Journal articles: 'Sustainable Fashion'

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Glausiusz, Josie. "Sustainable fashion." Nature 459, no. 7249 (June 2009): 915. http://dx.doi.org/10.1038/459915a.

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OKANO, TAKAHIRO. "Promoting Sustainable Fashion." Sen'i Gakkaishi 77, no. 1 (January 15, 2021): P—3—P—6. http://dx.doi.org/10.2115/fiber.77.p-3.

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Heinze, Lisa. "Fashion with heart: Sustainable fashion entrepreneurs, emotional labour and implications for a sustainable fashion system." Sustainable Development 28, no. 6 (July 29, 2020): 1554–63. http://dx.doi.org/10.1002/sd.2104.

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Henninger, Claudia E., Panayiota J. Alevizou, and Caroline J. Oates. "What is sustainable fashion?" Journal of Fashion Marketing and Management: An International Journal 20, no. 4 (October 3, 2016): 400–416. http://dx.doi.org/10.1108/jfmm-07-2015-0052.

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Purpose The purpose of this paper is to examine what the term sustainable fashion means from the perspective of micro-organisations, experts, and consumers. Design/methodology/approach This research is qualitative in nature, utilising a multi-methods case study approach (semi-structured interviews, semiotics, questionnaires). Grounded analysis was applied to analyse the data. Findings Findings indicate that interpretation of sustainable fashion is context and person dependent. A matrix of key criteria provides the opportunity to find common elements. Research limitations/implications Due to the nature of this research the sample size is limited and may not be generalised. Data were collected in the UK and are limited to a geographical region. Practical implications An important implication is that defining sustainable fashion is vital in order to avoid challenges, such as greenwashing, which were faced in other industries that have a longer history in sustainable practices. Micro-organisations should take advantage of identifying key sustainable fashion criteria, which will enable them to promote their fashion collections more effectively. Social implications The criteria identified provide assurance for consumers that sustainable fashion is produced with social aspects in mind (fair wages, good working conditions). Originality/value The paper proposes a matrix that allows micro-organisations to clearly identify their collections as sustainable.

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Minasian, Melaniia, and Nataliia Gudkova. "FASHION DEVELOPMENT: FROM 1990s MINIMALISM TO SUSTAINABLE FASHION." Grail of Science, no. 14-15 (June 15, 2022): 668–72. http://dx.doi.org/10.36074/grail-of-science.27.05.2022.124.

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The article analyses the significant period of fashion development. The focus is on the period of the 1990s which was affected by the economic crisis making fashion more democratic. The study clarified the features of fashion of that period. The phenomenon of minimalism as the dominant feature of fashion of the ’90s has been studied through the clothing brands of prominent designers Jil Sander, Helmut Lang and Martin Margiela. It is proved that the fashion of minimalism developed into the sustainable fashion as a current minimalist trend.

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Smal, Desiree. "Design + Sustainability = Fashion: Sustainable Design Praxis in Fashion." International Journal of Designed Objects 6, no. 3 (2013): 41–47. http://dx.doi.org/10.18848/2325-1379/cgp/v06i03/57925.

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Scaturro, Sarah. "Eco-tech Fashion: Rationalizing Technology in Sustainable Fashion." Fashion Theory 12, no. 4 (December 2008): 469–88. http://dx.doi.org/10.2752/175174108x346940.

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Shen, Lei, and Muhammad Hussnain Sethi. "Sustainable Fashion and Young Fashion Designers: Are Fashion Schools Teaching Sustainability?" Fibres and Textiles in Eastern Europe 29, no. 5(149) (October 31, 2021): 9–13. http://dx.doi.org/10.5604/01.3001.0014.8036.

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The fashion Industry is one of the major polluting industries globally, and it has become a hot topic of debate. Thousands of people participate in climate change marches and attend seminars worldwide, but sadly most of them usually wear fast fashion products due to the lack of awareness. This pilot research investigates how well freshly graduated fashion designers know sustainable textiles and fashion as fashion designers are the ones who lead the fashion industry. We used a qualitative research method, and focus group discussion was applied for data collection. Twenty-four freshly graduated fashion designers from China, India, Bangladesh, and Pakistan participated in this research. The focus group discussions were conducted in Shanghai, China. Topics were divided into three categories:(a) fast fashion, recycling & upcycling, (b) zero-waste fashion, and (c) eco-friendly fibres. Findings disclosed that the participants were well-aware of techniques like fashion illustration, pattern-making, and draping but comparatively uninformed about sustainable fashion. They were familiar with the term „sustainable fashion” but completely unaware of details and their sustainability responsibilities. Suggestions to rectify this important issue are provided in this study.

