Log in

Relevant bibliographies by topics / Sustainability e creative industries

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Sustainability e creative industries'

Author: Grafiati

Published: 11 September 2021

Last updated: 18 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Sustainability e creative industries.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Sustainability e creative industries"

1

Parode, Fabio, and Ione Bentz. "Arts and Design: Creative Industries and Sustainability." International Journal of Designed Objects 8, no. 3-4 (2015): 1–9. http://dx.doi.org/10.18848/2325-1379/cgp/v08i3-4/38701.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Majdúchová, Helena, and Daniela Rybárová. "Resilience and sustainability of creative industries businesses." SHS Web of Conferences 115 (2021): 02004. http://dx.doi.org/10.1051/shsconf/202111502004.

Full text

Abstract:

The importance of the creative economy for the development of society not only from an economic but also from a social and cultural point of view has been the subject of numerous scientific and professional studies. The connecting link between them is the observation that creativity has been considered in recent years as a new type of competitive advantage. As a generator of added value for all businesses, the creative industries have unlimited growth potential and are thus seen as a route to sustainable development. One of the problems of the creative industry is to obtain resources for business development. This paper examines the financial structure of selected areas of the creative industries in the Slovak Republic, using mean values for 2016-2019, correlation and regression analysis of financial data in 2019 (before the negative impact of COVID19). The findings point to the absence of credit sources, which confirms the fact that these businesses are perceived as risky and unstable by banks and financial institutions in the Slovak Republic.

APA, Harvard, Vancouver, ISO, and other styles

3

Harper, Graeme. "Civil society and sustainability: creative industries in Mauritius." Creative Industries Journal 13, no. 1 (January 2, 2020): 1. http://dx.doi.org/10.1080/17510694.2020.1731999.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Černevičiūtė, Jūratė, and Rolandas Strazdas. "The Arts Incubators, Influence on the Development of System Innovations." Coactivity: Philosophy, Communication 22, no. 2 (February 20, 2014): 126–36. http://dx.doi.org/10.3846/cpc.2014.11.

Full text

Abstract:

This paper discusses the arts incubators’ influence on the development of system innovations and on the ensuring the sustainability of the creativity process in the creative industries’ enterprises. The influence of cultural and creative industries on the economy development is analysed in the article. The analysis of system innovations’ specific features and importance for creative industries is presented. The paper analyses the arts incubators as a part of creative city and as a creative cluster. The factors for the sustainability of creativity process are identified as well as the role of the arts incubators when ensuring the sustainability of system innovations development. Clustering analysis of Vilnius arts incubators was made and the proposals how the existing arts incubators can contribute to the development of system innovations in creative industries were presented.

APA, Harvard, Vancouver, ISO, and other styles

5

Imperiale, Francesca, Roberta Fasiello, and Stefano Adamo. "Sustainability Determinants of Cultural and Creative Industries in Peripheral Areas." Journal of Risk and Financial Management 14, no. 9 (September 10, 2021): 438. http://dx.doi.org/10.3390/jrfm14090438.

Full text

Abstract:

Cultural and Creative Industries (CCIs) are increasingly recognized as part of the global economy and of growing importance for sustainable local development. However, the exploitation of their full potential depends on several issues concerning their entrepreneurial dimension and the context where they operate. The paper deals with these issues having the scope to investigate the main determinants of CCIs’ sustainability in peripheral areas, to understand what kind of policy could better support the survival of CCIs and development in these areas, according to an end-user perspective. The research is part of an Interreg Greece-Italy project carried out from mid-2018 until the end of 2020 with specific reference to CCIs in Apulia (IT) and Western Greece (EL). A two-step mixed methodology has been used to figure out regional specializations and the specific aspects of the entrepreneurial structure and business sustainability in the cultural and creative sector (CCs). In the end, the paper shows and discusses the main determinants considered crucial for CCI sustainability, suggesting guidelines for local authorities supporting their economic development.

APA, Harvard, Vancouver, ISO, and other styles

6

Ma, Haili. "Cultural and creative industries in modern languages." Arts and Humanities in Higher Education 18, no. 2-3 (May 2019): 216–30. http://dx.doi.org/10.1177/1474022219829397.

Full text

Abstract:

This paper explores Cultural and Creative Industry (CCI) teaching and curriculum development across disciplines, based on a case study of a newly established Cultural and Creative Industry (CCI) programme at the School of Modern Languages, Cardiff University, UK. It illustrates how different academic values and goals influence styles of teaching and curriculum development, and it considers how this drives disciplinary evolution. As CCI increasingly attracts international students, in particular from China’s middle-class market, this paper questions the direct ‘import’ of western CCI for Chinese students, in terms of both content relevance and programme development sustainability. This paper suggests that curriculum evolution should be viewed as key for UK higher education to retain market competitiveness, especially a pending ‘Brexit’.

APA, Harvard, Vancouver, ISO, and other styles

7

Krúpová, Kristína, Mária Trúchliková, and Mária Kmety Barteková. "Sustainability in the Most Globalized Sectors of Creative Industries in Slovakia." SHS Web of Conferences 92 (2021): 03013. http://dx.doi.org/10.1051/shsconf/20219203013.

Full text

Abstract:

Research background: To achieve long-term sustainability, it is necessary to strive for a green economy and come up with solutions to address limitations to resource footprints. This will require innovations across the board and creativity in all fields. Creativity and sustainability are closely linked. The sustainable development requires concerted efforts towards building an inclusive and resilient future for the planet. Innovation, the business of ideas, is increasingly seen as the key to future societal prosperity and business success. Purpose of the article: The aim of the paper is to analyse the sustainable development of the most globalized sectors of the creative industries in Slovakia mainly measured by the value added. The value added according to Kalecki (1990) is the sum of wages and profits of the companies. Methods: Sustainability, innovation and value creation (or value added) are nowadays the object of particular attention by the various stakeholders as economic institutions, public and governments. Findings & Value added: This is the ﬁrst research paper which has used the data on value added recently calculated for the media, publishers and software enterprises, which represent the most globalized sectors of the creative industries in Slovakia. The companies with the highest value added have reached the sustainable development and the best economic performance within the media, publishers and software enterprises’ sector.

