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Journal articles on the topic 'Sustainability e creative industries'
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1
Parode, Fabio, and Ione Bentz. "Arts and Design: Creative Industries and Sustainability." International Journal of Designed Objects 8, no. 3-4 (2015): 1–9. http://dx.doi.org/10.18848/2325-1379/cgp/v08i3-4/38701.
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Majdúchová, Helena, and Daniela Rybárová. "Resilience and sustainability of creative industries businesses." SHS Web of Conferences 115 (2021): 02004. http://dx.doi.org/10.1051/shsconf/202111502004.
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The importance of the creative economy for the development of society not only from an economic but also from a social and cultural point of view has been the subject of numerous scientific and professional studies. The connecting link between them is the observation that creativity has been considered in recent years as a new type of competitive advantage. As a generator of added value for all businesses, the creative industries have unlimited growth potential and are thus seen as a route to sustainable development. One of the problems of the creative industry is to obtain resources for business development. This paper examines the financial structure of selected areas of the creative industries in the Slovak Republic, using mean values for 2016-2019, correlation and regression analysis of financial data in 2019 (before the negative impact of COVID19). The findings point to the absence of credit sources, which confirms the fact that these businesses are perceived as risky and unstable by banks and financial institutions in the Slovak Republic.
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Harper, Graeme. "Civil society and sustainability: creative industries in Mauritius." Creative Industries Journal 13, no. 1 (January 2, 2020): 1. http://dx.doi.org/10.1080/17510694.2020.1731999.
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Černevičiūtė, Jūratė, and Rolandas Strazdas. "The Arts Incubators, Influence on the Development of System Innovations." Coactivity: Philosophy, Communication 22, no. 2 (February 20, 2014): 126–36. http://dx.doi.org/10.3846/cpc.2014.11.
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This paper discusses the arts incubators’ influence on the development of system innovations and on the ensuring the sustainability of the creativity process in the creative industries’ enterprises. The influence of cultural and creative industries on the economy development is analysed in the article. The analysis of system innovations’ specific features and importance for creative industries is presented. The paper analyses the arts incubators as a part of creative city and as a creative cluster. The factors for the sustainability of creativity process are identified as well as the role of the arts incubators when ensuring the sustainability of system innovations development. Clustering analysis of Vilnius arts incubators was made and the proposals how the existing arts incubators can contribute to the development of system innovations in creative industries were presented.
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Imperiale, Francesca, Roberta Fasiello, and Stefano Adamo. "Sustainability Determinants of Cultural and Creative Industries in Peripheral Areas." Journal of Risk and Financial Management 14, no. 9 (September 10, 2021): 438. http://dx.doi.org/10.3390/jrfm14090438.
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Cultural and Creative Industries (CCIs) are increasingly recognized as part of the global economy and of growing importance for sustainable local development. However, the exploitation of their full potential depends on several issues concerning their entrepreneurial dimension and the context where they operate. The paper deals with these issues having the scope to investigate the main determinants of CCIs’ sustainability in peripheral areas, to understand what kind of policy could better support the survival of CCIs and development in these areas, according to an end-user perspective. The research is part of an Interreg Greece-Italy project carried out from mid-2018 until the end of 2020 with specific reference to CCIs in Apulia (IT) and Western Greece (EL). A two-step mixed methodology has been used to figure out regional specializations and the specific aspects of the entrepreneurial structure and business sustainability in the cultural and creative sector (CCs). In the end, the paper shows and discusses the main determinants considered crucial for CCI sustainability, suggesting guidelines for local authorities supporting their economic development.
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Ma, Haili. "Cultural and creative industries in modern languages." Arts and Humanities in Higher Education 18, no. 2-3 (May 2019): 216–30. http://dx.doi.org/10.1177/1474022219829397.
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This paper explores Cultural and Creative Industry (CCI) teaching and curriculum development across disciplines, based on a case study of a newly established Cultural and Creative Industry (CCI) programme at the School of Modern Languages, Cardiff University, UK. It illustrates how different academic values and goals influence styles of teaching and curriculum development, and it considers how this drives disciplinary evolution. As CCI increasingly attracts international students, in particular from China’s middle-class market, this paper questions the direct ‘import’ of western CCI for Chinese students, in terms of both content relevance and programme development sustainability. This paper suggests that curriculum evolution should be viewed as key for UK higher education to retain market competitiveness, especially a pending ‘Brexit’.
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Krúpová, Kristína, Mária Trúchliková, and Mária Kmety Barteková. "Sustainability in the Most Globalized Sectors of Creative Industries in Slovakia." SHS Web of Conferences 92 (2021): 03013. http://dx.doi.org/10.1051/shsconf/20219203013.
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Research background: To achieve long-term sustainability, it is necessary to strive for a green economy and come up with solutions to address limitations to resource footprints. This will require innovations across the board and creativity in all fields. Creativity and sustainability are closely linked. The sustainable development requires concerted efforts towards building an inclusive and resilient future for the planet. Innovation, the business of ideas, is increasingly seen as the key to future societal prosperity and business success. Purpose of the article: The aim of the paper is to analyse the sustainable development of the most globalized sectors of the creative industries in Slovakia mainly measured by the value added. The value added according to Kalecki (1990) is the sum of wages and profits of the companies. Methods: Sustainability, innovation and value creation (or value added) are nowadays the object of particular attention by the various stakeholders as economic institutions, public and governments. Findings & Value added: This is the first research paper which has used the data on value added recently calculated for the media, publishers and software enterprises, which represent the most globalized sectors of the creative industries in Slovakia. The companies with the highest value added have reached the sustainable development and the best economic performance within the media, publishers and software enterprises’ sector.
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Istudor, Laura Gabriela. "Innovation and entrepreneurship in Romania’s cultural and creative industries." Proceedings of the International Conference on Business Excellence 12, no. 1 (May 1, 2018): 498–507. http://dx.doi.org/10.2478/picbe-2018-0045.
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Abstract The evolution of entrepreneurship in the cultural and creative sectors leads to social innovation by creating new jobs intended for the creative class and by building a long-run smart, sustainable and inclusive local development. Innovation and sustainability are concepts that can be applied to many industries, and they can involve numerous improvements related but not limited to processes, products, services, logistics. This paper supports the idea that the creative and cultural sectors can develop through innovative entrepreneurship, by introducing new methods of production, optimizing existing processes, improving the delivery methods or by developing new products or services, while also relying on the help of the government and smart organizations such as clusters. Since innovation involves improving the way of doing business, this paper will focus on identifying the available innovative methods that can be applied to the businesses activating in the cultural and creative sectors of the economy in Romania, together with the main challenges and opportunities that might arise by applying them. The perspectives of intellectual capital, creative economy and knowledge-based society in relation to the impact of innovation and entrepreneurship towards the development of the cultural and creative sectors in Romania will also be considered. The paper will also tackle a series of best practice examples of innovative businesses in the creative sectors, as well as a comparative analysis of the successfully implemented innovative ideas in this field of activity and their impact on the customer satisfaction and on the development of the local economy.
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Suchacek, Jan. "The Benefit of Failure: On the Development of Ostrava’s Culture." Sustainability 11, no. 9 (May 6, 2019): 2592. http://dx.doi.org/10.3390/su11092592.