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Ivan, Coste Maniere, Doyle Celia, Guerbas Sarah, and Guisiano-Demarez Matthieu. "FROM FAST FASHION TO SLOW FASHION SUSTAINABLE INNOVATIONS: FROM NATURE TO FASHION." Global Fashion Management Conference 2019 (July 11, 2019): 512–13. http://dx.doi.org/10.15444/gfmc2019.05.06.01.

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Palomo-Lovinski, Noël, and Kimiko Hahn. "American Consumer Perceptions of Sustainable Fashion, Fast Fashion, and Mass Fashion Practices." International Journal of Sustainability in Economic, Social, and Cultural Context 16, no. 1 (2020): 15–27. http://dx.doi.org/10.18848/2325-1115/cgp/v16i01/15-27.

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Lee, Linda T., and Rosalie Regni. "Teaching Eco-Fashion: Is Sustainable Fashion a New Paradigm?" Design Principles and Practices: An International Journal—Annual Review 3, no. 6 (2009): 247–58. http://dx.doi.org/10.18848/1833-1874/cgp/v03i06/37791.

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Min, Sohee, and Sungeun Suh. "Sustainable Fashion Practice of Generation Z on Fashion YouTube." Korean Society of Fashion Design 21, no. 2 (June 30, 2021): 17–35. http://dx.doi.org/10.18652/2021.21.2.2.

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Peleg Mizrachi, Meital, and Alon Tal. "Sustainable Fashion—Rationale and Policies." Encyclopedia 2, no. 2 (June 13, 2022): 1154–67. http://dx.doi.org/10.3390/encyclopedia2020077.

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Sustainable fashion refers to efforts to minimize the fashion industry’s adverse environmental and social impacts. This entry describes the industry’s entire production chain: from polyester production, cotton growth and wasteful fashion consumption patterns to landfilling, where so many clothes end up. The entry characterizes the drivers behind the industry’s poor record regarding sustainability and employee exploitation, as well as new policies around the world designed to improve the industry’s performance These include the Australian Modern Slavery law, the French law prohibiting the destruction of textile surpluses and the New York Fashion Sustainability and Social Accountability Act.

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Weiss, Catharine, Anne Trevenen, and Tracy White. "The branding of sustainable fashion." Fashion, Style & Popular Culture 1, no. 2 (March 1, 2014): 231–58. http://dx.doi.org/10.1386/fspc.1.2.231_1.

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Tanaka, Megumi. "Sustainable Fashion in the US." Material Cycles and Waste Management Research 21, no. 3 (2010): 169–76. http://dx.doi.org/10.3985/mcwmr.21.169.

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de la Motte, Hanna, and Asa Ostlund. "Sustainable Fashion and Textile Recycling." Sustainability 14, no. 22 (November 11, 2022): 14903. http://dx.doi.org/10.3390/su142214903.

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Hauth, Chanez, Carolina Palm, Carolin Eisner, and Hassib Hamid. "Sustainable Fashion on Social Media." Kiel Journal of Consumer Studies 1, no. 1 (February 2023): 32–38. http://dx.doi.org/10.38071/2022-00862-4.

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The sustainable fashion tribe is interested in ethical and ecological fashion consumption. To inform and reach various people, they use social media networks. However, as fashion consumption is often being used as a representation of wealth and status, the question arises, whether the underlying motives of the tribe to communicate on social media are altruistic or, on the contrary, promote conspicuous consumption. This qualitative study explores the underlying motives of the tribe communicating about sustainable fashion consumption on social media. The analysis of the nine interviews show, that there are four main motives: altruistic, social, egoistic and prestige-related motives. Even though the altruistic motives can be reconciled with the tribes’ principal values, the results also show signs of conspicuous consumption in terms of prestige-related motives. When posting on social media the tribe wants to inform about and influence its followers to a more sustainable fashion consumption, but also wants to gain reputation and recognition for it. Still, it is concluded that conspicuous consumption of sustainable fashion on social media can promote sustainable consumption overall and having a positive effect on the environment.

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Marcella-Hood, Madeleine. "Augmenting Sustainable Fashion on Instagram." Sustainability 15, no. 4 (February 15, 2023): 3609. http://dx.doi.org/10.3390/su15043609.

