Relevant bibliographies by topics / Surrealism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Surrealism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Surrealism"

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Ortiz, María Mercedes. "Alquímicamente surrealista: la pintura de Remedios Varo." La Manzana de la Discordia 6, no. 2 (2016): 85. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v6i2.1501.

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Resumen: En este ensayo, se exploran las posibilidadesde la escritura automática como un ejerciciode creatividad basado los planteamientos delsurrealismo, en especial de André Breton. La autoraexplica sus experiencias con este tipo de escritura,en las cuales comenzó contemplando cuadros de lapintora surrealista Remedios Varo, a modo de inspiración,indagando también sobre las relacionesentre la mujer y este tipo de creación.Palabras clave: surrealismo, pintura, RemediosVaro, mujerAlchemically Surrealist: Remedios Varo’s paintingAbstract: This essay explores the possibilities ofautomatic writing
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Walden, Lauren. "Le surréalisme et la Chine : terrain inconnu." Histoire de l'art 82, no. 1 (2018): 157–68. https://doi.org/10.3406/hista.2018.3787.

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In 1925, André Breton describes a dream of China in his ‘Lettre aux voyants.’ Although Bre-ton never travelled to Asia himself, surrealism proved influential among avant-garde circles in the French concession of cosmopolitan Shan-ghai. This article begin with a consideration of the early photographic work of Lang Jingshan. The first Chinese photographer to portray female nudes, Jingshan’s images closely resemble those of Man Ray, whom he later meets in Paris after World War II. Paris-based Chinese student Pang Xunqin, moreover, painted a surrealist-inspired pastiche called Suchlike Paris in 19
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Ungureanu, Delia. "Island Politics." Journal of World Literature 3, no. 3 (2018): 311–33. http://dx.doi.org/10.1163/24056480-00303006.

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Abstract In 1929, the father of surrealism André Breton and his friends published a “world map in the time of the surrealists,” which placed the Pacific in the center with a disappearing Europe and a nonexistent USA, and showing oversized islands from New Guinea to Ireland. During the 1930s, surrealist ideas and practices were creatively transformed beyond recognition by marginal writers who had emigrated to and/or excommunicated surrealists living in Paris. Looking beyond Casanova’s and Moretti’s centers and (semi)peripheries that organize the world system, I argue that by thinking instead of
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Konstantinou, Christina. "100 Years of Surrealist Imagination: Releasing the Bird from the Cage." International Journal of Surrealism 2, no. 1 (2024): 73–87. http://dx.doi.org/10.1353/ijs.2024.a943390.

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Abstract: This essay examines Surrealism’s relation to the precious concept of freedom by studying the surrealist conception of the imagination, in particular André Breton’s thoughts on imagination and poetry in the "Manifesto of Surrealism" (1924). In order to appreciate Breton’s influence across Europe, the essay shifts its focus onto Czech Surrealism, emphasizing the contradictions and similarities between Bretonian and Czech surrealist thinking through the inclusion of sources and excerpts by members of the Czechoslovak surrealist group—especially by Vratislav Effenberger—as well as fragme
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Winks, Christopher. "Snakecharmers and Nascent Oxygen: André Breton and the American Marvelous." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 4 (November 10, 2003): 85–98. http://dx.doi.org/10.22201/ffyl.poligrafias.2003.4.1630.

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As André Breton and his fellow surrealists never tired of affirming, the transformative surrealizing impulse long antedated the surrealist moment (hence the movement's interest in developing and reconfiguring a force-field of multiple traditions or anti-canons). To some degree, surrealism's truth lay outside the movement proper, and a fortiori outside individual creative works, which while they could approximate certain dreams, obsessions, or lived moments, were but intimations of a greater revelation. Surrealism can best be described in terms of its constant search, articulated from Breton's
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Kuçuku, Bora. "Surrealism, an Exalting Freedom: The Sexual and Erotic Dimension." European Journal of Social Science Education and Research 9, no. 1 (2022): 33. http://dx.doi.org/10.26417/120ixy78.

