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Journal articles on the topic 'Sur dynasty'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

DeBlasi, Anthony. "Court and Region in Medieval China: The Case of Tang Bianzhou." T’oung Pao 102, no. 1-3 (2016): 74–120. http://dx.doi.org/10.1163/15685322-10213p04.

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Although Bianzhou (modern Kaifeng) is well known as the imperial capital of the Northern Song dynasty, its history prior to the tenth century reveals much about the political fortunes of the Tang dynasty, especially after the An Lushan rebellion. A careful analysis of the backgrounds of the Military Commissioners appointed to govern the region indicates that following an initial period of instability, the Tang court was able to maintain control over this strategically vital transportation hub late into the ninth century and to repeatedly appoint commissioners who had passed the civil-service e

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2

Tillier, Mathieu. "Prisons et autorités urbaines sous les Abbassides." Arabica 55, no. 3 (2008): 387–408. http://dx.doi.org/10.1163/157005808x347462.

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AbstractDeux catégories de prisons coexistaient à l'époque abbasside : celles des cadis et celles d'institutions politico-militaires. Mais cette distinction était largement théorique. L'étude de l'administration carcérale, de ses rapports aux autorités urbaines et de sa géographie montre que les prisons relevaient avant tout des gouverneurs et de la šurta : par leur empreinte sur le paysage urbain, les principales prisons iraqiennes manifestaient la puissance coercitive de la dynastie. Two kinds of prisons coexisted under the ‘Abbāsids: the qādī's prisons and those of some military as well as

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3

de Crespigny, Rafe, and Miranda Brown. "Adoption in Han China." Journal of the Economic and Social History of the Orient 52, no. 2 (2009): 229–66. http://dx.doi.org/10.1163/156852009x434346.

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AbstractWe investigate surviving legal statutes regarding inheritance and descriptions of adoption from the Han dynasty (206 BCE-220 CE), asking to what extent there was consensus among the literate elite about the rules for adoption. We argue that, in contrast to later periods, there is little evidence for the existence of any single set of classical prescriptions. Instead, the Han ruling elite had at their disposal a variety of legitimate strategies for deciding whether to and how to incorporate outsiders into the household. Such strategies involved different parties, contrasting principles,

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Zettler, Richard. "RECONSTRUCTING THE WORLD OF ANCIENT MESOPOTAMIA: DIVIDED BEGINNINGS AND HOLISTIC HISTORY." Journal of the Economic and Social History of the Orient 46, no. 1 (2003): 3–45. http://dx.doi.org/10.1163/156852003763504320.

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AbstractSince its inception in the nineteenth century, ancient Mesopotamian studies has recognized a division of labor between archaeologists and philologists/historians that has often skewed histories of the "land between the rivers." Recent efforts, inspired in part by the Sumerologist Thorkild Jacobsen, offer hope for more holistic histories. Three case studies—on the Inanna temple at Nippur under the Third Dynasty of Ur, abrupt climate change in the late third millennium and its social impact as reconstructed from environmental proxy data and textual sources, and the Sumerian Agriculture G

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Wing Sing, Lui. "Spiritual Colonisation: Society and Religious Cults in Central Hunan since the Song Dynasty." Cahiers d'Extrême-Asie 31, no. 1 (2022): 293–314. http://dx.doi.org/10.3406/asie.2022.1597.

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La mise au jour récente d’une multitude de sources primaires dans la région du centre du Hunan a considérablement enrichi les études sur le taoïsme local en Chine. La découverte la plus notable est celle de petites statues en bois dans lesquelles sont ingénieusement dissimulés des certificats de consécration. En tant que divinités communautaires et familiales, le « maître de famille » (jiazhu 家主) et le « maître du lieu » (dizhu 地主) sont représentés sous la forme de ces statues et disposés sur les autels domestiques. Membres du clan, les dizhu sont honorés d’une part en raison de leur pouvoir s

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Zou, Ying. "Talent, Identity, and Sociality in Early Qing Scholar-Beauty Novels." T’oung Pao 102, no. 1-3 (2016): 161–208. http://dx.doi.org/10.1163/15685322-10213p06.

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This article rereads early Qing scholar-beauty novels from the perspective of a new interest in self-fashioning and resocialization right after the dynastic transition. It analyzes the particular ways in which these works reflected on the late Ming notion of qing (feelings) and moved to a new sense of self through an emphasis on innate cai (talent), and suggests that they employed romance to express a sense of community and male sociality based on talent, thereby striking a complex balance between the autonomy of elite communities and their accommodation with the new regime. The talented woman

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Thaler, Peter. "Fall of the Peacemakers: Austria’s Protestant Nobility and the Advent of the Thirty Years’ War." Renaissance and Reformation 39, no. 3 (2017): 133–58. http://dx.doi.org/10.33137/rr.v39i3.27723.