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Peculiar cultures are symptomatic for areas of traditional industry. The purpose of this paper is to analyze and evaluate cultural and creative industries in Ostrava, the third largest town of the country that at the same time constitutes a typical representative of old industrial urban fabrics in the Czech Republic. Special attention will be devoted to the emerging cultural clusters that appear to be indispensable in terms of sustainable cultural management. Unique qualities of Ostrava’s culture culminated in 2009, when the town decided to stand for the prestigious title of the European Capital of Culture. Finally, Ostrava did not succeed, nonetheless the contest vivified the discourse on Ostrava’s culture and a distinctive potential for the creation of cultural clusters was revealed. Semi-structured interviews accomplished with relevant actors of the town’s culture facilitated contextual interpretation of the role of cultural and creative industries as well as mapping the potential cultural clusters in the town. The research question posed in this article is as follows: do development effects formed by the concentration of creative and cultural industries in Ostrava exist? It turned out that the paths towards cultural management sustainability can differ substantially from recipes, which are well-proven in leading developed territories. The results of our analysis confirmed some developmental effects evoked by the concentration of cultural industries and cultural clusters in Ostrava can be identified, but genuine qualitative transformation towards a more cultural and sustainable milieu in Ostrava undoubtedly requires more time.
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Chen, Xu, Chunhong Liu, Changchun Gao, and Yao Jiang. "Mechanism Underlying the Formation of Virtual Agglomeration of Creative Industries: Theoretical Analysis and Empirical Research." Sustainability 13, no. 4 (February 3, 2021): 1637. http://dx.doi.org/10.3390/su13041637.
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Industrial agglomeration serves as an effective model for developing the creative economy and manifests itself as the interdependence of creative subjects in geographical space. The traditional methods of resource agglomeration have undergone tremendous changes due to the development of digital technology. These transformations have given birth to a new organizational form of the virtual agglomeration of creative industries. The present work uses field interviews and grounded theoretical research methods to construct a theoretical model of this new organizational phenomenon. Questionnaire surveys and empirical testing using structural equation models are here combined to systematically analyze the formation mechanism of the virtual agglomeration of creative industries. The results show that digital technology, virtual platforms, digital creative talents, digitization of cultural resources, and government policies have driven the formation of the virtual agglomeration of creative industries. This has been achieved through network collaboration, freedom of participation, and trust guarantee mechanisms. The effect of emerging consumer demand on the virtual agglomeration of creative industries is not significant. In addition, the implications of this research are also considered and discussed.
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Matiza, Vimbai Moreblessing. "The Role of Creative Industries in Economic Development: The Human Factor Development Approach." African Journal of Inter/Multidisciplinary Studies 2, no. 1 (July 21, 2020): 50–61. http://dx.doi.org/10.51415/ajims.v2i1.833.
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In most cases economic development is measured using monetary value, in terms of Gross Domestic Product (GDPs), Gross National Product (GNPs), and per capita income. Economic development cannot only be associated with monetary figures. Against this aspect, creative industries are also a driving force in economic development. This paper demystifies the notion that economic development is hardly measured through art. Using the human factor development approach, this article debates the role of creative industries in economic development. This model assumes that human beings are an important component in enhancing economic development through the creative industry as it is a more sustainable approach. Sustainability is enhanced by incorporating personal and human efforts to define standards in terms of creativity, hence, contributing to sustainable economic development. Further, the article argues that the employment of human factor development to enhance economic development through creative industries is of paramount importance as it allows indigenous people to take part in the developmental process of their economies. Data were collected using a qualitative research methodology and a purposive sampling of selected art industries to establish the contribution of the creative industry to economic development.
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Matiza, Vimbai Moreblessing. "The Role of Creative Industries in Economic Development: The Human Factor Development Approach." African Journal of Inter/Multidisciplinary Studies 2, no. 1 (July 21, 2020): 50–61. http://dx.doi.org/10.51415/ajims.v2i1.833.
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In most cases economic development is measured using monetary value, in terms of Gross Domestic Product (GDPs), Gross National Product (GNPs), and per capita income. Economic development cannot only be associated with monetary figures. Against this aspect, creative industries are also a driving force in economic development. This paper demystifies the notion that economic development is hardly measured through art. Using the human factor development approach, this article debates the role of creative industries in economic development. This model assumes that human beings are an important component in enhancing economic development through the creative industry as it is a more sustainable approach. Sustainability is enhanced by incorporating personal and human efforts to define standards in terms of creativity, hence, contributing to sustainable economic development. Further, the article argues that the employment of human factor development to enhance economic development through creative industries is of paramount importance as it allows indigenous people to take part in the developmental process of their economies. Data were collected using a qualitative research methodology and a purposive sampling of selected art industries to establish the contribution of the creative industry to economic development.
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Indahyani, Titi. "Sukses Mengembangkan Desain Seni dan Kerajinan Menjahit Aplikasi Berbahan Dasar Limbah Kain (Kain Perca) bagi Industri Rumah Tangga." Humaniora 1, no. 2 (October 31, 2010): 431. http://dx.doi.org/10.21512/humaniora.v1i2.2885.
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Arts and craft products are now beginning to be produced by many home industries such as sewing patchwork application products. But the lack of knowledge of art, design and product marketing in this industry making products become less competitive and provide income earning less than the maximum. Besides, home industry players sometimes do not have the high endurance and sustainability in business. As one of the national strategic issues, the arts, crafts and creative industries get serious attention from the government. It is expected with the opening horizons of knowledge in art, design and product marketing in the area of sew patchwork application craft (which is use the waste fabric) will impact the development of entrepreneurship opportunities and support many home industries entrepreneur from local micro become sustainable macro business. This action will also support to further explore the various culture of Indonesian arts, crafts and other creative industries became more creative, innovative and competitive by using waste materials that are environmentally friendly.
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Den Hartog, Harry. "Shanghai’s Regenerated Industrial Waterfronts: Urban Lab for Sustainability Transitions?" Urban Planning 6, no. 3 (July 27, 2021): 181–96. http://dx.doi.org/10.17645/up.v6i3.4194.
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In China, Shanghai often serves as a place to introduce and try out new ideas. This is certainly the case with experimental urban planning and design solutions and sustainability transitions. This article identifies and evaluates the role of pilot projects and demonstration zones along the Huangpu River. These clusters and zones are supposed to guide the urban regeneration of the former industrial waterfronts and to accelerate innovative development in Shanghai and the wider Yangtze Delta Region. The Huangpu River as a whole is considered an urban lab and a showcase of ecological civilisation policies, with a strong ‘people oriented’ focus on improving the overall quality and attractiveness of urban life. Following three decades of rapid urban expansion, Shanghai’s urban development model is shifting toward one that emphasizes densification and the reuse of existing elements. The motto of Shanghai’s latest master plan is “Striving for an Excellent Global City.” One of the pathways to realize this expectation is the creation of thematic clusters for creative industries, financial institutes, AI, and technology, media and telecommunication industries. These clusters are high-density investment projects meant to support and accelerate the transformation of Shanghai into a service economy. There are important similarities between these projects in Shanghai and the role of urban labs in theories of sustainability transitions. Drawing on these theories and those of ecological civilization, this article examines how these so-called ‘experimental’ urban megaprojects along the river contribute to Shanghai’s effort to take the lead in developing sustainable urban transitions.
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Fazlagić, Jan, and Elżbieta Izabela Szczepankiewicz. "The Role of Local Governments in Supporting Creative Industries—A Conceptual Model." Sustainability 12, no. 1 (January 6, 2020): 438. http://dx.doi.org/10.3390/su12010438.
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Local government relates to the public administration of towns, cities, counties, and districts. One of the key responsibilities of local government is the administrative purpose of supplying goods and services. Local governments should also represent and involve citizens in determining specific local public needs and how these local needs can be met. As the structure of gross domestic product (GDP) in many countries across the world changes, so do the expectations towards the role of local governments as far as supporting local economic growth is concerned. The administrative purpose involves creating conducive conditions for economic development. Statistical figures show that the share of the creative economy in the GDP of the most developed countries is steadily increasing. New economic sectors such as “creative industries” pose a challenge to local governments. In this paper, we present a conceptual model for measuring the efforts of local governments in developing and supporting the creative industries. The model proposed by the authors allows for the comparison of smaller administrative units such as counties regarding their advancement and commitment to supporting creative industries.