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This article aims at exploring the sexual factor, which sensitized and even scandalized the contemporaries of Surrealism. The tendency for a different kind of freedom put the Surrealist movement at the forefront of the changes that happened in the twentieth century. The Surrealists became aware that sexuality was becoming a source of huge scandals and debates and they thought of using it as an “attack” weapon. In the Second Surrealist Manifesto, Breton calls upon every Surrealist “to level at the breed of ‘moral duties’ the long-range weapon of sexual cynicism ».
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Lee, Jinhee, and Jaejoon Lee. "The Logic of the Uncanny: On the Role of Uncanny and Representation in Hal Foster's Analysis of Surrealism." Sookmyung Research Institute of Humanities 14 (June 30, 2023): 149–74. http://dx.doi.org/10.37123/th.2023.14.149.

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Hal Foster shares his basic stance with Rosalind Krauss in the analysis of Surrealism. He focus is internal criticism of Surrealists; the common writing style and Automatism agreed by Surrealist Manifesto are quite inappropriate for the expression of paintings. And he accommodates uncanny logic to solve this problem. Uncanny is an ontological panic associated with the accidental revealing of something fundamentally oppressed. The purpose of this discussion is to reappraise about the logic of the uncanny in Foster's Surrealism to supplement for the problem of representation that he could not an
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Miller, C. F. B. "Surrealism's Homophobia." October 173 (September 2020): 207–29. http://dx.doi.org/10.1162/octo_a_00408.

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The primary document of Surrealist homophobia is a transcript, published in 1928 in the magazine La Révolution surréaliste, entitled “Research on Sexuality/ Extent of Objectivity, Individual Determinations, Degree of Consciousness.” The text records the first two of twelve closed, mostly men-only meetings, held in Paris between 1928 and 1932 by members and fellow travelers of the Surrealist group, at which the participants, according to the collective ethos of Surrealist practice, discussed their sexual preferences, experiences, and beliefs. In the published sessions, the group's leader, André
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Leveque, James. "Surrealism and the ‘Fissured Subject’: Breton, Éluard, and Desnos." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 11 (December 12, 2010): 1–21. http://dx.doi.org/10.2218/forum.11.655.

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Although known as one of the most doctrinaire movements of the historical avant-garde – mostly due to Breton’s intense theorising and dominating personality – individual Surrealists approached the problem of the divided and decentred subject from substantially different angles. Surrealism began as a poetic movement around the circle of Breton, Soupault, Louis Aragon, Paul Éluard, Benjamin Péret, and Robert Desnos. By the end of the 1930s most had broken with Breton, if not the foundational tenets of the movement itself. This study examines collections of Surrealist poetry from the mid-1930s fr
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Sousa, Rui. "Mário Cesariny’s Perspective on Portuguese and International Surrealism: Dialogue and Distinction." Caietele Echinox 47 (December 1, 2024): 223–45. https://doi.org/10.24193/cechinox.2024.47.14.

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The present paper aims to offer an overview on the surrealist movement’s reception in Portugal, as well as the perspectives adopted by Portuguese surrealists from a peripheral position in the international panorama. In addition to approaching certain critical aspects characteristic to Surrealism in Portugal, the present paper also traces the path that leads from the marginalization and obscurity of the main authors and episodes of Portuguese Surrealism outside of national borders to the increasing international recognition of the Portuguese groups and main authors. This shift is largely attrib
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Dissertations / Theses on the topic "Surrealism"

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Parkinson, Gavin. "Physique du Surrealisme : Surrealism, Modern Physics, and Epistemology." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249524.

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Stent, Sabina Daniela. "Women Surrealists : sexuality, fetish, femininity and female Surrealism." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3718/.

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The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or
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Morrison, John J. "Pop surrealism." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1265089.

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The objective of this creative project was to see if Pop Surrealism appeals to a larger cross-section of culture and could be integrated into the fine arts. This study involved creating a series of drawings utilizing a wide range of optical and thematic devices to expand my visual vocabulary. The evidence suggests that the visual knowledge of our culture has expanded through mass media. In the 1800's, Stendhal Syndrome affected a cross-section of America. The illness was incurred by overexposure of visual stimuli resulting with the victim vomiting and passing out. The people's adaptation has l
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Donadio, Glenda Verônica. "Elementos poéticos e surrealistas em L'Écume des jours (1947), de Boris Vian /." Araraquara, 2019. http://hdl.handle.net/11449/182350.

