, the Government of India set up the National Mangrove Committee in the Ministry of Environment and Forests in 1976 to advise the government about mangrove conservation and development. In its first meeting, the panel, which consists of scientists, research scholars and experts on the mangrove ecosystem, emphasized the need to conduct a survey of the extent of existing mangrove areas within the country.

Sunderban, the mangroves in the Ganga-Brahmaputra-Meghna delta shared between India and Bangladesh are the largest coastal wetland system, well known for their floral diversity. Vegetation survey and analysis was carried out at 42 forest sites randomly selected in Sundarban to record 30 species of mangrove plants belonging to 18 families. Change dynamics of mangrove forests was also studied taking Champion and Seth (1968) forest type classification as a baseline to record striking changes in forest composition. Significant changes were observed in vegetation composition at sites previously demarcated under a particular sub-type. Palm swamp with predominantly Phoenix paludosa have converted into mangrove scrub with mixed species composition. Some new species have emerged in pure mangrove forest (4B/TS2) which has acquired character of salt water mixed forest (Heretiera). These composition and structure changes of Sundarban forests may be attributed climatic change and anthropogenic pressure.

Abstract Sundarban is the world’s largest transboundary contiguous mangrove ecosystem and home of the mangrove dwelling tigers. Sea level rise is destabilizing this ecosystem which is experiencing a rising salinity in surface and ground waters (shallow aquifer). In this study ground water salinity was investigated across Sundarbans and surface water seasonal salinity changes has been investigated along East-west gradient in the region. Statistically significant seasonal as well as spatial variations has been observed in the surface water salinity pattern across this gradient. The post monsoon average surface water salinity was 10.58 ppt while in pre-monsoon it was 27.31 ppt. Ground water salinity was lowest (0.95 ppt) in monsoon while highest in the pre-monsoon season (7.4 ppt). There was a clear east-west gradient in the surface salinity distribution across the delta, indicating a source of fresh water in the eastern corner, bordering Bangladesh. Increasing salinity indicate impact on mangrove diversity with salinity sensitive species (Heritiera fomes, Nypa fruticans) limited to the eastern corner while salinity resilient species (Avicennia marina and Phoenix paludosa) were dominating the western and central part of the Indian Sundarbans. Mangrove associate Acanthus ilicifolius and Heliotropium currasavicum were abundant in the forests under anthropogenic disturbances.

Export Import Bank of India (EXIM Bank) had agreed to finance a US$1.62 billion debt which constituted 70% of the capital needed to construct a controversial 1320 MW coal-based thermal power plant in Rampal, Bangladesh. The plant was located within 14 km of the Sundarbans, recognized by UNESCO as a world heritage site. According to environmentalists, the construction and operation of this plant would give rise to serious environmental, social, and governance issues which would have an adverse, irreversible, and unprecedented effect on the Sundarbans and its people. Amidst growing pressure from activists, Yaduvendra Mathur, Chairman and Managing Director of EXIM Bank, has to take a call on whether to go ahead with financing the project or not. The decision will not only involve assessing the financial impact of the Rampal exposure on the bank given the risks associated with the project, but also involve evaluating issues relating to financing fossil fuel exposure at a time when the financial community has taken climate change seriously and is decarbonizing its portfolios while investing in clean energy.

Abstract The geopolitical and geophysical realities of south Asia create a deep sense of paradox. On the one hand, territorial disputes and hyper-nationalism have resulted in some of the most militarized borders in the world. South Asia's international boundaries are subject to a range of conflicts, which includes high-level armed confrontations between India and Pakistan and low-level, yet deadly, incidents at the India–Bangladesh border. On the other hand, the region's ecology is inherently interlinked through shared rivers, glaciers and forests. South Asia's borders therefore present unique opportunities for environmental peacebuilding, as they are the epicentre of political conflicts as well as the source of transnational ecological connections. This article argues that grassroots processes of environmental peacebuilding can be used to build societal resistance to the rise of ethno-nationalistic populism in south Asia. Using interview data, the article tests concepts on pathways to environmental peacebuilding against underlying drivers of regional conflicts. The study suggests ways by which grassroots environmental initiatives on the Sundarbans forest between India and Bangladesh and the Thar desert between India and Pakistan can address the contemporary rise in nativist politics. The article contributes to existing literature by connecting theories on pathways to environmental peacebuilding to the ideational drivers of territorial and political conflicts. It adds to policy discussions by suggesting an ecological response to the contemporary rise of ethno-nationalistic populism in various regions of the world.

Bangladesh is a highly disaster prone flat land country in south Asia. 80% of the disaster comes from cyclonic disaster around this area. To investigate the damage risk due to the cyclonic event around the Bay of Bengal associated with the cyclone track (CT) is an important issue. The present study has extensive analysis on generating a most favorable track along the Bay of Bengal from the MRI-AGCM cyclone track data. We have investigated present (1978-2003) and future (2075-2099) track data from the MRI-AGCM data set to ensure the synthetic track for the present and future climate conditions of Bangladesh. A k-mean clustering technique has been applied to investigate the synthetic track for the present and future climate condition. This work may insight the changes in cyclone track patterns in both the present and future climate conditions with the global warming scenario. This study has found that the Sundarbans and its adjacent areas are the risky coastline area of the landfall zone and for the global warming scenario it will be shifted to the Odisha area in India.

The study was conducted during July, 2003 to June, 2013 about landing volumes of shark fishery (sharks and rays) in artisanal and industrial fishing sector only in group- wise not in species wise. In these periods, in artisanal fisheries gill nets (shark nets), set bag nets, long lines and trammel nets exploiting data were analyzed. But from 2012-13 periods in industrial fisheries harvesting data of sharks and rays by trawl fishing were started to record keeping in group wise. During 2012-13 total sharks and rays landing volume contributes only 0.85% (5017 MT) of total the marine fish production of Bangladesh.8 During 2010-11 to 2012-13 no sharks and rays product items had been traded from Bangladesh due to international market ban But from 2003-04 to 2009-10 period sharks and rays product with fish maws export to the Myanmar, India, Singapore, Thailand, Hong Kong, China, USA and other countries. Dried and iced sliced meat of shark and rays, its sun-dried hide, bones, fins, tails, teeth and shark liver oil all are sold for local consumers, but only sets of fins (2 pectoral, 2 pelvic, 1 dorsal, 2 anal and 1 caudal fin) and skins were exporting to the foreign markets, which has been stopped now. In the year 2009-10 total 955 MT of sharks and rays product (with fish maws) were exporting and earning (app.) USD 1.60 million. For the conservation and management of shark fishery need National Plan of Action, which exploiting in the MSY and help to banning of critically endangered sharks and rays species. Appropriate law in the Fish Act (at present Fish Act has no forms of restriction for harvesting sharks, while Forestry Act restricts it in Sundarbans area) for sustainable harvesting and conservation of the elasmobranchs. Such law should include how many boats (motorized- and non-motorized) and industrial trawlers could be allowed to harvest sharks from which area, in which season and the allowable limit of harvests; in every case proper ways of fishing methods should strictly be followed. Coastal areas around Saint Martin’s Island and Sundarbans proposed by the Bay of Bengal should be declared as Marine Protected Area as most sharks use these areas as their nursing grounds.