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Media discourse surrounding fashion and sustainability tends to be negative, emphasising the problems that exist across the various stages of the lifecycle of a garment. Although consumers are increasingly aware of at least some of the issues surrounding fashion and the environment, research suggests that the scale and complexity of the problem causes them to feel detached and uncertain about how to adapt their own behaviour in response. This research positions Instagram as a digital media platform through which sustainable fashion is communicated and experienced through augmented fashion content. Instagram is recognised for its significant impact on visual culture, particularly within aesthetic sectors such as fashion. Recent research reveals that users have begun engaging in more serious subjects and debates on Instagram, including political, social, and environmental issues. This has brought about opportunities for new voices who are championing sustainable fashion in its variety of manifestations. An open qualitative analysis was carried out using the hashtag #SustainableFashion to uncover themes relating to the types of content, stakeholders, and mechanisms that are being used to augment sustainable fashion on Instagram. The findings reveal a positive community of content creators—including vintage enthusiasts, designers, makers and brands—who are using the hashtag regularly to share proactive content in the form of specific, targeted messages around sustainable fashion solutions. The aim was to uncover the discussions that are taking place right now and provide grounding for future work in this area.

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Jones, Katie Baker. "American Vogue and Sustainable Fashion (1990–2015): A Multimodal Critical Discourse Analysis." Clothing and Textiles Research Journal 38, no. 2 (October 17, 2019): 104–18. http://dx.doi.org/10.1177/0887302x19881508.

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Discursive practices employed by American Vogue to recontextualize sustainable fashion between 1990 and 2015 were explored through the lens of a discourse-historical approach and multimodal critical discourse analysis. References to sustainably minded values and actions were found throughout the 26 years studied with notable peaks and valleys in coverage that, at times, contradicted changing social interest in the subject. Over time, Vogue recontextualized sustainable fashion discourses and encouraged a passive revolution by moving from a contentious positioning of either/or sustainable fashion to one that embraced a both/and positionality by narrowing focus to lifestyle and product features. Additionally, Vogue celebrated social actors engaged in sustainable behaviors though these were increasingly positioned as lifestyle choices rather than revolutionary collective action. Vogue continuously recontextualized the sustainable fashion discourse as “new” and desirable while neutralizing most negative considerations of fashion consumption through a variety of articulations and by drawing on well-established semiotic resources.

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Lee Kyoung Jae and 김일. "A Study on Sustainable Fashion Runway of Ethical Fashion Brands." A Journal of Brand Design Association of Korea 16, no. 2 (June 2018): 5–20. http://dx.doi.org/10.18852/bdak.2018.16.2.5.

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von Busch, Otto. "Inclusive Fashion—an Oxymoron—or a Possibility for Sustainable Fashion?" Fashion Practice 10, no. 3 (September 2, 2018): 311–27. http://dx.doi.org/10.1080/17569370.2018.1507145.

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Payne, Alice, Rowena Maguire, and Amanda Kennedy. "Fashion Justice." International Journal for Crime, Justice and Social Democracy 11, no. 2 (June 3, 2022): i—ix. http://dx.doi.org/10.5204/ijcjsd.2421.

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This special issue brings together scholars who have identified justice issues throughout the fashion system, encompassing how fashion is produced, consumed and discarded. While fashion systems have long been the focus of deep and varied perspectives on sustainability, from the environmental to social and cultural, we argue that characterising fashion justice as an environmental justice issue can usefully account for the multiple and intersecting ways in which fashion systems impact both human and more-than-human capabilities (Bick et al. 2018). Against the backdrop of the Sustainable Development Goals (SDGs) and SDG 12 in particular, which calls for sustainable consumption and production patterns, it is timely and appropriate to consider fashion systems as a broader global environmental justice concern.

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Agusalim, Nadia Putri. "Fashion Business Sustainability for Fashion Designers in the Indonesian Fashion Industry." International Journal of Review Management Business and Entrepreneurship (RMBE) 1, no. 2 (December 21, 2021): 144–52. http://dx.doi.org/10.37715/rmbe.v1i2.2423.

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The fashion industry remains as one of the most highly competitive industries where many fashion designers may find it difficult to establish sustainable fashion businesses. Navigating through the fashion business and ensuring business success, growth and long-term sustainability were generally considered to be the ultimate goal and biggest challenge many fashion designers continue to struggle with. This study was aimed to determine all key factors that are integral and contribute to fashion business sustainability by presenting findings provided by three Indonesian fashion designer’s responses to the issue of fashion business sustainability, the various challenges, and what factors are needed to ensure a long lasting through semi-structured in-depth interviews. Overall findings revealed the need for fashion designers to have an entrepreneurial mindset and for fashion businesses to possess all sustainable business key factors in various aspects ranging from design, business and the various qualities from the fashion designer themselves, while also taking account of the external state which was set in the Indonesian fashion industry for business sustainability and organic business growth. Fashion designers who controls all these factors will have a significantly higher chance of sustainability while competing with other fashion businesses.

