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Journal articles on the topic 'Surrealism and design'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Huo, Dan, and Fan Yang. "Application of Western Surrealistic in Design of Landscape Architecture." Applied Mechanics and Materials 226-228 (November 2012): 2394–97. http://dx.doi.org/10.4028/www.scientific.net/amm.226-228.2394.

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Surrealism was the twentieth century’s longest lasting art movement in the arts. It explored the mysterious dream world of the unconscious mind. Surrealist works depict a familiar yet alien world of dreamlike serenity and nightmarish fantasy, and their legacy pervades much of contemporary art, literature, film and popular culture. As a representation of irrational aesthetics in the modern art trends, it is worthwhile to study the influence and construction of Surrealism in modern landscape architecture. This paper explores the modern landscape form under the influence of Surrealism Art by anal

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Widiyanti, Dhyani. "Representation of the Female Body as a Substance of Contemporary Ornamentation in Metal Jewelry." Corak 13, no. 2 (2024): 143–54. https://doi.org/10.24821/corak.v13i2.13723.

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This study explores the role of surrealism in metal jewelry design as it pertains to the representation of the female body. The research focuses on the works of three contemporary metal jewelry artists from Etsy, examining how their creations utilize surrealism to express experiences of castration and fetishism, as theorized by Freud. It investigates the interplay between functionality and unconventional forms, highlighting how surrealism allows for a critique of traditional gender norms and a subversion of established visual conventions. By employing literature studies and visual analysis, th

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Di Domenico, Giorgio. "Private Shrines: Domestic Experiences of Surrealism in Three Italian Interiors from the Early 1970s." International Journal of Surrealism 1, no. 2 (2024): 45–64. http://dx.doi.org/10.1353/ijs.2024.a922367.

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Abstract: The COVID-19 pandemic has highlighted the importance of private spaces. As a result, the link between Surrealism and domesticity has gained new relevance. In this essay, Di Domenico explores the impact of surrealist artworks exhibited inside collectors' homes focusing on three case studies: three Italian rooms from the early 1970s featuring artworks by Man Ray and René Magritte. Photographs of these rooms were featured in popular art and interior design magazines such as Domus, Casa Vogue , and BolaffiArte . By analyzing how surrealist artworks functioned within the bathroom of the A

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Filipova, Marta. "Cosi tísnivého: Surrealismus a grafický design / Uncanny: Surrealism and Graphic Design." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 18, no. 1 (2011): 131–34. http://dx.doi.org/10.1086/659397.

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Yan, Ruixin. "The Influence of Surrealism on Contemporary Design." International Journal of Education and Humanities 13, no. 1 (2024): 116–19. http://dx.doi.org/10.54097/ybrqy687.

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With the continuous development of the art process, some artistic thoughts have left more and more profound marks in the art history. Surrealism focuses on the study of human subconsciousness, and uses anti-logic and anti-conventional irrational methods to create, which creates artistic creation ideas and broadens artists' design thinking. By analyzing the concept, characteristics and development process of surrealism, this paper aims to realize the anti-logic and unconsciousness of surrealism. At the same time, from the application research of surrealism in contemporary design, the influence

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Hwang, Yun-Ok, and Da-Hong Kim. "A Study on Nail Design Applying Dreams and Fantastic Characteristics in Surrealist Works: Focusing on Vladimir Kush." Journal of the Korean Society of Cosmetology 31, no. 1 (2025): 128–39. https://doi.org/10.52660/jksc.2025.31.1.128.

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This study aims to expand the scope of nail design materials that can satisfy the tendencies of various consumers and provide commercialized materials through nail art works that apply the dream and fantastic characteristics of surrealist works. The research methods of this paper are as follows. In order to theoretically examine the dream and fantastic characteristics of Vladimir Kush’s works among surrealist artists, we analyzed Sigmund Freud’s psychoanalysis theory that influenced surrealism, previous research on Vladimir Kush, and the contents of exhibitions. Through this, we created five w

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吕, 志雯. "The Application of Surrealism in Modern Fashion Design." Design 08, no. 02 (2023): 257–63. http://dx.doi.org/10.12677/design.2023.82036.