The mangrove ecosystem of Sundarbans region plays an important ecological and socio-economical role in both India and Bangladesh. The ecological disturbance in the coastal mangrove forests are mainly attributed to the periodic cyclones caused by deep depression formed over the Bay of Bengal. In the present study, three of the major cyclones in the Sundarbans region were analyzed to establish the cause-and-effect relationship between cyclones and the resultant ecological disturbance. The Moderate Resolution Imaging Spectroradiometer (MODIS) time-series data was used to generate MODIS global disturbance index (MGDI) and its potential was explored to assess the instantaneous ecological disturbance caused by cyclones with varying landfall intensities and at different stages of mangrove phenology. The time-series MGDI was converted into the percentage change in MGDI using its multi-year mean for each pixel, and its response towards several cyclonic events was studied. The affected areas were identified by analyzing the Landsat-8 satellite data before and after the cyclone and the MGDI values of the affected areas were utilized to develop the threshold for delineation of the disturbed pixels. The selected threshold was applied on the time-series MGDI images to delineate the disturbed areas for each year individually to identify the frequently disturbed areas. The classified intensity map could able to detect the chronically affected areas, which can serve as a valuable input towards modelling the biomigration of the invasive species and efficient forest management.

Mangrove plants are specialized woody plants growing in the swamps of tidal-coastal areas and river deltas of tropical and subtropical parts of the world. They have been utilized for medicinal and other purposes by the coastal people over the years. Heritiera fomes Buch. Ham. (family: Sterculiaceae) commonly known as Sundari (Bengali) is a preeminent mangrove plant occurring in the Sundarbans forest located in the southern part of Bangladesh and adjoining West Bengal province of India. The plant has applications in traditional folk medicine as evidenced by its extensive use for treating diabetes, hepatic disorders, gastrointestinal disorders, goiter, and skin diseases by the local people and traditional health practitioners. A number of investigations indicated that the plant possesses significant antioxidant, antinociceptive, antihyperglycemic, antimicrobial, and anticancer activities. Phytochemical analyses have revealed the presence of important chemical constituents like saponins, alkaloids, glycosides, tannins, steroids, flavonoids, gums, phytosterols, and reducing sugars. The present study is aimed at compiling information on phytochemical, biological, pharmacological, and ethnobotanical properties of this important medicinal plant, with a view to critically assess the legitimacy of the use of this plant in the aforementioned disorders as well as providing directions for further research.

Understanding the interactions between shallow saline groundwater and surface water is crucial for managing water logging in deltaic islands. Water logging conditions result in the accumulation of salt in the root zone of crops and detrimentally affect agriculture in the economically and socially backward deltaic region of West Bengal and Bangladesh. In this paper, we undertook a modeling study of surface water–groundwater interactions in the Gosaba Island of Sundarbans region of the Ganges delta using MODFLOW followed by comprehensive parameter sensitivity analysis. Further, scenario analyses (i.e., no-drain, single drain, three drains) were undertaken to evaluate the effectiveness of drainage infrastructure to reduce saline water logging conditions. The evaluation indicated that installation of three drains can remove water at a rate of up to −123.3 m3day−1 and lower the water table up to 0.4 m. The single drain management scenario could divert water at the rate of −77.9 m3day−1 during post monsoon season, lowering the shallow saline groundwater table up to 0.1 m. This preliminary modeling study shows encouraging results to consider drainage management as to solve the increasing challenge of water logging and salinity management in the deltaic region. The insights will be useful for farmers and policymakers in the region for planning various sustainable saline groundwater management. Building drainage infrastructure could potentially be part of initiatives like the national employment guarantee scheme in India. In the future, this model can be coupled with solute transport models for understanding the current status and future expansion of salinity in the study area. Further modeling and optimization analysis can help identify the optimal depth and spacing of drains.