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Orientador: Andressa Cristina de Oliveira<br>Banca: Adalberto Luís Vicente<br>Banca: Norma Wimmer<br>Resumo: Esta dissertação tem como objetivo o estudo da obra de Boris Vian, intitulada L'Écume des jours (1947), por meio da análise de seu caráter poético e do trabalho com a linguagem realizado pelo autor. Busca também demonstrar a herança surrealista presente na narrativa e visa apontar como esta ainda se filia ao surrealismo, mesmo tendo sido produzida anos após o auge do movimento. O embasamento teórico da pesquisa abrange uma contextualização teórica e histórica do período - pós-guerra, 19
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Papalas, Mary Laura. "Greek surrealism : from its roots in French surrealism to the poetry of Calas, Engonopoulos, and Embeirikos /." Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1135196688.

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Spittle, David Graham Parnel. "John Ashbery and surrealism." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3264.

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This thesis will demonstrate that an engagement with Surrealism alongside John Ashbery’s poetry can provide a mutually beneficial discussion through which to further understand both. Through its phenomenological attention, Ashbery’s poetry configures the everyday experience of his reality in a way that responds to, and invites, a surrealist perspective. The first chapter explores Joseph Cornell, collecting and the ‘found object’, with an emphasis on Ashbery’s first collection, Some Trees (1956). The second Chapter examines dreams and dreaming throughout Ashbery’s first four collections, ending
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Stone-Richards, M. "The conception of embodiment in French Surrealist art : with reference also to Czech Surrealism 1919-1939." Thesis, Courtauld Institute of Art (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361395.

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Baker, Simon Richard. "Surrealism and the French Revolution." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252062.

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Santos, Mateus de Araujo. "Quantum realism and quantum surrealism." Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/BUOS-8XVM55.

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In this thesis we explore the question: whats strange about quantum mechanics? This exploration is divided in two parts: in the first, we prove that there is in fact something strange about quantum mechanics, by showing that it is not possible to conciliate quantum theory with various different definitions of what should be a normal theory, that is, a theory that respects our classical intuition. In the second part, our objective is to describe precisely which parts of quantum mechanics are non-classical. For that, we define a classical theory as a noncontextual ontological theory, and the non
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Signori, Lisa F. "The feminization of surrealism : the road to surrealism silence in selected works of Marguerite Duras /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901282.

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Books on the topic "Surrealism"

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Silvano, Levy, ed. Surrealism: Surrealist visuality. Keele University Press, 1996.

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Silvano, Levy, ed. Surrealism: Surrealist visuality. Keele University Press, 1997.

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Silvano, Levy, ed. Surrealism: Surrealist visuality. New York University Press, 1997.

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Magrini, César. Vito Campanella: Surrealismo & metafísica = Surrealism & metaphysics. Ediciones Institucionales, 2005.

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Levy, Julien. Surrealism. Da Capo Press, 1995.

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Bradley, Fiona. Surrealism. Tate Gallery Pub., 1997.

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Marcovitz, Hal. Surrealism. Lucent Books, 2008.

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Claybourne, Anna. Surrealism. Heinemann Library, 2009.

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Claybourne, Anna. Surrealism. Heinemann Library, 2008.

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Eileen, Agar, and Crawshaw Gallery, eds. Surrealism. Crawshaw Gallery, 1988.

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Book chapters on the topic "Surrealism"

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Mical, Thomas. "Medievalism/ Surrealism." In Burn after Reading: Vol. 1, Miniature Manifestos for a Post/medieval Studies + Vol. 2, The Future We Want: A Collaboration. punctum books, 2014. https://doi.org/10.21983/p3.0067.1.19.

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This is a question concerning architecture. An immersion into the imaginary worlds, specifically the fusion of an imaginary world into the everyday real, was the great project of surrealism. The surrealist avant-garde sought to open up a supra-sensory milieu of impossible relations, including monstrous bodies, irrational hybrids, genre mutations, forbidden landscapes and gardens, and a whole range of partial co-located figures and gestures, half real and half other. Surrealism was the promise of a world of alterity and delight, capable of emerging or eru-pting at the slightest provocation, in
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Wade, Nicholas. "Surrealism." In Art and Illusionists. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25229-2_6.

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Lipinski, Lisa. "Surrealism." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_150-1.