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Qiddist Sayyida, Shafira, and Marina Wardaya. "Sustainable Fashion, Investasi pada Produk Fashion yang Berkualitas untuk Mengurangi Limbah Fashion yang Menumpuk." Nirmana 21, no. 2 (February 2, 2022): 92–96. http://dx.doi.org/10.9744/nirmana.21.2.92-96.

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Setiap manusia memiliki kekhawatiran akan masa depan. Kekhawatiran tersebut diantaranya adalah tentang lingkungan yang meliputi limbah, efek rumah kaca, pencemaran, dan lainnya. Industri fashion mengambil peran cukup banyak dalam meningkatnya kerusakan lingkungan oleh limbah yang dihasilkan. Nyatanya kesadaran masyarakat dalam perilaku belanja cukup memegang peran penting sebagai awal untuk mengurangi limbah fashion. Kebiasaan membeli produk yang cepat rusak merupakan salah satu hal yang menyebabkan menumpuknya limbah fashion yang ada di dunia. Membeli produk fashion dengan kualitas yang baik akan mengurangi laju konsumsi sehingga dapat mengurangi limbah fashion yang ada. Hal tersebut merupakan langkah kecil untuk sustainable fashion. Metode penelitian yang digunakan pada literatur ini adalah kajian pustaka, yaitu dengan mengumpulkan sumber literatur yang kuat untuk mendukung dan mencari kesimpulan akhir. Sumber yang digunakan merupakan jurnal nasional, jurnal internasional, dan juga buku. Hasil akhir penelitian ini menyimpulkan bahwa perilaku belanja masyarakat cukup berpengaruh pada sedikit-banyaknya limbah yang dihasilkan dan juga berpengaruh pada laju konsumsi. Menanamkan kesadaran pada masyarakat untuk investasi dengan membeli prioduk berkualitas dapat membantu mengurangi limbah fashion yang semakin hari semakin meningkat.

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Sayyida, Shafira Qiddist, and Marina Wardaya. "Sustainable Fashion, Investasi pada Produk Fashion yang Berkualitas untuk Mengurangi Limbah Fashion yang Menumpuk." Nirmana 21, no. 2 (February 4, 2022): 87–91. http://dx.doi.org/10.9744/nirmana.21.2.87-91.

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Setiap manusia memiliki kekhawatiran akan masa depan. Kekhawatiran tersebut diantaranya adalah tentang lingkungan yang meliputi limbah, efek rumah kaca, pencemaran, dan lainnya. Industri fashion mengambil peran cukup banyak dalam meningkatnya kerusakan lingkungan oleh limbah yang dihasilkan. Nyatanya kesadaran masyarakat dalam perilaku belanja cukup memegang peran penting sebagai awal untuk mengurangi limbah fashion. Kebiasaan membeli produk yang cepat rusak merupakan salah satu hal yang menyebabkan menumpuknya limbah fashion yang ada di dunia. Membeli produk fashion dengan kualitas yang baik akan mengurangi laju konsumsi sehingga dapat mengurangi limbah fashion yang ada. Hal tersebut merupakan langkah kecil untuk sustainable fashion. Metode penelitian yang digunakan pada literatur ini adalah kajian pustaka, yaitu dengan mengumpulkan sumber literatur yang kuat untuk mendukung dan mencari kesimpulan akhir. Sumber yang digunakan merupakan jurnal nasional, jurnal internasional, dan juga buku. Hasil akhir penelitian ini menyimpulkan bahwa perilaku belanja masyarakat cukup berpengaruh pada sedikit-banyaknya limbah yang dihasilkan dan juga berpengaruh pada laju konsumsi. Menanamkan kesadaran pada masyarakat untuk investasi dengan membeli prioduk berkualitas dapat membantu mengurangi limbah fashion yang semakin hari semakin meningkat.

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Sitio, Rike Penta, Rosita Fitriyani, and Anggun Pesona Intan. "Faktor pendorong purchase intention produk sustainable fashion pada UMKM." Jurnal Manajemen Maranatha 21, no. 1 (November 15, 2021): 35–44. http://dx.doi.org/10.28932/jmm.v21i1.4050.

