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Dissertations / Theses on the topic 'Surrealisten'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Mitchell, Clio. "#Secrets de l'art magique surrealiste' : magic and the myth of the artist-magician in surrealist aesthetic theory and practice." Thesis, Courtauld Institute of Art (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294528.

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2

Miller, Kevin Robert. "Surrealistic Sinfonia." University of Akron / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=akron1321932043.

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3

Salcedo, Patiño Debora Ana. "Conejo surrealista." Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/338921.

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Ganador (Primer puesto), género Posía. "XIX Juegos Florales 2014", realizado del 27 de Junio al 14 de Julio de 2014. Universidad Peruana de Ciencias Aplicadas - UPC. Lima, Perú; Seudónimo: Hyja<br>Seudónomo: Coneja

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4

Bandier, Norbert. "Analyse sociologique du groupe surréaliste français et de sa production : de 1924 à 1929." Lyon 2, 1988. http://www.theses.fr/1988LYO20059.

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A partir des acquis methodologiques de l'histoire sociale des faits litteraires et a l'aide des concepts de p. Bourdieu sur le champ litteraire, cette etude porte sur la strategie mise en oeuvre par le groupe surrealiste, de 1924 a 1929, a travers ses declarations collectives et sa revue. La mise en evidence des facteurs structuraux et conjoncturels des prises de position esthetiques, dans le champ litteraire des annees vingt, permet de comprendre la formation d'un marche litteraire caracterise par l'hegemonie du roman et le rejet de la poesie vers un public restreint. Dans ces conditions le r

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5

Castiglioni, Ruben Daniel Méndez. "Aldo Pellegrini, surrealista argentino." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2000. http://hdl.handle.net/10183/13373.

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Nesta tese se realiza um estudo das atividades do argentino Aldo Pellegrini, que se destacou por ser o pioneiro na divulgação e organização do surrealismo na Argentina e na América Latina, bem como, por ser um escritor polígrafo de grande talento: crítico de arte, ensaísta, dramaturgo, tradutor e um poeta “notável” (o adjetivo é de Octavio Paz). Este trabalho está organizado em quatro partes. Na primeira, se esboçam as características que definem o surrealismo. Na segunda - e após fazer referência ao contexto literário argentino dos anos 20 - se estuda cronológicamente a trajetória de Pellegri

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Quinet, Liene Maria Meireles. "A utopia do sonho: os veios subterrâneos no surrealismo de Jorge de Lima." Centro de Ensino Superior de Juiz de Fora (CES/JF), 2012. https://repositorio.ufjf.br/jspui/handle/ufjf/6388.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-03-15T15:39:21Z No. of bitstreams: 1 lienemariameirelesquinet.pdf: 4753526 bytes, checksum: 396ca767e311fad6d99929d859855ec7 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-03-19T17:40:48Z (GMT) No. of bitstreams: 1 lienemariameirelesquinet.pdf: 4753526 bytes, checksum: 396ca767e311fad6d99929d859855ec7 (MD5)<br>Made available in DSpace on 2018-03-19T17:40:48Z (GMT). No. of bitstreams: 1 lienemariameirelesquinet.pdf: 4753526 bytes, checksum: 396ca767e311fad6d99929d859855ec7 (MD5) Prev

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Pinto, Paula Parise. "Sessanta Racconti: aspectos do Surrealismo em contos de Dino Buzzati." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-12032008-151513/.

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A proposta desta dissertação é analisar em contos do livro Sessanta Racconti (1958) a relação entre a poética do autor e a estética surrealista. Através do exame de elementos surrealistas específicos (acaso objetivo, humor negro, sonho, maravilhoso e fantástico) utilizados por Buzzati na construção dos 16 contos selecionados, buscou-se identificar indícios de similaridade, transposição ou releitura de modo a aprofundar o conceito de surrealismo buzzatiano, diverso das demais manifestações surrealistas, mas ao mesmo tempo em diálogo com a estética vinculada a André Breton e seguidores. Desta fo

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8

Asif, Noor A. "Women Surrealists: Muses or Seekers?" Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/826.

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Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of

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9

Zils, Elys Regina. "O inconsciente surrealista latino-americano." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/136474.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2015.<br>Made available in DSpace on 2015-11-17T03:07:44Z (GMT). No. of bitstreams: 1 336245.pdf: 1875392 bytes, checksum: 43bfd384b7bd3c61c41745b2c9f3bc1e (MD5) Previous issue date: 2015<br>O presente estudo volta-se para os poemas de linguagem surrealista, especificamente os poemas do peruano Emilio Adolfo Westphalen. Inserido na área de tradução comentada de textos literários, esta dissertação deseja desenvolver um estudo sobr

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10

Pearson, Matthew John. "English and American surrealist writing." Thesis, University of Liverpool, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262394.