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This article examines the prelude to the Thirty Years’ War in Austria. It places the country’s estate system in an international context and evaluates the implications of the religious schism for the relationship between monarchs and nobles. Thwarted in their efforts to enforce confessional orthodoxy in the Holy Roman Empire, the Habsburgs were determined to retain control of their patrimonial lands. The analysis reveals the careful strategy of Catholic restoration pursued by the dynasty as well as the increasing radicalization of Protestant opposition, and the consequential futility of the la

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Borrego, Gallardo Francisco L. "Remarques sur le dieu Béhédety dans l'Ancien Empire." Trabajos de Egiptología. Papers on Ancient Egypt 3 (June 5, 2004): 7–40. https://doi.org/10.5281/zenodo.10536897.

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Dans cet article sont réunies six notes à propos du dieu Béhédety dans l’Ancien Empire. Dans § I la première image du dieu est étudiée telle qu’elle apparaît la première fois sur les panneaux souterrains du complexe funéraire de Hor Nétjerykhet (Saqqara). On peut en déduire qu’il exerce à cette époque les fonctions d’une divinité du trône et de la souveraineté, particulièrement du royaume unifié. Dans § II une lecture différ

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Hinsch, Bret. "The Criticism of Powerful Women by Western Han Dynasty Portent Experts." Journal of the Economic and Social History of the Orient 49, no. 1 (2006): 96–121. http://dx.doi.org/10.1163/156852006776207251.

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AbstractWestern Han portent experts investigated unusual natural phenomena that they considered signs of Heaven's will. Beginning as a marginal method of historical analysis and cosmological theory, portent studies matured into a standard form of political discourse and critique. Landmark research on portents by influential scholars such as Dong Zhongshu, Jing Fang, and Liu Xiang provided sophisticated metaphysical justifications for excluding certain women from political life. This article discusses the development of Western Han portent studies to demonstrate how a new politicized ideology o

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Adams, Robert. "Shepherds at Umma in the Third Dynasty of Ur: Interlocutors with a World beyond the Scribal Field of Ordered Vision." Journal of the Economic and Social History of the Orient 49, no. 2 (2006): 133–69. http://dx.doi.org/10.1163/156852006777502090.

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AbstractThe Third Dynasty of Ur was a highly bureaucratized, late 3rd millennium B.C.E. empire centering in southern Mesopotamia. Its state superstructure, known almost exclusively from many tens of thousands of looted cuneiform tablets, has long been studied. However, these sources deal only indirectly or not at all with the impacts of imperial rule on the great mass of the subject population. Drawing upon an earlier prosopographic study of animal husbandry for the single province and city of Umma, this article focuses on shepherds, the lowest level of the administration, as a means of penetr

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Mumary Farto, Pablo Alberto. "Un recipiente especial para una bebida peculiar. Análisis de la vasija maya K955." Revista Trace, no. 75 (January 31, 2019): 188. http://dx.doi.org/10.22134/trace.75.2019.133.

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Resumen: Los vasos dinásticos forman parte de un material cerámico que destaca por su decoración y los contenidos informativos registrados en sus superficies. En el caso de los vasos de la dinastía Kaan, estos sobresalen porque en su narrativa jeroglífica aparecen listados de gobernantes cuyos orígenes parecen perderse en el tiempo; sin embargo, hay excepciones y, en algunos casos, la temática del objeto se complementa con referencias sobre el contenido, el uso y los propietarios en cuestión. En el presente trabajo se abordará, a través de un análisis epigráfico e iconográfico integral, el cas

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Goddio, Franck, Anne-Sophie von Bomhard, and Catherine Grataloup. "Thônis-Héracléion : Mémoire et Reflets de L’Histoire Saïte." Journal of Egyptian Archaeology 106, no. 1-2 (2020): 171–86. http://dx.doi.org/10.1177/0307513320974695.

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Thonis-Heracleion and Saïs, located close to each other geographically, have shared a common history over several centuries. Numerous bronze objects dating from the Twenty-Sixth Dynasty were brought to light in the northernmost waterway leading from the Canopic mouth east to west across Thonis-Heracleion. Among these artefacts are four bronze plaques engraved with the names of kings, one displaying an unknown Horus name in the frame of a serekh. Attempts to identify this king led to the establishment of a list of the rulers to whom this name might be attributed in view of the historical data a

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Yue, Teng. "Shi Jing culture of the song dynasty in China - song dynasty Ci in a musical context." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-4 (2020): 159–65. http://dx.doi.org/10.31166/voprosyistorii202010statyi99.

