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Books on the topic 'Surrealism and music'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Arfouilloux, Sébastien. Que la nuit tombe sur l'orchestre: Surréalisme et musique. Fayard, 2009.

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Arfouilloux, Sébastien. Que la nuit tombe sur l'orchestre: Surréalisme et musique. Fayard, 2009.

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Arfouilloux, Sébastien. Que la nuit tombe sur l'orchestre: Surréalisme et musique. Fayard, 2009.

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4

Hernández, Sonsoles, Alejandro Vargas, and Benxamín Otero. Miniaturas de Eugenio Granell: Música revelada. ACentral Folque, 2012.

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5

Souris, André. La lyre à double tranchant: Écrits sur la musique et le surréalisme. Conseil de la musique de la Communauté française de Belgique, 2000.

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6

Bonnefoy, Yves. L' alliance de la poésie et de la musique. Galilée, 2007.

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7

Bonnefoy, Yves. L' alliance de la poésie et de la musique. Galilée, 2007.

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8

Gascoyne, David. Night thoughts: A radiophonic poem. Alyscamps Press, 1995.

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9

1886-1966, Ozenfant Amédée, ed. Shūrurearizumu kaigaron. Yumani Shobō, 1991.

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10

Jiří, Tomáš, ed. O humoru, clownech a dadaistech. 2nd ed. Akropolis, 2004.

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11

Claudia, Salaris, and Auditorium Parco della musica (Rome, Italy), eds. Matta: Un surrealista a Roma : mostra nel centenario della nascita : Auditorium Parco della musica, Roma, 16 marzo-20 maggio 2012. Giunti, 2012.

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12

Lowbrow Art: Comix, Punk Music, Pop Surrealism and Digital. Flame Tree Publishing, 2015.

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13

Njoroge, Njoroge. Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. University Press of Mississippi, 2016.

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14

Njoroge, Njoroge. Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. University Press of Mississippi, 2016.

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15

Njoroge, Njoroge. Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. University Press of Mississippi, 2020.

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16

Njoroge, Njoroge. Chocolate surrealism: Music, movement, memory, and history in the circum-Caribbean. 2016.

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17

Njoroge, Njoroge. Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. University Press of Mississippi, 2016.

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18

Njoroge, Njoroge. Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. University Press of Mississippi, 2016.

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19

Greer, Thomas Henry. Music and its relation to futurism, cubism, dadaism, and surrealism, 1905 to 1950. 1990.

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20

Que la nuit tombe sur l'orchestre: Surréalisme et musique. Fayard, 2009.

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21

An eye for music: Popular music and the audiovisual surreal. Oxford University Press, 2012.

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22

Le silence d'or des surréalistes. Éd. Aedam musicae, 2013.

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23

Écrits sur l'art et le spectacle: Peinture, sculpture, photographie, cinéma, musique, ballet, théâtre, chanson, music-hall, cirque. Éditions Ombres, 2011.

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24

Musique et surréalisme en France: D'Erik Satie à Pierre Boulez. Honoré Champion éditeur, 2021.

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25

Die Filme und Musikvideos von Michel Gondry: Zwischen Surrealismus, Pop und Psychoanalyse. Tectum Verlag, 2008.

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26

Lewis, Hannah. Surrealist Sounds. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0003.

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This chapter focuses on the controversial early sound films directed by avant-garde filmmakers Jean Cocteau and Luis Buñuel: Le Sang d’un poète (1930) by Cocteau and L’Age d’or (1930) by Buñuel. They were the first surrealist sound films, and both filmmakers used music to create strange audiovisual juxtapositions and to shock their audiences. Although music’s role in the surrealist movement was contested, Lewis demonstrates through her analysis of these two films that music was crucial for a surrealist audiovisual cinematic conception. While experiments this audacious were short-lived, these t

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27

Davies, Stephen. Ontology of Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0008.

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Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists. Works of art are social constructs in the sense that they are not natural kinds but human creations. The way we categorize them depends on our interests, and to that extent ontology is not easily separated from sociology and ideology. Nevertheless, some classifications and interests are likely to be more revealing of why and how art is created and appreciated. There are a number of traditional classifications of the arts, for instance in terms of th

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28

Schiff, David. Carter vs. Poets (Round 1). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190259150.003.0008.