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11

Tikkanen, Marjo. "Engaging users with surrealist techniques." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21557.

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Building on current methods used in the field of interaction design, this thesis aims to explore how surrealist art techniques could be applied to the fuzzy front end of a design process. This is done to inspire and expand the current range of user engagement methods. The premise is that all people are creative, but they might need tools and techniques to express themselves. This creative potential could be harnessed more in design processes. The techniques conceived by surrealist artists could serve as generative tools that empower users to create, discuss, be playful and reduce their self-ce

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12

Roberts, Donna. "Beyond surrealism : the Grand Jeu, Josef Sima and the quest for unity." Thesis, University of Essex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268866.

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13

Dubosson, Anne-Sophie. "SUBLIMATION ET NEGATION DU CORPS FEMININ SURREALISTE DANS L'OEUVRE DE MAN RAY, JOYCE MANSOUR ET GISELE PRASSINOS." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1406729415.

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14

Gasparri, Isabel. "Mário de Andrade e a literatura surrealista." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08082011-161549/.

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Esta pesquisa tenciona compreender as relações do escritor Mário de Andrade (1893-1945) com a literatura surrealista, considerando manuscritos e livros em seu acervo, no patrimônio do Instituto de Estudos Brasileiros da Universidade de São Paulo (IEB-USP), bem como a sua obra publicada. A pesquisa reúne e transcreve textos literários e ensaísticos atinentes ao Surrealismo, mencionados nos manuscritos do Fichário Analítico de Mário de Andrade; promove o levantamento de obras e de periódico surrealistas franceses presentes na biblioteca do criador de Macunaíma, recuperando anotações de leitura,

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15

Janover, Louis. "Surrealisme, marxisme et utopie (these sur travaux)." Paris 8, 1987. http://www.theses.fr/1989PA080341.

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Le surrealisme (1924-1969) a d'emblee fondee la singularite de son exigence sur le refus de la litterature et la critique radicale de la specialisation artistique et du statut social qu'elle implique. Or, cette dimension artistique est tres vite devenue dominante, refoulant l'utopie revolutionnaire initiale. Comment expliquer une telle evolution, si l'on ecarte l'idee de "trahison", mode d'interpretation tautologique et passe-partout? la logique de son evolution impliquait que le surrealisme, tout en consolidant ses positions sur le terrain artistique, trouve dans le bolchevisme son complement

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16

Costa, Anderson da. "A flânerie como prática surrealista em Nadja." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/95363.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Literatura, Florianópolis, 2011<br>Made available in DSpace on 2012-10-26T00:40:47Z (GMT). No. of bitstreams: 1 297828.pdf: 1171830 bytes, checksum: 50c6f4b6f1461d8cfe9fb9d3c0a8fe2e (MD5)<br>A presente tese é um trabalho que se articula sobre dois eixos. O primeiro propõe estabelecer uma relação entre a flânerie praticada no século XIX e aquela praticada no século seguinte pelo surrealismo. Flânerie que adquire outros contornos quando apropriada pelos surrealistas, que far

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17

Fijalkowski, Krzysztof. "The surrealist object : proof, pleasure and reconciliation." Thesis, University of East Anglia, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256262.

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Baxter, Jeannette. "Spectacular authorship : historicising J.G. Ballard's surrealist imagination." Thesis, University of East Anglia, 2005. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426864.

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19

Jahshan, Paul. "Excessive images : Henry Miller and the French surrealists." Thesis, University of Nottingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313196.

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20

Parkinson, Gavin. "Physique du Surrealisme : Surrealism, Modern Physics, and Epistemology." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249524.

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21

Stent, Sabina Daniela. "Women Surrealists : sexuality, fetish, femininity and female Surrealism." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3718/.

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The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or

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22

Ramón, Joffré Gabriel. "La articulación del lenguaje surrealista de César Moro." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/102857.

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La obra de César Moro representa la mejor práctica del surrealismo dentro de la literatura hispanoamericana. En La tortuga ecuestre se define su estrategia poética en plena madurez expresiva. En su estilo domina el manejo del automatismo, que, a su vez, se apoya en la profusión de frases nominales, repeticiones, anáfora, etc., de donde se deriva el ritmo del poema. El discurso surrealista de Moro plantea la destrucción de los órdenes previos de percepción y experiencia. Con tensión entre la constancia del deseo y la presencia y la ausencia del amado, se establece un discurso amoroso que se des

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23

Wilcox, Catherine Mary. "Resistance and revolt : the work of surrealist women." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406295.