This paper is meant to study the apocalyptic scenario of the at the perspectives of the Great Acceleration. the apocalyptic scenario is not a pure imagination of the literature works. Instead, scientific evidences are in favour of dramatic change in the climatic conditions related to the climax of Man actions. the modelling of the future climate leads to horrible situations including intolerable temperatures, dryness, tornadoes, and noticeable sear level rise evading coastal regions. Going far from these scientific claims, Homo Sapiens Sapiens extended his imagination through the Climate-Fiction (cli-fi) to propose a dramatic end. Climate Fiction is developed into a recording machine containing every kind of fictions that depict environmental condition events and has consequently lost its true significance. Introduction The Great Acceleration may be considered as the Late Anthropocene in which Man actions reached their climax to lead to dramatic climatic changes paving the way for a possible apocalyptic scenario threatening the existence of the humanity. So, the apocalyptic scenario is not a pure imagination of the literature works. Instead, many scientific arguments especially related to climate change are in favour of the apocalypse1. As a matter of fact, the modelling of the future climate leads to horrible situations including intolerable temperatures (In 06/07/2021, Kuwait recorded the highest temperature of 53.2 °C), dryness, tornadoes, and noticeable sear level rise evading coastal regions. These conditions taking place during the Great Acceleration would have direct repercussions on the human species. Considering that the apocalyptic extinction had really caused the disappearance of many stronger species including dinosaurs, Homo Sapiens Sapiens extended his imagination though the Climate-Fiction (cli-fi) to propose a dramatic end due to severe climate conditions intolerable by the humankind. The mass extinction of animal species has occurred several times over the geological ages. Researchers have a poor understanding of the causes and processes of these major crises1. Nonetheless, whatever the cause of extinction, the apocalyptic scenario has always been present in the geological history. For example, dinosaurs extinction either by asteroids impact or climate changes could by no means denies the apocalyptic aspect2.At the same time as them, many animal and plant species became extinct, from marine or flying reptiles to marine plankton. This biological crisis of sixty-five million years ago is not the only one that the biosphere has suffered. It was preceded and followed by other crises which caused the extinction or the rarefaction of animal species. So, it is undeniable that many animal groups have disappeared. It is even on the changes of fauna that the geologists of the last century have based themselves to establish the scale of geological times, scale which is still used. But it is no less certain that the extinction processes, extremely complex, are far from being understood. We must first agree on the meaning of the word "extinction", namely on the apocalyptic aspect of the concept. It is quite understood that, without disappearances, the evolution of species could not have followed its course. Being aware that the apocalyptic extinction had massacred stronger species that had dominated the planet, Homo Sapiens Sapiens has been aware that the possibility of apocalyptic end at the perspective of the Anthropocene (i.e., Great Acceleration) could not be excluded. This conviction is motivated by the progressive defaunation in some regions3and the appearance of alien species in others related to change of mineralogy and geochemistry4 leading to a climate change during the Anthropocene. These scientific claims fed the vast imagination about climate change to set the so-called cli-fi. The concept of the Anthropocene is the new geological era which begins when the Man actions have reached a sufficient power to modify the geological processes and climatic cycles of the planet5. The Anthropocene by no means excludes the possibility of an apocalyptic horizon, namely in the perspectives of the Great Acceleration. On the contrary, two scenarios do indeed seem to dispute the future of the Anthropocene, with a dramatic cross-charge. The stories of the end of the world are as old as it is, as the world is the origin of these stories. However, these stories of the apocalypse have evolved over time and, since the beginning of the 19th century, they have been nourished particularly by science and its advances. These fictions have sometimes tried to pass themselves off as science. This is the current vogue, called collapsology6. This end is more than likely cli-fi driven7and it may cause the extinction of the many species including the Homo Sapiens Sapiens. In this vein, Anthropocene defaunation has become an ultimate reality8. More than one in eight birds, more than one in five mammals, more than one in four coniferous species, one in three amphibians are threatened. The hypothesis of a hierarchy within the living is induced by the error of believing that evolution goes from the simplest to the most sophisticated, from the inevitably stupid inferior to the superior endowed with an intelligence giving prerogative to all powers. Evolution goes in all directions and pursues no goal except the extension of life on Earth. Evolution certainly does not lead from bacteria to humans, preferably male and white. Our species is only a carrier of the DNA that precedes us and that will survive us. Until we show a deep respect for the biosphere particularly, and our planet in general, we will not become much, we will remain a predator among other predators, the fiercest of predators, the almighty craftsman of the Anthropocene. To be in the depths of our humanity, somehow giving back to the biosphere what we have taken from it seems obvious. To stop the sixth extinction of species, we must condemn our anthropocentrism and the anthropization of the territories that goes with it. The other forms of life also need to keep their ecological niches. According to the first, humanity seems at first to withdraw from the limits of the planet and ultimately succumb to them, with a loss of dramatic meaning. According to the second, from collapse to collapse, it is perhaps another humanity, having overcome its demons, that could come. Climate fiction is a literary sub-genre dealing with the theme of climate change, including global warming. The term appears to have been first used in 2008 by blogger and writer Dan Bloom. In October 2013, Angela Evancie, in a review of the novel Odds against Tomorrow, by Nathaniel Rich, wonders if climate change has created a new literary genre. Scientific basis of the apocalyptic scenario in the perspective of the Anthropocene Global warming All temperature indices are in favour of a global warming (Fig.1). According to the different scenarios of the IPCC9, the temperatures of the globe could increase by 2 °C to 5 °C by 2100. But some scientists warn about a possible runaway of the warming which can reach more than 3 °C. Thus, the average temperature on the surface of the globe has already increased by more than 1.1 °C since the pre-industrial era. The rise in average temperatures at the surface of the globe is the first expected and observed consequence of massive greenhouse gas emissions. However, meteorological surveys record positive temperature anomalies which are confirmed from year to year compared to the temperatures recorded since the middle of the 19th century. Climatologists point out that the past 30 years have seen the highest temperatures in the Northern Hemisphere for over 1,400 years. Several climatic centres around the world record, synthesize and follow the evolution of temperatures on Earth. Since the beginning of the 20th century (1906-2005), the average temperature at the surface of the globe has increased by 0.74 °C, but this progression has not been continuous since 1976, the increase has clearly accelerated, reaching 0.19 °C per decade according to model predictions. Despite the decline in solar activity, the period 1997-2006 is marked by an average positive anomaly of 0.53 °C in the northern hemisphere and 0.27 °C in the southern hemisphere, still compared to the normal calculated for 1961-1990. The ten hottest years on record are all after 1997. Worse, 14 of the 15 hottest years are in the 21st century, which has barely started. Thus, 2016 is the hottest year, followed closely by 2015, 2014 and 2010. The temperature of tropical waters increased by 1.2 °C during the 20th century (compared to 0.5 °C on average for the oceans), causing coral reefs to bleach in 1997. In 1998, the period of Fort El Niño, the prolonged warming of the water has destroyed half of the coral reefs of the Indian Ocean. In addition, the temperature in the tropics of the five ocean basins, where