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The creative fashion industry is one of the sources of economic strength in great demand by businessman and consumers, such as MSMEs. The purpose of this study was to examine the effect of consumer knowledge on purchase intention in MSMEs sustainable fashion products with trust as a mediator variable. The research method will use quantitative research. The samples obtained were 257 consumers of Indonesian MSMEs fast fashion products and used the Qualtrics electronic questionnaire. This research data is from perception data for sustainable fashion knowledge variables, trust, and purchase intention in MSMEs sustainable fashion products. The data were processed using SPSS to test the validity, reliability, regression analysis, and mediation test using JASP. The results obtained are that consumers who know sustainable fashion will make these consumers more confident in sustainable fashion MSMEs products and ultimately increase consumer purchase intention in MSMEs sustainable fashion products. So, it is very important for MSMEs engaged in the sustainable fashion business to educate consumers about the meaning of sustainable fashion and the practice of MSMEs in a sustainable fashion.

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Wang, Huanzhang, Sang Jin Kim, and Kyung Hoon Kim. "EXPLORING SUSTAINABLE INDEX IN FASHION INDUSTRY." Global Fashion Management Conference 2017 (July 6, 2017): 390. http://dx.doi.org/10.15444/gfmc2017.05.03.04.

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Rajeev Kumar, Rajeev Kumar. "Prospects of Sustainable Fashion Design Innovation." International Journal of Textile and Fashion Technology 7, no. 6 (2017): 5–14. http://dx.doi.org/10.24247/ijtftdec20172.

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Kolosnichenko, Olena, Tetyana Krotova, and Kalina Pashkevych. "Sustainable Fashion as a Modern Trend." Art Research of Ukraine, no. 21 (November 29, 2021): 35–42. http://dx.doi.org/10.31500/2309-8155.21.2021.254670.

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The essence and ideology of sustainable fashion are analyzed and the basic principles of conscious fashion are determined: the use of ecological materials and fabrics obtained from recycled waste; saving all the resources needed for clothing production; as well as changing society's attitude towards clothing. It is noted that among the means of influence available to the designer is consumer behavior, which is a key success factor for great "environmental benefits" - the consumer becomes interested in aspects of origin of materials and manufacture, country of origin, recyclability or recycling. Peculiarities of consumption of fashionable goods by young people of generations Y and Z, which is aimed at environmental friendliness, encouragement and creation of more ethical design, are considered. Research has shown that conscious fashion is a choice, information, cultural diversity and identity.

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Lima, Bruna Lummertz, Júlio Carlos de Souza Van der linden, and Evelise Anicet Rüthschilling. "Sustainable design strategies for fashion postproduction." ModaPalavra 13, no. 27 (March 9, 2020): 44–73. http://dx.doi.org/10.5965/1982615x13272019044.

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Bill, Katina. "Sustainable Fashion, Past, Present, and Future." Costume 50, no. 1 (January 1, 2016): 144–45. http://dx.doi.org/10.1080/05908876.2016.1134891.

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Domskiene, Jurgita, Florentina Sederaviciute, and Judita Simonaityte. "Kombucha bacterial cellulose for sustainable fashion." International Journal of Clothing Science and Technology 31, no. 5 (September 2, 2019): 644–52. http://dx.doi.org/10.1108/ijcst-02-2019-0010.

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Purpose The purpose of this paper is to analyse the properties of bacterial cellulose (BC) film, obtained through Kombucha tea fermentation. Design/methodology/approach Kombucha fungus was used to produce BC film under static cultivation conditions. Physical and mechanical properties under the influence of drying temperature and durability of BC material were investigated. Tensile properties were estimated by TINIUS OLSEN H10 KT test machine according to ISO 3376:2011, thickness was measured by DPT 60. BC structure was analysed by Scanning Electron Microscopy Quanta 200 FEG. Findings BC material with excellent deformation properties in wet state were obtained by fermenting Kombucha tea. Due to the presence of fermentation residues, Kombucha film is sensitive to drying temperature. The best deformation properties retain when BC material is dried at low temperature (about 25°C). BC material becomes stiffer and ruptures at lower deformations due to rapid water evaporation at higher drying temperature. It is confirmed that during time, the properties of BC film changes significantly and there may be problems with the durability of products from this material. BC film has an interesting set of properties, therefore its application to fashion industry without further preparation is limited. Originality/value A new approach is based on the evaluation of Kombucha material properties and investigation of BC as new type of material for fashion industry. Some recommendations for Kombucha BC film production are provided, basing on gained experience, experimental results and analysed literature. The advantages and disadvantages of material are discussed in the paper, in order to search for the ways to adapt the new type of material to fashion business.

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Ruppert-Stroescu, Mary, Melody L. A. LeHew, Kim Y. Hiller Connell, and Cosette M. Armstrong. "Creativity and Sustainable Fashion Apparel Consumption." Clothing and Textiles Research Journal 33, no. 3 (April 15, 2015): 167–82. http://dx.doi.org/10.1177/0887302x15579990.

