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Journal articles on the topic 'Sutasoma'

Author: Grafiati

Published: 11 December 2022

Last updated: 29 January 2023

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1

Dharmana, I. Wayan Suarsana. "Amalgamasi Dan Restrukturisasi Hindu-Buddha Dalam Kekawin Sutasoma." Candra Sangkala 3, no. 1 (2021): 26. http://dx.doi.org/10.23887/jcs.v3i1.33921.

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Kekawin Sutasoma menceritakan perjalanan Sang Sutasoma yang digubah oleh Rakawi Mpu Tantular pada masa pemerintahan Raja Hayam Wuruk dari Kerajaan Majapahit. Artikel ini mengkaji tentang struktur teks kekawin Sutasoma, sinopsis kekawin Sutasoma, amalgamasi dan restrukturisai Hindu (Siwa) Buddha pada kekawin Sutasoma. Nilai terpenting yang terdapat dalam Sutasoma adalah ajaran untuk mencari intisari dari sebuah ajaran agama, dan menganggap agama Siwa dan Buddha yang kurun waktu itu berkembang di Majapahit memiliki intisari yang sama, sehingga dapat dijadikan acuan dalam memandang sebuah perbeda

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2

Meij, Dick van der. "Kakawin Sutasoma and Kakawin Nāgara Krtāgama." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 167, no. 2-3 (2011): 322–32. http://dx.doi.org/10.1163/22134379-90003596.

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Review of: Kate O’Brien, Sutasoma: The ancient tale of a Buddha-Prince from 14th century Java by the poet Mpu Tantular. Mpu Tantular, Kakawin Sutasoma. Cok Sawitri, Sutasoma. I Ketut Riana, Kakawin Dēśa Warnnana uthawi Nāgara Krtāgama: Masa keemasan Majapahit.

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3

Cahyana, Gd Roni, and Dewa Nyoman Sudana. "Pengaruh Model Pembelajaran Word Square Berbasis Tri Kaya Parisudha Terhadap Hasil Belajar IPA." Jurnal Ilmiah Sekolah Dasar 3, no. 2 (2019): 167. http://dx.doi.org/10.23887/jisd.v3i2.17767.

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This study aimed at investigating whether or not there was a significant effect on science learning achievement of students who were taught by using Word Square learning model based on Tri Kaya Parisudha and who were not taught by using Word Square learning model based on Tri Kaya Parisudha in the fifth grade students at SDN Gugus 6 Sutasoma Kubutambahan Sub-District in accademic year 2017/2018. This study was a quasi-experimental research. The population of this study was the 141 students of fifth grade students at SDN Gugus 6 Sutasoma Kubutambahan Sub-district. The research sample were 14 st

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4

Makin, Al. "Unearthing Nusantara’s Concept of Religious Pluralism: Harmonization and Syncretism in Hindu-Buddhist and Islamic Classical Texts." Al-Jami'ah: Journal of Islamic Studies 54, no. 1 (2016): 1. http://dx.doi.org/10.14421/ajis.2016.541.1-30.

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This article sheds light on the formulation of pluralism based on the reading of classical Javanese texts by choosing some excerpts of Hindu-Buddhist literature called kakawin and later Islamic works called serat and babad. Dynamic practices of syncretism and harmonization of local and foreign religious traditions are found in the excerpts of Sutasoma, Kertagama, Dewa Ruci, Babad Tanah Jawa, and Centini. From reading of these messages, this writing finds that since the old time of Singasari and Majapahit, harmonization and syncretism of many religious traditions has been practiced as an essent

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5

Hobart, Angela. "The Enlightened Prince Sutasoma: Transformations of a Buddhist Story." Indonesia 49 (April 1990): 75. http://dx.doi.org/10.2307/3351054.

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6

Kasnowihardjo, Gunadi. "KONTRIBUSI HASIL PENELITIAN ARKEOLOGI DALAM PROGRAM “KEBHINEKAAN SEBAGAI PEMERSATU BANGSA”: “STUDI KASUS PADA SITUS KUBUR PRASEJARAH DI PANTAI UATARA JAWA TENGAH”." Berkala Arkeologi 36, no. 2 (2016): 161–72. http://dx.doi.org/10.30883/jba.v36i2.234.

