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Relevant bibliographies by topics / Sustainable Fashion

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Academic literature on the topic 'Sustainable Fashion'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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Journal articles on the topic "Sustainable Fashion"

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Glausiusz, Josie. "Sustainable fashion." Nature 459, no. 7249 (June 2009): 915. http://dx.doi.org/10.1038/459915a.

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OKANO, TAKAHIRO. "Promoting Sustainable Fashion." Sen'i Gakkaishi 77, no. 1 (January 15, 2021): P—3—P—6. http://dx.doi.org/10.2115/fiber.77.p-3.

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Heinze, Lisa. "Fashion with heart: Sustainable fashion entrepreneurs, emotional labour and implications for a sustainable fashion system." Sustainable Development 28, no. 6 (July 29, 2020): 1554–63. http://dx.doi.org/10.1002/sd.2104.

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Henninger, Claudia E., Panayiota J. Alevizou, and Caroline J. Oates. "What is sustainable fashion?" Journal of Fashion Marketing and Management: An International Journal 20, no. 4 (October 3, 2016): 400–416. http://dx.doi.org/10.1108/jfmm-07-2015-0052.

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Purpose The purpose of this paper is to examine what the term sustainable fashion means from the perspective of micro-organisations, experts, and consumers. Design/methodology/approach This research is qualitative in nature, utilising a multi-methods case study approach (semi-structured interviews, semiotics, questionnaires). Grounded analysis was applied to analyse the data. Findings Findings indicate that interpretation of sustainable fashion is context and person dependent. A matrix of key criteria provides the opportunity to find common elements. Research limitations/implications Due to the nature of this research the sample size is limited and may not be generalised. Data were collected in the UK and are limited to a geographical region. Practical implications An important implication is that defining sustainable fashion is vital in order to avoid challenges, such as greenwashing, which were faced in other industries that have a longer history in sustainable practices. Micro-organisations should take advantage of identifying key sustainable fashion criteria, which will enable them to promote their fashion collections more effectively. Social implications The criteria identified provide assurance for consumers that sustainable fashion is produced with social aspects in mind (fair wages, good working conditions). Originality/value The paper proposes a matrix that allows micro-organisations to clearly identify their collections as sustainable.

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Minasian, Melaniia, and Nataliia Gudkova. "FASHION DEVELOPMENT: FROM 1990s MINIMALISM TO SUSTAINABLE FASHION." Grail of Science, no. 14-15 (June 15, 2022): 668–72. http://dx.doi.org/10.36074/grail-of-science.27.05.2022.124.

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The article analyses the significant period of fashion development. The focus is on the period of the 1990s which was affected by the economic crisis making fashion more democratic. The study clarified the features of fashion of that period. The phenomenon of minimalism as the dominant feature of fashion of the ’90s has been studied through the clothing brands of prominent designers Jil Sander, Helmut Lang and Martin Margiela. It is proved that the fashion of minimalism developed into the sustainable fashion as a current minimalist trend.

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Smal, Desiree. "Design + Sustainability = Fashion: Sustainable Design Praxis in Fashion." International Journal of Designed Objects 6, no. 3 (2013): 41–47. http://dx.doi.org/10.18848/2325-1379/cgp/v06i03/57925.

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Scaturro, Sarah. "Eco-tech Fashion: Rationalizing Technology in Sustainable Fashion." Fashion Theory 12, no. 4 (December 2008): 469–88. http://dx.doi.org/10.2752/175174108x346940.

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Shen, Lei, and Muhammad Hussnain Sethi. "Sustainable Fashion and Young Fashion Designers: Are Fashion Schools Teaching Sustainability?" Fibres and Textiles in Eastern Europe 29, no. 5(149) (October 31, 2021): 9–13. http://dx.doi.org/10.5604/01.3001.0014.8036.