cyclones form, increased by 0.5 °C from 1970 to 2004, and powerful cyclones appeared in the North Atlantic in 2005, while they were more numerous in other parts of the world. Recently, mountains of studies focused on the possible scenario of climate change and the potential worldwide repercussions including hell temperatures and apocalyptic extreme events10 , 11, 12. Melting of continental glaciers As a direct result of the global warming, melting of continental glaciers has been recently noticed13. There are approximately 198,000 mountain glaciers in the world; they cover an area of approximately 726,000 km2. If they all melted, the sea level would rise by about 40 cm. Since the late 1960s, global snow cover has declined by around 10 to 15%. Winter cold spells in much of the northern half of the northern hemisphere are two weeks shorter than 100 years ago. Glaciers of mountains have been declining all over the world by an average of 50 m per decade for 150 years. However, they are also subject to strong multi-temporal variations which make forecasts on this point difficult according to some specialists. In the Alps, glaciers have been losing 1 meter per year for 30 years. Polar glaciers like those of Spitsbergen (about a hundred km from the North Pole) have been retreating since 1880, releasing large quantities of water. The Arctic has lost about 10% of its permanent ice cover every ten years since 1980. In this region, average temperatures have increased at twice the rate of elsewhere in the world in recent decades. The melting of the Arctic Sea ice has resulted in a loss of 15% of its surface area and 40% of its thickness since 1979. The record for melting arctic sea ice was set in 2017. All models predict the disappearance of the Arctic Sea ice in summer within a few decades, which will not be without consequences for the climate in Europe. The summer melting of arctic sea ice accelerated far beyond climate model predictions. Added to its direct repercussions of coastal regions flooding, melting of continental ice leads to radical climatic modifications in favour of the apocalyptic scenario. Fig.1 Evolution of temperature anomaly from 1880 to 2020: the apocalyptic scenario Sea level rise As a direct result of the melting of continental glaciers, sea level rise has been worldwide recorded14 ,15. The average level of the oceans has risen by 22 cm since 1880 and 2 cm since the year 2000 because of the melting of the glaciers but also with the thermal expansion of the water. In the 20th century, the sea level rose by around 2 mm per year. From 1990 to 2017, it reached the relatively constant rate of just over 3mm per year. Several sources contributed to sea level increase including thermal expansion of water (42%), melting of continental glaciers (21%), melting Greenland glaciers (15%) and melting Antarctic glaciers (8%). Since 2003, there has always been a rapid rise (around 3.3 mm / year) in sea level, but the contribution of thermal expansion has decreased (0.4 mm / year) while the melting of the polar caps and continental glaciers accelerates. Since most of the world’s population is living on coastal regions, sea level rise represents a real threat for the humanity, not excluding the apocalyptic scenario. Multiplication of extreme phenomena and climatic anomalies On a human scale, an average of 200 million people is affected by natural disasters each year and approximately 70,000 perish from them. Indeed, as evidenced by the annual reviews of disasters and climatic anomalies, we are witnessing significant warning signs. It is worth noting that these observations are dependent on meteorological survey systems that exist only in a limited number of countries with statistics that rarely go back beyond a century or a century and a half. In addition, scientists are struggling to represent the climatic variations of the last two thousand years which could serve as a reference in the projections. Therefore, the exceptional nature of this information must be qualified a little. Indeed, it is still difficult to know the return periods of climatic disasters in each region. But over the last century, the climate system has gone wild. Indeed, everything suggests that the climate is racing. Indeed, extreme events and disasters have become more frequent. For instance, less than 50 significant events were recorded per year over the period 1970-1985, while there have been around 120 events recorded since 1995. Drought has long been one of the most worrying environmental issues. But while African countries have been the main affected so far, the whole world is now facing increasingly frequent and prolonged droughts. Chile, India, Australia, United States, France and even Russia are all regions of the world suffering from the acceleration of the global drought. Droughts are slowly evolving natural hazards that can last from a few months to several decades and affect larger or smaller areas, whether they are small watersheds or areas of hundreds of thousands of square kilometres. In addition to their direct effects on water resources, agriculture and ecosystems, droughts can cause fires or heat waves. They also promote the proliferation of invasive species, creating environments with multiple risks, worsening the consequences on ecosystems and societies, and increasing their vulnerability. Although these are natural phenomena, there is a growing understanding of how humans have amplified the severity and impacts of droughts, both on the environment and on people. We influence meteorological droughts through our action on climate change, and we influence hydrological droughts through our management of water circulation and water processes at the local scale, for example by diverting rivers or modifying land use. During the Anthropocene (the present period when humans exert a dominant influence on climate and environment), droughts are closely linked to human activities, cultures, and responses. From this scientific overview, it may be concluded apocalyptic scenario is not only a literature genre inspired from the pure imagination. Instead, many scientific arguments are in favour of this dramatic destiny of Homo Sapiens Sapiens. Fig.2. Sea level rise from 1880 to 2020: a possible apocalyptic scenario (www.globalchange.gov, 2021) Apocalyptic genre in recent writing As the original landmark of apocalyptic writing, we must place the destruction of the Temple of Jerusalem in 587 BC and the Exile in Babylon. Occasion of a religious and cultural crossing with imprescriptible effects, the Exile brought about a true rebirth, characterized by the maintenance of the essential ethical, even cultural, of a national religion, that of Moses, kept as pure as possible on a foreign land and by the reinterpretation of this fundamental heritage by the archaic return of what was very old, both national traditions and neighbouring cultures. More precisely, it was the place and time for the rehabilitation of cultures and the melting pot for recasting ancient myths. This vast infatuation with Antiquity, remarkable even in the vocabulary used, was not limited to Israel: it even largely reflected a general trend. The long period that preceded throughout the 7th century BC and until 587, like that prior to the edict of Cyrus in 538 BC, was that of restorations and rebirths, of returns to distant sources and cultural crossings. In the biblical literature of this period, one is struck by the almost systematic link between, on the one hand, a very sustained mythical reinvestment even in form and, on the other, the frequent use of biblical archaisms. The example of Shadday, a word firmly rooted in the Semites of the Northwest and epithet of El in the oldest layers of the books of Genesis and Exodus, is most eloquent. This term reappears precisely at the time of the Exile as a designation of the divinity of the Patriarchs and of the God of Israel; Daily, ecological catastrophes now describe the normal state of societies exposed to "risks", in the sense that Ulrich Beck gives to this term: "the risk society is a society of catastrophe. The state of emergency threatens to become a normal state there1”. Now, the "threat" has become clearer, and catastrophic "exceptions" are proliferating as quickly as species are disappearing and climate change is accelerating. The relationship that we have with this worrying reality, to say the least, is twofold: on the one hand, we know very well what is happening to us; on the other hand, we fail to draw the appropriate theoretical and political consequences. This ecological duplicity is at the heart of what has come to be called the “Anthropocene”, a term coined at the dawn of the 21st century by Eugene Stoermer (an environmentalist) and Paul Crutzen (a specialist in the chemistry of the atmosphere) in order to describe an age when humanity would have become a "major geological force" capable of