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The song dynasty (960-1279) in Chinese history is divided into two stages: the Northern and southern song, and includes a total of eighteen emperors who reigned for a total of three hundred and nineteen years. The song dynasty attached great importance to literature and despised force. The song dynasty era is an era of prosperity for China’s commodity economy, culture, education, science. The song dynasty’s “Ci” genre is a kind of musical literature. The full name of the genre is “song dynasty Ci”, abbreviated as “Ci”. The song dynasty Ci are an integral treasure of Chinese culture and are cul

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González Pons, Alberto. "HYEON, K. et al. Veritable Records of the Joseon Dynasty (조선왕조실록). Instituto Nacional de Historia de Corea." Revista de Humanidades Digitales 6 (26 листопада 2021): 293–96. http://dx.doi.org/10.5944/rhd.vol.6.2021.27208.

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Corea del Sur cuenta ya con una trayectoria larga en el campo de las Humanidades Digitales y, aunque las primeras iniciativas no se concebían como producción intelectual con proyección exterior, a principios del siglo XXI esto comienza a cambiar y surgen proyectos como el Veritable Records of the Joseon Dynasty (조선왕조실록). Se trata de un proyecto oficial gestionado por el Gobierno Surcoreano en el que se pone a disposición pública los más de 2000 libros que componen los Anales de la Dinastía Joseon, recogidos entre los siglos XV y XIX. Este proyecto representa un ejemplo claro de transversalidad

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De Weerdt, Hilde. "What Did Su Che See in the North? Publishing Regulations, State Security, and Political Culture in Song China." T'oung Pao 92, no. 4 (2006): 466–94. http://dx.doi.org/10.1163/156853206779361461.

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AbstractThis article investigates two kinds of publishing regulations issued during the Song Dynasty, those governing cross-border smuggling of written texts and those on texts relating to border affairs. It argues that the Song court's and Song officials' anxiety about the smuggling of state documents into the surrounding empires was foremost an expression of their concern over the circulation of state documents among literate elites inside Song territory. The analysis of cross-border smuggling focuses on alleged smuggling "to the north," i.e., to the empires bordering on the Song Empire's no

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Cosme, Pierre. "L’image d’Auguste sous le règne de ses successeurs." REVISTA DE HISTORIOGRAFÍA (RevHisto) 27 (November 27, 2017): 17. http://dx.doi.org/10.20318/revhisto.2017.3960.

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Résumé: Auguste s’etait occupé lui-meme de forger l’image qu’il entendait laisser à la posterite en laissant des instructions sur le déroulement de ses funérailles et le gouvernement de l’empire, mais aussi en rédigeant ses Res gestae. Jusqu’au règne de Neron, les empereurs Julio-Claudiens revendiquent leur parenté avec le fondateur du Principat, car le sang d’Auguste légitime leur pouvoir. À partir de l’avènement de Vespasien, c’est davantage par leur comportement que les princes peuvent se réclamer d’Auguste, surtout quand ils prétendent fonder une dynastie. Dans le regime tétrarchique, le s

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Herman, John. "The Kingdoms of Nanzhong China's Southwest Border Region Prior to the Eighth Century." T'oung Pao 95, no. 4 (2009): 241–86. http://dx.doi.org/10.1163/008254309x507052.

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AbstractThis article utilizes recent ethno-historical scholarship and archaeological discoveries in southwest China to examine the accuracy of the earliest Chinese historical sources dealing with the peoples and cultures in Nanzhong, the most common name for the southwest region (Yunnan, Guizhou, and southern Sichuan) prior to the Tang dynasty. Archaeology makes clear that Nanzhong was a settled border region with several highly sophisticated and divergent cultures. Early Chinese incursions into Nanzhong left an indelible mark on the peoples living there, but these brief and generally unsucces

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Wen, Xin. "The Road to Literary Culture: Revisiting the Jurchen Language Examination System." T’oung Pao 101, no. 1-3 (2015): 130–67. http://dx.doi.org/10.1163/15685322-10113p04.

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This essay contextualizes the unique institution of the Jurchen language examination system in the creation of a new literary culture in the Jin dynasty (1115–1234). Unlike the civil examinations in Chinese, which rested on a well-established classical canon, the Jurchen language examinations developed in close connection with the establishment of a Jurchen school system and the formation of a literary canon in the Jurchen language and scripts. In addition to being an official selection mechanism, the Jurchen examinations were more importantly part of a literary endeavor toward a cultural idea

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Wu, Huiyi. "Alien Voices under the Bean Arbor: How an Eighteenth-Century French Jesuit Translated Doupeng xianhua 豆棚閒話 as the “Dialogue of a Modern Atheist Chinese Philosopher”*". T’oung Pao 103, № 1-3 (2017): 155–205. http://dx.doi.org/10.1163/15685322-10313p04.