APA, Harvard, Vancouver, ISO, and other styles

8

Istudor, Laura Gabriela. "Innovation and entrepreneurship in Romania’s cultural and creative industries." Proceedings of the International Conference on Business Excellence 12, no. 1 (May 1, 2018): 498–507. http://dx.doi.org/10.2478/picbe-2018-0045.

Full text

Abstract:

Abstract The evolution of entrepreneurship in the cultural and creative sectors leads to social innovation by creating new jobs intended for the creative class and by building a long-run smart, sustainable and inclusive local development. Innovation and sustainability are concepts that can be applied to many industries, and they can involve numerous improvements related but not limited to processes, products, services, logistics. This paper supports the idea that the creative and cultural sectors can develop through innovative entrepreneurship, by introducing new methods of production, optimizing existing processes, improving the delivery methods or by developing new products or services, while also relying on the help of the government and smart organizations such as clusters. Since innovation involves improving the way of doing business, this paper will focus on identifying the available innovative methods that can be applied to the businesses activating in the cultural and creative sectors of the economy in Romania, together with the main challenges and opportunities that might arise by applying them. The perspectives of intellectual capital, creative economy and knowledge-based society in relation to the impact of innovation and entrepreneurship towards the development of the cultural and creative sectors in Romania will also be considered. The paper will also tackle a series of best practice examples of innovative businesses in the creative sectors, as well as a comparative analysis of the successfully implemented innovative ideas in this field of activity and their impact on the customer satisfaction and on the development of the local economy.

APA, Harvard, Vancouver, ISO, and other styles

9

Suchacek, Jan. "The Benefit of Failure: On the Development of Ostrava’s Culture." Sustainability 11, no. 9 (May 6, 2019): 2592. http://dx.doi.org/10.3390/su11092592.

Full text

Abstract:

Peculiar cultures are symptomatic for areas of traditional industry. The purpose of this paper is to analyze and evaluate cultural and creative industries in Ostrava, the third largest town of the country that at the same time constitutes a typical representative of old industrial urban fabrics in the Czech Republic. Special attention will be devoted to the emerging cultural clusters that appear to be indispensable in terms of sustainable cultural management. Unique qualities of Ostrava’s culture culminated in 2009, when the town decided to stand for the prestigious title of the European Capital of Culture. Finally, Ostrava did not succeed, nonetheless the contest vivified the discourse on Ostrava’s culture and a distinctive potential for the creation of cultural clusters was revealed. Semi-structured interviews accomplished with relevant actors of the town’s culture facilitated contextual interpretation of the role of cultural and creative industries as well as mapping the potential cultural clusters in the town. The research question posed in this article is as follows: do development effects formed by the concentration of creative and cultural industries in Ostrava exist? It turned out that the paths towards cultural management sustainability can differ substantially from recipes, which are well-proven in leading developed territories. The results of our analysis confirmed some developmental effects evoked by the concentration of cultural industries and cultural clusters in Ostrava can be identified, but genuine qualitative transformation towards a more cultural and sustainable milieu in Ostrava undoubtedly requires more time.

APA, Harvard, Vancouver, ISO, and other styles

10

Chen, Xu, Chunhong Liu, Changchun Gao, and Yao Jiang. "Mechanism Underlying the Formation of Virtual Agglomeration of Creative Industries: Theoretical Analysis and Empirical Research." Sustainability 13, no. 4 (February 3, 2021): 1637. http://dx.doi.org/10.3390/su13041637.

Full text

Abstract:

Industrial agglomeration serves as an effective model for developing the creative economy and manifests itself as the interdependence of creative subjects in geographical space. The traditional methods of resource agglomeration have undergone tremendous changes due to the development of digital technology. These transformations have given birth to a new organizational form of the virtual agglomeration of creative industries. The present work uses field interviews and grounded theoretical research methods to construct a theoretical model of this new organizational phenomenon. Questionnaire surveys and empirical testing using structural equation models are here combined to systematically analyze the formation mechanism of the virtual agglomeration of creative industries. The results show that digital technology, virtual platforms, digital creative talents, digitization of cultural resources, and government policies have driven the formation of the virtual agglomeration of creative industries. This has been achieved through network collaboration, freedom of participation, and trust guarantee mechanisms. The effect of emerging consumer demand on the virtual agglomeration of creative industries is not significant. In addition, the implications of this research are also considered and discussed.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Sustainability e creative industries"

1

Garcia, Ana Gabriela Lobato. "Sustainable regeneration of industrial building to assure modern day necessities. Innovation and design as drivers of sustainability and development in Odivelas." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2013. http://hdl.handle.net/10400.5/6650.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Aloise, Pedro Gilberto. "Ecoinovações no polo industrial de Manaus : direcionadores e fatores determinantes." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3073.

Full text

Abstract:

Um dos pontos de relevância do Relatório da Comissão Mundial do Meio Ambiente e Desenvolvimento, de 1987 diz respeito a utilização não predatória dos recursos naturais e com a degradação do meio ambiente. As inovações surgem como meio de se atingir estes objetivos e as organizações tem um importante papel a cumprir neste sentido. Os estudos organizacionais sobre ecoinovação (EI) estão concentrados em países desenvolvidos e a literatura tem recomendado novas pesquisas para se analisar fatores e condições específicas em países em desenvolvimento. Seguindo esta recomendação a pesquisa buscou identificar os direcionadores de ecoinovações, nas indústrias instaladas no Polo Industrial da Zona Franca de Manaus e concomitantemente os obstáculos e orientação à inovação dessas organizações. Do ponto de vista metodológico a pesquisa se desenvolveu sob a forma de estudo de caso, a ser analisado sob as perspectivas qualitativa e quantitativa. A abordagem qualitativa e exploratória foi desenvolvida através de entrevistas e analisadas por meio de análise de conteúdo. A abordagem quantitativa foi realizada por meio de survey em uma amostra de empresas industriais instaladas em Manaus. A pesquisa contribui com a teoria de ecoinovação na Zona Franca de Manaus, identificando direcionadores regionais de ecoinovação conforme proposto em estudos anteriores. A biodiversidade amazônica é o principal fator potencial que pode direcionar ecoinovações, através do desenvolvimento de novos produtos, por meio de biotecnologias, biofármacos, biocosméticos e fitoterápicos (plantas medicinais). Outros direcionadores identificados estão relacionados às mudanças na legislação local, recursos para Pesquisa e Desenvolvimento, cursos inovadores, desenvolvimento de processos reversos (reutilização de resíduos em processos produtivos), certificação ambiental, competitividade, criatividade e continuidade dos negócios. As dificuldades e obstáculos mais relevantes estão relacionados à desarticulação entre empresas, academia e órgãos governamentais decorrentes da falta de um sistema de inovação estruturado e de um modelo de inovação consolidado. Outros entraves decorrem de problemas de natureza econômica e gerencial, razões de ordem cultural, operacional e política. Por fim, a pesquisa proporcionou insights para a proposição de estudos futuros relacionados a direcionadores de ecoinovações, deficiências e entraves à consolidação dos sistemas de inovação e seus impactos sobre o desenvolvimento de novos produtos e processos, obstáculos a integração entre os agentes da tríplice hélice (academia, empresas e governo) e seus reflexos sobre o desenvolvimento de inovações, orientação e obstáculos a inovação relacionados com a performance organizacional (performance, financeira, tecnológica e ambiental).
Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2017-08-18T16:44:30Z No. of bitstreams: 1 Tese Pedro Gilberto Aloise.pdf: 11458266 bytes, checksum: f20976518d73f218e650807e170fda89 (MD5)
Made available in DSpace on 2017-08-18T16:44:30Z (GMT). No. of bitstreams: 1 Tese Pedro Gilberto Aloise.pdf: 11458266 bytes, checksum: f20976518d73f218e650807e170fda89 (MD5) Previous issue date: 2017-08-18
Fundação de Amparo a Pesquisa do Estado do Amazonas, FAPEAM.
One of the points of relevance of the Report of the World Commission on Environment and Development of 1987 concerns the non-predatory use of natural resources and the degradation of the environment. Innovations emerge as a means to achieve these goals and organizations have an important role to play in this regard. Organizational studies on eco-innovation (EI) are concentrated in developed countries and the literature has recommended new research to analyze specific factors and conditions in developing countries. Following this recommendation, the research sought to identify the drivers of eco-innovations in the industries installed in the Industrial Pole of the Manaus Free Trade Zone and concomitantly the obstacles and orientation to the innovation of these organizations. From the methodological point of view the research was developed in the form of a case study, to be analyzed under the qualitative and quantitative perspectives.The qualitative and exploratory approach was developed through interviews and analyzed through content analysis. The quantitative approach was performed through a survey of a sample of industrial companies located in Manaus. The research contributes to eco-innovation theory Manaus Free Trade Zone, identifying regional drivers as proposed in previous studies. Amazonian biodiversity is considered the main potential factor that can guide eco-innovations, through the development of new products, through biotechnologies, biopharmaceuticals, bio-cosmetics and herbal medicines. Other identified drivers are related to changes in local legislation, resources for Research and Development, innovative courses, development of reverse technologies (reuse of waste in productive processes), environmental certification, competitiveness, creativity and business continuity. The most relevant difficulties and obstacles are related to the disarticulation between companies, academia and government bodies due to the lack of a structured innovation system and a consolidated innovation model. Other obstacles stem from economic and managerial problems, cultural, operational and political reasons. Finally, the research provided insights for the proposal of future studies related to drivers of eco-innovations, deficiencies and obstacles to the consolidation of innovation systems and their impacts on the development of new products and processes, obstacles to integration among the agents of the triple helix (universisties companies, and government) and its reflections on the development of innovations, orientation and obstacles to innovation related to organizational performance (financial, technological and environmental).

APA, Harvard, Vancouver, ISO, and other styles

3

Doneman, Michael. "Creative industries development in regional Queensland." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16281/.

Full text

Abstract:

Creative industries have significance in considerations of regional development because of their potential for both social-cultural and political-economic benefit. This is especially the case in Indigenous communities, given the potential of traditional and contemporary cultural expression for industry development and employment. This research set out to explore and evaluate an action research approach to creative industries development in regional contexts, stimulated by a research initiative of　Queensland's Department of State Development in cooperation with Queensland University of Technology's Creative Industries Research and Applications Centre. It is based on an analysis of seven pilot projects undertaken between 2002 and 2004, most of which involved Indigenous　participation and which gave rise to consideration of the additional value of Indigenist research perspectives. The research found that an action research methodology, informed by Indigenist research values, can assist creative enterprise development in a regional context through the development of new businesses or by value-adding to existing businesses, and the consequent generation and exploitation of new intellectual property. In this process, it found that there is an emerging role for the creative entrepreneur, such a role arising from the practices of community cultural development and social-cultural animation.

APA, Harvard, Vancouver, ISO, and other styles

4

Oruc, Sercan. "Modeling The Dynamics Of Creative Industries: The Case Of Film Industries." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12611988/index.pdf.

Full text

Abstract:

Dynamic complexity occurs in every social structure. Film industry, as a type of creative industries, constitutes a dynamic environment where uncertainty is at high levels. This complexity of the environment renders the more traditional operations research models somewhat ineffective, and thus, requires a dynamic analysis. In this study, a model showing the dynamics of film exhibition is given. The interactions within and between the theatrical and the DVD sales channels are implemented by the model. Later on, the possible effects of piracy to the model are discussed, using the inferences obtained by the created model. The model is examined with scenario and sensitivity analysis. All the modeling studies are done with a commercial dynamic systems modeling software. The model also can be extended for the whole film industry, or for some other creative industries like the publishing industry.

APA, Harvard, Vancouver, ISO, and other styles

5

Webb, Aleksandra. ""We need arts as much as we need food. Our responsibility is for that to be possible" : insights from Scottish cultural leaders on the changing landscape of their work." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21478.