disrupting the climate and changing the terrestrial landscape from top to bottom. If the term “Anthropocene” takes note of human responsibility for climate change, this responsibility is immediately attributed to overpowering: strong as we are, we have “involuntarily” changed the climate for at least two hundred and fifty years. Therefore, let us deliberately change the face of the Earth, if necessary, install a solar shield in space. Recognition and denial fuel the signifying machine of the Anthropocene. And it is precisely what structures eco-apocalyptic cinema that this article aims to study. By "eco-apocalyptic cinema", we first mean a cinematographic sub-genre: eco-apocalyptic and post-eco-apocalyptic films base the possibility (or reality) of the end of the world on environmental grounds and not, for example, on damage caused by the possible collision of planet Earth with a comet. Post-apocalyptic science fiction (sometimes abbreviated as "post-apo" or "post-nuke") is a sub-genre of science fiction that depicts life after a disaster that destroyed civilization: nuclear war, collision with a meteorite, epidemic, economic or energy crisis, pandemic, alien invasion. Conclusion Climate and politics have been linked together since Aristotle. With Montesquieu, Ibn Khaldûn or Watsuji, a certain climatic determinism is attributed to the character of a nation. The break with modernity made the climate an object of scientific knowledge which, in the twentieth century, made it possible to document, despite the controversies, the climatic changes linked to industrialization. Both endanger the survival of human beings and ecosystems. Climate ethics are therefore looking for a new relationship with the biosphere or Gaia. For some, with the absence of political agreements, it is the beginning of inevitable catastrophes. For others, the Anthropocene, which henceforth merges human history with natural history, opens onto technical action. The debate between climate determinism and human freedom is revived. The reference to the biblical Apocalypse was present in the thinking of thinkers like Günther Anders, Karl Jaspers or Hans Jonas: the era of the atomic bomb would mark an entry into the time of the end, a time marked by the unprecedented human possibility of 'total war and annihilation of mankind. The Apocalypse will be very relevant in describing the chaos to come if our societies continue their mad race described as extra-activist, productivist and consumerist. In dialogue with different theologians and philosophers (such as Jacques Ellul), it is possible to unveil some spiritual, ethical, and political resources that the Apocalypse offers for thinking about History and human engagement in the Anthropocene. What can a theology of collapse mean at a time when negative signs and dead ends in the human situation multiply? What then is the place of man and of the cosmos in the Apocalypse according to Saint John? Could the end of history be a collapse? How can we live in the time we have left before the disaster? Answers to such questions remain unknown and no scientist can predict the trajectory of this Great Acceleration taking place at the Late Anthropocene. When science cannot give answers, Man tries to infer his destiny for the legend, religion and the fiction. Climate Fiction is developed into a recording machine containing every kind of fictions that depict environmental condition events and has consequently lost its true significance. Aware of the prospect of ecological collapse additionally as our apparent inability to avert it, we tend to face geology changes of forceful proportions that severely challenge our ability to imagine the implications. Climate fiction ought to be considered an important supplement to climate science, as a result, climate fiction makes visible and conceivable future modes of existence inside worlds not solely deemed seemingly by science, however that area unit scientifically anticipated. Hence, this chapter, as part of the book itself, aims to contribute to studies of ecocriticism, the environmental humanities, and literary and culture studies. References David P.G. Bondand Stephen E. Grasby. "Late Ordovician mass extinction caused by volcanism, warming, and anoxia, not cooling and glaciation: REPLY." Geology 48, no. 8 (Geological Society of America2020): 510. Cyril Langlois.’Vestiges de l'apocalypse: ‘le site de Tanis, Dakota du Nord 2019’. Accessed June, 6, 2021, https://planet-terre.ens-lyon.fr/pdf/Tanis-extinction-K-Pg.pdf NajouaGharsalli,ElhoucineEssefi, Rana Baydoun, and ChokriYaich. ‘The Anthropocene and Great Acceleration as controversial epoch of human-induced activities: case study of the Halk El Menjel wetland, eastern Tunisia’. Applied Ecology and Environmental Research 18(3) (Corvinus University of Budapest 2020): 4137-4166 Elhoucine Essefi, ‘On the Geochemistry and Mineralogy of the Anthropocene’. International Journal of Water and Wastewater Treatment, 6(2). 1-14, (Sci Forschen2020): doi.org/10.16966/2381-5299.168 Elhoucine Essefi. ‘Record of the Anthropocene-Great Acceleration along a core from the coast of Sfax, southeastern Tunisia’. Turkish journal of earth science, (TÜBİTAK,2021). 1-16. Chiara Xausa. ‘Climate Fiction and the Crisis of Imagination: Alexis Wright’s Carpentaria and The Swan Book’. Exchanges: The Interdisciplinary Research Journal 8(2), (WARWICK 2021): 99-119. Akyol, Özlem. "Climate Change: An Apocalypse for Urban Space? An Ecocritical Reading of “Venice Drowned” and “The Tamarisk Hunter”." Folklor/Edebiyat 26, no. 101 (UluslararasıKıbrısÜniversitesi 2020): 115-126. Boswell, Suzanne F. "The Four Tourists of the Apocalypse: Figures of the Anthropocene in Caribbean Climate Fiction.". Paradoxa 31, (Academia 2020): 359-378. Ayt Ougougdal, Houssam, Mohamed YacoubiKhebiza, Mohammed Messouli, and Asia Lachir. "Assessment of future water demand and supply under IPCC climate change and socio-economic scenarios, using a combination of models in Ourika Watershed, High Atlas, Morocco." Water 12, no. 6 (MPDI 2020): 1751.DOI:10.3390/w12061751. Wu, Jia, Zhenyu Han, Ying Xu, Botao Zhou, and Xuejie Gao. "Changes in extreme climate events in China under 1.5 C–4 C global warming targets: Projections using an ensemble of regional climate model simulations." Journal of Geophysical Research: Atmospheres 125, no. 2 (Wiley2020): e2019JD031057.https://doi.org/10.1029/2019JD031057 Khan, Md Jamal Uddin, A. K. M. Islam, Sujit Kumar Bala, and G. M. Islam. "Changes in climateextremes over Bangladesh at 1.5° C, 2° C, and 4° C of global warmingwith high-resolutionregionalclimate modeling." Theoretical&AppliedClimatology 140 (EBSCO2020). Gudoshava, Masilin, Herbert O. Misiani, Zewdu T. Segele, Suman Jain, Jully O. Ouma, George Otieno, Richard Anyah et al. "Projected effects of 1.5 C and 2 C global warming levels on the intra-seasonal rainfall characteristics over the Greater Horn of Africa." Environmental Research Letters 15, no. 3 (IOPscience2020): 34-37. Wang, Lawrence K., Mu-Hao Sung Wang, Nai-Yi Wang, and Josephine O. Wong. "Effect of Global Warming and Climate Change on Glaciers and Salmons." In Integrated Natural Resources Management, ed.Lawrence K. Wang, Mu-Hao Sung Wang, Yung-Tse Hung, Nazih K. Shammas(Springer 2021), 1-36. Merschroth, Simon, Alessio Miatto, Steffi Weyand, Hiroki Tanikawa, and Liselotte Schebek. "Lost Material Stock in Buildings due to Sea Level Rise from Global Warming: The Case of Fiji Islands." Sustainability 12, no. 3 (MDPI 2020): 834.doi:10.3390/su12030834 Hofer, Stefan, Charlotte Lang, Charles Amory, Christoph Kittel, Alison Delhasse, Andrew Tedstone, and Xavier Fettweis. "Greater Greenland Ice Sheet contribution to global sea level rise in CMIP6." 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The Sundarbans, considered as the tourism heartland of South Asia and compared to Amazon rainforest for its expanse and biodiversity of flora and fauna spanning over 36,000 square kilometers, is currently at risk of massive depletion. The disaster can be avoided through sustainable tourism that minimizes negative social or environmental impacts and conserve fragile ecosystem consisting of flora and fauna and their habitats. This sustainable tourism can draw upon its basic tenets from the ‘’Sustainable Development Goals’’ propagated by World Tourism Organization. For both Bangladesh and India, it is obligatory under the remit of sustainable tourism to shift policy focus from growth to equity, thus, paving the way for strong institutions capability of regulating the tourism industry and distributing assets to facilitate ‘pro-poor growth’ policies and actions. As the current sustainable tourism debate is patchy, disjointed and often flawed with false assumptions and arguments the discourse on sustainable tourism of the Sundarbans needs to be oriented towards a thoroughbred scientific level, a systemic perspective and an interdisciplinary approach.