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Chen, Xu, Chunhong Liu, Yao Jiang, and Changchun Gao. "What Causes the Virtual Agglomeration of Creative Industries?" Sustainability 13, no. 16 (August 17, 2021): 9232. http://dx.doi.org/10.3390/su13169232.
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The agglomeration paradigm for creative industries has fundamentally changed under the digital economy, giving rise to a new form of virtual agglomeration within these industries. This study explores the causes of this virtual agglomeration. We collected online Chinese news texts related to the virtual agglomeration of the creative industry, used text mining to identify nine factors affecting its formation, and refined the internal and external factors for an analytical framework based on the PEST (political, economic, social, technological) and value-chain models. We then combined the relevant literature and the creative industry’s development practices, analyzed the mechanism of each driving factor, and constructed a driving-force model for the creative industry’s virtual agglomeration. The external driving factors were government policy planning, the digital economic environment, emerging consumer demand, and the application of innovative technology; the internal factors were the digitalization of cultural resources, flexible manufacturing, digital marketing and promotion, online interactive services, and virtual platform facilities. Each factor was found to contribute to virtual agglomeration through different internal mechanisms. This study’s findings have theoretical and practical value for cultivating the modes of virtual agglomeration within creative industries.
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Oliveira, Ana, and Fernando Paulino. "European Creativity and Urban Regeneration." Journal of Public Space 2, no. 2 (October 11, 2017): 127. http://dx.doi.org/10.5204/jps.v2i2.98.
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<p class="Corpo">Since the end of the 1980s, in the light of research conducted by Charles Landry that theorized and formalized the concept of the Creative City, Creativity, along with other economic activities, has been considered as something that marks the life of cities.<br />Under its sign, a large part of post-industrial societies found the necessary momentum for urban and economic revitalisation, responding to the stagnation resulting from the collapse of industrial society (Albuquerque, 2006). Through the production of art and the strengthening of its cultural fabric, through the support of artists and infrastructures, Creative Industries grew and developed. Cities like Manchester, London and Liverpool saw their economy grow, the latter becoming a major cultural hub in the UK, incorporating music, performing arts, museums and art galleries, as well as an active and attractive nightlife.<br />Through a literature review focused on the key concepts and studies relating to the economic potential of Creativity, we seek to understand Creativity’s state, its impact and economic impulse and the importance of cultural policies, with the ultimate objective of understanding Creative and Cultural Industries as a secure source of sustainability for the future.</p>
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Li, Wei, Yang Zhou, and Zhanwei Zhang. "Culture-Led Plan for Peri-Urban Agricultural Sustainability: A Case of Pu’an Village in China." Land 10, no. 3 (March 1, 2021): 242. http://dx.doi.org/10.3390/land10030242.
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Most cases of multifunctional peri-urban agriculture offer diverse economic and ecological benefits, while a few involve cultural dimensions. In China, a “cultural turn” in the construction plan of beautiful villages has occurred. Through the analysis of policy and focus-group interviews, this research analyzes a case study of rural planning in the Pu’an village, a peri-urban village near Changzhou city in the Yangtze River Delta, China. Particular attention is given to investigating the process of identifying the local cultural symbol of a multifunctional plant, the bulrush. Combining natural landscape and cultural resources, rural planning explores the multifunctional agricultural services based on the bulrush-central creative industry in Pu’an village. The research introduces the framework of “bulrush + creative industry,” which includes one core industry and two extended industries. The core industry is a creative processing industry, and the two extended ones are the creative planting industry and the creative tourist industry. Highlighting the participation of local villagers and outsiders or urban tourist, as well as the creative class and entrepreneurs, the research emphasizes the revival of local rural culture, especially in peri-urban villages. Finally, this paper contributes to exploring a new area of cultural dynamics for the sustainable development of peri-urban agriculture, combined with creative rural experience and ruralism.
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Correa-Quezada, Ronny, José Álvarez-García, María del Río-Rama, and Claudia Maldonado-Erazo. "Role of Creative Industries as a Regional Growth Factor." Sustainability 10, no. 5 (May 20, 2018): 1649. http://dx.doi.org/10.3390/su10051649.
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Klein, Monika, Piotr Gutowski, Laima Gerlitz, and Ewelina Gutowska. "Creative and Culture Industry in Baltic Sea Region Condition and Future." Sustainability 13, no. 8 (April 11, 2021): 4239. http://dx.doi.org/10.3390/su13084239.
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The creative industries are recognized as one of the most perspective sectors of the economy with high potential to both contribute to local and regional prosperity and employment generation. Globally, the cultural and creative industries (CCIs, or culture and creative sector) became a large part of the economy in the first decade of the 21st century. They made a 3% contribution to the global economy. They generate US $2250 billion and create 29.5 million jobs worldwide. In parallel to economic benefits, the cultural and creative sectors also deliver benefits to people. They foster sustainable urban development, creativity, and culture. Furthermore, they support the implementation of the 2030 Agenda. Creativity and culture also have significant intangible value. They promote social inclusion and encourage dialogue and understanding between people. Culture is both a driver and an enabler of sustainable human development. It empowers people to take responsibility for their own development and boosts innovation and creativity, which can drive inclusive and sustainable development. The presence of CCI in a particular area is an important factor of competitiveness, image, and economic development. This paper presents the results of a study on the determinants of the development of creative industries in the Baltic Sea Region. The summary of the main results of the study focuses on the economic importance, innovation in creative enterprises, and the needs of organizations to grow. It shows that creative industries, which are characterized by rather small entities and elastic work organizations, acquire new ideas and approaches primarily through the mobility of independent employees. Since creative industries make a decisive contribution to the competitiveness of the national innovation system and enhance sustainable growth at the same time, it concludes with implications and challenges for regional innovation policies to improve the framework conditions for creative industries. This article presents the conclusions of research that was conducted in four countries of the Baltic Sea Region (Germany, Sweden, Lithuania, and Poland). The research was conducted by using a Computer Assisted Web Interview (CAWI) survey. A total of 682 correctly completed questionnaires were obtained. The results were subjected to statistical inference, in which the technique of detecting hidden interdependencies between the examined phenomena using the V-Cramer method was also applied. The main aim of this article is to verify the state of the creative industry in the Baltic Sea Region. And the research hypothesis is that the organizations of creative sectors are doing well in turbulent circumstances, and, by doing so, they continually enhance the realization of sustainability goals.
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Chen, Yulin. "The Sustainable Development of Social Media Contents: An Analysis of Concrete and Abstract Information on Cultural and Creative Institutions with “Artist” and “Ordinary People” Positioning." Sustainability 11, no. 15 (July 31, 2019): 4131. http://dx.doi.org/10.3390/su11154131.
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The sustainability of social media is a common subject of study. With the emergence of cultural and creative industries, many studies have begun to explore the advantages and disadvantages of the integration of social media with cultural and creative industries. However, there remains a lack of research on the sustainability of cultural and creative social media. Therefore, the present study uses the example of a non-profit cultural and creative organization as its case. The use of social media content discovery technology explains the sustainable use of cultural and creative social media and how participation and interaction with cultural and creative brands are promoted from the perspective of artists or ordinary people. In addition, the analysis of concrete and abstract information explores how content orientation and brand perception impact emotions and behavior. We use social media content discovery technology to analyze 9529 image posts. The results show that for abstract themes, for example, art or design, people can be more easily guided by information with the help of images, which stimulate positive emotions, resulting in more actual engagement behavior, including posting and sharing. With respect to emotional responses, images with smiles are found to have a significant effect in guiding positive emotions, which are expressed through actions, such as active participation and feedback. By examining the meaning of the information in the images, we find that images with abstract themes have a good connection with the brand image. Although the information is less easily shown, it can guide significant outcomes that are positively correlated with the information. Therefore, strengthening brand image and content themes can effectively consolidate trust in brand content and the sustainable development of cultural and creative social media.