Full text

Abstract:

The analysis of cultural policy in the last decade suggests that creativity and the arts in general are extensively used in political agendas as means of capitalizing on the forecasted socio-economic potential of creative/artistic activities (e.g. Flew, 2005; Garnham, 2005; Hartley, 2005; Hesmondhalgh, 2007). Although some critical studies have highlighted instrumentalism, short-sidedness and practice/practitioners’ averse policy-making and intervention planning (Belfiore, 2004, 2009; Caust, 2003; Oakley, 2009; Newman, 2013), so far only very few studies have exposed the experiences and voices of particular groups of creative workers in the different national (country-specific) contexts to support this criticism. There has been a significant lack of studies that aim to understand how creative workers experience and cope with the changing policy context in their work. In particular, the voice of non-artists has rarely been considered when seeking a better understanding of the sector’s dynamics. This thesis explored the Scottish cultural sector through the eyes of cultural leaders. The study was carried out during a time of significant transformation to the funding structure, processes and relationships in the sector, catalysed by the establishment of a new funding agency (the funder). It focuses on cultural leaders’ understandings of an increasingly politicised cultural landscape that constitutes the context of their work. The thesis also looks at the influence of these understandings on the leaders’ role responsibilities, as well as the essence and the sustainability of the cultural sector. The empirical work for the thesis followed a qualitative research approach and focused on 21 semi-structured interviews with cultural leaders and industry experts based in Scotland. These individuals were purposefully chosen as a group of stakeholders who are able to engage in discussions about the cultural sector in the context of recent changes in the governance and financial subsidy of Scottish (publically funded) arts. The research findings illustrated the importance of leaders’ values and beliefs, which reflect the purpose of their work and shape their enactments in the sector. In particular, the intrinsic motivation, artistic ambitions, social and civic responsibilities of leaders emerged as crucial qualities of their work roles. The findings revealed a discrepancy between these artistic and civic concerns of cultural leaders and the socio-economic expectations of the funder, which contributed to a great deal of unproductive ('inorganic') tensions for which leaders had to find coping mechanisms. Bourdieu’s (1977, 1992) theoretical concepts were used as a starting point in understanding the cultural sector as a cultural field, and cultural leaders as actors enacting their work-related practices in the evolving socio-political and economic system of cultural production. However, upon further analysis of the data, the notions of a ‘worldview’ and ‘stewardship’ emerged and were used to better explain the greater complexity of work in today’s cultural sector. This thesis thus builds upon Bourdieu’s concept of ‘field’ and ‘artistic logic’ and explains the changing cultural sector as a holistic cultural field where cultural leaders enact their stewardship-like work responsibilities from within a strong and dynamic artistic worldview.

APA, Harvard, Vancouver, ISO, and other styles

6

Coll, Martínez Eva. "Essays on location patterns of creative industries." Doctoral thesis, Universitat Rovira i Virgili, 2018. http://hdl.handle.net/10803/462912.

Full text

Abstract:

Aquesta tesi analitza i identifica quins són els factors que faciliten la localització i aglomeració de les indústries creatives a nivell local i les compara amb les de la resta d’activitats econòmiques. Aquesta tesi contribueix a la literatura de les indústries creatives a través de l'anàlisi de les pautes de localització d'aquestes indústries tant des d'una perspectiva d’anàlisi tradicional a nivell municipal com introduint algunes innovacions quant a l'ús de la econometria espacial, els mètodes basats en la distància i els Sistemes d’Informació Geogràfica (SIG) gràcies a l’accés a dades micro-geogràfiques. L'aplicació empírica se centra en els municipis catalans per al període 2002-2007, en l'Àrea Metropolitana de Barcelona i, finalment, en la ciutat de Barcelona per al període 2006-2015. Tot i que els determinants de localització de les indústries creatives no són tan diferents dels de les no creatives, els principals resultats d'aquesta tesi confirmen la naturalesa específica d'aquestes indústries i la seva major necessitat d'aglomeració, especialment per a les indústries creatives basades en un coneixement més simbòlic. A més, aquesta tesi corrobora l'associació positiva entre les indústries creatives i el creixement econòmic, en termes de creació d’empreses i de productivitat. Tanmateix, els resultats suggereixen que la capacitat d'atraure activitats creatives i ocupació a una àrea estan estretament vinculats a l’entorn creatiu existent i les dinàmiques culturals històriques que defineixen la personalitat de l’àrea. Tenint en compte el gran potencial de les indústries creatives en termes de, per exemple, el dinamisme econòmic, la regeneració urbana o el màrqueting urbà, els resultats d'aquesta tesi permeten extreure una sèrie de recomanacions per a les autoritats públiques disposades a fomentar la diversificació de l'activitat econòmica per tal d’augmentar la seva competitivitat en un context econòmic i social cada vegada més global.
Esta tesis analiza e identifica cuáles son los factores que facilitan la localización y aglomeración de las industrias creativas a nivel local y las compara con las del resto de actividades económicas. Esta tesis contribuye a la literatura de las industrias creativas a través del análisis de las pautas de localización de estas industrias tanto desde una perspectiva de análisis tradicional a nivel municipal como introduciendo algunas innovaciones en cuanto al uso de la econometría espacial, los métodos basados en la distancia y los Sistemas de Información Geográfica (SIG) gracias al acceso a datos micro-geográficos. La aplicación empírica se centra en los municipios catalanes para el periodo 2002-2007, en el Área Metropolitana de Barcelona y, finalmente, en la ciudad de Barcelona entre 2006-2015. A pesar de que los determinantes de localización de las industrias creativas no son tan diferentes de los de las no creativas, los principales resultados confirman la naturaleza específica de estas industrias y su mayor necesidad de aglomeración, especialmente para a las industrias creativas basadas en un conocimiento más simbólico. Además, esta tesis corrobora la asociación positiva entre industrias creativas y crecimiento económico, en términos de creación de empresas y de productividad. Sin embargo, los resultados también sugieren que la capacidad de atraer actividades creativas y empleo en un área está claramente asociada al entorno creativo existente y las dinámicas culturales históricas que definen la personalidad del área. Teniendo en cuenta el gran potencial de las industrias creativas en términos de, por ejemplo, el dinamismo económico, la regeneración urbana o el marketing urbano, los resultados de esta tesis permiten extraer una serie de recomendaciones para las autoridades públicas dispuestas a apoyar la diversificación de la actividad económica a efectos de aumentar su competitividad en un contexto económico y social cada vez más global.
This thesis analyses and identifies which factors facilitate the location and agglomeration of creative industries at the local level and compare them to those of the other economic activities. This thesis contributes to the literature on creative industries by analysing the location behaviour of these industries both from a traditional analysis at municipality level and by introducing some innovations regarding the use of spatial econometrics, distance-based methods and Geographical Information Systems (GIS) thanks to the access to micro-geographic data. The empirical application focuses on Catalan municipalities for the period 2002-2007, on the Metropolitan Area of Barcelona and on the city of Barcelona for the period 2006-2015. Main findings of this thesis show that, despite the fact that creative industries location determinants are not so different from those of non-creative industries, the specific nature of these industries and their greater need for agglomeration is confirmed, especially for symbolic-based creative industries. Moreover, this thesis confirms the positive association between creative industries and economic growth – in terms of firm creation or productivity. Finally, it also suggests that the ability to attract creative activities and employment to an area strongly depends on the existing creative milieu and the cultural path dependence of the area. Based on the assumption that creative industries have great potential in terms of, for example, economic dynamism, urban regeneration or city marketing, results of this thesis allows having a series of recommendations for public authorities willing to support the diversification of economic activity for the purpose of enhancing their competitiveness in an economic and social context increasingly global.