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24

Skinner, Samantha Jane. "Alchemists of the scrapyard : the surrealist scavenging aesthetic." Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409494.

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25

Thomas, Martin Darren. "Border crossings : (re)presenting gender in surrealist film." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9074.

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This thesis is in two parts: a theoretical section (60%), which provides an analysis of gender identity in Surrealist film through consideration of a range of Surrealist films; and a practical section (40%), consisting of a body of original creative work (collage, film and assemblage), which builds on and is in dialogue with the theoretical insights of the research. Transformation is seen as central to a mapping and remapping of the spaces, (supposed) limits and frontiers of Surrealist notions of gender identity. In particular this thesis examines how Surrealist film makers engage with represe

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Schrock, Lauren. "Organisational dystopia : surrealist paintings for critical management studies." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/102821/.

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This thesis responds to a call to bring humanities into organisation studies. The researcher analyses and interprets contemporary Surrealist paintings for understanding organisational dystopia. While organisational dystopia is not new to the field of Critical Management Studies (CMS), it is a concept enriched by a variety of imaginative stances addressing marginalised or silenced experiences of work life. One such area of imagination is painting. Paintings have historically examined work as a subject of art, yet art has been missed in organisation studies. To address this issue, as well as con

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Sorensen, Abigail. "The Feminine Sublime in 21st Century Surrealist Cinema." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464046230.

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Cruz, Maria Manuela Alves da. "Corpo-desejo-corpo na obra do pintor surrealista Vespeira." Master's thesis, Instituições portuguesas -- ISPA-Instituto Superior de Psicologia Aplicada, 1999. http://dited.bn.pt:80/29154.

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Dissertação de Mestrado em Psicopatologia e Psicologia Clinica<br>A Dissertação sobre Corpo - Desejo - Corpo na obra do pintor surrealista Vespeira, integra uma fundamentação conceptual sobre o conceito de Arte (Capítulo 1), sobre o Pensamento Simbólico (Capítulo 2) e sobre o conceito de Corpo no Espaço Simbólico (Capítulo 3). integra também uma fundamentação teórica sobre as problemáticas do Desejo (Capítulo 4) e as teorias da Estética (Capítulo 5) e os desenvolvimentos das Teorias Psicanalíticas sobre a Arte (Capítulo 6), assim como a fundamentação da investigação em Psicanálise e nomeadamen

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Cruz, Maria Manuela Alves da. "Corpo-desejo-corpo na obra do pintor surrealista Vespeira." Master's thesis, Instituto Superior de Psicologia Aplicada, 1999. http://hdl.handle.net/10400.12/468.

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Dissertação de Mestrado em Psicopatologia e Psicologia Clinica<br>A Dissertação sobre Corpo - Desejo - Corpo na obra do pintor surrealista Vespeira, integra uma fundamentação conceptual sobre o conceito de Arte (Capítulo 1), sobre o Pensamento Simbólico (Capítulo 2) e sobre o conceito de Corpo no Espaço Simbólico (Capítulo 3). integra também uma fundamentação teórica sobre as problemáticas do Desejo (Capítulo 4) e as teorias da Estética (Capítulo 5) e os desenvolvimentos das Teorias Psicanalíticas sobre a Arte (Capítulo 6), assim como a fundamentação da investigação em Psicanálise e nomeadamen

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Froehlich, Márcia. "TRAÇOS SURREALISTAS EM A TORRE DA BARBELA,.DE RUBEN A." Universidade Federal de Santa Maria, 2005. http://repositorio.ufsm.br/handle/1/9788.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The central aim of this work is to examine Surrealistic traces in the novel A Torre da Barbeia. In this work, the Portuguese writer Ruben A. mixes the stream of Portuguese literary tradition conceming the reflection upon nation with Surrealistic influences. Therefore, the present analysis has the objective of investigating Surrealistic traces of the novel, specially the representation of the Supematural. This study is divided into three chapters. Chapter one presents a brief historical description of Surrealism as an artistic devic

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Munro, Majella. "Communicating vessels : the Surrealist movement in Japan 1923-1970." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654104.

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Histories of Surrealism typically concentrate on the provocations of French practitioners against the rise of totalitarianism in Europe. The case of Japan, where Surrealists were directly imprisoned by wartime authorities, presents an apposite study of the interaction of state and avant-garde, yet the Japanese contribution is marginalised in existing accounts. Japan forms an excellent case study in the tensions and problematics inherent in Surrealism, since it encompasses tensions between East and West; Imperialism and anti-colonialism; totalitarianism and avant-garde radicalism; and issues of

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Walker, Ian. "Paris as the site of Surrealist photography 1924-1939." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262338.