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Jelinčić, Daniela Angelina. "Indicators for Cultural and Creative Industries’ Impact Assessment on Cultural Heritage and Tourism." Sustainability 13, no. 14 (July 11, 2021): 7732. http://dx.doi.org/10.3390/su13147732.
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Cultural heritage is an important factor in ensuring regional development. Practice has demonstrated that first sustainability of heritage sites needs to be ensured and tourism they generate should also be re-visited as current over-tourism models are unsustainable. The assumption is that cultural/creative industries (CCI) can be a powerful tool for heritage livability as well as for sustainable tourism based on experiences. In order to stimulate regional development, specific CCI measures are often introduced in public policies but results of policy interventions are rarely monitored. Their performance can be measured against the pre-set indicators. Research studies focusing on such indicators are scarce. This short communication provides a possible conceptual framework alongside concrete indicators for cultural/creative industries’ sector impact assessment on cultural heritage and sustainable experiential tourism on the policy as well as on the project level. Desk research and brainstorming methods were applied to design the indicator sets resulting in a tool which is to be further tested and used in practice.
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Yusnita, Maya, Duwi Agustina, and Wenni Anggita. "The Community Empowerment based on Local Resources and Highly Competitiveness towards the Great West Bangka on 2021 [Pemberdayaan Masyarakat berbasis Sumberdaya Lokal dan berdaya Saing Tinggi menuju Kabupaten Bangka Barat Hebat 2021]." Proceeding of Community Development 2 (February 21, 2019): 188. http://dx.doi.org/10.30874/comdev.2018.219.
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One of The Community Service as an embodiment of the practice of Tri Dharma in College is the implementation of a Community Service Program (KKN). Thematic KKN held in Tanjung District, West Bangka Regency aims to achieve a local resource-based economy with high competitiveness, the realization of accountable local governance, and the creation of a quality and advanced society such as the mission which launched by the Government. The implementation method is carried out through survey, socialization and the community assistance. Students are divided into 3 (three) thematic groups, namely: (1) Tanjung Tourism and Creative Industries; (2) Tanjung Village Management; (3) Tanjung Education. The results include (1) The Training and development of creative industries, The Monument for culinary centers; The Revitalization of tourism objects, such making the signpost name for culinary kiosks; (2) The Application of Village Management Information System (SIMDes), Training of financial reports; (3) The Socialization of the education and eradicating illiteracy, The Socialization of adolescent health, The Revitalization of village libraries. The sustainability of cooperation with various cross-sectoral agencies is expected to be an effort to continue the community service towards the Great West Bangka in 2021.
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González Alvarado, Tania Elena, Renata Kubus, and José Sánchez-Gutiérrez. "From internationalization to local markets poverty alleviation and competitiveness in the agro-industrial sector of Latin America." Harvard Deusto Business Research 9, no. 2 (December 1, 2020): 181–96. http://dx.doi.org/10.48132/hdbr.303.
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The objective of this paper is to analyse the proposal that the production units of the Latin American agribusiness sector evolve from internationalization to their products offers aimed at “the local”, in response to changes in the world scenario. To achieve the objective, a documentary and secondary source analysis were carried out, regarding the impact of COVID19 on the Latin American economy at the world stage. The main result points to the transversality of the creative industries with the agro-industrial sector to encourage creativity within the local business networks that were originally oriented at indirect internationalization. Value enhancement (revaluation) through creativity of orange economy and recognition of peoples' cultural assets, diversity and intangible heritage generates wealth. This transversality contributes to the alleviation of poverty, sustainability and competitiveness of agro-industrial companies.
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Purbasari, Ratih, Wijaya Chandra, Ning Rahayu, and Erna Maulina. "PEMETAAN UMKM INDUSTRI KREATIF DI WILAYAH PRIANGAN TIMUR: IDENTIFIKASI KEUNGGULAN DAYA SAING LOKAL." AdBispreneur 3, no. 1 (August 11, 2018): 1. http://dx.doi.org/10.24198/adbispreneur.v3i1.16083.
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ABSTRACT This research tries to improve local competitive advantage through of creative industry potentials development. The research method used is qualitative approach and contextual technique of local competitive advantage development in East Priangan region with the following stages (1) Collecting secondary data through literature review and related intitutions (2) Understanding of local competitive advantage and creative industries concept (3) Mapping creative industries potential (4) Identifying the most potentialy creative industries and analysis. The results showed that the sub-sectors of the most potential creative industry in each region are the Mendong Handicraft Industry (Tasikmalaya City), the Akar Wangi Handicraft Industry (Garut Regency), the Coconut Handicraft Industry (Ciamis Regency) according to the competitive advantage concept. They also have local resources and supported by government protection policies. Moreover they have both domestic and foreign markets. In order to have competitive advantage sustainability, required collaboration and cooperation of all related parties in an entrepreneurial ecosystem of each creative industry regions. Keywords : Local Competitive Advantage, Creative Industry, East Priangan, ABSTRAKPenelitian ini berupaya untuk membantu meningkatkan keunggulan daya saing lokal melalui pengembangan potensi industri kreatif. Metode penelitian yang digunakan adalah pendekatan kualitatif dan teknik kontekstual mengenai pengembangan keunggulan daya saing lokal di wilayah Priangan Timur dengan tahapan (1) Mengumpulkan data sekunder melalui tinjauan pustaka dan institusi terkait (2) Pemahaman konteks keunggulan daya saing lokal dan industri kreatif (3) Pemetaan potensi industri kreatif (4) Identifikasi industri kreatif yang paling berpotensi dan analisisnya. Hasil penelitian menunjukkan bahwa subsektor dari industri kreatif yang paling berpontensi di masing-masing daerah adalah Industri Kerajinan Anyaman Mendong (Kota Tasikmalaya), Industri Kerajinan Akar Wangi (Kab. Garut), Kerajinan Lidi Kelapa (Kab. Ciamis) berdasarkan konsep keunggulan daya saing, memiliki sumber daya lokal dan dukungan kebijakan perlidungan dari pemerintah, serta telah memiliki pasar domestik dan luar negeri. Untuk memiliki keunggulan daya saing berkelanjutan, dibutuhkan kolaborasi dan kerjasama dari semua pihak yang terlibat di dalam ekosistem kewirausahaan di setiap wilayah industri kreatif tersebut.Kata kunci : Keunggulan Daya Saing Lokal, Industri Kreatif, Priangan Tim
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Klein, Monika, and Monika Spychalska-Wojtkiewicz. "Cross-Sector Partnerships for Innovation and Growth: Can Creative Industries Support Traditional Sector Innovations?" Sustainability 12, no. 23 (December 4, 2020): 10122. http://dx.doi.org/10.3390/su122310122.
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At the turn of culture and economics, cultural and creative industries (CCIs) stimulate business, technology, and society and drive innovations within individual regions, as well as on a cross-border level. This makes CCIs and thus culture, creativity, and design significant elements of the modern, post-industrial, and knowledge-based economy. The purpose of the paper is to outline the expectations and needs of entrepreneurs in both the creative and traditional sectors for the future cooperation and implementation of cross-sectoral innovations. It is assumed that there are no guidelines on establishing a cross-sectorial process for the efficient transfer of knowledge for innovation between the two sectors, establishing a strong platform of international cooperation for innovations in the region. To obtain information in this area quantitative and qualitative research was done. A series of expert interviews were conducted, and empirical expert observations were made in the form of qualitative surveys and expert assessments. The presented results are based on the summary reports of empirical research activities. The results of the analysis allowed us to determine that the assumption was true and that representatives of both the traditional and creative sectors lack proven models of cooperation and commercialization for joint innovations.