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Aakko, Maarit, and Ritva Koskennurmi-Sivonen. "Designing Sustainable Fashion: Possibilities and Challenges." Research Journal of Textile and Apparel 17, no. 1 (February 2013): 13–22. http://dx.doi.org/10.1108/rjta-17-01-2013-b002.

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Nistor, Laura, and Gyöngyvér Bálint. "Attitudes towards Sustainable Fashion in Romania." Acta Universitatis Sapientiae, Social Analysis 12, no. 1 (November 1, 2022): 28–52. http://dx.doi.org/10.2478/aussoc-2022-0002.

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Abstract The present study is an attempt at mapping the Romanian society’s attitudes towards sustainable fashion. Our analyses are based on the European Commission Eurobarometer 92.4 (2019) data relevant for Romania. We have looked into ten Likert-type variables focused on consumer attitudes regarding sustainable fashion. As a first step, we created a sustainable-fashion attitude scale, followed by an exploratory factor analysis (EFA) aimed at investigating the inner structure of the variables. Thereafter, we employed a linear regression analysis in a bid to answer the question as to which are the variables that account for commitment to sustainable fashion in Romania. Inter alia, our results suggest that positive attitudes towards sustainable fashion are most enhanced by awareness about environmental issues and sensitivity to environmental protection in general and are weakened most significantly by poor financial situation measured in terms of difficulty in paying the bills. Besides gathering information on environmental protection from traditional media (the press), relying on Internet sources in this respect also increases support for the transition to a more environmentally conscious textile industry. Our analysis touches upon research limitations such as the attitude–action gap.

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Darmawan, Muhammad Iqbal, Hezel Judah Sumbayak, and Susilowati Natakoesoemah. "A Millennial Perceived Value Towards Sejauh Mata Memandang A Sustainable Fashion Product In Indonesia." Syntax Literate ; Jurnal Ilmiah Indonesia 7, no. 1 (January 21, 2022): 318. http://dx.doi.org/10.36418/syntax-literate.v7i1.4165.

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As fast fashion contributes to environmental degradation, sustainable fashion has become the counter mechanism for retailers that become contributors to the garment waste promoting slow fashion to the people for a better environment. As for the different intentions the consumers have, purchasing sustainable fashion products means consuming less and only what is needed. Studies explained that in today’s society consumers have shown an increasing level of ethical concerns in the context of fashion purchase. This includes millennials. As the most influential generation to date, millennials are actively voicing out their concern on social media and are able to drive conversation for example but not limited to sustainable fashion. Therefore, to understand the reason behind millennials’ intention of purchasing sustainable fashion products, research on millennials' perceived value on one of the leading sustainable fashion products in Indonesia “Sejauh Mata Memandang” needs to be done. This research will be conducted with a quantitative methodology through purposive sampling. The quantitative method will be conducted by sending a set of questionnaires towards relevant respondents about their perceived value on a sustainable fashion brand. The research shows that sustainable fashion subtypes have a significant impact on the millennial’s perceived value of sustainable fashion products

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Khan, Rimi. "Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making." Continuum 35, no. 6 (November 2, 2021): 838–52. http://dx.doi.org/10.1080/10304312.2021.1993570.

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Reeve, J. "Sustainable Fashion and Textiles: Design Journeys * Eco-Chic: The Fashion Paradox." Journal of Design History 23, no. 3 (August 11, 2010): 317–19. http://dx.doi.org/10.1093/jdh/epq017.

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Payne, Alice. "Fashion Futuring in the Anthropocene: Sustainable Fashion as “Taming” and “Rewilding”." Fashion Theory 23, no. 1 (September 26, 2017): 5–23. http://dx.doi.org/10.1080/1362704x.2017.1374097.

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Pokhodenko, Kateryna. "Sustainable Fashion as a Research Object in Foreign Scientific Literature." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (December 13, 2021): 244–53. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246846.

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The concept of sustainability in fashion, having been developed on the basis of ecodesign concepts, takes an important place in scientific research all over the world. The aim of study is to analize and summarise foreign scientific researches about sustainability in fashion. The results were achieved by using methods of sources analysis, which refer to different research fields, in the context of sustainable fashion and their further synthesis according to areas. The main directions of research in each area were identified and summarized in the conclusions. There were considered basic concept definitions – sustainable fashion and the principles of sustainable design, which are used in modern scientific works of foreign researchers. The analysis of foreign scientific sources in the context of sustainable fashion was provided in areas of: economics, marketing, management; sociology and psychology of consumer behavior; ecology; technologies based on the principles of sustainable design; design; aesthetics and art history; education; legislation; information technology. The scientific value of study. For the first time the systematization of foreign research in the context of sustainable fashion was carried out. The conclusions are given after the analysis of each area, underlining the main directions of foreign scientists` research. Conclusions. Researchers from all over the world pay attention to the issues of sustainable fashion and explore problems of the integration of sustainable fashion into everyday life. Sustainable fashion sets up new values that actualize the issues of aesthetics of sustainable fashion in the theory of art history and design practice. However, it should be noted that the analized scientific works concerning fashion design in the context of sustainable fashion, do not reveal aspects of design related to the creative process and aesthetic perception. Sustainable fashion needs changes of existing design tools in the context of sustainable design principles. Therefore, there is a need for their further study.

