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1

Kennedy, David M., ed. The Science and Culture of Surfing. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-80979-8.

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2

McGloin, Colleen. Surfing nation(s), surfing country(s): An examination of Australian surfing culture's connection to nation and indigenous surfing's conception of nation. VDM, Verlag Dr. Müller, 2008.

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3

Kampion, Drew. Stoked: A history of surf culture. General Pub. Group, 1997.

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4

Jennifer, Joseph, and Taplin Lisa 1969-, eds. Signs of life: Channel-surfing through '90s culture. Manic D Press, 1994.

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5

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica Press, 2008.

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6

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica Press, 2008.

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7

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica Press, 2008.

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8

Giroux, Henry A. Channel surfing: Race talk and the destruction of today's youth. Canadian Scholars' Press, 1997.

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9

Masoni, Alessandro. Storia del surf in Italia: Sport e cultura nei ricordi dei protagonisti. Phasar, 2013.

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10

Brown, David, 1968 Nov. 11-, ed. Surfing and social theory: Experience, embodiment, and narrative of the dream glide. Routledge, 2005.

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11

Surfing the Zeitgeist. Faber & Faber, Limited, 2014.

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12

Stranger, Mark. Surfing Life. Taylor & Francis Group, 2020.

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13

Surfing: vintage surfing graphics. Benedikt Taschen Deutschland GmbH & Co. KG, 2004.

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14

Surf Odyssey: The Culture of Wave Riding. Die Gestalten Verlag, 2016.

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15

Mussa, Paul, and Jim Heimann. Surfing: Vintage Surfing Graphics (Icons). Taschen, 2004.

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16

Booth, Douglas. Surfing. Edited by Robert Edelman and Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.21.

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In the grand narrative of surfing, the pastime diffused from Hawai’i in the early twentieth century and fifty years later from Australia and California; by the end of the century surfing had been codified into a sport and homongenized as a global culture. This chapter questions the grand narrative of surfing and raises historiographical questions about evidence, context, and social memory. It presents alternative evidence and interpretations and exposes a more complex, disordered, and chaotic surfing past. The chapter proceeds from the assumptions that narratives are not definitive reconstruct
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17

Channel Surfing. Palgrave Macmillan, 1999.

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18

Stecyk, Craig. Surf Culture: The Art History of Surfing. Gingko Press, 2002.

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19

San Jose Museum of Art (Corporate Author), Bolton T. Colburn (Editor), Ben Finney (Editor), et al., eds. Surf Culture: The Art History of Surfing. Not Avail, 2002.

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20

undifferentiated, David Carson, and Craig Stecyk. Surf Culture: The Art History of Surfing. Gingko Press, 2002.

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21

Booth, Douglas G. Surfing. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798216021650.

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This guide showcases the world of extreme surfing, describing the unique culture associated with this daredevil’s sport, providing insights into what makes the top riders tick, explaining the science of big waves, and more. “The Pipeline” in O’ahu, Hawaii. “Maverick’s Point” in northern California. “Ours” near Sydney, Australia. All over the world, extreme surfers risk severe injury or even death from riptides, shark attacks, and collisions with the seabed itself, just to experience the ultimate high from tackling—and triumphing over—one of the most powerful forces on earth. Surfing: The Ultim
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22

Kampion, Drew. Stoked: A History of Surf Culture. Stoddart, 1997.

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23

Joseph, Jennifer. Signs of Life: Channel-Surfing Through '90s Culture. Manic D Press, 1994.

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24

Brennan, Daniel. Surfing and the Philosophy of Sport. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978727076.

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Surfing and the Philosophy of Sport uses the insights gained through an analysis of the sport of surfing to explore key questions and discourses within the philosophy of sport. As surfing has been practiced dynamically, since its beginnings as a traditional Polynesian pursuit to its current status as a counter-culture lifestyle and also a highly professionalized and commercialized sport that will be included in the Olympic Games, it presents a unique phenomenon from which to reconsider questions about the nature of sport and its role in a flourishing life and society. Daniel Brennan examines f
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25

Sociology of Hallyu Pop Culture: Surfing the Korean Wave. Springer International Publishing AG, 2021.

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26

Sociology of Hallyu Pop Culture: Surfing the Korean Wave. Springer International Publishing AG, 2022.

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27

Bengston, Billy Al, Domenic Priore, Brian Chidester, and Kathy Zuckerman. Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom. Santa Monica Press, 2014.

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28

Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom. Santa Monica Press, 2008.

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29

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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30

Sutherland, Mal. Surfing in the Sixties: The Culture, the Music and the Fashions. New Holland Publishers Pty, Limited, 2023.

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31

Puerto Ricos Surf Culture The Photography Of Steve Fitzpatrick. Schiffer Publishing, 2012.

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32

Surfing life: Surface, substructure and the commodification of the sublime. Ashgate Pub. Company, 2011.

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33

Stranger, Mark. Surfing Life: Surface, Substructure and the Commodification of the Sublime. Taylor & Francis Group, 2017.

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34

Stranger, Mark. Surfing Life: Surface, Substructure and the Commodification of the Sublime. Taylor & Francis Group, 2017.

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35

Surf craft: Design and the culture of board riding. MIT Press, 2014.

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36

O surfe nas ondas da mídia: Esporte, juventude e cultura. Apicuri, 2011.

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37

Giroux, Henry A. Channel Surfing: Race Talk and the Destruction of Today's Youth. Palgrave Macmillan, 1998.

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38

American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2012.

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39

American Surfer: Radical Culture and Capitalism. Routledge, 2010.

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40

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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41

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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42

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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43

The American surfer: Radical culture and capitalism. Routledge, 2010.

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44

Ice Cream Headaches: Surf Culture in New York and New Jersey. Damiani, 2018.

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45

Channel surfing: Race talk and the destruction of today's youth. Macmillan, 1997.

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46

Channel surfing: Race talk and the destruction of today's youth. St. Martin's Press, 1997.

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47

Clancy, Laurie. Culture and Customs of Australia. Greenwood, 2004. http://dx.doi.org/10.5040/9798400635199.

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Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society.Culture and Customs of Australiais the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented. Americans' generally superficial familiarity with the Australian continent stems mostly from recent films. Particular images stand out: the Outback, sheep shearing, surfing, the Sydney Opera House, Aborigi
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48

Kempton, Jim. Women on Waves: A Culture History of Surfing--From Ancient Goddesses and Hawaiian Queens to Malibu Movie Stars and Millennial Champions. Pegasus Books, 2021.

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49

Men Who Surf. Melbourne University Publishing, 2008.

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50

Kampion and Kate Brown. Historia de la Cultura del Surf. Taschen America, LLC, 2003.

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