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Radomska, Joanna, Przemysław Wołczek, Letycja Sołoducho-Pelc, and Susana Silva. "The Impact of Trust on the Approach to Management—A Case Study of Creative Industries." Sustainability 11, no. 3 (February 4, 2019): 816. http://dx.doi.org/10.3390/su11030816.
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Companies operating in the creative industries are struggling with the simultaneous pressure to be innovative and creative, which requires access to unique resources (such as knowledge and creative potential), but also means they must be effective in actions taken. To find a balance between those tensions, they are using the networking approach. Therefore, it seems that networking is becoming a high priority and that being involved in networks is a crucial part of such companies’ business models. Nevertheless, their competitive advantage is based on creative potential, which means that they are rooted in building and maintaining internal relations. As a result, in creative industries, relationships with internal and external stakeholders are crucial, but are strongly based on trust. Thus, the main aim of this paper is to investigate whether trust is the main factor influencing the approach to management. Moreover, we tried to understand the impact of trust on the managerial actions taken. We used the multiple case study research method to examine the role of trust in cooperation, as well as in shaping internal relations in companies operating in the creative industries. To achieve that goal, 10 companies from Poland and Portugal (5 from each country) were investigated in order to find any regularities. By analyzing the research results, it was possible to identify consistencies among the sample and present the main findings. Therefore, four approaches distinguished by the degree of trust were identified. When the level of trust is low, companies are operating within their network based on close relationships, as well as using collective participation where the team is perceived as a key success factor. On the other hand, when the level of trust is higher, companies move towards cooperative management (where the role of competitors is crucial) as well as individual participation (where an employee is engaged in the creative, as well as the decision-making, process). As a result, a theoretical model is proposed that includes the level of trust and the external and internal stakeholders’ perspective. Based on our research, trust can also be added as a fourth ‘T’ to the ‘3T’ (talent, tolerance and technology) concept proposed by Florida (2003).
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Jiang, Yanfeng, Qinglan Qian, Xiaoling Zhang, and Yingbiao Chen. "The Formation of Government-Oriented Creative Community and Its Driving Mechanisms: A Case Study of the 39° Space Art Creative Community in Foshan, China." Sustainability 11, no. 3 (January 24, 2019): 625. http://dx.doi.org/10.3390/su11030625.
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With the arrival of the era of the creative economy, the “creative community”, a joint product of the regional/community revival movement and the localization of cultural and creative industries, has become a new goal of sustainable urban development. Creative communities can be government-oriented (top-down), or they can involve a sequence of autogenic developments (bottom-up) depending on the initial motivating force behind their formation. This paper provides a case study of the government-oriented Foshan 39° Space Art Creative Community (hereinafter, the 39° Community), though questionnaires, interviews, field observations, and other methods, to obtain a better understanding of how government-oriented creative communities formed. The paper discusses the mechanisms driving such communities in Chinese cities by constructing a driving mechanism model. The results show that policy decisions, under a special policy and industrial background jointly provided by the Foshan municipal government and the Nanhai District government together, is the initial impetus for the emergence of the 39° Community. The community has a concise and flexible organizational structure, creative community members, reasonable community function partitioning, a vibrant and innovative environment, and a variety of creative elements. Finally, the key to the sustainable development of the government-oriented creative community lies in the combined effect of endogenous and exogenous motivations that include a strong support from the local government, market demand, a favorable location, high-quality community services, and creative spirit. High-quality community service is a critical factor in the interaction between exogenous forces and endogenous factors because it can create bridges among governments, enterprises, employees, and the community.
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Pagán, Ester Alba, María del Mar Gaitán Salvatella, María Dolores Pitarch, Arabella León Muñoz, María del Mar Moya Toledo, José Marin Ruiz, Maurizio Vitella, et al. "From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case." Sustainability 12, no. 19 (October 8, 2020): 8279. http://dx.doi.org/10.3390/su12198279.
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Nowadays, cultural heritage is more than ever linked to the present. It links us to our cultural past through the conscious act of preserving and bequeathing to future generations, turning society into its custodian. The appreciation of cultural heritage happens not only because of its communicative power, but also because of its economic power, through sustainable development and the promotion of creative industries. This paper presents SILKNOW, an EU-H2002 funded project and its application to cultural heritage, as well as to creative industries and design innovation. To this end, it presents the use of image recognition tools applied to cultural heritage, through the interoperability of data in the open-access registers of silk museums and its presentation, analysis and creative process carried out by the design students of EASD Valencia as a case study, in the branches of jewellery and fashion project, inspired by the heritage of silk.
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Boal-San Miguel, Iván, and Luis César Herrero-Prieto. "A Spatial–Temporal Analysis of Cultural and Creative Industries with Micro-Geographic Disaggregation." Sustainability 12, no. 16 (August 7, 2020): 6376. http://dx.doi.org/10.3390/su12166376.
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Recent years have witnessed growing interest in studying the spatial distribution of cultural and creative industries (CCI), both for their contribution to economic development and for their impact on spatial planning and remodeling of urban structure. However, spatial interdependence and diffusion of agglomeration economies have not been explained enough so far, due to the use of aggregate spatial units. This paper examines CCI sector location patterns in Spain from a spatial–temporal perspective, using micro-geographic data and considering a new and hitherto unused territorial unit, districts, an intermediate demarcation between municipalities and provinces or regions. We used a geographic information system (GIS) analysis and spatial econometric techniques to study territorial distribution and spatial dependences. Results show that CCI are mainly concentrated in metropolitan areas, with spillover effects in adjacent districts, reflecting a non-contemporary spatial dependence process, whilst large territories are devoid of these effects. This reveals a new source of regional disparities, as CCI seems to follow technology gap models, triggering greater and more intense spatial imbalances wherever it appears. Policy implications regarding accountability resources and institutional coordination must be deduced.
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Unceta, Alfonso, Xabier Barandiaran, and Asier Lakidain. "Digitalisation of Creative Industries Fostered by Collaborative Governance: Public Innovation Labs in Gipuzkoa." Sustainability 13, no. 5 (February 27, 2021): 2568. http://dx.doi.org/10.3390/su13052568.
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This article analyses the promotion of digitalisation in the creative economy through collaborative governance in the province of Gipuzkoa (Basque Country, Spain). In order to understand this initiative, two public innovation labs located in San Sebastian that influence audiovisual production in Basque and digital gastronomy, respectively, are used as case studies: 2deo–Basque Language Audiovisual Lab and LABe–Digital Gastronomy Lab. Based on sectoral contexts of fragmentation, public and private efforts to consolidate synergies and accelerate processes for the coordination of value chains, attraction of talent, experimentation, and innovation. The analysis has relied on qualitative methodologies, consisting of interviews with key actors and desk research. The results show the implications of a sub-regional collaborative governance model as a means to contribute to a regional Smart Specialisation Strategy. Although the initiative faces a consolidation process, public innovation labs in Gipuzkoa foster sectoral articulation and digitalisation in gastronomy and audiovisual production in the Basque language. Additionally, the acceleration of innovation and the involvement of quadruple helix agents in management tasks have been explored.
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Ergashev, Alisher. "Economic, Environmental, and Social Sustainability Assessment of Queensland Industries." Proceedings 36, no. 1 (January 13, 2020): 45. http://dx.doi.org/10.3390/proceedings2019036045.