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The fashion Industry is one of the major polluting industries globally, and it has become a hot topic of debate. Thousands of people participate in climate change marches and attend seminars worldwide, but sadly most of them usually wear fast fashion products due to the lack of awareness. This pilot research investigates how well freshly graduated fashion designers know sustainable textiles and fashion as fashion designers are the ones who lead the fashion industry. We used a qualitative research method, and focus group discussion was applied for data collection. Twenty-four freshly graduated fashion designers from China, India, Bangladesh, and Pakistan participated in this research. The focus group discussions were conducted in Shanghai, China. Topics were divided into three categories:(a) fast fashion, recycling & upcycling, (b) zero-waste fashion, and (c) eco-friendly fibres. Findings disclosed that the participants were well-aware of techniques like fashion illustration, pattern-making, and draping but comparatively uninformed about sustainable fashion. They were familiar with the term „sustainable fashion” but completely unaware of details and their sustainability responsibilities. Suggestions to rectify this important issue are provided in this study.

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Ivan, Coste Maniere, Doyle Celia, Guerbas Sarah, and Guisiano-Demarez Matthieu. "FROM FAST FASHION TO SLOW FASHION SUSTAINABLE INNOVATIONS: FROM NATURE TO FASHION." Global Fashion Management Conference 2019 (July 11, 2019): 512–13. http://dx.doi.org/10.15444/gfmc2019.05.06.01.

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Palomo-Lovinski, Noël, and Kimiko Hahn. "American Consumer Perceptions of Sustainable Fashion, Fast Fashion, and Mass Fashion Practices." International Journal of Sustainability in Economic, Social, and Cultural Context 16, no. 1 (2020): 15–27. http://dx.doi.org/10.18848/2325-1115/cgp/v16i01/15-27.

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Dissertations / Theses on the topic "Sustainable Fashion"

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Maksymets, P. V. "Sustainable fashion." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14386.

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Karlsson, Annika. "Communication of sustainable fashion : To communicate sustainable fashion through the label." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-538.

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The purpose in this thesis is to analyse which information about the sustainable impacts in fashion supply chain is the most important for the consumer. To find out how the eco-label can be designed with information and messages about the sustainable producing process, and to make the consumer more safe and satisfied with the fashion industry’s communication about sustainability and their sustainable products. - How to define sustainability in fashion supply chain? - What information about eco-labeled clothes does the fashion consumers require? - What are the conditions for creating and designing sustainable messages on the clothing’s eco-labels? In the final definition of sustainability according to this study, the focus falls on four distinctive expressions, which are, good working conditions, profitability, comfort and human needs. To explain this further, the good working conditions and the human needs have to do with wellbeing and health for the consumer and workers. Profitability has to do with the economy for both companies and consumers, and comfort is something both consumers and workers strive for. So the finally definition of sustainability in this thesis is to strive for better health, economy and comfort for all people. The information about eco-labeled clothes that the consumers require, have actually nothing to do with sustainability. However, the consumers require information about price, quality, and comfort. Moreover, if the product would be eco-labeled, the consumer should wish to get reliable information about the working conditions and chemicals, which gives the consumer a chance to know what they are paying for. To be able to create a message the focus should be on significances that increases the consumers self-interests, which in this case would be long lasting quality, health and price. These significances are similar to the earlier presented definition of sustainability, which is to strive for better health, economy and comfort for all people. Here comfort can be a part of the long lasting quality or a part of the good working conditions in the supply chain. Therefore, a sustainable message with reliable information about price and quality should be the symbol that explains how it affects the health, economy, and comfort for both the consumers and the employees in the fashion supply chain.

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Dadigamuwage, Geetha. "Sustainable and remanufactured fashion." Thesis, University of Manchester, 2012. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.727784.