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Guedes, Biatriz, Aurore C. Paillard-Bardey, and Anke Schat. "Improving sustainable fashion marketing and advertising: A reflection on framing message and target audience." International Journal of Market Research 62, no. 2 (September 24, 2018): 124–26. http://dx.doi.org/10.1177/1470785318801152.

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Fashion, as one of the largest industries in the world, causes serious social and environmental issues. Sustainable fashion aims to reduce pollution and improve working conditions in the industry. This article suggests ideas for improving advertising and better understanding consumer behavior in order to promote sustainable fashion. While there is still a lack of academic studies on consumer behavior and sustainable fashion, there is a need of the fashion industry to become more sustainable. Further work on improving sustainable fashion advertising as well as better understanding the target audience is to date necessary.

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Velasco-Molpeceres, Ana, Jorge Zarauza-Castro, Concha Pérez-Curiel, and Sophia Mateos-González. "Slow Fashion as a Communication Strategy of Fashion Brands on Instagram." Sustainability 15, no. 1 (December 27, 2022): 423. http://dx.doi.org/10.3390/su15010423.

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The objective of this research is to study the reasons for the growing impact of sustainable slow fashion brands in the fashion industry and, in particular, how they manage their communication and which digital strategies they employ. We applied a mixed research methodology: a comparative content analysis of qualitative and quantitative indicators, as well as in-depth interviews with 10 professionals and experts in fashion and digital communication, with the aim of contrasting their opinions with the results of the study. The five sustainable fashion brands (YosoLOVEamor, LIFEGIST, ECOALF, Alohas, and ECOOLOGY) chosen are distinguished by the fact that they base their business projects on social and environmental responsibility, and their Instagram accounts were studied over a period. This paper demonstrates the social interest in and concern for sustainability, ethics, and corporate social responsibility in the fashion industry. Additionally, it is evident that slow fashion brands need to have a good online strategy, as it is the future of fashion. No greenwashing was found, but sustainable fashion is a controversial issue with no regulation and a short history, so it has to develop.

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Yu, Jihye, Hojae Lee, and Eunju Ko. "THE EFFECT OF SUSTAINABLE FASHION CONTENT ON ATTITUDE TOWARD SUSTAINABLE FASHION, PURCHASE INTENTION, AND EMOTIONAL WELL-BEING." Global Fashion Management Conference 2020 (November 5, 2020): 1486. http://dx.doi.org/10.15444/gmc2020.11.03.02.

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Kim, Yunjeong, and Kyung Wha Oh. "Which Consumer Associations Can Build a Sustainable Fashion Brand Image? Evidence from Fast Fashion Brands." Sustainability 12, no. 5 (February 25, 2020): 1703. http://dx.doi.org/10.3390/su12051703.

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Since fast fashion is often considered the opposite of sustainable fashion, this study was conducted to clarify the consumer brand associations with sustainable fashion by analyzing three fast fashion brands. Our research included two studies. First, we conducted in-depth interviews with 20 female consumers in Korea who had purchase experience with the sustainable fashion of three selected brands, H&M, Zara, and Uniqlo, to identify sustainable keyword associations. We then structured the keyword data using network analysis. The keyword associations for the three brands resulted in a network of 60 nodes and 629 links with the term “eco-friendly” as the most meaningful keyword. Second, we surveyed 200 women and quantitatively confirmed the association of “eco-friendly fabric” among the keywords suggestive of “eco-friendly” as the most important factor in building a sustainable fashion brand image. In addition, keywords, such as “marketing” and “campaign”, were ranked in the top ten in H&M and Zara, which may imply the opportunistic use of greenwash. This study contributes to the literature by applying in-depth analysis of consumer associations of fast fashion brands from a sustainability perspective through network analysis. We expect our findings to help fashion companies strategically build a sustainable fashion brand image.

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Radclyffe-Thomas, Natascha. "Rescuing textile waste: Q&A with Dr Christina Dean, founder and board chair, Redress." International Journal of Sustainable Fashion & Textiles 1, no. 1 (April 1, 2022): 149–58. http://dx.doi.org/10.1386/sft/0007_7.