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In ‘Our Future State: Advancing Queensland’s Priorities’ the Queensland Government outlined how industries and government should contribute to community well-being. Agriculture’s contribution lies in generating economic activity, job creation and the Great Barrier Reef protection. While lack of data prevents the measurement of some attributes in the government plan, composite sustainability indices have been used worldwide to represent the wider objectives of “triple bottom line” economics (growth and throughput), social justice (fair and equitable distribution of the wealth) and environment-friendliness (compatibility with the preservation of natural ecosystems). One such approach is an innovative self-designed iSENSE index—indicators of Sustainability: ENvironmental, Social, and Economic—that is based on 15 indicators with a maximum overall score of 30. The featured indicators are based on a literature review and represent commonly accepted parameters. In this study, iSENSE indicators have been enumerated for the analysis of three Queensland sectors: Agriculture, Mining, and Manufacturing. The results show that while Mining leads the group in terms of economic indicators, it is Agriculture that is the most socially oriented and environment-friendly. Overall, iSENSE score is equal 16 for both Agriculture and Mining, whilst Manufacturing stands at 13. While these results should be taken with caution, they can be used as a guidance for prospective policy proposals in conjunction with the sound ex post impact assessments around Queensland industries. Applying composite assessment tools can help to identify challenges related to environmental, economic and social impact, in the course of developing sustainable agriculture.
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Baixinho, Alexandra, Carlos Santos, Gualter Couto, Isabel Soares de Albergaria, Leonor Sampaio da Silva, Pilar Damião Medeiros, and Rosa Maria Neves Simas. "Creative Tourism on Islands: A Review of the Literature." Sustainability 12, no. 24 (December 10, 2020): 10313. http://dx.doi.org/10.3390/su122410313.
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In the last two decades, creative tourism has evolved as a burgeoning field, encompassing a wide range of concepts and practices, in different places around the world. From the very beginning, however, creative tourism has aimed to contribute to sustainable development and increased community wellbeing, as an alternative to mass cultural tourism. With this review article, our main objective is to identify and analyze a body of literature that specifically addresses creative tourism in islands, contributing to fill a gap in the knowledge since no reviews with this focus have yet been undertaken. Our aim is to provide a critical overview of creative tourism experiences at island destinations worldwide, addressing the plurality of empirical contexts and methodological approaches found in academic research. This review highlights the key trends in creative tourism, pointing out two distinct approaches: creative tourism in urban contexts, based on creative events, “cultural clusters” or Cultural and Creative Industries (CCIs), versus community-focused small-scale tourism experiences in rural contexts. This paper also provides an opportunity to assess the evolution of sustainable creative tourism approaches in islands.
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Richardson, Neil. "Corporate social responsibility or sustainability in music festivals." International Journal of Organizational Analysis 27, no. 5 (November 4, 2019): 1257–73. http://dx.doi.org/10.1108/ijoa-03-2018-1368.
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Purpose This paper aims to establish whether social considerations are valued within the UK music festivals. Design/methodology/approach A case study featuring 21 semi-structured interviews with stakeholders delivering seven music festivals. Thematic analysis enabled identification of insights into differences between organisers and suppliers. Findings The respondents were positive towards sustainability; however, CSR had little recognition. Both stakeholder groups adopted “ethical” practices. Suppliers want organisers to be transparent and fair. Organisers want supplier to comply with their approaches. All stakeholders need to improve their communications. Research limitations/implications As a small qualitative study, it is not representative of the sector. Furthermore, suppliers may be unwilling to critique festivals. Social desirability bias may be evident. Practical implications Festivals operate in increasingly competitive environments; hence, the insights herein should improve stakeholder and festivalgoer engagement. Social implications The stakeholders exhibited diverse sustainability orientations and unfailingly made the business case for SMEs adopting sustainable practices. Ethical practices herein seek partly to address social exclusion. Organisers have attracted festivalgoers who are not averse to the notion that societal endeavours are not just good for society, but also good for them. Originality/value Few studies of the adoption of social considerations exist within the creative industries.
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Milojević, Milica, and Darko Petrović. "Criteria of sustainable reconstruction and acceptance of the historic town squares in Serbia." SAJ - Serbian Architectural Journal 8, no. 1 (2016): 91–120. http://dx.doi.org/10.5937/saj1601091m.
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The common feature of contemporary approaches to urban reconstruction is sustainability. For a number of years now, there has been considerable research on the ecological, social and economic aspect of sustainability. In addition to these three pillars, the document Rio+20 introduced the crucial role of culture into the establishment and execution of the paradigm of sustainability. Sustainable tourism, cultural and creative industries and urban revitalization of heritage are the key economy sectors that generate successful local development and strengthen creativity. Public spaces, seen through the prism of sustainability, is the public and cultural capital citizens use, transform, enlarge and then transfer on to future generations. With this in mind, the reconstruction and improvement of the historic town squares as representative public space has particular importance, made yet more significant in our country, given that the regulation of first squares in Serbian towns in 19th and 20th century has been the result of state aspiration towards the European cultural milieu and its endeavor to determine national identity within the framework of European values.
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Remøy, Hilde, and Theo J.M. van der Voordt. "Priorities in accommodating office user preferences: impact on office users decision to stay or go." Journal of Corporate Real Estate 16, no. 2 (May 6, 2014): 140–54. http://dx.doi.org/10.1108/jcre-09-2013-0029.
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Purpose – When current accommodation is unsatisfactory, office organisations consider relocating to new accommodation that optimally facilitates their main processes and supports image and financial yield. However, due to high vacancy levels, public opinion and governmental awareness oppose new office construction. Reusing existing buildings could be the egg of Columbus. This paper aims at answering the questions: which property characteristics are important push and pull factors for relocation? What does this mean for the decision: stay or go? Design/methodology/approach – A literature review of factors determining organisations' accommodation choices was conducted. Interviews were held with large-scale office organisations and creative organisations, discussing relocation drivers. Henceforth, a survey was held among creative organisations, collecting data about property characteristics important for their preferences. Finally, office user preferences were compared with characteristics of structurally vacant buildings. Findings – Traditional push factors like car accessibility, extension need, and location and building image remain important. Nowadays sustainability issues like reducing energy consumption and better public transportation accessibility are highly prioritised pull factors as well. Regarding the creative industries, bike- and public transportation accessibility, multi-tenancy, and ICT and meeting facilities are most important. Practical implications – Knowing office users' preferences is important to attract and retain stable tenants. If office space supply is highly aligned to end-users' demands and easily adaptable to changing needs, probably more organisations will decide to stay instead of go, leaving behind empty offices. Originality/value – This study combines data about push and pull factors with relocation decision-making, innovatively focussing on the creative industries. The data can be used to explore opportunities and risks of adaptive re-use of the existing building stock.
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Iazzolino, Gianpaolo, and Domenico Laise. "Value creation and sustainability in knowledge-based strategies." Journal of Intellectual Capital 17, no. 3 (July 11, 2016): 457–70. http://dx.doi.org/10.1108/jic-09-2015-0082.