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The purpose of this study is to explore remanufacturing as a sustainable waste management strategy for discarded clothing that may otherwise be directed to landfill. The central notion is that this is a response to the EU Waste Framework Directive 2008/98/EC which encourages the application of the 'waste hierarchy' - preference to eliminate waste at source, then, to reduce, reuse or recycle waste, and if impossible or impracticable, disposal in a responsible manner. Remanufacturing retrieves a product's inherent value when the product no longer fulfils the user's desired needs. The use of discarded clothes in a remanufacturing process could decrease clothing waste and contribute to resource conservation. Despite this, there has been little research into what is actually involved in the fashion remanufacturing process and how the process could be up-scalable to the mass market in order to have bigger environmental impact. A conceptual network consisting of textile sorters and recyclers, fashion remanufacturers and fashion retailers is examined through qualitative research. Experiential research and in-depth interviews were used to understand the process of fashion remanufacturing and the relationships that needed to be developed to up-scale the process in to mass market level. The fashion design process, as experienced by the designer, was described and the process models for individual processes were constructed and compared. The results of the comparison indicated a generic design process in fashion remanufacturing, showing the key phases. The generic remanufacturing process was compared with the mass market fashion design process to identify issues inherent when considering developing the process for mass market level and the potential for developing the conceptual framework was also examined. The originality of the investigation is that it identified the relationships between three key players in the conceptual network. A key factor that could account for business growth is the collaboration among key players along the reverse supply chain. The extent of business growth is dependent on the commitment and involvement of large fashion retailers.

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Henriksson, V. (Vilma). "Sustainable fashion marketing strategy." Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201911223155.

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Abstract. The world is facing economic, environmental and social challenges, which have resulted in the megatrend of sustainability. It is well known that fashion industry has negative effects on sustainability. The topics of sustainability and unsustainable fashion production are very current and discussed in today’s economy. This has resulted in the demand of sustainability also from the consumers’ side, which means that companies should also start focusing on making their operations more sustainable. Companies should consider their impact on the world seriously and take corporate social responsibility into account. The aim of this Master’s Thesis is to recognize how a sustainable fashion marketing strategy can be defined. In other words, the research purpose is to find out how a fashion company can build a sustainable marketing strategy. This research aims to awake discussion on how fashion industry can be made more sustainable. The research is conducted by studying existing literature and analyzing the case company, Finnish fashion brand Andiata. The brand was chosen because it highlights its sustainable values and promotes fashion. The research approach is abductive and qualitative. The theoretical framework of sustainable fashion marketing strategy is built through topics such as fashion industry, fashion consumerism, fashion marketing and sustainable marketing, as well as sustainable marketing, marketing strategy, sustainable consumerism and sustainable marketing management. This research is built on the sustainable marketing strategy model presented in existing literature. The model includes the steps of (1) Mission and objectives, (2) Market and environment analysis, (3) STP Process, (4) Marketing mix, (5) Measuring and evaluating and (6) Public participation. The empirical material consists of the case company interview and chosen marketing material: social media posts, newsletter and website frontpage. These materials and the interview structure are presented in the Appendices 1–5. This research confirms and develops the six-step model of sustainable fashion marketing strategy. The most important findings include that the aspects of sustainability and fashion should be taken into account on each step of the process, and that sustainable marketing is much more than marketing — it should take into account the whole business operations from the production chains to end-use processes. The research also adds details to the existing theoretical knowledge about the topics.

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Kareinen, Kira, and Sonja Kainulainen. "No fashion victims? - Motivations for sustainable fashion consumption." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297704.

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The tension between fashion and sustainability has been recognized, as it has been argued whether fashion can be sustainable. This is due to the several ethical dilemmas the fashion industry is facing, including not only environmental but also social problems. These issues have gained an increasing amount of consumers' attention during the last years. Even if these problems are recognized, consumers are still having an attitude-behaviour gap towards sustainable consumption, where positive attitude does not reflect on actions. Therefore, this study takes a deeper look into the consumption behaviour of sustainable fashion consumers and aims to clarify, what motivates to purchase sustainable fashion products. With the help of a means-end theory, this exploratory research aims to understand consumers' values behind their purchasing behaviour. The empirical data was collected using an existing sustainable fashion company's customer base in the Netherlands, as their customers have already shown interest towards sustainable fashion. This study is based on nineteen qualitative in-depth laddering interviews, lasting around 25 minutes. The data resulted in several means-end chains that presented which attributes, consequences and values motivate and influence on consumers' purchasing of sustainable fashion. After collecting the data, content analysis was conducted and as a result emerged four dominant motivational themes that motivate consumers to buy sustainable fashion products: self-expression, protect the future, contribution as well as help, care and responsibility. These motivational themes show what consumers value when they make sustainable fashion purchases. In the end, the results of this research are contributing to the holistic understanding of sustainable fashion consumption as well as give insights to the under-researched topic of motivations to purchase sustainable fashion.