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This article examines an eighteenth-century French Jesuit’s translation of the final chapter of the early Qing collection of vernacular stories Doupeng xianhua 豆棚閒話 (Idle Talks under the Bean Arbor), which became a “philosophical dialogue” of a “modern atheist Chinese philosopher.” The trajectory of the text is examined by analyzing the layers of meaning superposed upon it by a succession of agencies: the original author Aina Jushi 艾衲居士, a Jiangnan literatus who philosophized on the fall of the Ming dynasty; Father François-Xavier Dentrecolles, the Jesuit missionary who translated the text wit

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Halperin, Mark. "Domesticity and the Dharma: Portraits of Buddhist Laywomen in Sung China." T'oung Pao 92, no. 1 (2006): 50–100. http://dx.doi.org/10.1163/156853206778553199.

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AbstractThis article examines how literati depicted pious Buddhist laywomen during the Sung dynasty. Drawing on hundreds of funeral inscriptions for elite women, it illustrates how scholar-officials presented Buddhist practice within the ideological framework of domesticity. Pious women are seen to constitute a different sort of female exempla, displaying assertive, even defiant characters. In their diverse forms of devotion (and anti-clericalism), women both reinforce elite ideals for wives and mothers and serve as female analogues to male exempla of heroic conduct. Cet article examine la faç

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Yuanzheng, Yang. "Jindou: A Musical Form Found in Southern Song Lyric Songs." T’oung Pao 101, no. 1-3 (2015): 98–129. http://dx.doi.org/10.1163/15685322-10113p03.

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By introducing a newly-discovered manuscript copy of the lyric song anthology of the poet-musician Jiang Kui (1155–1221), this article aims to elucidate a hitherto unnoticed musical form of the genre: the jindou form. A comparison between the manuscript and all the early modern editions reveals discrepancies in the stanzaic divisions of four of Jiang’s seventeen songs for which he provided notation. Through musical analysis it is argued that the opening line of the second stanza in all the early modern editions may have been intentionally placed at the end of the first in the newly-discovered

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Sembiring, Ruth Agnesia, and Mishbahul Khoiri. "The Relation of Elite, Sub-Elite, and Village Community in Maintaining the Masra Family Dynasty in Gapurana Village, Sumenep Regency: Study on the H. Andiwarto Regime in 2013-2019." Society 9, no. 2 (2021): 420–28. http://dx.doi.org/10.33019/society.v9i2.271.

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This research focuses on the relation of elite H. Andiwarto with sub-elite and village community in maintaining Masra family dynasty for village head position. Masra family dynasty has run for a long time. For 150 years, Masra family descendants occupy the village head position. The survival of Masra family dynasty in the Gapurana Village Government is studied in the relation of H. Andiwarto, who is Masra descendant with sub-elite and village community to maintain Masra family descendant dynasty as a village head. This research used a qualitative method with descriptive research type. The elit

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Khan, Sobia. "https://habibiaislamicus.com/index.php/hirj/article/view/256." Habibia Islamicus 6, no. 2 (2022): 41–50. http://dx.doi.org/10.47720/hi.2022.0601u04.

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The Suri dynasty ruled the subcontinent for a total of 15 years with the four rulers. But this government of the Suri dynasty did not last long as neither the successors of Sher Shah Suri (1540-1545) nor his Pathan emperors who preferred their personal interest over higher interests proved worthy. Sher Shah belonged to the Pathan tribe of "Sur" so he became known in history as Sher Shah Suri. After Sher Shah Suri only his son Islam (Saleem) Shah Suri (1545-1554) succeeded ruled for nine years. Sher Shah Soori established his strong government in a short span of five years. By the time of his d

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Herbots, Jacques. "Un aperçu du droit chinois des contrats." European Review of Private Law 18, Issue 5 (2010): 915–38. http://dx.doi.org/10.54648/erpl2010070.

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Abstract: This essay presents the current situation of Contract Law in the People’s Republic of China. First, it demonstrates why, before the end of the Qing Dynasty, no Chinese statute on contracts existed. It then sketches the introduction of a Civil Code in the Kuomintang period, as well as the situation in the first decades of the People’s Republic and the genesis of the Contract Act of 15 March 1999. This Act, in anticipation of a Civil Code, encompasses common Contract Law. It consists of two parts: the provisions on contractual obligations on the one hand and those on specific contracts

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Aymerich Goyanes, Guillermo. "Conectando energía sonora y visualidad." AUSART 4, no. 1 (2016): 129–41. http://dx.doi.org/10.1387/ausart.16690.