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Tang, Yujing, and Izzuddinazwan Bin Misri. "Exploring surrealist approaches in digital media art for enhancing graphic and visual communication design." Journal of Humanities,Music and Dance, no. 51 (March 22, 2025): 1–14. https://doi.org/10.55529/jhmd.51.1.14.

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Digital media art development owes its advancement to Surrealist techniques which have improved the fields of graphic and visual communication design. This research evaluates how surrealist approaches such as combining unrelated elements alongside dream-based imagery and symbolic meanings, distortions and automatic artistic processes and transformations affect both viewer involvement and storytelling and fresh aesthetic designs in modern digital systems. The conceptual content analysis approach enabled researchers to recognize main surrealist elements that affect both perceptual processes and

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Chang, Min-Jung. "Research on Characteristics of Surrealism and Korean Costume Design Reflecting Surrealism." Journal of Korean Traditional Costume 20, no. 3 (2017): 69–83. http://dx.doi.org/10.16885/jktc.2017.9.20.3.69.

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Muhammad Shaker, Ban. "EMPLOYING SURREALISM IN INDUSTRIAL PRODUCT DESIGN." Route Educational and Social Science Journal 8, no. 62 (2021): 234–54. http://dx.doi.org/10.17121/ressjournal.2998.

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11

Evans, Caroline. "Exhibition Review: Surreal Things: Surrealism and Design." Fashion Theory 12, no. 2 (2008): 237–44. http://dx.doi.org/10.2752/175174108x3000067.

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Miller, Sanda. "Exhibition Review: Surreal Things: Surrealism and Design." Fashion Theory 12, no. 2 (2008): 245–51. http://dx.doi.org/10.2752/175174108x300120.

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13

Singh, G. "Vivid surrealism [About the Cover]." IEEE Computer Graphics and Applications 23, no. 3 (2003): 4–5. http://dx.doi.org/10.1109/mcg.2003.1198255.

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Maurer Queipo, Isabel. "Salvador Dalí – un fenómeno cultural y mediático." Zeitschrift für Katalanistik 21 (July 1, 2008): 151–66. http://dx.doi.org/10.46586/zfk.2008.151-166.

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Summary: Salvador Dalí is most famous as a painter. He is less known for his role as universal artist, for his illustrations, his screenplays, his sceneries, his works in the areas of fashion, design and advertising. Dalí was also an author who commented and analysed in his numerous texts his own artistic products like his paintings, his sculptures, his public entrances and productions. La metamorfósis de Narciso (1937) and the poem of the same title may function as paradigmatic examples in this respect. The texts are less considered and rest rather unknown for the common audience. As one of t

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Carey, Jean Marie. "Carnal Metamorphosis in <i>Hannibal</i> (2013-2015)." Otago German Studies 32 (March 5, 2025): 266–85. https://doi.org/10.11157/ogs-vol32id494.

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This paper explores the integration of German surrealist motifs within the visual and thematic design of the TV series Hannibal (2013–2015). Through detailed visual analysis, it examines how animal figures such as the raven-stag and Wendigo serve as metaphors for identity and transformation, aligning with the works of Max Ernst, Hans Bellmer, and Meret Oppenheim. The paper contends that Hannibal not only inherits surrealism's fascination with the unconscious but also reinvents it within contemporary media, embodying Freud's psychoanalytic principles and André Breton’s ideology. Employing Germa

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Xu, Mingxing. "The Development of the Use of Acidic Design in Poster Design." BCP Social Sciences & Humanities 22 (August 2, 2023): 111–28. http://dx.doi.org/10.54691/bcpssh.v22i.5348.