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Liu, Younan, and Ye Hei. "Exploring Generation Z Consumers' Attitudes towards Sustainable Fashion and Marketing Activities regarding Sustainable Fashion." Thesis, Jönköping University, IHH, Företagsekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-52771.

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Background: Recently, the fashion industry has demonstrated a strong interest in sustainability and environmental issues. The sustainable fashion industry has enormous potential, and practical products are attracting Generation Z's environmentally conscious buyers. In the meantime, Gen Z customers have intrigued researchers' interest due to their enormous utilization potential. Purpose: The purpose of this study was to ascertain Gen Z consumers' attitudes toward sustainable fashion consumption and marketing activities in the global market. Method: This study employed deductive qualitative research. The researchers conducted semi-structured interviews with 12 Gen Z consumers who represented a range of cultural backgrounds. The qualitative data are analyzed using reflexive thematic analysis. Conclusion: The findings indicate that Gen Z consumers prefer products designed by brands with a distinct brand identity and distinctive highlights that are both practical and sustainable. For sustainable fashion brands to reach Gen Z consumers, branded digital marketing and branded content advertising are pivotal.

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JOHANSSON, ELEONOR. "Slow fashion : the answer for a sustainable fashion industry?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20182.

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The fashion industry is today a global industry and has huge effect on our environment as well as on people. It is dominated by fast fashion and just-in-time production that has lead to increased seasons and mini-collections in season, which generate new low price items in store every week and even every day. This in turn has lead to an escalation in fashion trends that spris our desires for new experiences and leads to overconsumption where consumers buy more than they need, which in the end results in fashion waste.
Program: Magisterutbildning i Applied Textile Management

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Wagner, Melissa, and Antonela Curteza. "Design evaluation of sustainable fashion." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10401.

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Sustainable products can be found in existing and new fashion companies, using different design strategies based on trends such as circularity and fair trade. However, there is a gap in research between the product appearance of a sustainable fashion design and consumer perception referring to both consumer needs of ethical and fashionable. This study focuses on the needs and the perception of ethical fashion leaders for the design of sustainable garments. The paper suggests the usage of semantic differentiation for Kansei word pairs to evaluate the design. As a result, an application for linen fabric is discussed.

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Ward, Rachel Allyn, and Rachel Allyn Ward. "Sustainable Fashion: Breaking the Myth." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625236.

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Sustainable fashion is "clothing, shoes, and accessories that are manufactured, marketed and used in the most sustainable manner possible, taking into account both environmental and socioeconomic aspects" (Green Strategy, 2017). Sustainable fashion has gained traction over the past 20 years amongst researchers, retailers, manufacturers, and especially consumers. For my thesis, I am investigating whether fashion retailers are truly reducing the environmental impacts of producing their apparel brands or if they are simply incorporating new consumer preferences into their business operations in an attempt to capture a new segment of consumers. I describe the current state of sustainable fashion, several retailers that have chosen to participate in the sustainable fashion movement, and how these retailers are currently serving their green customers. The retailers discussed throughout my thesis include both fast-fashion retailers and apparel brands that claim to sell sustainable fashion and market themselves as such to consumers. I will discuss their related supply chain operations, as well as the environmental and social impacts of those processes alongside attitudes and behaviors of green consumers. Based on my analysis, I offer conclusions as to whether sustainable fashion is, in fact, attainable.

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Zahid, Iqba Muhammad. "Sustainable Fashion Consumption and Consumer Behavior." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20715.