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Purpose – The purpose of this paper is to place the value creation process within sustainable growth strategies. Building on Drucker (1968, 1999a, b), Pulic (2000, 2004, 2008) and other papers by the same authors (Iazzolino and Laise, 2013) the specific aim of this research is to propose an accounting-based framework able to: distinguish between knowledge-intensive firms (KIFs) and nonknowledge intensive firms (nonKIFs); and investigate the contribution of the two sets of firms (KIFs and nonKIFs) to overall sustainability, from a social point of view, of the economic system. Design/methodology/approach – The paper uses the notion of value added (VA) (Pulic, 2000, 2004, 2008) as the main indicator to measure the value creation in a knowledge economy context. As regard the first point of the framework, the approach is based on the analysis of VA and its components, starting from a reinterpretation of the concept of value added intellectual coefficient made by the same authors of this paper. An empirical analysis based on the composition of VA in ten Italian industries, by using an overall sample of 1,000 firms, has been carried out and is described in the paper. As regards the second point, the paper analyses, from a theoretical point of view, the necessary conditions to set up a sustainable value creation strategy in social terms, using the conceptual categories introduced by Drucker (1968, 1999a, b) and Pulic (2000, 2004, 2008). Findings – From results of the empirical analysis it emerges that: first, in traditional industries the weight of the cost of employees on VA (human capital investments) is less than the other sectors (low human capital intensity). In these sectors the value creation strategy is mainly based on “dead knowledge,” embedded in machines (physical capital); and second, in nontraditional industries (consulting, advertising, research, etc.) the economic value creation is mainly based on “living knowledge,” embedded in human resources (high human capital intensity). In these sectors we have lower productivity of work (VA/human capital) and higher employment. Practical implications – The framework proposed makes it possible to reduce the risk of myopic valuation of economic performance. Through this methodology it is possible to highlight the effects of sustainable strategies based on knowledge investments oriented toward the stakeholder value theory and corporate social responsibility. The approach can be very useful for top managers and for accountants, as it underlines the importance of the VA income statement and constructs a strong link to the themes of knowledge management. Originality/value – The originality and the value of this methodological proposal can be appreciated by taking into account that in the literature there is no accounting-based methodology that is able to identify: the knowledge-intensive firms; and the firms that can contribute to overall social sustainability, within the set of all firms.
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Dai, Ying, and Shyh-Huei Hwang. "Technique, Creativity, and Sustainability of Bamboo Craft Courses: Teaching Educational Practices for Sustainable Development." Sustainability 11, no. 9 (April 28, 2019): 2487. http://dx.doi.org/10.3390/su11092487.
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The 18-year history of bamboo craftsmanship in the university curriculum of Taiwan started with the popularization of concepts such as green design, community building, and cultural and creative industries. Bamboo is an environmentally-friendly material that has received much attention in the 21st century. Craftsmanship has drawn the attention of universities. This study uses participatory observation and interviews to collect information on bamboo craft courses in four departments of three universities and uses qualitative coding analysis to explore the sustainable teaching methods of craftsmanship teachers, sustainable development learning effects on students, and different ways of promoting sustainable development education (ESD) with bamboo craft courses in different universities. The research results show the following: (1) There are differences in bamboo craft courses: teachers’ craftsmanship and curricula are different, resulting in differences in technical depth and creativity; (2) with respect to the ESD evaluation criteria of the four bamboo craft courses, skills learning itself is not complete, but students are provided with a path to self-reliance in the craft and in responding to cultural sustainability challenges; and (3) regarding the relationship between ESD and bamboo craft education, bamboo craft education promotes the concept of sustainability and is important for the creation of crafts; universities offer opportunities for testing students’ technical talents and knowledge, but ESD is limited and blurry.
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Kagan, Sacha, and Volker Kirchberg. "Music and sustainability: organizational cultures towards creative resilience – a review." Journal of Cleaner Production 135 (November 2016): 1487–502. http://dx.doi.org/10.1016/j.jclepro.2016.05.044.
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LOJANIČIĆ, D., N. VELJOVIĆ, G. BABIĆ, and N. ŽIVANOVIĆ. "MODERN MANAGEMENT CREATIVE FOR THE APPLICATION OF REENGINEERING METHOD IN INDUSTRIAL PROCESSES." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 1, no. 8 (2021): 140–46. http://dx.doi.org/10.36871/ek.up.p.r.2021.08.01.020.
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Bearing in mind the world research study whose results show that today the industrial concept of corporations is exposed to constant processes of change, and accordingly, production processes and at the same time improvement processes should begin at the very beginning in everyday work, both in the organization of production and production. and in strategic business planning and management decision-making in the entire business system. Practice shows, that if the implementation of a change is not perceived as primary by all employees, however, the accepted change determined by the implementation of this method of improvement only in their minds, is not enough. If everything goes according to plan for all activities of employees and the team, then these changes lead to acceptable and stable improvements. It is the starting point for ensuring the long-term success of industrial production and is an important generator or engine for motivating employees. The implemented RE changes are the driving force that certainly leads to the achievement of new goals and the success of the strategic business of companies. The advantages of applying reengineering techniques in business systems in the world are reflected in the improvement of quality and sophistication of management and all employees to successfully eliminate harmful production and business processes related to the overall organization, and thus greater product placement on the world market. High managerial creativity is important for the industrial business sustainability of high market success, today and in the future. That is why efficient methods of redesigning and reorganizing certain industrial processes are being implemented in developed companies around the world. One of the key methods of achieving high quality products and services and achieving the concept of TQM – total quality management is Reengineering method – Business processes reeingeenering – RE process. Managerial creativity today has a significantly affects efficiency, so this method is effectively applied continuously in the elimination of problematic production processes in industrial business and manufacturing companies around the world.
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Castagna, Francesco, Piera Centobelli, Roberto Cerchione, Emilio Esposito, Eugenio Oropallo, and Renato Passaro. "Customer Knowledge Management in SMEs Facing Digital Transformation." Sustainability 12, no. 9 (May 10, 2020): 3899. http://dx.doi.org/10.3390/su12093899.
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This paper provided a novel definition of customer knowledge management (CKM) as the logical intersection of customer relationship management (CRM) and knowledge management (KM). The main aim was to investigate the digital technologies supporting small and medium enterprises (SMEs) operating in creative industries in their customer knowledge management strategies. To achieve this aim, a survey involving 73 handicraft and/or retail SMEs operating in luxury jewelry industry was conducted. The survey results pointed out that in a few years the scenario has changed and that surveyed SMEs make more intensive use of traditional technologies supporting customer knowledge management processes rather than more innovative digital technologies, which are also cheap and easy to use. This finding showed the difficulties of SMEs operating in creative industries to be responsive to the rapid technological changes that are affecting CKM, as well as the lack of support from information technology vendors in the decision-making process for choosing adequate digital systems.
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Kajzer Mitchell, Ingrid, and Jennifer Walinga. "The creative imperative: The role of creativity, creative problem solving and insight as key drivers for sustainability." Journal of Cleaner Production 140 (January 2017): 1872–84. http://dx.doi.org/10.1016/j.jclepro.2016.09.162.
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Abdul-Rashid, Salwa Hanim, Novita Sakundarini, Raja Ariffin Raja Ghazilla, and Ramayah Thurasamy. "The impact of sustainable manufacturing practices on sustainability performance." International Journal of Operations & Production Management 37, no. 2 (February 6, 2017): 182–204. http://dx.doi.org/10.1108/ijopm-04-2015-0223.
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Purpose Sustainable manufacturing practices are one of the significant environmental initiatives taken by manufacturing industries to preserve the environment and improve the quality of human life while performing manufacturing activities. The emergence of the value creation concept, economic value no longer counts as a single factor for measuring manufacturing performance. Within the sustainability context, the impact of manufacturing activities on the environmental and social aspects should be taken into account as the basis for assessing manufacturing performance, which is called sustainability performance. The purpose of this paper is to examine the relationship of sustainable manufacturing practices with sustainability performance, which considers the environmental, economic and social aspects. Design/methodology/approach A questionnaire survey is carried out among 443 ISO 14001 certified manufacturing companies in Malaysia. Structural equation modelling is used to evaluate the relationship of sustainable manufacturing practices with sustainability performance. Findings The findings of this study indicate that manufacturing process is the manufacturing stage that gives the most impact on the improvement of sustainability performance. Hence, it is concluded that manufacturing companies in Malaysia are highly focussed on the production bound when implementing sustainable manufacturing practices. Research limitations/implications Although this study indicates a good estimation of the proposed model, additional variables might be added to improve the prediction strength of the proposed model such as considering type of industries, economic scale or ownership. Adding the comparison of sustainable manufacturing practices between different countries also a valuable research to investigated. Practical implications The framework proposed here can also assist manufacturing industries to conduct sustainability assessments by providing elements of sustainability performance and can serve as a guideline to select appropriate sustainable manufacturing practices and to what level the practices need to be improved to leverage companies’ sustainability performance. Originality/value The framework proposed here can also assist manufacturing industries to conduct sustainability assessments by providing elements of sustainability performance and can serve as a guideline to select appropriate sustainable manufacturing practices and to what level the practices need to be improved to leverage companies’ sustainability performance.