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As a precursor to acid design, the "Baby Boomers" of the post-World War II era questioned America's materialistic, conservative cultural and political norms, and psychedelic music festivals and concerts became the most prominent feature of this period, influencing to some extent the design of band posters and album covers, as well as influenced psychedelic visual design. Therefore, the characteristics of psychedelic visual design are closely related to the Art Nouveau movement, Vienna Secession, Surrealism and Pop Art, and psychedelic visual design also has implications for the development of

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윤경희, 김정실, and 오순. "A Study on Fashion Design Applied by Surrealism Works." Journal of Korea Design Forum ll, no. 48 (2015): 367–76. http://dx.doi.org/10.21326/ksdt.2015..48.033.

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Kertakova, Marija. "The influence of ideas of surrealism in fashion design." Tekstilna industrija 67, no. 4 (2019): 36–51. http://dx.doi.org/10.5937/tekstind1904036k.

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Bilgi, Irem. "Lowbrow Art Movement as a Subculture Art and its Effects on Visual Design." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 232–39. http://dx.doi.org/10.18844/prosoc.v4i11.2879.

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Beginning in Los Angeles, California, in the 1970s, and also known as pop surrealism, the Lowbrow art movement was born as a part of punk music, comic books, street and skateboard cultures and is seen in all fields of art. This study is the reflection of the Lowbrow art movement on visual design fields such as illustration graphic design and typography, animation and designer toys. Lowbrow artists were difficult to be adopted in the arts and design fields in the first years of the movement, because they did not have a diploma in fine arts and came from the street culture. But in recent years,

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Yun, Min Hie. "Characteristics and Semantics of Graphic Design in Dada and Surrealism Style." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 28, no. 2 (2022): 233–44. http://dx.doi.org/10.18208/ksdc.2022.28.2.233.

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서민원. "A Proposal on Furniture Design Planning Through Minimalism and Surrealism Techniques." Journal of Korea Design Knowledge ll, no. 18 (2011): 94–101. http://dx.doi.org/10.17246/jkdk.2011..18.010.

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Šlaisová, Eva. "Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara." Theatralia, no. 1 (2022): 109–36. http://dx.doi.org/10.5817/ty2022-1-7.

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Ahmed, Nermin. "Creative Thinking as an approach to Design innovative Units associated with Surrealism Art." International Design Journal 11, no. 6 (2021): 189–98. http://dx.doi.org/10.21608/idj.2021.205040.

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Ikhsan, Al, Asril Asril, and Dharsono Dharsono. "MENGAGAH HARIMAU: SENI TARI RITUAL BUDAYA MASYARAKAT PULAU TENGAH KABUPATEN KERINCI SEBAGAI IDE PENCIPTAAN SENI LUKIS SUREALIS." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 362. http://dx.doi.org/10.24114/gr.v10i2.27477.

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The creator of this artwork is entitled "Against the Tiger: Cultural Rituals of the Central Island Community of Kerinci Regency as the Creation of Surrealism Painting". This work is motivated by the Pengagah Harimau dance which is created from the movement of the tiger silat which is converted into a dance with the same movements as the tiger's. After observing the ritual of the Pengagah Harimau dance, the artist became interested in creating a surrealist painting with the idea of the ritual of the Pengagah Harimau dance. The design of the creation of the Pengagah Harimau dance is expressed in

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Shin, Jung Hei, and Hyung Kyu Lee. "Study on the Characteristics of Jewelry Design Based on the Surrealism of Salvador Dali." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 25, no. 2 (2019): 349–59. http://dx.doi.org/10.18208/ksdc.2019.25.2.349.

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Eom, Kyoung Hee, and Yue Ma. "A Study on the Development of Surface Pattern Design Using Shape Surrealism Expression Techniques." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 28, no. 1 (2022): 279–91. http://dx.doi.org/10.18208/ksdc.2022.28.1.279.