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With A Mirror on which to Dwell, composed in 1975, Carter returned to vocal music and to modern American poetry. Mirror, to poems of Elizabeth Bishop, was soon followed by Syringa (John Ashbery) and In Sleep, In Thunder (Robert Lowell). These three works explore a wide range of expressive territory. Bishop and Lowell were close to Carter in age, while Ashbery was twenty years younger. The two older poets pursue an intimate confessional style, while Ashbery’s far more experimental poetry derives from French surrealism. Bishop’s poetry is precise and observant, while Lowell’s seems to teeter on

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29

Perrott, Lisa, Carol Vernallis, Áine Mangaoang, et al. David Bowie and the Art of Music Video. Edited by Carol Vernallis, Holly Rogers, Elfi Vomberg, et al. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501335174.

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The first in-depth study of David Bowie’s music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie’s videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie’s creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video sh

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30

Block, Marcelline, and Jennifer Kirby, eds. ReFocus: The Films of Michel Gondry. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456012.001.0001.

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The acclaimed French auteur behind the mind-bending modern classic Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay, Michel Gondry has directed innovative, ground-breaking films and documentaries, episodes of the acclaimed television show Kidding and some of the most influential music videos in the history of the medium. In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational

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31

Gann, Kyle. Who Could Speak If Every Word Had Meaning? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252035494.003.0006.

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This chapter attempts to provide an overview of Atalanta (Acts of God) (1982–87), which comprises three operas. Each opera focuses on one “apple,” or character, in Ashley's reinterpretation of the ancient Greek myth. In Ashley's idiosyncratic cosmology, the three golden apples thrown in front of Atalanta are transformed into three characters: the great jazz pianist Bud Powell; Ashley's uncle Willard Reynolds, described by Ashley as a shaman or storyteller; and the surrealist painter (and Mimi Johnson's late uncle) Max Ernst. Max, Willard, and Bud represent three aspects of opera: image, narrat

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32

Rogers, Holly. Audiovisual Dissonance in Found-Footage Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0010.

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Drawing on ideas of the Surrealist automatic and filmic détournement, artists working with found footage are able to construct new meanings and aesthetics by deconstructing completed audiovisual texts. When original music is retained, or replaced by a new sonic collage, the disjointed sonic flow problematises and enhances the collage aesthetic by extending the possibilities for juxtaposition not only in a linear fashion, but also in a vertical, audiovisual direction, a process that highlights the materiality and artifice of the new combination of images. Here, pre-used footage can be collaged

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33

Weinel, Jonathan. Synaesthetic Overdrive. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0007.

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This chapter discusses altered states of consciousness in audio-visual media, such as films, psychedelic light shows, and VJ performances. First, some background theory is introduced, explaining the main categories of film sound, and what research tells us regarding the way in which sound influences the perception of visual images and vice versa. Following this background section, a tour is provided through various films that represent altered states of consciousness, including surrealist movies, ‘trance films’, and Hollywood feature films. These demonstrate a progression, where more recent mo

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34

Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.

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French Musical Culture and the Coming of Sound Cinema examines film music practices in France during a period of widespread artistic and creative experimentation: the transition from silent to synchronized sound film. While this period in Hollywood has been examined from a range of scholarly perspectives, the transition to sound in France—and the unique interactions between French sound cinema and French musical discourses—remains underexplored. In France, debates about sound cinema were fierce and widespread, and many filmmakers addressed theoretical questions about the potential of the new t

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35

Massey, Drew. Thomas Adès in Five Essays. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199374960.001.0001.

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The British composer, conductor, and pianist Thomas Adès (b. 1971) has achieved a level of recognition and celebrity within the concert world shared by very few living musicians today, and his compositions enjoy a degree of widespread acclaim that places him among the most widely heard composers working now. His critical and popular successes, at least inside the insulated world of classical music, place him within the absolute mainstream of concert life today. Is he merely pecking over the carcass of a tradition, soon to be subsumed by or abandoned in favor of some other cultural practice? Or

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36

Quinn, Rachel Afi. Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.001.0001.

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With this book, Rachel Afi Quinn makes the case for a transnational feminist cultural studies lens of analysis and an ethnographic approach to the study of race, gender, and visual culture in the Dominican Republic. This book provides a new window into contemporary life in Santo Domingo through which surrealist cultural productions reflect the social climate. Quinn theorizes the ways that the racial meaning of Dominican women’s mixed-race bodies “see/saw” in the viewing moment, as they are read visually in relation to others and informed by particular narratives of identity. Drawing on some fo

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37

Academe Master Baiter: An Academic Book. Pattern Books, 2018.

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38

Academe Master Baiter: An Academic Book. Independently Published, 2020.

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