APA, Harvard, Vancouver, ISO, and other styles

7

Cluley, Robert John. "Creative production in the UK music industries." Thesis, University of Leicester, 2011. http://hdl.handle.net/2381/8939.

Full text

Abstract:

Creative work is thought to offer a model for the future of all work as we move into a knowledge economy. But in what sense is creative work, itself, creative? This is the central concern of this thesis. Many have argued that our ability to be creative has, ironically, decreased with the rise of creative work. Researchers have suggested that the precarious labour conditions typical of creative work along with the growing role of large corporations in the creative labour market make it all but impossible for creative workers to be experimental and innovative – that is, to be truly creative. However, marking a distinction between creatively producing something and producing something creative, I argue that organising creativity is now an important creative activity in its own right and is intimately related to various ways of representing work. Drawing on ethnographic empirical research and my own experiences as an amateur musician I describe the ways in which working helps a specific group of people to creatively make music and provide an analysis of how positive and negative images of work help to structure and inspire this creativity.

APA, Harvard, Vancouver, ISO, and other styles

8

Eidenberger, Judith, Sandra Haider, Astrid Oberhumer, and Jutta Rozinski. "Creative Industries in der Gemeinde Gaspoltshofen. Eine Regionalstudie." Forschungsbereich Wirtschaft und Kultur, WU Vienna University of Economics and Business, 2006. http://epub.wu.ac.at/924/1/document.pdf.

Full text

Abstract:

The main ambition of this qualitative research study was to gain more knowledge about creative industries in the rural area. As research area we chose the rural village Gaspoltshofen in Upper Austria. To reach our target, a two-step strategy was adopted. The first step consisted in an elicitation of the creative workers and their activities. Secondly, eleven creative workers and key personalities were interviewed. Although the study was focusing on one village, we were able to generate general theses about creative industries, which claim universal validity for villages of similar size: Creative workers operate in structures like those described as the future of working environment: Traditional lifelong employment is replaced by working in a variety of fields, which brings along a need for permanent further education. Creative workers mainly are self-employed. They work in the same place they live, and consequently are more flexible concerning working hours. In these new, flexible structures networks are of high significance. Creative workers are existentially dependent on networking. Not only that they often get their jobs through it, they also socialise new customers and colleagues relations. In addition they enjoy financial protection through a social-familiar safety-net in times of crisis. Through the new way of working the geographical independency increases which allows free choice of residence. As a consequence creative industries also exist in the rural area. Nevertheless they are still dependent on urban structures, especially concerning formal institutions of further education like universities or colleges. To establish creative industries in a small village, it is essential that they are located in an adequate distance from a city. If the distance is too small, the establishment of creative structures will be taken over by the city, whereby the neighbouring villages won't see a necessity to initiate anything on their own. Already existing creative industries infrastructure positively effects the establishment and extension of further creative businesses. Due to the small size of villages single persons have a big influence on the establishment of initiatives, both concerning their coming off and the formation of opinion about it. Especially for the continuance of a creative industries organisation a long-lasting commitment and takeover of responsibility of single persons is important. Concerning new initiatives there is often a polarisation of the population due to the sympathy or antipathy regarding the initiators. All creative workers identify themselves with - or are at least concerned about - the village. An important issue here is "to show the village a thing or two", which illustrates the creative workers' strong relation to their residence. (author's abstract)
Series: Schriftenreihe / Forschungsbereich Wirtschaft und Kultur

APA, Harvard, Vancouver, ISO, and other styles

9

Mayerhofer, Peter, and Peter Huber. "Arbeitsplatzeffekte und Betriebsdynamik in den Wiener "Creative Industries"." WU Vienna University of Economics and Business, 2005. http://epub.wu.ac.at/3455/1/ci_mayerhofer.pdf.

Full text

Abstract:

Based on an individual longitudinal data on dependent employment we analyse the role of Creative Industries for the employment system of Vienna. We focus on gross job flows and firm dynamics in this priority field of Vienna's urban policy and analyse the characteristics of the different parts of the cluster's production system. We find ample evidence for positive effects of Creative Industries on employment growth and firm birth, but also reveal considerable job turnover and a large heterogeneity of firm growth in the cluster. Especially, we find rather different evolutions along the clusters value chain, which points to weak linkages between upstream and downstream activities in the cluster. (author's abstract)
Series: Creative Industries in Vienna: Development, Dynamics and Potentials

APA, Harvard, Vancouver, ISO, and other styles

10

Oakley, Kate. "Creative industries and the politics of New Labour." Thesis, City University London, 2010. http://openaccess.city.ac.uk/11884/.