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Conexión pintura y música construyendo una serie de cuadros sonoros, implicando literatura, performance, danza y robótica en clave transdisciplinar e inmersa en un contexto pseudo-metropolitano. Partiendo del poema Bā yīn “Ocho sonidos” contenido en la joya literaria Sanzijing, “El Libro de los Tres Caracteres” (Dinastía Song del Sur), que encarna el ideal neo-Confucionismo aunando educación, moral y filosofía. Cualquier aspecto en la cultura china no es un fenómeno aislado, sino parte contextual referida a aspectos vitales: emergen peculiares sistemas cosmogónicos. Experiencias visuales y son

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Borrego, Gallardo Francisco L. "L'image d'Amon à la Chapelle Blanche." Trabajos de Egiptología. Papers on ancient Egypt 2 (June 5, 2003): 57–82. https://doi.org/10.5281/zenodo.10536835.

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Malgré la publication de la Chapelle Blanche de Senouseret Ier qui remonte à environ cinquante ans, l'image d'Amon reflétée dans celle-ci n'a jamais fait l'objet d'une étude détaillée, conformément à sa complexité. La meilleure approche pour la comprendre c'est la sémiologie, en analysant chaque figure d'Amon comme s'il s'agissait d'un syntagme nominal. Ainsi, nous distinguons sept types iconographiques du dieu dans ce monument, que nous décomposons dans leurs différents éléments ou attribu

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Hu, Benxiong, and Wei Cao. "Zhou Dunyi’s ideological system of Neo-Confucian edification in Song Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 2-2 (2023): 198–201. http://dx.doi.org/10.31166/voprosyistorii202302statyi35.

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The Neo-Confucianism initiated by Zhou Dunyi influenced the development of thought in China for hundreds of years. In thousands of words of philosophical works, Zhou Dunyi constructed a complete ideological system of edification. The integrity of this system is manifested in the fact that he explored the premise of edification, framed its contents, provided the way of edification, and even presupposed its effect.

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Le Goff, Hervé. "Une singulière dynastie d’organistes bretons : les Courtin." Annales de Bretagne et des pays de l'Ouest 131-2 (2024): 149–74. http://dx.doi.org/10.4000/11rcb.

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Parmi les nombreuses dynasties qu’offre l’histoire de la musique, celle des Courtin, organistes bretons, est tout à fait remarquable par le nombre de ses membres connus, par sa longévité comme par l’amplitude géographique de sa diaspora. L’établir donne l’occasion de s’interroger sur la formation permettant d’accéder à cette profession particulière et sur les conditions sociales, matérielles et financières de son exercice. Au-delà, il s’agit de poursuivre la découverte de la condition largement méconnue de musicien d’Église et de lever quelques préjugés qui gênent encore l’histoire de l’art mu

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Ahn, Soyoon. "A Study on assignment of the five elements of Wuxingdayi(五行大義): Focusing on the five flavors, five colors and five tones". Barun Academy of History 16 (30 вересня 2023): 135–71. http://dx.doi.org/10.55793/jkhc.2023.16.135.

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Wuxingdayi(五行大義), written by So-gil of Su-Dynasty, is a book that collects and describes the records related to the five elements that remained until that time, everything, from the five intestines of the human body to insects, was assigned to the five elements, and it was intended to be widely used in various fields. In the text, the five flavors, five colors, and five tones that appear in common in various literature among the primitive classes of five elements are considered, focusing on 『Wuxingdayi(五行大義)』, also looked at the assignment of the five elements that appeared in 『Gwanja』, Jin Dy

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Alisher, А. VAKHIDOV. "Chinese Written Sources about the Relations of the Central Asia's People and China in Vi-X Cent." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 05, no. 08 (2022): 2062–70. https://doi.org/10.5281/zenodo.6979752.

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The article examines information about the relations between the peoples of Central Asia and China in the VII-X centuries on Chinese written sources. The works of the Sui Dynasty, Tang Dynasty and the Wu-dai era are mainly taken, but in addition to them, information from other chronicles that were created later is also given. When working on the article, was used the chronological method of compiling a list of sources. It is also possible to change the order in cases where the sources of the type of information complement each other. Each essay begins with the title and its translation from th

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Ying, Chen. "Study on the changes of pen and ink in Song Dynasty landscape painting." OOO "Zhurnal "Voprosy Istorii" 2023, no. 11-1 (2023): 194–203. http://dx.doi.org/10.31166/voprosyistorii202310statyi66.