Earth’s climate is changing drastically and its effect is being felt over the entire world. Some nations suffer more because of several geographical and demographical factors. People have started migrating from their homeland because of the disasters occurring due to climate change. These migrants commonly known as climate refugees are homeless and rightless. However, the United Nations High Commissioner for Refugees (UNHCR) has recognised the need to protect climate refugees and has taken initiatives to relocate the climate refugees. Recently, the United Nations Human Rights Committee (UNHRC) ruled that no country can send back a refugee whose life is at imminent threat due to climate change. Even though this decision is non-binding on the countries, it puts an international obligation on the countries to act soon concerning climate refugees. India is one of the countries which might face a great migrant influx from neighbouring countries. The Sundarbans 1 Delta of Bangladesh is one of the high-risk areas and it is estimated that around 50–120 million climate refugees might migrate to India. India needs to be prepared for this crisis and develop a sound refugee policy framework. Against this backdrop, this research article aims to highlight legal issues relating to the protection of climate refugees in India and suggest policy measures to overcome the crisis.

The delta region of the river Ganges spreads over India (West Bengal) and Bangladesh is popularly known as Sundarbans. Crop productivity of the region is very poor. Agricultural lands of the region are mostly saline and low-lying with drainage congestion due to presence of brackish groundwater table at shallow depth and flat topography. In recent years, improvement in productivity of these lands was witnessed by farmers when the elevation of lowlands was increased through land shaping. In the present study changes in the salinity status of soil were due to raise of land elevation through land shaping was investigated for two years and 3 seasons (winter, summer and late summer). It was found that there was a considerable decrease in soil salinity due to increase in elevation of lowlands through land shaping. The salinity of original lowlands was about 200% higher than the raised lands or uplands made through land shaping. Salinity of rhizosphere soil decreased with depth and there was a strong seasonal variation of soil salinity. At all soil depths soil salinity increased as the dry season progressed from winter to late summer through summer and soil salinity was highest in the surface (0-10 cm). The depth to groundwater table and the groundwater salinity also showed strong seasonal variation and were maximum in late summer season. The drainage condition of soil improved with increasing in land elevation.