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Wang, Lijun, and Xiao Dou. "Stylized Tendency of Scene Design in Digital Games—Take Gothic and Surrealism for Example." Art and Design Review 03, no. 02 (2015): 13–17. http://dx.doi.org/10.4236/adr.2015.32003.

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王, 丽君. "Stylized Tendency of Scene Design in Digital Games—Take Gothic and Surrealism for Examples." Art Research Letters 04, no. 01 (2015): 1–6. http://dx.doi.org/10.12677/arl.2015.41001.

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29

Đurov, Milica. "The valet's Broom: Visual concepts." Kultura, no. 182-183 (2024): 27–47. https://doi.org/10.5937/kultura2483027d.

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The Valet's Broom", by composer Miloje Milojević and librettist Marko Ristić, is considered to be the first surrealist ballet created in Serbia, and it testifies of an early avant-garde achievements of the Serbian art scene. The premiere of this "ballet-grotesque in one act" took place on February 16, 1923, as part of the ball The Tho usand and Second Night at the Kasina Hotel in Belgrade - choreographed by Klavdija Isachenko and Jelena Polyakova, in set and costume designs by Alexander Deroko. Although this production did not leave behind enough material traces of visual aspects of the play,

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Nor Aiman Sukindar, Alya Darwisyah Haji Hajizul, Nur Ain Jazrina Hj Mohamad Yakop, and Muhammad Hamizan Zaini. "Functional Sculpture: Pinball Machine." Semarak International Journal of Creative Art and Design 1, no. 1 (2024): 59–71. https://doi.org/10.37934/sijcad.1.1.5971.

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Article history: This research delves into the design and development of a functional sculpture representing the School of Design. To establish a clear understanding of student preferences, a comprehensive survey was conducted, capturing the diverse interests and design sensibilities of the student body. Following this, the Pugh method was employed for concept selection, facilitating a systematic evaluation of multiple design ideas. The chosen design—a pinball machine—seamlessly integrates elements of surrealism and fantasy, while serving a practical purpose. The sculpture incorporates archite

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Hajizul, Alya Darwisyah, Nor Aiman Sukindar, Nur Ain Jazrina Mohamad Yakop, and Muhammad Hamizan Zaini. "Functional Sculpture: Pinball Machine." Semarak International Journal of Creative Art and Design 1, no. 1 (2024): 59–71. https://doi.org/10.37934/sijcad.1.1.5971b.

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This research delves into the design and development of a functional sculpture representing the School of Design. To establish a clear understanding of student preferences, a comprehensive survey was conducted, capturing the diverse interests and design sensibilities of the student body. Following this, the Pugh method was employed for concept selection, facilitating a systematic evaluation of multiple design ideas. The chosen design—a pinball machine—seamlessly integrates elements of surrealism and fantasy, while serving a practical purpose. The sculpture incorporates architectural, fashion,

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Frfulanović, Dragana, Aleksandra Jevtović, and Milena Savić. "Modern art and stage costume: The case of Dragilev's Ballets Russes." Tekstilna industrija 70, no. 2 (2022): 40–50. http://dx.doi.org/10.5937/tekstind2202040f.

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Sergei Dragilev recognized the vitality of modern art that brought freshness to the culture, so all innovative artists of the time were invited to join his campaign and goal. And he reflected on the fact that ballet breaks the shackles of the traditional concept in the performance of dance, music, costume design, and scenography and imposes an element of challenge by introducing current contemporary tendencies in art and culture. All the famous names of the art of that time brought the latest achievements of modern art into the world of dance: Pablo Picasso, Natalia Goncharova, Henri Matisse,

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Marguba, ZARIPOVA, and XAITOVA Zilola. "THE ROLE OF CONCEPTUAL FASHION TRENDS IN THE DEVELOPMENT OF MODERN CLOTHING DESIGN." Crossroads of culture 4, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7482993.