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Environmental pollution caused by textile waste is an increasing and urgent issue for the global fashion industry. Redress is a pioneering NGO working since 2007 to minimize fashion’s negative impacts and promote a more sustainable industry through circular economy practices including zero-waste design and upcycling. In this interview, Professor Natascha Radclyffe-Thomas of the British School of Fashion invites Redress Founder Dr Christina Dean to share insights into their innovative industry, consumer and education initiatives including the Redress Design Award, the world’s largest sustainable fashion competition and a new luxury social impact business The R-Collective accelerating sustainability and circularity by rescuing, reusing and recycling luxury and premium waste materials.

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Youn, Chorong, and Hye Jung Jung. "Semantic Network Analysis to Explore the Concept of Sustainability in the Apparel and Textile Industry." Sustainability 13, no. 7 (March 30, 2021): 3813. http://dx.doi.org/10.3390/su13073813.

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Consumers are becoming increasingly aware and sensitive to the negative environmental impact caused by the fashion industry and by consumers’ high consumption of fashion. This study analyzes people’s unfiltered comments and behaviors on social media sites related to the sustainability of fashion products. Recently, the number of social media data, called big data, has exploded, transcending the level that can be analyzed with existing tools. This study aims to identify consumers’ perceptions of sustainable fashion using the search words “sustainable fashion” to examine public opinion trends found in SNS big data. Text mining was employed to extract meaningful words from the SNS texts using semantic network analysis to analyze the connectivity and propagation trends. The text data were collected from Facebook using the Google search engine to detect tendencies in the occurrence of keywords related to sustainable fashion in SNS over the past five years (2016~2020). The results revealed that the keywords “eco-friendly”, “ethical”, and “recycle” had the highest frequency and centrality. As a result of grouping the keywords based on their correlations, sustainable fashion texts from the SNS data could be classified into four groups: “supply chain of sustainable fashion”, “circular fashion”, “fashion business concepts for sustainability”, and “academic importance of sustainable fashion”. This study strengthens the extent of research by using SNS big data and provides guidelines for product development and communication strategies for a sustainable fashion industry based on customers’ meaningful opinions.

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Moorhouse, Debbie. "Sustainability in fashion and textiles." International Journal of Sustainable Fashion & Textiles 1, no. 1 (April 1, 2022): 3–7. http://dx.doi.org/10.1386/sft/0001_2.

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This first issue of the International Journal of Sustainable Fashion & Textiles (SFT) presents a collection of five research articles, an industry interview and a book review, dedicated to the field of sustainable fashion and textiles, ethically made, retail and consumption and education. Positioning itself from both an academic research and industry practitioners’ perspective, the journal aims to provide a platform to raise awareness of issues within the fashion industry and the need for innovation. Articles for this first issue from international academics and industry professionals cover pertinent topics such as textile waste reduction, concepts to change attitudes towards more sustainable clothing consumption and well-being as a catalyst for change.

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Budnarowska, Corinna. "Circular Fashion: Making the Fashion Industry Sustainable, Peggy Blum (2021)." International Journal of Sustainable Fashion & Textiles 1, no. 2 (October 1, 2022): 305–10. http://dx.doi.org/10.1386/sft_0016_5.

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Woodside, Arch G., and Monica B. Fine. "Sustainable fashion themes in luxury brand storytelling: The sustainability fashion research grid." Journal of Global Fashion Marketing 10, no. 2 (March 13, 2019): 111–28. http://dx.doi.org/10.1080/20932685.2019.1573699.

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Gurova, Olga, and Daria Morozova. "A critical approach to sustainable fashion: Practices of clothing designers in the Kallio neighborhood of Helsinki." Journal of Consumer Culture 18, no. 3 (September 15, 2016): 397–413. http://dx.doi.org/10.1177/1469540516668227.

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This article takes the idea of a critical approach to sustainable fashion and applies it to the practices of clothing designers and seamstresses in the Kallio neighborhood of Helsinki, Finland. These practices are described by the umbrella term “sustainable fashion.” The main questions are how do clothing designers and seamstresses practice sustainable fashion, what challenges do they face, and how do they interpret these challenges. The article offers an empirical definition of “sustainable fashion,” discusses innovative practices of sustainable fashion design in an urban context, considers the tensions within this production concept, and examines ways in which designers address and resolve such tensions. The article contributes to the discussion of a critical approach to fashion, sustainability, and entrepreneurialism in contemporary urban culture.

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Journal articles on the topic 'Sustainable Fashion'

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