Full text

Abstract:

This thesis examines the development of policy towards the creative industries in the UK in the period 1997-2008. It argues that this can be seen in the light of New Labour's understanding of the knowledge economy, an understanding that influenced its development of education and social policy, as well as economic policy. It thus provides a unique insight into New Labour politics in general. The thesis asserts that New Labour's account of the knowledge economy was a deterministic one, which took its cue from what it believed to be long-term social and economic trends. In this, it is consistent with other critiques of New Labour politics, which argue that it can be seen as a development of prevailing neoliberal ideas (Hay 1999; Thompson 2002; Finlayson 2003; Clarke 2004); but in this case, I argue, it is a variety of neoliberalism that is heavily influenced by institutionalism (Bevir 2005). The importance of institutionalist ideas can be seen in the emphasis in creative industries policy on networks, characterised by social and ethical norms, as opposed to a neoliberal focus purely on marketisation. New Labour produced an essentially benign account of the knowledge economy; the creative industries were capable of producing 'good work', which offered opportunities for highly skilled labour. In addition, because of its links to popular culture, they could offer inclusion through work, for those deemed socially excluded. I argue that this account continued throughout the period under examination, despite mounting evidence, discussed in several of the publications below, that the creative industries produce labour markets that are highly unequal in terms of race and class. It is in attitudes to the labour market that the failures of New Labour's creative industries policy can be seen most sharply. The roots of that failure, and what it tells us about New Labour's creative industries policy, is the subject of the thesis.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Sustainability e creative industries"

1

McCarty, Tom. Six sigma for sustainability: How corporations can create a winning environmental program. New York: McGraw-Hill, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Creative industries. Richmond: Trotman, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lean sustainability: Creating safe, enduring, and profitable operations. Boca Raton, FL: CRC Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Careers in creative industries. New York: Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Chapain, Caroline, and Tadeusz Stryjakiewicz, eds. Creative Industries in Europe. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56497-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hyz, Alina, and Kostas Karamanis. Creative Industries in Greece. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40298-7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Peris-Ortiz, Marta, Mayer Rainiero Cabrera-Flores, and Arturo Serrano-Santoyo, eds. Cultural and Creative Industries. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99590-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Troilo, Gabriele. Marketing in Creative Industries. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-0-230-38023-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Puchta, Dieter, Friedrich Schneider, Stefan Haigner, Florian Wakolbinger, and Stefan Jenewein. The Berlin Creative Industries. Wiesbaden: Gabler, 2010. http://dx.doi.org/10.1007/978-3-8349-8651-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Jovanovic, Boyan. Creative destruction in industries. Cambridge, Mass: National Bureau of Economic Research, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Sustainability e creative industries"

1

Borin, Elena, Fabio Donato, and Christine Sinapi. "Financial Sustainability of Small- and Medium-Sized Enterprises in the Cultural and Creative Sector: The Role of Funding." In Entrepreneurship in Culture and Creative Industries, 45–62. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65506-2_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Lavanga, Mariangela, and Martina Drosner. "Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)development and Sustainability." In Cultural Industries and the Environmental Crisis, 95–109. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49384-4_8.

Full text

Abstract:

AbstractRecent attempts have been made by scholars and policy makers to include culture in the sustainability discourse. However, there is a general lack of empirical studies that provide enough insights to understand why culture matters for sustainability. By taking the case of De Ceuvel—a planned workplace for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter aims at answering the question why do cultural and creative entrepreneurs engage in sustainability and in particular in a circular economy model.

APA, Harvard, Vancouver, ISO, and other styles

3

Lavanga, Mariangela, and Martina Drosner. "Correction to: Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)development and Sustainability." In Cultural Industries and the Environmental Crisis, C1. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49384-4_12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Dubina, Igor N., and David F. J. Campbell. "Creative Industries." In Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship, 440–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-15347-6_200076.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Boccardelli, Paolo. "Creative Industries." In The Palgrave Encyclopedia of Strategic Management, 1–6. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-349-94848-2_758-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Boccardelli, Paolo. "Creative Industries." In The Palgrave Encyclopedia of Strategic Management, 375–80. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-00772-8_758.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Troilo, Gabriele. "Creative Industries." In Marketing in Creative Industries, 3–20. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-0-230-38023-3_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dubina, Igor N., and David F. J. Campbell. "Creative Industries." In Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship, 1–4. New York, NY: Springer New York, 2019. http://dx.doi.org/10.1007/978-1-4614-6616-1_200076-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Goto, Kazuko. "Defining Creative Industries." In Tax Incentives for the Creative Industries, 11–20. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-287-832-8_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Harris, Anne. "Creative Industries or Creative Imaginaries?" In The Creative Turn, 151–70. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-551-9_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Sustainability e creative industries"

1

Kunda, Ilona, Baiba Tjarve, and Zanete Eglite. "Creative industries in small cities: contributions to sustainability." In 22nd International Scientific Conference. “Economic Science for Rural Development 2021”. Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2021. http://dx.doi.org/10.22616/esrd.2021.55.015.

Full text

Abstract:

The paper addresses the gap in analysing the complex role of creative industry businesses in small towns with regard to sustainable development. It takes a scholarly literature review approach and in the final section proposes a typology of sustainability-oriented actions, which creative industry businesses may or may not take in practice. As a typology of positive contributions, it lays groundwork for an empirical study, which is envisaged as the next step. The paper reinforces the idea of the complexity of the dimensions of sustainability as context-dependent, negotiated and situated, and the ambivalent role of creative industry businesses, stemming from the material realities of creating, distributing and consuming cultural and digital products.

APA, Harvard, Vancouver, ISO, and other styles

2

Pop, Marlena. "Identity Design - Method of Generating Cultural Sustainability of Creative Industries Products." In The 6th International Conference on Advanced Materials and Systems. INCDTP - Division: Leather and Footwear Research Institute, Bucharest, RO, 2016. http://dx.doi.org/10.24264/icams-2016.vi.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Dadić, Lorena, and Helga Maškarin Ribarić. "IDENTIFYING THE IMPACTS OF NPOs ON TOURISM IN ORDER TO INCREASE THEIR FINANCIAL SUSTAINABILITY." In Tourism in Southern and Eastern Europe 2017: Tourism and Creative Industries: Trends and Challenges. University of Rijeka, Faculty of Tourism and Hospitality Management, 2017. http://dx.doi.org/10.20867/tosee.04.33.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ge, Rui, and Tsung-Chih Hsiao. "A Summary of Virtual Reality, Augmented Reality and Mixed Reality Technologies in Film and Television Creative Industries." In 2020 IEEE 2nd Eurasia Conference on Biomedical Engineering, Healthcare and Sustainability (ECBIOS). IEEE, 2020. http://dx.doi.org/10.1109/ecbios50299.2020.9203607.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Tamer, Gülay. "Sustainability in Healthcare." In International Conference on Eurasian Economies. Eurasian Economists Association, 2018. http://dx.doi.org/10.36880/c10.02062.