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In recent years, conceptual fashion in the development of modern clothing design is one of the areas that have the greatest impact on the principles of development of this area. The article describes the formation, development and modern principles of conceptual fashion.

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Bhoomika, K., and Dr Rajani Narayan. "Web Design Encompasses UI,UX and Responsive Development." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 07 (2024): 1–13. http://dx.doi.org/10.55041/ijsrem36809.

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Abstract—The goal of abstract design is to create visually ar- resting and thought-provoking user interfaces without necessarily depending on realistic representations. It entails utilizing bold colors, unusual shapes, and imaginative typography to create a singular and engrossing user experience. Art, architecture, and even surrealism are all frequently included into abstract design to create a surreal ambiance that emotionally connects with people. Abstract design has the power to arouse emotions, ignite the imagination, and even subvert consumers’ preconceptions by defying conventional desi

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Védrine, Hélène. "Adverts in ‘Little Reviews’ (1890–1930): Networks, Poetry and Design." Journal of European Periodical Studies 1, no. 2 (2016): 87. http://dx.doi.org/10.21825/jeps.v1i2.2648.

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Between the 1880s and the 1920s, advertising proved fundamental to art and literature reviews since it fostered a new link between visual and consumerist culture. This article is based on fin de siècle and avant-garde magazines read in dialogue. It samples French and Belgian magazines illustrating innovations to 1880s periodicals and 1920s modernist magazines. The paper highlights the use of visual techniques in advertisements (page design, typography, etc.) that strengthen aesthetic and political stances. Advertising rhetoric masks aesthetic manifestos but also social and political agenda, re

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Zaitseva, Veronika, and Alla Buihasheva. "Ukrainian book design: ways of formation and development." Klironomy 3, no. 3 (2021): 108–19. https://doi.org/10.47451/art2021-10-004.

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In the Ukrainian graphic art development of the 20th century as a whole and specific art events and artistic works, a constant interaction of international and national, general and specific, modern and traditional is traced. The development of the new graphic art was especially influenced by the revaluation of the aesthetic qualities of national art. The research purpose is to study the development of the directions of Ukrainian book art, the formation of new creative features in the European cultural space. The research methodology consists of the general scientific methods application (anal

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jo, yunkyung, and minjung kim. "A Study on the Expression Techniques of Surrealism in Realistic Media Art: focusing on d’strict’s works." Korea Institute of Design Research Society 8, no. 3 (2023): 309–20. http://dx.doi.org/10.46248/kidrs.2023.3.309.

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This study analyzes and proposes the possibility of combining realistic media art and surrealistic expressive techniques. To do so, we first understand the types and characteristics of surrealistic expressive techniques. In particular, we focus on Alexandrian and Suzy Gablik's work on depaysment. Second, by collecting and analyzing examples of d’strict's works, we summarize the characteristics of depaysment network representation in realistic media art. Third, we propose how surrealistic expression techniques can be used to improve the artistry of realistic media art and design education. This

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السيد, مايسة فكري أحمد, أماني حمدي فهيم та دعاء شعبان عثمان. "السيريالية المصرية في التصميم الطباعي لأقمشة مكملات ملابس السيدات = Egyptian Surrealism in the Printable Design of Ladies Clothes Appurtenances". مجلة العمارة والفنون والعلوم الإنسانية, № 12 Part 1 (червень 2018): 432–67. http://dx.doi.org/10.12816/0047886.

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Toth, Leah. "“Beautiful, If You See It the Right Way”." Resonance 2, no. 1 (2021): 52–65. http://dx.doi.org/10.1525/res.2021.2.1.52.