Gönül Dönmez-Colin's book, Women, Islam and Cinema, comes not a day too soon. At a time when controversies rage over the wearing of the veil in school, reality seems to be catching up with fiction. Dönmez-Colin speaks of the insidious and conservative ways in which cinema in many Islamic countries has portrayed women. Her sweep is large: she covers India, Pakistan, Bangladesh, Malaysia, Indonesia, Iran, Turkey, Kazakhstan and Uzbekistan and draws careful analogies and contradictions that exist within and among these countries. Inevitably, cinema's depiction of women as actresses, directors and spectators grows out of the prevailing social and political atmosphere: stifling patriarchy and female subordination....

A victim of the partition of Eastern India/undivided Bengal, a refugee is one who has ironically left behind the real but has carried on forever indelibly imprinted in memory that which is lost and remembered in superlatives, thus moving and simultaneously resisting to move. Remaining mentally anchored forever on ‘Bengal’s shore’ and having been denied the moment of adequate articulation of the loss in factual terms partly due to immediate trauma and partly due to the inherent politics of the language of standard literary expression vis-à-vis spoken language (Bangla vs Bangal respectively) with its hierarchic positionings, as well as the politics of state policy that attributed partition of Western India primordial signification, the Bengali Hindu refugee migrating from erstwhile East Pakistan (and now Bangladesh) to India, has never ‘really’ spoken and this is the hypothesis of this argument. Thus, what is heard, being far removed from the historical moment of rupture that was partition and with the loss of that fateful generation is bound to be ‘fiction’ and not ‘fact’. This paper proposes that since the refugee voice was denied adequate articulation of the ‘facts’ and the ‘fears’ resultant from partition in this part of Eastern India, that historical moment of perception and documentation has been irretrievably lost. Hence any attempt at documenting the same now shall obviously result in fictionalization of and fantasizing the loss as is evident in original and translational post-Independence Indian English Fiction -the moment of loss being the moment of fictional genesis. This paper also puts forward the necessity of identifying two specific periods beyond ‘independence’ whose axiomatic point would be the partition of Eastern India/ undivided Bengal viz. pre-partition and post-partition Indian Literature. The same shall apply to Indian English Literature both in original and translation.

Sanjukta Dasgupta, Professor and Former Head, Dept of English and Ex- Dean, Faculty of Arts, Calcutta University, teaches English and American literature along with New Literatures in English. She is a poet, critic and translator, and her articles, poems, short stories and translations have been published in journals of distinction in India and abroad.Her inner sphere overlaps the outer on the speculative and the shadowy. There is a sublime inwardness in her poems. Her recent signal books include Snapshots, Dilemma, First Language, More Light, and Lakshmi Unbound. She co-authored Radical Rabindranath: Nation, Family, Gender: Post-colonial Readings of Tagore’s Fiction and Film, and she is the Managing Editor of Families: A Journal of Representations.She has received many grants and awards, including Fulbright fellowships and residencies and an Australia India Council Fellowship. Now she is the Convener, English Board, Shaitya Akademi. Professor Dasgupta has visited Nepal and Bangladesh as a member of the SAARC Writers Delegation, and has served as a co-judge and Chairperson for the Commonwealth Writers Prize (Eurasia region). She has visited Melbourne and Malta to serve on the pan-Commonwealth jury panel. She is now an e-member of the advisory committee of the Commonwealth Writers Prize, UK. She is Visiting Professor, Jagiellonian University, Krakow, Poland, and she is the President of the Executive Committee, Intercultural Poetry and Performance Library in Kolkata.The interview was conducted via email in December 2018.