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33

Darie, Camelia Dana. "Victor Brauner and the surrealist interest in the occult." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/victor-brauner-and-the-surrealist-interest-in-the-occult(15306875-b880-456e-929a-ce86265a9a1a).html.

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My research on Victor Brauner’s work in the first two decades of his affiliation with the Surrealist group in Paris re-establishes the role played by the Romanian Jewish artist in the definition of automatic Surrealist procedures of painting and mixed-technique objects that relied upon a new and unconventional understanding of the occult. In the three chapters of this study of Victor Brauner’s work in the 1930s and early 1940s, I analyse key notions, such as the fantastic, animal magnetism, and the occult practices of art making in a Surrealist context. The fantastic is discussed in the first

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Badell, Giralt Helena. "L'amor en el surrealisme grec: Andreas Embirikos i Nikos Engonópoulos." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392700.

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The aim of this thesis is to analyse how the two Greek surrealist poets Embirikos and Engonopoulos construct a poetry of Eros. We start from a philological framework. At the same time the orientation of this thesis is clearly comparative: studying the relationship between Greek and French surrealism and also the relationship between literature and other cultural spheres, especially those in which Embirikos and Engonopoulos were immersed, psychoanalysis and painting. In the introduction we present probable reasons why a comparative study of Eros in the work of the two Greek authors widely

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FUKUDA, TAKUYA. "La genese de l'oeuvre poetique d'eluard, du langage proverbial aux ecritures surrealistes (1918-1926)." Paris 8, 1996. http://www.theses.fr/1996PA081179.

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Cette these a pour objectif de retracer d'une maniere diachronique la genese de l'oeuvre poetique de paul eluard, qui apparait d'abord comme une poesie proverbiale, puis dadaiste, pour se modifier finalement en une poesie surrealiste. A travers ce processus generateur de l'oeuvre, nous reconnaissons la coexistence, parfois oppositionnelle mais souvent solidaire ou complice, des deux logiques : logique binaire qui domine la tentative d'atteindre, au moyen du langage, la purete originelle et logique non-oppositionnelle ou paradoxale, qui a pour fonction d'etablir un echange entre les deux contra

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Clariana, Rodagut Ainamar. "Iconografía del ojo: A partir del cine de autores afines a la estética surrealista (1926-1932)." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/456171.

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The aim of this research is to analyze the apearance of theye's visual motif, interpreted in its corespondence betwen the iner eye and the outer eye. This corelation wil be studied in the films: Emak Bakia (1926), by Man Ray; La coquilet le clergyman (1928), paying special atention to Antonin Artaud's theoretical contribution; La Chute de la maison Usher (1928), by Jean Epstein; Un chien andalou (192 9), emphasizing Luis Buñuel's imagery both in his first film and in the rest of his filmography; Le sang d'un poète (1932) by Jean Cocteau. The study of the visionary or

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Cottrill, Jennifer A. "Fortuitous encounters, mapping the Museum of Jurassic Technology's surrealist sensibility." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ42136.pdf.

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Harsh, Mary Anne. "From muse to militant francophone women novelists and surrealist aesthetics /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199254932.

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Malt, Johanna. "Object and fetish in constructions of a surrealist revolutionary aesthetic." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396226.

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Stabakis, Nicholas. "Film and the surrealist myth : the case of Luis BunÌƒuel." Thesis, Nottingham Trent University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270349.

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Yocco, Caitlin A. "The Plight of the Surrealist Writer: Intimacy in Public Space." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1341938809.

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Outreligne-Saidi, Narjess d'. "Amour et merveilleux : de l'orient des mille et une nuits a la magie surrealiste." Cergy-Pontoise, 1998. http://www.theses.fr/1998CERG0043.

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Les ecrivains et les peintres de la fin du xixe et du debut du xxe siecle ont largement contribue a preparer le terrain et a mieux mettre en evidence l'impact des traductions successives des mille et une nuits sur la scene litteraire francaise. Us surrealistes ont reconnu ces contes arabes comme faisant partie des references preferees du groupe c'est la guerre du maroc en 1925 qui a pousse les surrealistes a entreprendre d'inscrire l'orient dans l'ordre des preoccupations majeures. Ils ont appris a connaitre cet ailleurs sous ses differents aspects l'exposition coloniale de 1931 canalisa les c

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Lackey, S. C. "Psychological modernity and the filmic project of the surrealists, 1918-1930." Thesis, University of Manchester, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492076.