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As the peak of the development of Chinese landscape painting, the Song Dynasty not only had its own innovation in brush and ink techniques, but also had a profound impact on the inheritance of subsequent generations. Under the influence of different social development and economic condition artists of the Northern Song (960-1127) and Southern Song (1127-1279) used various brush and ink techniques, the study of which allows to expand the understanding of the processes of evolution of landscape painting in China as a whole.

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Robert, Philippe de. "L’avenir d’un oracle. Citations et relectures bibliques de 2 Samuel 7." Études théologiques et religieuses 73, no. 4 (1998): 483–90. http://dx.doi.org/10.3406/ether.1998.3525.

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Dans le cadre d'une réflexion collective sur les citations bibliques, Philippe de Robert examine les reprises de l’oracle de Nathan sur le Temple et la dynastie davidique, dans la littérature historique, lyrique et prophétique de l’Ancien Testament, à Qumrân et dans le Nouveau Testament. Les divers aspects de la réception de ce texte révèlent sa fécondité et son rôle particulier dans l’articulation des deux testaments.

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Xiao, Lin. "Une révision de l’hypothèse de l’altaïcisation du mandarin du nord avec des données du pékinois du xiie siècle au début du xxe siècle." Lalies 41 (2023): 237–51. http://dx.doi.org/10.4000/12330.

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Cet article propose une révision de l’hypothèse de Mantarō Hashimoto sur l’altaïcisation du chinois du Nord avec des données diachroniques sur les contacts qui ont été intenses dans la capitale (Pékin) du xiie siècle au xxe siècle. La langue vernaculaire des Yuan (1279-1368), dynastie mongole, est d’abord particulièrement étudiée, et on cherche à expliquer pourquoi les structures syntaxiques altaïques qu’elle révèle ont ensuite disparu sous les Ming (1368-1644). On analyse ensuite principalement le phénomène de code-switching entre le mandchou et le chinois sous la dynastie mandchoue des Qing

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Harding, Nick. "Sir Robert Walpole and Hanover*." Historical Research 76, no. 192 (2003): 164–88. http://dx.doi.org/10.1111/1468-2281.00171.

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Abstract Historical commonplace notwithstanding, Sir Robert Walpole was not instinctively hostile to Hanover. On the contrary, he consistently argued that Britain's dynastic union with the Electorate should hurt neither country. Walpole and his surrogates formulated this policy to reconcile his early misgivings about Hanoverian influence during the Northern War with his later support for Hanover when endangered by British policy after 1725. Hanover's exposure to Britain's enemies and the accession of George II, whose German sentiments were initially less pronounced than his father's, temporari

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Чувилькина, Ю. В. "The Contribution of the Volkov Artistic Dynasty in the Development of the Culture of the Uzbek SSR (1920s–1990s)." Nasledie Vekov, no. 1(29) (March 31, 2022): 76–86. http://dx.doi.org/10.36343/sb.2022.29.1.007.

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Проанализированы основные аспекты деятельности представителей художественной династии Волковых, оказавшей непосредственное влияние на становление и развитие культуры Узбекской ССР. Материалами явились произведения живописи, аудиозаписи воспоминаний, результаты изысканий искусствоведов и историков культуры. Отражена фактография деятельности местных художественных объединений, установлена роль А. Н. Волкова в их создании и развитии. Исследованы усилия А. Н. Волкова, направленные на формирование в Узбекистане собственной художественной интеллигенции. Раскрыта творческая и организаторская деятельн

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Petrović, Marko D., Ana Paprenica Petrović, and Stefan Denda. "Religious and Cultural Heritage in Boka Kotorska: The Case of Banja Monastery and its Surroundings." Serbian Studies: Journal of the North American Society for Serbian Studies 34, no. 1-2 (2023): 1–32. https://doi.org/10.1353/ser.2023.a952178.

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Abstract: Banja monastery in Risan (Montenegro) is one of the most vital structures of the Serbian Orthodox Church outside the homeland. It is a valuable example of religious, cultural, and artistic features of national tradition and historical development in the Middle Ages. Established in the 12th century, during the period of the Nemanjići dynasty, the monastery throughout its stormy past played a signiicant role in preserving the spirituality and cultural heritage of the Serbs in the Bay of Boka Kotorska—an area in the Balkans strongly impacted by the Roman Catholic Church from the west an

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ΛΑΜΠΑΚΗΣ, Στέλιος. "Μακεδονικὴ δυναστεία καὶ Μεγαλοκομνηνοί. Σχόλια σχετικὰ μὲ τὰ ἱστορικὰ στοιχεῖα στὰ «Θαύματα τοῦ Ἁγίου Εὐγενίου» τοῦ Ἰωάννη-Ἰωσὴφ Λαζαρόπουλου". BYZANTINA SYMMEIKTA 8 (29 вересня 1989): 319. http://dx.doi.org/10.12681/byzsym.729.