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Lipinski, Lisa. "Surrealism." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_150.

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Cernuschi, Claude. "Surrealism." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-4.

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Caws, Mary Ann. "Surrealism." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch20.

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Cernuschi, Claude. "Surrealism." In Race, Anthropology, and Politics in the Work of Wifredo Lam. Routledge, 2019. http://dx.doi.org/10.4324/9781351187879-3.

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Nicholson, Melanie. "Surrealism Is Dead, ¡Viva el Surrealismo!" In Surrealism in Latin American Literature. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612_2.

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Highmore, Ben. "Itinerant Surrealism." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch11.

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Wilkes, James. "Seaside Surrealism." In A Fractured Landscape of Modernity. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137287083_4.

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Conference papers on the topic "Surrealism"

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Rojo de Castro, Luis. "METÁFORAS OBSESIVAS: marcas del surrealismo en la construcción del discurso de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.591.

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Resumen: El reciente interés académico en el Movimiento surrealista constituye una revisión de largo alcance, habiéndose ampliado el campo de análisis con evidente ambición multidisciplinar. Su estratégica relación con otras disciplinas, la impostación de sus derivas urbanas como prácticas sociales y etnográficas, la profundización en las técnicas de manipulación de la fotografía y la escritura, la naturalización de la fragmentación asociada al montaje y, finalmente, la revisión de la imprecisa naturaleza del objeto surrealista en sus distintas versiones (objet trouvé, objet à réaction poétiqu
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Xiong, Lu, and Kang Zhang. "Generation of Miro's Surrealism." In VINCI '16: The 9th International Symposium on Visual Information Communication and Interaction. ACM, 2016. http://dx.doi.org/10.1145/2968220.2968232.

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Lukebanova, I. A., and O. A. Zimina. "SURREALISM IN DESIGN AND ART." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2021. http://dx.doi.org/10.22250/iss.2021.8.

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Liang, Jianian, and Danlei Zou. "Aesthetic Embodiment of Surrealism in Modern Design." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.34.

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Raskar, Ramesh, Adrian Ilie, and Jingyi Yu. "Image fusion for context enhancement and video surrealism." In the 3rd international symposium. ACM Press, 2004. http://dx.doi.org/10.1145/987657.987671.

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Raskar, Ramesh, Adrian Ilie, and Jingyi Yu. "Image fusion for context enhancement and video surrealism." In ACM SIGGRAPH 2005 Courses. ACM Press, 2005. http://dx.doi.org/10.1145/1198555.1198564.

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Anderson, Ross James. "All of Paris, Darkly: Le Corbusier’s Beistegui Apartment, 1929-1931." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.928.

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Abstract: This paper, All of Paris, Darkly, presents a focused study of Le Corbusier’s enigmatic Beistegui Apartment (1929- 1931) on the Champs-Elysée in Paris, with particular reference to the curious camera obscura periscope that was housed in a small lozenge-shaped pavilion on its rooftop. There are manifold reasons for the charisma of the apartment; from the flamboyant eccentricities of the client and his exchanges with the architect, to the exceptional location of apartment in the centre of Paris, to the apparent repudiation of some of Le Corbusier’s more strident proclamations on archite
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Xie, Kaili, and Xiaoyu Huang. "The Decomposed Border— the Integrated Application of Surrealism in Independent Animation." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.040.

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Aji, Arif Dwi Kurnia, and Kasiyan. "Social Criticism in Muhklis Lugis’ Surrealism on His Work on Siri Culture." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.052.

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Erez, Noam. "Reply to Hiley and Callaghan on the Reality/Surrealism of the Bohm Trajectories." In QUANTUM THEORY: Reconsideration of Foundations - 3. AIP, 2006. http://dx.doi.org/10.1063/1.2158727.

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Reports on the topic "Surrealism"

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Sparks, Diane Carol, and Tyler James Klene. Surrealism with Floating Origami Rose: A Cocktail Ensemble. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-245.

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Bruegel, Martin, and David Galenson. Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism. National Bureau of Economic Research, 2001. http://dx.doi.org/10.3386/w8266.

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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impress
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Hopper, Darrel G. Reality and Surreality of 3-D Displays: Holodeck and Beyond. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada430163.

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Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005918.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
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