The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sound from the chimes, a melodious Chinese ocarina solo joined in slowly from the background. Astonished by thousands of Buddhist sūtra scrolls, wall paintings, and sculptures he had just accidentally discovered in the caves, Priest Wang set his broom aside and began to examine these treasures. Dawn had not yet arrived, and the desert sky was pitch-black. Priest Wang held his oil lamp high, strode rhythmically in excitement, sat crossed-legged in a meditative pose, and unfolded a scroll. The sound of the ocarina became fuller and richer and the texture of the music more complex, as several other instruments joined in.Below is the opening scene of the award-winning, theatrical dance-drama Dunhuang, My Dreamland, created by China’s state-sponsored Lanzhou Song and Dance Theatre in 2000. Figure 1a: Poster Side A of Dunhuang, My Dreamland Figure 1b: Poster Side B of Dunhuang, My DreamlandThe scene locates the dance-drama in the rock sanctuaries that today are known as the Dunhuang Mogao Caves, housing Buddhist art accumulated over a period of a thousand years, one of the best well-known UNESCO heritages on the Silk Road. Historically a frontier metropolis, Dunhuang was a strategic site along the Silk Road in northwestern China, a crossroads of trade, and a locus for religious, cultural, and intellectual influences since the Han dynasty (206 B.C.E.–220 C.E.). Travellers, especially Buddhist monks from India and central Asia, passing through Dunhuang on their way to Chang’an (present day Xi’an), China’s ancient capital, would stop to meditate in the Mogao Caves and consult manuscripts in the monastery's library. At the same time, Chinese pilgrims would travel by foot from China through central Asia to Pakistan, India, Nepal, Bangladesh, and Sri Lanka, playing a key role in the exchanges between ancient China and the outside world. Travellers from China would stop to acquire provisions at Dunhuang before crossing the Gobi Desert to continue on their long journey abroad. Figure 2: Dunhuang Mogao CavesThis article approaches the idea of “abroad” by examining the present-day imagination of journeys along the Silk Road—specifically, staged performances of the various Silk Road journey-themed dance-dramas sponsored by the Chinese state for enhancing its cultural and foreign policies since the 1970s (Kuang).As ethnomusicologists have demonstrated, musicians, choreographers, and playwrights often utilise historical materials in their performances to construct connections between the past and the present (Bohlman; Herzfeld; Lam; Rees; Shelemay; Tuohy; Wade; Yung: Rawski; Watson). The ancient Silk Road, which linked the Mediterranean coast with central China and beyond, via oasis towns such as Samarkand, has long been associated with the concept of “journeying abroad.” Journeys to distant, foreign lands and encounters of unknown, mysterious cultures along the Silk Road have been documented in historical records, such as A Record of Buddhist Kingdoms (Faxian) and The Great Tang Records on the Western Regions (Xuanzang), and illustrated in classical literature, such as The Travels of Marco Polo (Polo) and the 16th century Chinese novel Journey to the West (Wu). These journeys—coming and going from multiple directions and to different destinations—have inspired contemporary staged performance for audiences around the globe.Home and Abroad: Dunhuang and the Silk RoadDunhuang, My Dreamland (2000), the contemporary dance-drama, staged the journey of a young pilgrim painter travelling from Chang’an to a land of the unfamiliar and beyond borders, in search for the arts that have inspired him. Figure 3: A scene from Dunhuang, My Dreamland showing the young pilgrim painter in the Gobi Desert on the ancient Silk RoadFar from his home, he ended his journey in Dunhuang, historically considered the northwestern periphery of China, well beyond Yangguan and Yumenguan, the bordering passes that separate China and foreign lands. Later scenes in Dunhuang, My Dreamland, portrayed through multiethnic music and dances, the dynamic interactions among merchants, cultural and religious envoys, warriors, and politicians that were making their own journey from abroad to China. The theatrical dance-drama presents a historically inspired, re-imagined vision of both “home” and “abroad” to its audiences as they watch the young painter travel along the Silk Road, across the Gobi Desert, arriving at his own ideal, artistic “homeland”, the Dunhuang Mogao Caves. Since his journey is ultimately a spiritual one, the conceptualisation of travelling “abroad” could also be perceived as “a journey home.”Staged more than four hundred times since it premiered in Beijing in April 2000, Dunhuang, My Dreamland is one of the top ten titles in China’s National Stage Project and one of the most successful theatrical dance-dramas ever produced in China. With revenue of more than thirty million renminbi (RMB), it ranks as the most profitable theatrical dance-drama ever produced in China, with a preproduction cost of six million RMB. The production team receives financial support from China’s Ministry of Culture for its “distinctive ethnic features,” and its “aim to promote traditional Chinese culture,” according to Xu Rong, an official in the Cultural Industry Department of the Ministry. Labeled an outstanding dance-drama of the Chinese nation, it aims to present domestic and international audiences with a vision of China as a historically multifaceted and cosmopolitan nation that has been in close contact with the outside world through the ancient Silk Road. Its production company has been on tour in selected cities throughout China and in countries abroad, including Austria, Spain, and France, literarily making the young pilgrim painter’s “journey along the Silk Road” a new journey abroad, off stage and in reality.Dunhuang, My Dreamland was not the first, nor is it the last, staged performances that portrays the Chinese re-imagination of “journeying abroad” along the ancient Silk Road. It was created as one of many versions of Dunhuang bihua yuewu, a genre of music, dance, and dramatic performances created in the early twentieth century and based primarily on artifacts excavated from the Mogao Caves (Kuang). “The Mogao Caves are the greatest repository of early Chinese art,” states Mimi Gates, who works to increase public awareness of the UNESCO site and raise funds toward its conservation. “Located on the Chinese end of the Silk Road, it also is the place where many cultures of the world intersected with one another, so you have Greek and Roman, Persian and Middle Eastern, Indian and Chinese cultures, all interacting. Given the nature of our world today, it is all very relevant” (Pollack). As an expressive art form, this genre has been thriving since the late 1970s contributing to the global imagination of China’s “Silk Road journeys abroad” long before Dunhuang, My Dreamland achieved its domestic and international fame. For instance, in 2004, The Thousand-Handed and Thousand-Eyed Avalokiteśvara—one of the most representative (and well-known) Dunhuang bihua yuewu programs—was staged as a part of the cultural program during the Paralympic Games in Athens, Greece. This performance, as well as other Dunhuang bihua yuewu dance programs was the perfect embodiment of a foreign religion that arrived in China from abroad and became Sinicized (Kuang). Figure 4: Mural from Dunhuang Mogao Cave No. 45A Brief History of Staging the Silk Road JourneysThe staging of the Silk Road journeys abroad began in the late 1970s. Historically, the Silk Road signifies a multiethnic, cosmopolitan frontier, which underwent incessant conflicts between Chinese sovereigns and nomadic peoples (as well as between other groups), but was strongly imbued with the customs and institutions of central China (Duan, Mair, Shi, Sima). In the twentieth century, when China was no longer an empire, but had become what the early 20th-century reformer Liang Qichao (1873–1929) called “a nation among nations,” the long history of the Silk Road and the colourful, legendary journeys abroad became instrumental in the formation of a modern Chinese nation of unified diversity rooted in an ancient cosmopolitan past. The staged Silk Road theme dance-dramas thus participate in this formation of the Chinese imagination of “nation” and “abroad,” as they aestheticise Chinese history and geography. History and geography—aspects commonly considered constituents of a nation as well as our conceptualisations of “abroad”—are “invariably aestheticized to a certain degree” (Bakhtin 208). Diverse historical and cultural elements from along the Silk Road come together in this performance genre, which can be considered the most representative of various possible stagings of the history and culture of the Silk Road journeys.In 1979, the Chinese state officials in Gansu Province commissioned the benchmark dance-drama Rain of Flowers along the Silk Road, a spectacular theatrical dance-drama praising the pure and noble friendship which existed between the peoples of China and other countries in the Tang dynasty (618-907 C.E.). While its plot also revolves around the Dunhuang Caves and the life of a painter, staged at one of the most critical turning points in modern Chinese history, the work as a whole aims to present the state’s intention of re-establishing diplomatic ties with the outside world after the Cultural Revolution. Unlike Dunhuang, My Dreamland, it presents a nation’s journey abroad and home. To accomplish this goal, Rain of Flowers along the Silk Road introduces the fictional character Yunus, a wealthy Persian merchant who provides the audiences a vision of the historical figure of Peroz III, the last Sassanian prince, who after the Arab conquest of Iran in 651 C.E., found refuge in China. By incorporating scenes of ethnic and folk dances, the drama then stages the journey of painter Zhang’s daughter Yingniang to Persia (present-day Iran) and later, Yunus’s journey abroad to the Tang dynasty imperial court as the Persian Empire’s envoy.Rain of Flowers along the Silk Road, since its debut at Beijing’s Great Hall of the People on the first of October 1979 and shortly after at the Theatre La Scala in Milan, has been staged in more than twenty countries and districts, including France, Italy, Japan, Thailand, Russia, Latvia, Hong Kong, Macao, Taiwan, and recently, in 2013, at the Lincoln Center for the Performing Arts in New York.“The Road”: Staging the Journey TodayWithin the contemporary context of global interdependencies, performing arts have been used as strategic devices for social mobilisation and as a means to represent and perform modern national histories and foreign policies (Davis, Rees, Tian, Tuohy, Wong, David Y. H. Wu). The Silk Road has been chosen as the basis for these state-sponsored, extravagantly produced, and internationally staged contemporary dance programs. In 2008, the welcoming ceremony and artistic presentation at the Olympic Games in Beijing featured twenty apsara dancers and a Dunhuang bihua yuewu dancer with long ribbons, whose body was suspended in mid-air on a rectangular LED extension held by hundreds of performers; on the giant LED screen was a depiction of the ancient Silk Road.In March 2013, Chinese president Xi Jinping introduced the initiatives “Silk Road Economic Belt” and “21st Century Maritime Silk Road” during his journeys abroad in Kazakhstan and Indonesia. These initiatives are now referred to as “One Belt, One Road.” The State Council lists in details the policies and implementation plans for this initiative on its official web page, www.gov.cn. In April 2013, the China Institute in New York launched a yearlong celebration, starting with "Dunhuang: Buddhist Art and the Gateway of the Silk Road" with a re-creation of one of the caves and a selection of artifacts from the site. In March 2015, the National Development and Reform Commission (NDRC), China’s top economic planning agency, released a new action plan outlining key details of the “One Belt, One Road” initiative. Xi Jinping has made the program a centrepiece of both his foreign and domestic economic policies. One of the central economic strategies is to promote cultural industry that could enhance trades along the Silk Road.Encouraged by the “One Belt, One Road” policies, in March 2016, The Silk Princess premiered in Xi’an and was staged at the National Centre for the Performing Arts in Beijing the following July. While Dunhuang, My Dreamland and Rain of Flowers along the Silk Road were inspired by the Buddhist art found in Dunhuang, The Silk Princess, based on a story about a princess bringing silk and silkworm-breeding skills to the western regions of China in the Tang Dynasty (618-907) has a different historical origin. The princess's story was portrayed in a woodblock from the Tang Dynasty discovered by Sir Marc Aurel Stein, a British archaeologist during his expedition to Xinjiang (now Xinjiang Uygur autonomous region) in the early 19th century, and in a temple mural discovered during a 2002 Chinese-Japanese expedition in the Dandanwulike region. Figure 5: Poster of The Silk PrincessIn January 2016, the Shannxi Provincial Song and Dance Troupe staged The Silk Road, a new theatrical dance-drama. Unlike Dunhuang, My Dreamland, the newly staged dance-drama “centers around the ‘road’ and the deepening relationship merchants and travellers developed with it as they traveled along its course,” said Director Yang Wei during an interview with the author. According to her, the show uses seven archetypes—a traveler, a guard, a messenger, and so on—to present the stories that took place along this historic route. Unbounded by specific space or time, each of these archetypes embodies the foreign-travel experience of a different group of individuals, in a manner that may well be related to the social actors of globalised culture and of transnationalism today. Figure 6: Poster of The Silk RoadConclusionAs seen in Rain of Flowers along the Silk Road and Dunhuang, My Dreamland, staging the processes of Silk Road journeys has become a way of connecting the Chinese imagination of “home” with the Chinese imagination of “abroad.” Staging a nation’s heritage abroad on contemporary stages invites a new imagination of homeland, borders, and transnationalism. Once aestheticised through staged performances, such as that of the Dunhuang bihua yuewu, the historical and topological landscape of Dunhuang becomes a performed narrative, embodying the national heritage.The staging of Silk Road journeys continues, and is being developed into various forms, from theatrical dance-drama to digital exhibitions such as the Smithsonian’s Pure Land: Inside the Mogao Grottes at Dunhuang (Stromberg) and the Getty’s Cave Temples of Dunhuang: Buddhist Art on China's Silk Road (Sivak and Hood). 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