Full text

Abstract:

Sustainability, which is a multi-dimensional and popular concept today, has three dimensions that almost everyone agrees: environmental, economic and social dimensions. Due to the complex nature of the healthcare industry and the wide range of facilities, operations and activities of a typical healthcare provider, the overall social, economic and environmental impact created by the healthcare industry is enormous and closely related to the sustainable development. As in all other industries, it is also inevitable for the healthcare sector to take sustainability initiatives to the forefront. In this study, how sustainability and sustainable development can be adapted to the healthcare sector is described after definition of the concept is given. Some examples of sustainability understanding and initiatives that healthcare facilities may adopt are addressed and how quality dimensions can be used in this context is explained. And to this end, a research conducted in a hospital to contribute to improve healthcare infrastructure to create socially sustainable healthcare facilities is given as a case study at the end of this study. In the said case study, the researches suggest that evidence based design presents an adequate tool for analyzing existing and future design of healthcare facilities.

APA, Harvard, Vancouver, ISO, and other styles

6

Ferreira, Maria Jose, Vera V. Pinto, and Patricia Costa. "LIFE GREENSHOES4ALL - Footwear environmental footprint." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.iv.6.

Full text

Abstract:

One important step towards sustainability in footwear industries is to measure and tune the environmental impact a product makes throughout its life cycle. By performing a product’s life cycle assessment (LCA), the footwear value chain can produce footwear more responsibly, economically and in an eco-friendly way by addressing the three pillars of sustainability. LIFEGreenShoes4All teams are conducting LCA studies in representative footwear models ranging from fashion to safety footwear, with uppers in leather or textiles; midsoles in polyurethane foam (PU) or ethyl vinyl acetate (EVA); soles in vulcanized rubber, thermoplastic rubber (TR), EVA and others. These studies make possible to identify and quantify the most relevant life cycle stages, contributing to the most relevant impact categories (e. g, climate change, resource use), helping companies on the definition of how their footwear environmental performance may be improved. Considering the results, the higher contributors are materials and components, followed by waste from manufacturing and end-of-life. The creative design phase plays a significant role in footwear life cycle sustainability impact. The implementation of eco-design on the product conception is crucial to reduce the Product Environmental Footprint (PEF). LIFEGreenShoes4All is being developed by 9 partners AMF, APICCAPS, ATLANTA, CEC, CTCP, EVATHINK, ICPI, INESCOP, FICE and PESTOS (https://www.greenshoes4all.eu/).

APA, Harvard, Vancouver, ISO, and other styles

7

Ozalp, Nesrin, and Barry Hyman. "Energy End-Use Models of the U.S. Organic and Inorganic Chemicals Industries." In ASME 2009 3rd International Conference on Energy Sustainability collocated with the Heat Transfer and InterPACK09 Conferences. ASMEDC, 2009. http://dx.doi.org/10.1115/es2009-90259.

Full text

Abstract:

In this paper, energy end-use models of U.S. Organic Chemicals and the U.S. Inorganic Chemicals industries are given. The energy end-use model is developed based on the waste heat recovery characterization of the U.S. Chemical Industry and the onsite power and steam generation model. The primary database used in this study is the Energy Information Administration’s (EIA) data: EIA 906, EIA-920, EIA-860B and MECS (Manufacturing Energy Consumption Survey). Based on the results found from the models; the majority of the fuel is used for the end-uses in these manufacturing sectors either directly or through onsite power and steam generation. The approach to create these models is applicable to all other industries for which data is available and the model is consistent with the most available U.S. Department of Energy data, which is currently given for 2002 while the data for 2006 is under progress. When used in conjunction with similar models for other years, it can be used to identify the changes and trends in energy utilization even at the prime mover level of detail.

APA, Harvard, Vancouver, ISO, and other styles

8

"Corporate Sustainability: The Impact of Corporate Leadership Gender on Year Over Year Performance." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4213.

Full text

Abstract:

Aim/Purpose: Women continue to be underrepresented in corporate leadership positions in the global market. Research examining the impact of female leadership influence on corporate sustainability over time is limited. This paper contributes to the literature addressing leadership gender, corporate sustainability, and business ethics. Background: Previous literature suggests the long-term effectiveness of corporate sustainability improves when females are in corporate leadership positions because of gender diﬀerences in business strategy and ethical considerations influenced by social roles. Methodology: This quantitative study will examine the relationships between corporate leader-ship gender, financial performance, environmental performance, social performance, and governance performance over four years. A sample of 99 multinational and large corporations participating in the Corporate Sustainability Assessment (CSA) from 2014 to 2017, were selected from the S&P 500 Dow Jones Sustainability North American Composite Index. Contribution: Examining CEO, C-Suite, and Board of Director gender influence on both financial and ESG constructs in a single study is unprecedented. This research also introduces a paradigm shift in defining and analyzing corporate sustainability constructs to create a holistic view for equal consideration of financial and nonfinancial performance. Findings: The evidence suggests the impact of female leaders on year-over-year sustainability is significantly greater than that of their male counterparts across several performance outcomes, industries, and time periods. Due to the small sample size, the effect is small; however, enough information is available to successfully test hypotheses with the proposed holistic approach. Future Research: Corporate sustainability as an area of competitive advantage for women leaders and more global studies focusing on female leadership and corporate sustainability performance over time is needed.

APA, Harvard, Vancouver, ISO, and other styles

9

Ozalp, Nesrin. "Energy Process-Step Model of Hydrogen Production in the US Chemical Industry." In ASME 2008 2nd International Conference on Energy Sustainability collocated with the Heat Transfer, Fluids Engineering, and 3rd Energy Nanotechnology Conferences. ASMEDC, 2008. http://dx.doi.org/10.1115/es2008-54121.