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Lately, the decline in the understanding of Pancasila and Bhinneka Tunggal Ika as the identity and ideology of the Indonesian nation has become a central issue that we must solve together. Diversity in ethnicity, religion, race, and customs owned by the Indonesian nation has been perceived and understood since thousands of years ago, diversities which were starting to be joined together during the Majapahit era. Mpu Tantular in his infamous Kakawin Sutasoma has written “bhinnekatunggalikatan hanadharma mangrwa”, an idea about unity in diversity. From then on, this idea has grown into nationali

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7

Wilkens, Jens, Georges-Jean Pinault та Michaël Peyrot. "A tocharian B parallel to the legend of kalmāṣapāda and sutasoma of the old uyghurdaśakarmapathāvadānamālā". Acta Orientalia Academiae Scientiarum Hungaricae 67, № 1 (2014): 1–18. http://dx.doi.org/10.1556/aorient.67.2014.1.1.

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8

Kiriana, I. Nyoman. "SINKRETISME DALAM AGAMA HINDU DAN BUDDHA DI BALI." Jurnal Penjaminan Mutu 1, no. 2 (2016): 71. http://dx.doi.org/10.25078/jpm.v1i2.52.

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In religious life, at first the existence of Hindu and Buddhist very harmonious and contradictory in their home country, namely India. But the two religions in Indosesia seem very harmonious, especially in the era of the Majapahit kingdom. Moreover, the existence of Hinduism and Buddhism in Bali very harmony and even complement each other in practice and spiritual order. Buddhism is very much a substance similar to the teachings of Hinduism. In some Hindu literature was found a lot in common with the essence of Buddhism, and vice versa. Very often found literature-literature that reflects the

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9

Zuriati, Zuriati. "Mpu Tantular, Kakawin Sutasoma. Translated by Dwi Woro Retno Mastuti and Hastho Bramantyo. Depok: Komunitas Bambu, 2009, xxiv + 544 pp. ISBN 979-3731-55-9. Price: IDR 85,000 (soft cover). Cok Sawitri, Sutasoma. Jakarta: Kaki Langit Kencana, 2009, 469 pp." Wacana, Journal of the Humanities of Indonesia 12, no. 2 (2010): 421. http://dx.doi.org/10.17510/wjhi.v12i2.129.

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10

Kadarisman, A. Effendi. "Local Wisdom with Universal Appeal: Dynamics of Indonesian Culture in Asian Context." KnE Social Sciences 1, no. 3 (2017): 8. http://dx.doi.org/10.18502/kss.v1i3.720.

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<p>This paper argues that the dynamics of Indonesian culture in Asian context, as seen from a linguistic perspective, may occur in the form of cultural reinterpretation and semantic change. At the cultural level, this paper takes a close look at two things: apology and “Indonglish” (Indonesian English). Apology is a universal speech act. However, where, when, how, and why people apologize to one another can be culture-specific. I pick out an Islam-specific greeting which gets modified by taking a Malay-specific apology as an illustrative example. As for Indonglish, it can be viewed eithe

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11

Utomo, Hartmantyo Pradigto, and Purwanto Purwanto. "Kritik Kekuasaan Mpu Tantular sebagai Ulayatisasi Ilmu Sosial Indonesia." Jurnal Pemikiran Sosiologi 6, no. 2 (2019): 150. http://dx.doi.org/10.22146/jps.v6i2.51584.