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David Lynch’s first feature film, Eraserhead, is considered by many to be his strangest, due to its dark industrial imagery and dissonant sound design. This essay examines the function of audible noise in Eraserhead within the context of 1970s deindustrialization and argues that noise is a key but overlooked element of the film’s overall aesthetic design—an homage to the sounds and imagery of a fading and faded industrialized United States. Listening closely firmly establishes this impression: The sound design contributes substantially to the film’s synchretic surrealism, and its ambiguity thr

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Gönül, Hale, and Bülent Tanju. "Exploring the Architectural Perspectives of Surrealists as a Potential of Deformation in the Architectural Discipline." Tasarim + Kuram 20, no. 43 (2024): 298–314. https://doi.org/10.59215/tasarimkuram.dtj444.

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Simmel identifies a conflict between life and forms, in which cultural constructions, in pursuit of permanence and stability, attempt to impose order on the ever-changing nature of life, ultimately leading to the ceaseless deformation and erosion of cultural forms. From this perspective, a transformative ability is attributed to avant-garde art, that does not only abolish established aesthetic rules but also denounces art as an institution. The oppositional stance of avant-garde artists paved the way for the disruption of architectural norms, that function as the creator and guardian of cultur

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常, 冉. "Research on Fashion Scarf Design Based on Surrealist Style." Design 08, no. 04 (2023): 2205–12. http://dx.doi.org/10.12677/design.2023.84266.

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Shevchenko, Liudmyla, and Natalia Novoselchuk. "METHODS OF URBAN ENVIRONMENT DESIGN BY ART AND GRAPHIC MEANS." Urban development and spatial planning, no. 78 (October 29, 2021): 558–69. http://dx.doi.org/10.32347/2076-815x.2021.78.558-569.

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The article is devoted to the methods of urban environment design of the XXI centuries by artistic and graphic means. The process of their inclusion in the urban environment was gradual. It began with painting, graphics, sculpture, arts and crafts and monumental arts. A new wave of artistic and graphic means in the urban environment began to develop intensively in the late nineteenth - early twentieth century. It was due to social and cultural processes in specific cities and countries. The use of various techniques in design began to be introduced from this period. In particular, such as: rea

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Russell, P. A., and D. A. George. "Relationships between Aesthetic Response Scales Applied to Paintings." Empirical Studies of the Arts 8, no. 1 (1990): 15–30. http://dx.doi.org/10.2190/au1r-6uxe-t14r-04wq.

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Relationships among seven aesthetic response scales were studied by requiring subjects to rank fifteen paintings on each scale, using a between-subjects design. Three of the five evaluative scales used, likeability, pleasingness, and preferability were strongly positively intercorrelated. Using these scales to examine painting content (landscape, portrait, still-life) and style (Impressionism, Surrealism, etc.) effects, however, revealed that the scales did not always yield similar results. Although content effects were similar on all three scales, likeability and preferability were relatively

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Grew, Rachael. "Monstrous bodies: Theatrical designs by Salvador Dalí and Leonor Fini." Studies in Costume & Performance 4, no. 1 (2019): 9–24. http://dx.doi.org/10.1386/scp.4.1.9_1.

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Theatrical design is an under-researched area of Surrealist visual culture. This article examines two examples of Surrealist set and costume design, created by Salvador Dalí and Leonor Fini, respectively, through the concept of the monstrous body. Here, ‘monstrous’ refers to the ambiguous body that defies conventional categories. By using the monstrous body to interpret their designs, this article will yield a deeper insight into these artists engagement with the Surrealist challenge to rational conventions of individualism. It will also evidence their own interests in fluid, metamorphic bodie

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Chocobar, Cynthia Nathaly. "Creación surrealista de sueños colectivos en Educación Primaria. Investigación- acción intercultural." Educatio Siglo XXI 38, no. 3 Nov-Feb (2020): 363–82. http://dx.doi.org/10.6018/educatio.452971.