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Haessler, Philipp. "Strategic Decisions between Short-Term Profit and Sustainability." Administrative Sciences 10, no. 3 (September 1, 2020): 63. http://dx.doi.org/10.3390/admsci10030063.
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Sustainability has evolved into one of the key topics for organizations and organizational researchers alike. To meet changing societal demands, organizations have to adapt their long-term strategies and incorporate environmental and social aspects into their product offerings and decision-making. However, at the same time companies must satisfy short-term profitability interests and demands from shareholders. An organization’s sustainability commitment, strategy, or view is impacted by several influential factors, e.g., by the top management commitment or stakeholder integration. These factors have largely been studied individually without linking them. As such, the following study aims at creating a holistic view and framework for organizational influences and on sustainability. The framework is validated by a comparison to industrial practice in interviews with sustainability managers from the chemical and automobile industry, which are both highly relevant in the context of sustainability. Interview results suggest that the identified influential factors attributed to the four framework layers organization, top management, project team and project are relevant for industrial representatives. The view on and impact of specific influential factors can vary between companies and industries. The study further gives insights into the actual status and future direction of the management of corporate sustainability (CS) in practice.
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Ordieres-Meré, Joaquín, Tomás Prieto Remón, and Jesús Rubio. "Digitalization: An Opportunity for Contributing to Sustainability From Knowledge Creation." Sustainability 12, no. 4 (February 15, 2020): 1460. http://dx.doi.org/10.3390/su12041460.
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This paper aims at exploring the perspective of sustainability when digital transformation is adopted by one organization, although it was not the first goal targeted. Two different cases are analyzed, covering manufacturing and service industries. In those cases different factors will be analyzed, mainly focused on the positive effects of knowledge creation facilitated by direct or indirect application of digitalization. Specific analysis of different cases were carried out to identify different initiatives and the impact on environmental performance. The positive effects of the institutional dimension were also assessed.
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Nunes, Leonel Jorge Ribeiro, Catarina Isabel Rodrigues Meireles, Carlos José Pinto Gomes, and Nuno Manuel Cabral de Almeida Ribeiro. "Socioeconomic Aspects of the Forests in Portugal: Recent Evolution and Perspectives of Sustainability of the Resource." Forests 10, no. 5 (April 26, 2019): 361. http://dx.doi.org/10.3390/f10050361.
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Portuguese forests have always played an essential role in the socioeconomic development of national rural areas, but also in several forest-based industrial sectors, such as the cork, pulp and paper, and wood panels industries. In addition to these dominant sectors, there are also several other uses for forest timber, such as being the major raw materials to the production of furniture or devoted to the growing biomass pellets production industry. This review article presents the evolution of the forest industrial sector throughout the recent past, and its impact on the development of the rural environment, from a socioeconomic perspective, namely concerning the jobs and value-added creation, as well as the importance of the forest in national industrial development. It shows the importance of sustainable forest management for the development of the rural environment, as an essential sector for the creation of wealth and for the establishment of populations in the interior regions of the country.
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Zhang, Jiazhen, Jeremy Cenci, Vincent Becue, Sesil Koutra, and Christos S. Ioakimidis. "Recent Evolution of Research on Industrial Heritage in Western Europe and China Based on Bibliometric Analysis." Sustainability 12, no. 13 (July 2, 2020): 5348. http://dx.doi.org/10.3390/su12135348.
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Using the CiteSpace software and bibliometric methods, with the core collection of the Web of Science (WoS) database as the data source, the development of industrial heritage research in China and Western countries since the 2006 Wuxi Proposal was analyzed. The study found that the latest quantitative changes in China and Western countries’ industrial heritage research have similar fluctuations. However, researchers and institutions in the two places are independent of each other, lacking in-depth cooperative research. Notwithstanding, comprehensive and holistic research needs to be strengthened. The research content in China mainly focuses on the issues of urban renewal, industrial heritage tourism and creative industries, whereas Western countries are dominated by heritage and community building industrial heritage, the exploration of tourism and the protection of industrial sites, post-industrial heritage protection, and new technology use. Finally, by comparing and analyzing the research status of the two regions, future research on industrial heritage in China and Western countries are encouraged.
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Mann, Hanuv, I. J. Mann, and Nehul Gullaiya. "A Case in Medical Equipment Design for Strategic Sustainability." South Asian Journal of Business and Management Cases 7, no. 2 (June 4, 2018): 111–19. http://dx.doi.org/10.1177/2277977918774647.
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The alignment of strategic sustainability goals can be very challenging for industries where stringent product requirements restrict the ability to innovate environmentally friendly alternatives. This case studies an instance of medical equipment being designed to increase functionality and decrease disposability, creating greater utility. The primary outcome of this research is a demonstration that cost is not prohibitive when introducing reusable medical tools and equipment when innovative solutions satisfy stringent standards and can provide superior functionality.
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Al Halbusi, Hussam, Pedro Jimenez Estevez, Tan Eleen, T. Ramayah, and Md Uzir Hossain Uzir. "The Roles of The Physical Environment, Social Servicescape, Co-Created Value, and Customer Satisfaction in Determining Tourists’ Citizenship Behavior: Malaysian Cultural and Creative Industries." Sustainability 12, no. 8 (April 16, 2020): 3229. http://dx.doi.org/10.3390/su12083229.
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Organizational citizenship behavior (OCB) research has been extended in the literature to the customer domain by examining the role of customer behavior in the service sectors. Therefore, this study aimed to examine the effect of the physical environment and social servicescape on the co-creation value, and the impact of the co-creation value on customer satisfaction, which, in turn, influences the customer’s citizenship behavior. A field study was conducted in Malaysian cultural and creative industries settings and a total of 254 participants were approached. Structural equation modeling (SEM) technique was used to test the hypothesized relationships among variables. The proposed research model was largely focused on the four perceived values (i.e., physical servicescape, social servicescape, co-creation value, and customer satisfaction) that significantly influence tourists’ citizenship behavior. This study sheds new light on the notable roles of physical servicescape, social servicescape, co-creation value, and customer satisfaction on enhancing tourists’ citizenship behavior. The theoretical implications and practical implications are discussed.
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Kusumastuti, Retno. "PRACTICAL MODEL OF INDIGENOUS CO-CREATION FOR THE SUSTAINABILITY OF INDONESIAN WOVEN SONGKET." Hasanuddin Economics and Business Review 2, no. 2 (October 13, 2018): 105. http://dx.doi.org/10.26487/hebr.v2i2.1494.
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Innovation is the main key to the sustainability of all industries. Fashion industry with traditional woven as its basic material is one of complex industries for its association with social environment in all cultural values, market taste, chain value, life cycle products and even government policy. This focus will likely be important as indigenous characteristic in the traditional woven becomes the competitive advantage of a region. The outcome of this study showed that traditional woven co-creation in design need an involvement of social actors in the social learning process. Indigenous co-creation of traditional woven is a social innovation learning activities that needs adequate involvement of actors and context. The purpose of this study is to analyze the challenges and constraints for the sustainability of Indonesian woven songket and to develop a practical co-creation model in attempt to cope with various constraints to generate recommendation for decision makers at local goverment level. This study used qualitative approach. The primary and secondary data to answer the research questions were collected through in-depth interview and focus group discussion.