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Relevant bibliographies by topics / Suzette Haden Elgin

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Academic literature on the topic 'Suzette Haden Elgin'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Suzette Haden Elgin"

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ISRAEL, A. C. NOLETTO, and ALVES TEIXEIRA LOPES SEBASTIÃO. "LANGUAGE AND CONTROL – GLOSSOPOESIS IN ORWELL'S NINETEEN EIGHTY-FOUR AND ELGIN'S NATIVE TONGUE." Darandina 11, no. 1 (2018): 1–16. https://doi.org/10.5281/zenodo.1344558.

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ABSTRACT: With this article, we propose a comparative reading of the use of artificial languages as plot devices by George Orwell’s Nineteen Eighty-Four (1949) and Suzette Haden Elgin’s Native Tongue (1984) in relation to their views of language and control. Pierre Bourdieu (1991) Guy Deutscher (2010), and Conley and Cain (2006) greatly subsidy our research. As a result, we demonstrate how similar the authors’ impressions are.

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2

Israel, A. C. Noletto, and Alves Teixeira Lopes Sebastião. "LANGUAGE AND CONTROL – GLOSSOPOESIS IN ORWELL'S NINETEEN EIGHTY-FOUR AND ELGIN'S NATIVE TONGUE." Darandina Revista Eletrônica 12, no. 1 (2019): 1–16. https://doi.org/10.5281/zenodo.3242642.

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With this article, we propose a comparative reading of the use of artificial languages as plot devices by George Orwell’s Nineteen Eighty-Four (1949) and Suzette Haden Elgin’s Native Tongue (1984) in relation to their views of language and control. Pierre Bourdieu (1991) Guy Deutscher (2010), and Conley and Cain (2006) greatly subsidy our research. As a result, we demonstrate how similar the authors’ impressions are.

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3

Skowrońska, Dorota. "Constructed Languages of Hildegard of Bingen and Suzzette Haden Elgin. Female Empowerment through Language?" Forum Filologiczne Ateneum, no. 1(6)2018 (December 31, 2018): 101–12. http://dx.doi.org/10.36575/2353-2912/1(6)2018.101.

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Since constructed languages have recently been brought into focus by their prominent presence in film and television production, they have also become more attractive for academic research: several compendia, monographs, and articles have been published on the topic of classification and analysis of conlangs. Glossopoeia of Hildegard of Bingen and Suzette Haden Elgin is unique among the plethora of constructed languages in several aspects: elusive classification, unusual lexical focus, high level of completeness, and female authorship. The article investigates possible classifications of lingu

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Colson, Jacques L. "Elgin, Suzette Haden. The Gentle Art of Verbal Self-Defense. Prentice Hall, Englewood Cliffs, N.J. 1980Elgin, Suzette Haden. The Gentle Art of Verbal Self-Defense. Prentice Hall, Englewood Cliffs, N.J. 1980. Pp. 310. US $6.95." Canadian Modern Language Review 41, no. 6 (1985): 1086–87. http://dx.doi.org/10.3138/cmlr.41.6.1086.

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Bertetti, Paolo. "The Linguistic Shape of Things to Come." Linguistic Frontiers 5, no. 3 (2022): 65–72. http://dx.doi.org/10.2478/lf-2022-0025.

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Abstract Published in 1958, The Languages of Pao by Jack Vance is one of the earliest linguistic speculations in the science fiction genre. Directly inspired by the Sapir-Whorf hypothesis, it describes a complex, linguistic engineering experiment set up to transform the essentially peaceful nature of the inhabitants of the planet Pao, so that they might stand up to invaders from another planet. It does so through the creation and implementation of three new languages, as opposed to the one they already speak, to create a merchant class, technical class, and warrior class. While Vance’s extrapo

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6

Osorio, Gustavo. "Cuando se finge que es ficción: aproximación deíctica a La piel del vigilante de Raúl Quinto, un caso de poesía especulativa." Humanitas. Revista de Teoría, Crítica y Estudios Literarios 2, no. 4 (2023): 255–79. http://dx.doi.org/10.29105/revistahumanitas2.4-52.

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Si bien la poesía ha sido tradicionalmente uno de los géneros que más complejiza y tensa la relación entre lo fictivo y lo empírico-situacional, existe un subgénero de ésta, denominado poesía especulativa, la cual es definida por Suzette Haden Elgin como aquella poesía que da tratamiento a una realidad que es, de cierta manera, distinta de la realidad existente, es decir, una especificidad del género lírico que se sustenta no en lo real-empírico, sino en un constructo de ya ficticio. En este tipo de poesía, que podría aproximarse tanto a la literatura fantástica como a la de ciencia ficción, s

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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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Dissertations / Theses on the topic "Suzette Haden Elgin"

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McGarry, Theresa. "Suzette Haden Elgin." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/6158.

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2

Marinelli, Giorgia. "Native Tongue di Suzette Haden Elgin: analisi e traduzione di una distopia critica femminista sui generis." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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Questo lavoro di tesi è incentrato sulla traduzione di alcuni passaggi di Native Tongue di Suzette Haden Elgin (1984), un romanzo distopico critico femminista. La tesi è divisa in sette capitoli. Il primo capitolo si occupa esclusivamente di fantascienza (poiché Native Tongue è sia romanzo fantascientifico che distopico), e cerca di definire concetti di base quali cosa sia un romanzo fantascientifico e quali siano le caratteristiche di eutopie e distopie. Nel secondo capitolo si tenterà di dare una definizione unitaria di femminismo, e successivamente verrà presentato un excursus storico del

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Books on the topic "Suzette Haden Elgin"

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Earthsong: Native tongue 3 : Suzette Haden Elgin. DAW Books, 1994.

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Book chapters on the topic "Suzette Haden Elgin"

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Jones, Gwyneth. "Joining the Cultural Minority." In Joanna Russ. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042638.003.0006.

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“Joining the Cultural Minority” examines the influence of Nabokov on Joanna’s modernist, postrealist sensibility, her “fictional autobiography” project, and her insistence on the “fictiveness of fiction.” The chapter discusses issues of agency and assimilation in her fifth novel. A “re-visioning and re-perceiving” of a work by Joanna’s friend Suzette Halden Elgin, related to Joanna’s important 1970 story “The Second Inquisition,” The Two of Us (1978) features a talented young “Trans-Temp” agent who realizes that if other women are chattels, her own, special status is an illusion. Reviews, essa

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