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<p> </p><p>S. Lampakis</p><p>La Dynastie Macédonienne et les Grands Comnènes de Trébizonde. Éléments historiques dans les «Miracles de St. Eugène» par Jean-Joseph Lazaropoulos </p><p>La Relation des Miracles de St. Eugène, écrite par Jean-Joseph Lazaropoulos, évêque de Trébizonde (1364-68), comprend un grand nombre d'éléments historiques sur les empereurs de la dynastie Macédonienne - surtout sur Basile II et les premières années difficiles de son règne, quand il devait faire face à plusieurs attentats d'usurpation. Comme il est démontré dans cette étu

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Zhang, Chi. "Une histoire toujours présente : trente ans de recherches chinoises sur la Révolution française." Annales historiques de la Révolution française 408, no. 2 (2022): 157–77. https://doi.org/10.3917/ahrf.408.0157.

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Bien que la culture politique née de la Révolution française ait influencé l’histoire chinoise depuis la fin de la dynastie Qing, ce n’est qu’après 1979 que les études sur l’histoire de France et de la Révolution prirent leur essor. Au cours des trois dernières décennies (1989-2019), la montée du néo-conservatisme en Chine continentale a eu un impact direct sur la recherche, non seulement en réduisant l’enthousiasme des spécialistes pour la Révolution, mais aussi en changeant leurs priorités. Cette évolution reflète la pensée des intellectuels de cette période sur les problèmes rencontrés pend

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Vandersleyen, Claude. "Nouvelles lumières sur la nécropole de la 17e dynastie à Dra Aboul Naga, sur la rive gauche de Thèbes." Chronique d'Egypte 85, no. 169-170 (2010): 108–25. http://dx.doi.org/10.1484/j.cde.1.102025.

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Wei, Zheng. "Geographical features and the history of transformation of the private gardens in Southern Wuxing during the Southern Song Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 7-1 (2023): 136–43. http://dx.doi.org/10.31166/voprosyistorii202307statyi31.

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During the Southern Song dynasty, Wuxing was part of the capital district due to its proximity to Lin’an, the imperial capital of the time. Mountains to the south of Wuxing and the nearby Taihu Lake played their part in the development of the art of garden design which is studied in this paper. Cross-analysis and deduction are used in order to define both the geographical features of the region and their importance for the art of garden design, to describe the geographical distribution of private gardens and to study the history of transformation of the ”Southern Garden”.

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Zou, Xiangping. "The value and historical meaning of freehand brushwork in figure painting of the Song Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-1 (2023): 154–63. http://dx.doi.org/10.31166/voprosyistorii202303statyi25.

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As the pinnacle of the development and evolution of Chinese classical painting art, the painting art of the two Song dynasties is famous for its high technical skills, detailed subjects. This paper analyzes the artistic value and historical meaning of Yi Yi figurepaintingfrom the background study and style analysis of Yi Yipaintings in the two Song dynasties, combining two works, “Painting of Immortals with Ink” and “Tai Bai Xing Yin”.

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Djamouri, Redouane. "Particules de négation dans les inscriptions sur bronze de la dynastie des Zhou." Cahiers de linguistique - Asie orientale 20, no. 1 (1991): 5–76. http://dx.doi.org/10.3406/clao.1991.1337.

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Djamouri, Redouane. "PARTICULES DE NEGATION DANS LES INSCRIPTIONS SUR BRONZE DE LA DYNASTIE DES ZHOU." Cahiers de Linguistique Asie Orientale 20, no. 1 (1991): 5–76. http://dx.doi.org/10.1163/19606028-90000453.

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This article is devoted to a semantico-syntactic analysis of the use of seven markers of negation in Early Archaic Chinese, especially in the Zhou bronze inscriptions. The negative BU 不 which is used with intransitive verbal predicates or with adjectives, establishes a descriptive relationship between the subject and the predicate in its clause; it only shows a simple descriptive intention and takes an integral part in the presupposition. The negative marker FU 弗 is fully adverbial and is used, essentially, with transitive verbs. The marker FEI 非, establishes an attributive, descriptive relati

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Zufferey, Nicolas. "Trois poèmes chinois de la dynastie Tang sur le thème de la pluie." Po&sie 191-192, no. 1-2 (2025): 75–77. https://doi.org/10.3917/poesi.191.0075.