Full text

Abstract:

This paper gives a representative energy process-step model of hydrogen production in the U.S. Chemical Industry based on federal data. There have been prior efforts to create energy process-step models for other industries. However, among all manufacturing industries, creating energy flow models for the U.S. Chemical Industry is the most challenging one due to the complexity of this industry. This paper gives concise comparison of earlier studies and provides thorough description of the methodology to develop energy process-step model for hydrogen production in the U.S. Chemical Industry. Results of the energy process-step model of hydrogen production in the U.S. Chemical Industry show that steam allocations among the end-uses are: 68% to process cooling (steam injection to product combustion gases), 25% to process heating, and 7% to other process use (CO2 converter). The model also shows that the major energy consuming step in hydrogen production is the reformer, which consumes approximately 16 PJ fuel. During the course of this study, the most recent U.S. federal energy database available was for the year 1998. Currently, the most recent available U.S. federal energy database is given for the year 2002 based on the data collected from 15,500 establishments.

APA, Harvard, Vancouver, ISO, and other styles

10

Mu, Dongyan, Fu Zhao, Thomas P. Seager, and P. Suresh C. Rao. "Integration of Resilience Perspective Into Sustainability Assessment of Biofuel Production." In ASME 2010 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/detc2010-28148.

Full text

Abstract:

The recent boom and collapse of the corn ethanol industry calls into question on the long-term sustainability of biofuels and traditional approaches to biofuel systems design. Compared with petroleum based transportation fuel production, biofuel production systems are so closely connected and heavily influenced by natural systems that they have to deal with high degrees of complexity, variability and unpredictability. Accordingly, a fundamental change in design philosophy is necessary for long-term viability of biofuel production. The new approach requires the system to be designed not for a narrowly defined efficiency (both economic and ecological), but for resilience (indicated by characteristics such as diversity, efficiency, cohesion and adaptability) to absorb unexpected disruptions and changes. Also, biofuel systems must be endowed with transformability to allow for “creative destruction” when current transportation fuels are eventually supplanted by new vehicle technologies and/or mode of transportation. This paper addresses important concepts in the design of coupled engineering-ecological systems (i.e. resilience, adaptability and transformability) that determine future system trajectories at multiple scales. In addition, several emerging biofuel conversion technologies are examined from a resilience perspective. It is suggested that the thermo-chemical conversion technologies may be preferable for biofuel production from resilience aspect. However, multiple technologies may increase the diversity and flexibility of the entire industry. This paper calls for the development of quantitative metrics for resilience assessment (similar to life cycle assessment for environmental sustainability) of industrial system, which are critical for integrating resilience into technology development and system design.

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Sustainability e creative industries"

1

Jovanovic, Boyan, and Chung-Yi Tse. Creative Destruction in Industries. Cambridge, MA: National Bureau of Economic Research, September 2006. http://dx.doi.org/10.3386/w12520.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Murciano Martínez, M., and C. González Saavedra. The cultural and creative industries in the Spanish regions: The case of Catalonia. Revista Latina de Comunicación Social, January 2018. http://dx.doi.org/10.4185/rlcs-2018-1250en.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Radauer, Alfred, Tobias Dudenbostel, Hasan Bakshi, Rasmus Tscherning, and Robert Eysoldt. Evaluation of the Austrian initiative for the Creative Industries evolve - English Executive Summary. Technopolis Forschungs- und Beratungsges.m.b.H, March 2014. http://dx.doi.org/10.22163/fteval.2015.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Levinsohn, Jim, and Wendy Petropoulos. Creative Destruction or Just Plain Destruction?: The U.S. Textile and Apparel Industries since 1972. Cambridge, MA: National Bureau of Economic Research, June 2001. http://dx.doi.org/10.3386/w8348.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Rodríguez Gómez, EF, E. Real Rodríguez, and G. Rosique Cedillo. Cultural and Creative Industries in the Community of Madrid: context and economic development 2008 – 2014. Revista Latina de Comunicación Social, March 2017. http://dx.doi.org/10.4185/rlcs-2017-1166en.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Salavisa, Isabel, Cristina Latoeira, and Ana Roldão. The role of creative industries and governance for cities’ competitiveness: the case of Lisbon and Barcelona. DINÂMIA'CET-IUL, 2009. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2009.81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Verón-Lassa, JJ, R. Zugasti-Azagra, and F. Sabés-Turmo. Impact of the financial crisis on the cultural and creative industries: the case of Aragon (2008-2013). Revista Latina de Comunicación Social, January 2017. http://dx.doi.org/10.4185/rlcs-2017-1152en.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Magie, Anna A., and Deborah D. Young. Sustainable Showcase Project: Student Pathway to Understanding Sustainability in the Apparel and Home Furnishings Industries. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-840.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Saadeh, Shadi, and Pritam Katawał. Performance Testing of Hot Mix Asphalt Modified with Recycled Waste Plastic. Mineta Transportation Institute, July 2021. http://dx.doi.org/10.31979/mti.2021.2045.

Full text

Abstract:

Plastic pollution has become one of the major concerns in the world. Plastic waste is not biodegradable, which makes it difficult to manage waste plastic pollution. Recycling and reusing waste plastic is an effective way to manage plastic pollution. Because of the huge quantity of waste plastic released into the world, industries requiring a large amount of material, like the pavement industry, can reuse some of this mammoth volume of waste plastics. Similarly, the use of reclaimed asphalt pavement (RAP) has also become common practice to ensure sustainability. The use of recycled waste plastics and RAP in HMA mix can save material costs and conserve many pavement industries’ resources. To successfully modify HMA with RAP and waste plastic, the modified HMA should exhibit similar or better performance compared to conventional HMA. In this study, recycled waste plastic, linear low-density polyethylene (LLDPE), and RAP were added to conventional HMA, separately and together. The mechanical properties of conventional and modified HMA were examined and compared. The fatigue cracking resistance was measured with the IDEAL Cracking (IDEAL CT) test, and the Hamburg Wheel Tracking (HWT) test was conducted to investigate the rutting resistance of compacted HMA samples. The IDEAL CT test results showed that the cracking resistance was similar across plastic modified HMA and conventional HMA containing virgin aggregates. However, when 20% RAP aggregates were used in the HMA mix, the fatigue cracking resistance was found to be significantly lower in plastic modified HMA compared to conventional HMA. The rutting resistance from the HWT test at 20,000 passes was found to be similar in all conventional and modified HMA.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!