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Thesis was carried out to make an estimation of the willingness of consumers to buy the clothes produced under eco-friendly and decent way. Neoclassic demand theory was used and basic idea was to know that either moral effects on a consumer’s individual decision while choosing the products manufactured under friendly environment or not; if yes, then how and how much. Survey method along with choice experiment analysis was used to collect the data. Selected area was Boras Sweden and 50 respondents were considered for the survey. To estimate the degree of willingness of a consumer to pay for a Swan labeled and/or Fairtrade labeled jeans, choice experiments was used. Afterwards, the collected data was used within econometric models. It has been observed from results that consumers were more willing to pay for a Swan labeled and/or Fairtrade labeled jeans than non-labeled jeans. The responsible individuals regarding environment were much more willing to pay for Fairtrade and/or Swan labeled clothes, considering the factor that production does not affect the environment in negative way and it was done under socially acceptable conditions.
Program: Magisterutbildning i Fashion Management

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Books on the topic "Sustainable Fashion"

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Moreno-Gavara, Carme, and Ana Isabel Jiménez-Zarco, eds. Sustainable Fashion. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-91265-3.

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Jastram, Sarah Margaretha, and Anna-Maria Schneider, eds. Sustainable Fashion. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74367-7.

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Schultz, Mette Fersløv, and Mia Kappelgaard. Living lightly: Sustainable fashion. Kolding: DK, Designskolen Kolding, 2011.

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Muthu, Subramanian Senthilkannan, ed. Fast Fashion, Fashion Brands and Sustainable Consumption. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1268-7.

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Klepp, Ingun Grimstad, and Tone Skårdal Tobiasson, eds. Local, Slow and Sustainable Fashion. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88300-3.

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Muthu, Subramanian Senthilkannan, and Miguel Angel Gardetti, eds. Sustainable Fibres for Fashion Industry. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0522-0.

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Muthu, Subramanian Senthilkannan, and Miguel Gardetti, eds. Sustainable Fibres for Fashion Industry. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0566-4.

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Choi, Tsan-Ming, and T. C. Edwin Cheng, eds. Sustainable Fashion Supply Chain Management. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-12703-3.

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Muthu, Subramanian Senthilkannan, and Miguel Angel Gardetti, eds. Sustainable Design in Textiles and Fashion. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2466-7.

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Gjerdrum Pedersen, Esben Rahbek, and Miguel Angel Gardetti. New Business Models for Sustainable Fashion. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003076339.

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Book chapters on the topic "Sustainable Fashion"

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Dato-on, Mary Conway, and Isabel Artemis Walker. "Sustainable fashion." In Eco-friendly and Fair, 124–31. 1 Edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351058353-12.

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Chaves, B. Luis, and A. Shirley Villalobos. "Sustainable Fashion." In Textile Science and Clothing Technology, 327–44. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1850-5_15.

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Jastram, Sarah Margaretha, and Anna-Maria Schneider. "Erratum to: Sustainable Fashion." In Management for Professionals, E1. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74367-7_15.

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Dhir, Yamini Jhanji. "Sustainable fashion material procurement." In Supply Chain Management and Logistics in the Global Fashion Sector, 97–137. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Sustainability in textiles: Routledge, 2020. http://dx.doi.org/10.4324/9781003089063-8.

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Buzzo, Aline, and Maria José Abreu. "Fast Fashion, Fashion Brands & Sustainable Consumption." In Textile Science and Clothing Technology, 1–17. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1268-7_1.

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Ammayappan, L., Seiko Jose, and A. Arputha Raj. "Sustainable Production Processes in Textile Dyeing." In Green Fashion, 185–216. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0111-6_8.

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Henninger, Claudia E., Kirsi Niinimäki, Marta Blazquez, and Celina Jones. "Fabric finishes and surface design." In Sustainable Fashion Management, 225–38. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003097846-19.

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Henninger, Claudia E., Kirsi Niinimäki, Marta Blazquez, and Celina Jones. "Digital sustainability." In Sustainable Fashion Management, 147–62. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003097846-14.

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Arputharaj, A., A. S. M. Raja, and Sujata Saxena. "Developments in Sustainable Chemical Processing of Textiles." In Green Fashion, 217–52. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0111-6_9.

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Gardetti, Miguel Angel. "Cubreme® and Sustainable Value Creation: A Diagnosis." In Green Fashion, 1–23. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0111-6_1.

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Conference papers on the topic "Sustainable Fashion"

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Statovci, Aferdita. "Sustainable fashion." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.224.

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Simpson, Mary. "The Impact of Team Learning on Sustainable Design." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11523.