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Brisset, Annie, and Nazila Khalkhali. "Quand l’altérité revient au même : la Perse antique et ses traductions dans l’Iran moderne." Recherches sémiotiques 29, no. 2-3 (2013): 59–80. http://dx.doi.org/10.7202/1014249ar.

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En Iran, les publications sur la Perse antique, en particulier sur la dynastie achéménide, se multiplient après la révolution islamique (1979). La connaissance de ce passé occulté depuis le VIIe siècle par l’islamisation est tributaire des travaux orientalistes européens, car ceux-ci ont fourni la clé des inscriptions royales encryptées dans des langues disparues. Retraduire ce savoir en persan moderne est une condition du retour aux origines préislamiques de l’identité iranienne, mais cette réappropriation est investie d’une fonction politique. Les deux tiers des publications sur les Achéméni

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Tallet, Pierre. "Qahedjet = Snéfrou !" Bulletin de l'Institut français d'archéologie orientale 124 (2024): 429–39. http://dx.doi.org/10.4000/129n9.

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La fouille du port pharaonique du Ouadi el-Jarf a permis la mise au jour d’une série d’ancres de bateaux inscrites au nom de Qahedjet « Celui qui élève la Couronne blanche ». La présence de cette épithète royale dans des niveaux archéologiques datés du début de la IVe dynastie démontre que cette formule était bien utilisée à cette période de l’histoire égyptienne. Cette découverte est l’occasion de revenir sur l’attribution de la stèle E 25982 conservée au Louvre, qui fait apparaître un roi portant le nom d’Horus de Qahedjet embrassé par le dieu Horus, et qui avait été datée du dernier règne d

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Kreissler, Félix. "Vienne 1900 - Réalité et mythe." Austriaca 50, no. 1 (2000): 13–26. http://dx.doi.org/10.3406/austr.2000.4302.

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Véritable avant-propos au thème du présent numéro, l'article donne un aperçu succinct sur les prodromes et les prolongements de ce que fut Vienne au tournant du siècle passé. Partant du krach boursier de 1873, la question sociale prend de l'importance et débouche sur de nouveaux mouvements socio-politiques où l'antisémitisme occupe une place de plus en plus prépondérante. Les années 1900 voient aussi le déclin de la dynastie des Habsbourg, marqué par l'assassinat de l'archiduc François-Ferdinand à Sarajevo. Tout cela au milieu d'une explosion culturelle portant en elle les prolégomènes d'une n

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Nielsen, Nicky. "The Late Period Stela of the God’s Father Horenpe from the Manchester Museum." Journal of Egyptian Archaeology 104, no. 2 (2018): 237–43. http://dx.doi.org/10.1177/0307513319869195.

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This article presents a stela belonging to the God’s Father Horenpe (acc. no. 6041), which was donated to the Manchester Museum by its founder and primary benefactor Sir Jesse Haworth and partly published by Amelia Edwards in 1888. The article investigates the stela’s provenance and dates it on stylistic grounds to the Twenty-sixth Dynasty. Evidence is also presented which suggests that the stela may have originated from Abydos where a near-identical stela also belonging to a man similarly named Horenpe was uncovered by John Garstang in 1907.

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Hutchison, Iain. "Dynasty of Engineers: The Stevensons and the Bell Rock. By Roland Paxton. Pp. xvi, 120. ISBN 9780956720800 (hardback). Edinburgh: Northern Lighthouse Heritage Trust, 2011. £17.99." Scottish Historical Review 91, no. 2 (2012): 375–76. http://dx.doi.org/10.3366/shr.2012.0127.

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Kefei, Wang, and Shouyi Fan. "Translation in China: A Motivating Force." Meta 44, no. 1 (2002): 7–26. http://dx.doi.org/10.7202/004591ar.

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Résumé Au cours de ses 5000 ans d'histoire, la Chine a connu quatre différentes vagues d'activité traductionnelle. La première a commencé avec la traduction des classiques bouddhistes par des moines d'Inde et d'Asie centrale et par des moines chinois à l'aise tant avec ces doctrines qu'avec le sanscrit. La traduction des écrits bouddhiques s'étale sur plus de 1000 ans (à partir de la fin de la dynastie Han) et a laissé des traces indélébiles sur la religion, la philosophie et la vie sociale en Chine. La deuxième vague de traduction débute à la fin de la dynastie Ming (fin du xvie siècle) quand

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