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INTRODUCCIÓN. Este artículo recoge una experiencia educativa de investigación-acción efectuada durante dos ciclos sucesivos de intervención didáctica con alumnado de sexto curso de Educación Primaria de dos colegios públicos situados respectivamente en Salta (Argentina) y Murcia (España). El marco teórico de esta investigación se centra en una concepción epistémica del desarrollo de la competencia en comunicación lingüística concerniente a textos literarios de índole surrealista cuya desenvoltura requiere conexión con otras competencias, lenguajes, artes y culturas. MÉTODO. La metodología cual

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Popović-Bodroža, Ana. "Picasso and the theater: From Harlequin to Pegasus: The modernist fine art and theater turn." Zbornik radova Filozofskog fakulteta u Pristini 53, no. 4 (2023): 317–33. http://dx.doi.org/10.5937/zrffp53-42003.

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Following the method of interdisciplinary studies, this paper analyzes Pablo Picasso's relation to theater through his paintings, theater work, and the influence of theater not only on the themes of his paintings but also on the affirmation of the Avant-garde, the Cubist experiments and practices, the breakthrough of Cubist ideas across the medium of theater. The entire Picasso's art is presented in the light of several major artistic Avantgardes of which he was the founder and ideologist (the "father" of Cubism, inventor of Collage, the first Ready-mades and Constructivist sculptures, initiat

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Picarelli, Enrica. "Selly Raby Kane: Surrealist Designer and Social Innovator." Fashion Studies 2, no. 1 (2019): 1–31. http://dx.doi.org/10.38055/fs020107.

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Selly Raby Kane is a renowned Senegalese fashion designer and artist involved in Africa’s booming art and design movement. Kane is an interesting case study to grasp fashion’s involvement in Africa’s current debate surrounding identity and empowerment through innovation. This article discusses Kane’s designs in light of her contribution not only to contemporary approaches to African fashion that emphasize individuality, but also to effecting change through fashion, examining the ways in which she mixes symbols, signs, and techniques of African and international cultures to inscribe Africa, and

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Bendová, Eva, and Vilma Hubáčková. "Kresba nebo fotomontáž pro děti? Příklady inovativních přístupů ilustrace dětské knihy v meziválečném Československu." Acta Musei Nationalis Pragae – Historia litterarum 68, no. 3-4 (2024): 23–34. http://dx.doi.org/10.37520/amnpsc.2023.0022.

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The aim of the paper has been to show the plethora of innovative approaches to the illustration of books for children in the interwar period in Czechoslovakia (1918–1938). In a journal focused on education and literature (Úhor [Fallow]), the first synthetic text devoted to the aesthetics of children’s books was published as late as 1935, written by Josef Novák. His text perceives the illustrations of children’s books as an important and distinctive artistic expression dependent on the drawing conception of a form. It highlights the most modern examples in the form of the book of Zdenka Marčano

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Markova, Lora, and Roger Shannon. "Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film." Arts 8, no. 1 (2019): 11. http://dx.doi.org/10.3390/arts8010011.

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This article explores the under-researched intertextual and intermedial connections between Leonora Carrington’s transdisciplinary practice and the medium of film. The analysis focuses on the artist’s cameo appearances in two 1960s Mexican productions—There Are No Thieves in This Village (Alberto Isaac 1964) and A Pure Soul (Juan Ibáñez 1965)—which mark her creative collaborations with Surrealist filmmaker Luis Buñuel and Magic Realists Gabriel García Márquez and Carlos Fuentes. Carrington’s cameo roles are analyzed within a network of intertextual translations between her visual and literary

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DUMLU, Gamze. "SURREALISM AND PHOTO-MANIPULATION IN PHOTO ART." IEDSR Association 6, no. 11 (2021): 123–37. http://dx.doi.org/10.46872/pj.229.

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As a result of examining the art of photography in terms of aesthetics and advertisement, it aims to examine both the raw and processed photo-manipulations, especially the designs used in printed media and advertisements. The aim of the study; It covers the perceptual richness of the processed photographs and their examination from the perspective of surrealism. The effects of the photographs of the products of the brands after the photo-manipulation applications on the people were examined. Comparison method was made by placing these raw photographs of the products and processing them from a

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