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Chen, Chanjuan, and Michelle Park. "Sustainable Innovations and Empowerment: Redirecting Pedagogy Strategies in Fashion." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11456.

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Frank, Robert, Sarah Portway, Shorna Broussard Allred, and Tasha L. Lewis. "Longitudinal Influence of Online Consumer Knowledge on Millennials' Sustainable Clothing Consumption." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11420.

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Boorady, Lynn M., and Nicholas Hall. "Design Canvas 101: Sustainable decision-making guide for 1st year apparel students." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11534.

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Jones, Joseph Paul, and Katie Baker Jones. "Buy stuff, do good, save the world: Transitivity and interpellation in the sustainable fashion discourse." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11467.

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Pan, Yue. "Fashion thinking and sustainable HCI." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2559206.2559967.

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Santos, Gabriela, and Cristina Carvalho. "Ergonomic Fashion Design: Sustainable Dyes." In Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001318.

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Water waste, contamination, and fossil fuel generated energy are acknowledged issues within the textile industry. Current dyeing processes pose serious threat to the environment and human health, often associated with toxic and carcinogenic substances that are released into the environment, through effluents not conveniently treated before being discharged into natural waters. Besides print and pattern, consumers demand for basic characteristics in textiles – these must resist to agents that cause colours to fade. On the other hand, industry must provide a great range of colours and access to huge quantities of coloured substance to dye. Simultaneously, it must be cost-effective. Natural dyes are perceived as less harmful for the environment due to its biodegradable nature. Studies reveal certain natural dyes possess UVR protection properties, as well as antimicrobial and anti-inflammatory assets. Nevertheless, depending on the nature of the dye, there are many advantages and disadvantages to consider.Through an extensive study on various fields such as Biotechnology, History, Ethnography, Biology, Archaeology, amongst many others we gathered information regarding natural coloured compounds, colour sources (plants, animals and microorganisms), ancient and modern techniques of extraction and application. This study shows the evolution of dyes throughout the centuries. It also reveals that the revival of natural dyes in addiction to new cutting edge technologies such as biotechnology might allow for an industrial feasibility.

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Violano, Antonella, and Alessandra Cirafici. "SUSTAINABLE FASHION DESIGN: PRODUCT FROM PROCESS." In 12th International Conference on Education and New Learning Technologies. IATED, 2020. http://dx.doi.org/10.21125/edulearn.2020.2033.

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Pan, Yue, David Roedl, John C. Thomas, and Eli Blevis. "Re-conceptualizing fashion in sustainable HCI." In the Designing Interactive Systems Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2317956.2318049.

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Reports on the topic "Sustainable Fashion"

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Wei, Bingyue. Sustainable Fashion Development: Applying Transformational Design. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-269.

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Wei, Bingyue, and Mary Ruppert-Stroescu. Sustainable Fashion Development: Applying Transformational Design. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-290.

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Jones, Katie Baker. Looking at fashion through green-colored glasses: Vogue's sustainable fashion discourse. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-95.

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Ma, Yoon Jin, and Helen Sumin Koo. Sustainable Fashion: Transformable Outerwear and Shopping Orientation. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1865.

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Kim, Eundeok, Srikant Manchiraju, Ross May, and Frank Fincham. Sustainable Fashion Consumption and Happiness: A Self-Determination Theory Perspective. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1381.

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Wei, Xiaoyong, and Sojin Jung. How Does Chinese Consumers' Face-saving Affect Sustainable Fashion Consumption? Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1780.

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Kim, Eundeok, Srikant Manchiraju, Ross May, and Frank Fincham. The Correlates between Positive Emotions/Attributes and Sustainable Fashion Consumption Behaviors. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1560.

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Seo, Min Jeong, and Minjeong Kim. A New Integrated Framework for the Sustainable Performance of Fast Fashion Firms. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-119.

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Myers, Beth, Michelle Denise Burton, and Rachel Eike. Paradigm Shift: A Call for Conceptualization of a Fast Fashion Sustainable Business Model. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8280.

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Zhao, Li, Muzhen Li, and Peng Sun. The Effect of Sustainable Fashion Brands� Posts on Customers� Emotions in Social Media. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8354.

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