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Orientalisme dan kebergantungan akademis merupakan dua unsur yang menjangkiti ilmu sosial di Indonesia. Kedua unsur tersebut mengakibatkan kekosongan tradisi pemikiran ilmu sosial yang berasal dari Indonesia. Oleh karena itu, tulisan ini mengupayakan tradisi pemikiran alternatif melalui gagasan Mpu Tantular dalam Kakawin Sutasoma yang berasal dari zaman Kerajaan Majapahit. Pemikiran Mpu Tantular dipilih berdasarkan dua pertimbangan. Pertama belum terdapat penelitian ilmu sosial yang berfokus pada pemikiran zaman kerajaan Kedua relevansi pemikiran kritis yang terdapat di dalamnya. Penafsiran pe

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12

Guna Yasa, Putu Eka. "MODEL TERJEMAHAN IGB SUGRIWA DALAM KAKAWIN RĀMATANTRA: USAHA MENGALIRKAN MATA AIR SASTRA KE BERBAGAI TELAGA ZAMAN." Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra 12, no. 2 (2022): 1–12. http://dx.doi.org/10.25078/kalangwan.v12i2.1755.

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  Abstrak Menerjemahkan merupakan salah satu puncak keahlian IGB Sugriwa yang kini semakin langka. Oleh karena itu, artikel ini bertujuan untuk membahas dua hal, yaitu: (1) menelusuri karya-karya terjemahan yang dihasilkan oleh IGB Sugriwa; (2) model terjemahan yang dikembangkan oleh IGB Sugriwa dalam Kakawin Rāmatantra. Untuk mencapai tujuan tersebut, artikel ini menggunakan metode penyediaan data, analisis data, dan penyajian hasil analisis. Pada tahap penyediaan data, metode observasi dan wawancara digunakan untuk menemukan karya terjemahan IGB Sugriwa. Selanjutnya, terjem

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13

Purwita, Dewa Gede. "Pengaruh Narasi pada Seni Lukis Tradisi Bali: Studi Bahasa Rupa Lukisan Wayang Kamasan dan I Ketut Gede Singaraja." Humanis 25, no. 4 (2021): 504. http://dx.doi.org/10.24843/jh.2021.v25.i04.p10.

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Traditional Balinese painting elements contain narrative, illustrative, figurative, functional, these formed the structure of Balinese art which is closely related to the existence of the text as the background of its creation. This study aims to read the influence caused by narrative as things that affect the “wimba” and the “cara wimba” in traditional Balinese painting which is focused on Sutasoma's painting in the Kamasan painting style in Bale Kambang Kerta Gosa, Klungkung and the painting of Prabu Salya by I Ketut Gede Singaraja. This research method uses a qualitative art research with a

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14

Widiantari, I. Gusti Ayu Sri, I. Made Suastika, and I. Nyoman Suarka. "RESISTENSI PANGERAN SUTASOMA TERHADAP HEGEMONI RAJA PURUSADHA DALAM CERITA KEKAWIN SUTASOMA." E-Journal of Cultural Studies, November 30, 2019, 1. http://dx.doi.org/10.24843/cs.2019.v12.i04.p01.

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The purpose of this research is to uncover the inherent values contained in the marriage of Sutasoma, which focuses on the backdrop of Sutasoma's resistance to his father, the king of Parusadha, and reveals the values contained in the The story. The study used an interpretive approach to cultural studies from the qualitative data sources in the text and translations. The foundation of the theory used to analyze data is the theory of power of knowledge and hegemony. With this approach and theory the study found that the reasons and ways of Prince Sutasoma to fight the attitude and behavior of K

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15

Worsley, Peter John. "Some Thoughts About Genre in Old Javanese Literature." Jumantara: Jurnal Manuskrip Nusantara 12, no. 2 (2021). http://dx.doi.org/10.37014/jumantara.v12i2.1148.

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Robson in 1983 and 1988 in his reconsideration of the poetics of kakawin epics and Javanese philology drew readers’ attention to the importance of genre for the history of ancient Javanese literature. Aoyama in his study of the kakawin Sutasoma in 1992, making judicious use of Hans Jauss’s concept of “horizon of expectation”, offered the first systematic discussion of the genre of Old Javanese literary works. The present essay offers a commentary on the terms which mpu Monaguna and mpu Prapañca, authors of the thirteenth century epic kakawin Sumanasāntaka and the fourteenth century Deśawarṇana

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