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This thesis examines the importance of a psychological conception of modernity for the filmic project of Surrealism. It posits two motivations behind this theorisation, the first as the surrealists' interest in the developments of psychology and the seconds as contemporaneous emphasis on the film as inherently connected to the machinations of the mind. Additionally, it explores the surrealist use of tropes from early filmmaking to suggest they recognised the filmic form as open and fluid, unconstrained by the boundaries of medium specificity. Chapter One examines surrealist film through the an

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Del-Pino, Salas Néstor Omar. "Poesía verbal y visual del surrealista chileno : Roberto Sebastian Matta Euchaurren." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/177621.

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C’est un étude entre le poème et la toile, un jeu de rapport mental où l’artiste Roberto Matta Echaurren s’invente à soi même. Il était l’artiste qui a beaucoup influencé la dernière phase du surréalisme post-guerre. Il était aussi un peintre, un penseur, un activiste et poète de lumière unique. Très tôt, formé en architectura, abandonne son pays natal (Chili) en 1936. À Paris, après travailler avec Le Corbusier, il s’intègre aux surréalistes, au groupe de Breton. D’abord, cet étude propose situer les bases de ce mouvement, par la vie et oeuvre de cet artiste, en analysant la phase de l’exil d

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Allain, Patrice. "Du surrealisme a la production audiovisuelle : jacques viot, un parcours exemplaire." Nantes, 1997. http://www.theses.fr/1997NANT3019.

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A travers l'etude de la trajectoire sociale et intellectuelle de jacques viot, il s'agit de montrer comment le champ des avant-gardes artistiques parisiennes a permis a l'espace du scenario francais des annees 1930-1950 de se structurer. Le surrealisme, notamment, a joue un role fondateur dans la constitution d'une mouvance liee a l'activite cinematographique, que nous baptisons "ecole du mauvais esprit", pour reprendre l'expression du scenariste charles spaak. Jacques viot ne fut pas qu'un simple passant du surrealisme mais joua dans ce mouvement un role decisif (essais d'ecriture poetique, d

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Scopelliti, Paolo. "L'immaculee conception : breton, eluard et l'influence du surrealisme sur la psychanalyse." Paris 3, 2000. http://www.theses.fr/2000PA030016.

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Le surrealisme, grandement influence par la psychanalyse, a contribue en retour a l'evolution de celle-ci: les surrealistes essayerent une restructuration marxiste de la psyche. Les theories freudiennes connurent une elaboration autonome en milieu surrealiste, et passerent dans la psychanalyse par l'intermediaire de theoriciens en contact avec le groupe. Dans les annees vingt: hesnard suit les experiences surrealistes avec l'hysterie et la simulation ("periode des sommeils") en meme temps qu'il diffuse en france les theories freudiennes: celles-ci en seront "surrealisees" en cours de route. Da

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Scanlan, Patricia Hope. "English surrealism in the 1930s, with special reference to the little magazines and small presses of the period." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368111.

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Donadio, Glenda Verônica. "Elementos poéticos e surrealistas em L'Écume des jours (1947), de Boris Vian /." Araraquara, 2019. http://hdl.handle.net/11449/182350.

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Orientador: Andressa Cristina de Oliveira<br>Banca: Adalberto Luís Vicente<br>Banca: Norma Wimmer<br>Resumo: Esta dissertação tem como objetivo o estudo da obra de Boris Vian, intitulada L'Écume des jours (1947), por meio da análise de seu caráter poético e do trabalho com a linguagem realizado pelo autor. Busca também demonstrar a herança surrealista presente na narrativa e visa apontar como esta ainda se filia ao surrealismo, mesmo tendo sido produzida anos após o auge do movimento. O embasamento teórico da pesquisa abrange uma contextualização teórica e histórica do período - pós-guerra, 19

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Grew, Rachael. "The evolution of the alchemical androgyne in symbolist and surrealist art." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1858/.

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The relationship between Symbolism and Surrealism is well known yet scarcely documented in detail. This thesis aims to address this oversight by exploring the connections between these two movements, specifically through investigating their shared motif of the androgyne. The androgyne embodies the professed aim of each of these groups: the transcendence of the physical in favour of the ephemeral for the Symbolists, and the unification of opposites for the Surrealists. Equally, both movements have an interest in the occult, and the androgyne is a key image within the occult tradition symbolisin

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Locke, Kellie. "Unknown Encounters: Surrealist Thought Examined for Provoking Self-Reflection in Architecture." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491313682122901.

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