Academic literature on the topic 'Svevo'
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Journal articles on the topic "Svevo"
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Gatt-Rutter, John, and Alberto Cavaglion. "Italo Svevo." Modern Language Review 98, no. 2 (April 2003): 477. http://dx.doi.org/10.2307/3737874.
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Miceli-Jeffries, Giovanna, and Beno Weiss. "Italo Svevo." Italica 67, no. 1 (1990): 92. http://dx.doi.org/10.2307/479082.
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Possiedi, Paolo. "Review: Italo Svevo." Forum Italicum: A Journal of Italian Studies 22, no. 1 (March 1988): 136–38. http://dx.doi.org/10.1177/001458588802200129.
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Romano, Giuseppe, Laura Del Coco, Francesco Milano, Miriana Durante, Samuela Palombieri, Francesco Sestili, Andrea Visioni, Abderrazek Jilal, Francesco Paolo Fanizzi, and Barbara Laddomada. "Phytochemical Profiling and Untargeted Metabolite Fingerprinting of the MEDWHEALTH Wheat, Barley and Lentil Wholemeal Flours." Foods 11, no. 24 (December 16, 2022): 4070. http://dx.doi.org/10.3390/foods11244070.
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An important research target is improving the health benefits of traditional Mediterranean, durum wheat-based foods using innovative raw materials. In this study, we characterised wholemeal flours obtained from a traditional durum wheat cv. Svevo, two innovative durum wheat varieties (Svevo-High Amylose and Faridur), the naked barley cv. Chifaa and the elite lentil line 6002/ILWL118/1-1, evaluating them for targeted phytochemicals, untargeted metabolomics fingerprints and antioxidant capacity. To this aim, individual phenolic acids, flavonoids, tocochromanols and carotenoids were identified and quantified through HPLC-DAD, and the antioxidant capacities of both the extracts and whole meals were detected by ABTS assays. An untargeted metabolomics fingerprinting of the samples was conducted through NMR spectroscopy. Results showed that the innovative materials improved phytochemical profiles and antioxidant capacity compared to Svevo. In particular, Svevo-HA and Faridur had higher contents of ferulic and sinapic acids, β-tocotrienol and lutein. Moreover, Chifaa is a rich source of phenolic acids, β-tocopherols, lutein and zeaxanthin whereas lentil of flavonoids (i.e., catechin and procyanidin B2). The NMR profiles of Svevo-HA and Faridur showed a significant reduction of sugar content, malate and tryptophan compared to that of Svevo. Finally, substantial differences characterised the lentil profiles, especially for citrate, trigonelline and phenolic resonances of secondary metabolites, such as catechin-like compounds. Overall, these results support the potential of the above innovative materials to renew the health value of traditional Mediterranean durum wheat-based products.
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Hermetet, Anne-Rachel. "Italo Svevo et la conscience moderne." Études Tome 415, no. 10 (October 1, 2011): 361–70. http://dx.doi.org/10.3917/etu.4154.0361.
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Résumé Svevo prend place dans la constellation des auteurs de Trieste, carrefour où convergeaient, au temps de l’empire austro-hongrois, Autrichiens, Italiens et Slaves. Cette complexité culturelle transparaît dans une approche de l’individu qui fait de l’œuvre de Svevo le lieu d’une exploration minutieuse de la conscience moderne.
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Vianello, Marialuisa. "Il riso di Svevo." Italies, no. 4 (January 1, 2000): 103–38. http://dx.doi.org/10.4000/italies.2212.
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Gatt-Rutter, John, Norberto Cacciaglia, Lia Fava Guzzetta, Giovanni Palmieri, Italo Svevo, and Giovanni Palmieri. "Italo Svevo scrittore europeo." Modern Language Review 91, no. 3 (July 1996): 760. http://dx.doi.org/10.2307/3734158.
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Saccone, Eduardo, and Fulvio Anzellotti. "Il segreto di Svevo." MLN 102, no. 1 (January 1987): 151. http://dx.doi.org/10.2307/2905573.
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Schächter, Elizabeth. "Italo Svevo and England." Notes and Queries 55, no. 4 (October 7, 2008): 501–5. http://dx.doi.org/10.1093/notesj/gjn172.
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Sissons, Mike, Denise Pleming, Benedetta Margiotta, Maria Grazia D'Egidio, and Domenico Lafiandra. "Effect of the introduction of D-genome related gluten proteins on durum wheat pasta and bread making quality." Crop and Pasture Science 65, no. 1 (2014): 27. http://dx.doi.org/10.1071/cp13305.
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Durum wheat (Triticum turgidum ssp. durum) is typically used to produce pasta. In some parts of the world, it is used to make bread but with inferior loaf volume and texture compared with common wheat bread. This study describes the effect on technological properties of pasta and bread made from durum wheat cv. Svevo (recurrent parent (S), HMW-GS null, 7+8) and two isogenic genotypes carrying pairs of additional subunits 5+10 (S 5+10) or 2+12 (S 2+12), normally present at the Glu-D1 locus in bread wheat. The semolina was re-ground to flour, mixed in various proportions with bakers flour and used to prepare loaves. The dough properties of the S 5+10 line were markedly different from Svevo, having over-strong, stable dough, low wet gluten and elasticity; S 2+12 also displayed stronger dough. Pasta prepared from these genotypes showed lower cooked firmness (adjusted for protein differences), ranked Svevo > S 5+10 = S 2+12. There were no other differences in pasta cooking quality. Bread loaf volume and loaf score decreased as more bakers flour was replaced by durum flour, but the decline varied with the genetic material and dosage. The greatest reduction in loaf volume occurred using S 5+10 and the least with S 2+12, which was similar to Svevo. Bake score was reduced with S 5+10 only. The best loaf was made using Svevo. This work shows that it is possible to manipulate the processing properties of pasta and durum–bread-wheat blends by altering the glutenin subunit composition. This represents an efficient tool to finely manipulate gluten quality in durum wheat.
Dissertations / Theses on the topic "Svevo"
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Vianello, Marialuisa. "Italo Svevo et la France." Aix-Marseille 1, 2004. http://www.theses.fr/2004AIX10072.
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Le transfert en France de l'oeuvre d'Italo Svevo, entre 1926 et 1933, est un cas assez rare dans l'histoire des rapports culturels entre les deux pays, car les textes svéviens ont été accueillis dans la culture française presque au même moment que dans la culture italienne. Ils présentaient donc des caractéristiques de rupture et de nouveauté par rapport à l'horizon d'attente des deux pays. Grâce à l'intervention de J. Joyce, les critiques écrivains V. Larbaud et B. Crémieux, l'éditeur Gallimard et le traducteur P. H. Michel ont saisi l'intérêt de l'oeuvre de Svevo, à la différence de nombreux critiques italiens, mais ils ont essayé de l'adapter aux attentes du public en écourtant La coscienza di Zeno, en modifiant son titre, en transformant son style dans la traduction. Dans les années cinquante Svevo a été redécouvert en France après une période d'oubli, et la critique professionnelle a cherché à apprendre aux lecteurs comment il fallait lire "correctement" Svevo. Les lectures savantes des professeurs ont mis en rapport l'oeuvre avec son contexte historique, avec la conscience même de Svevo et avec les influences idéologiques subies, pour parvenir à un commentaire qui reconstruise le sens des textes. Mais dans La coscienza di Zeno le sens n'est pas dévoilé par le simple déroulement de la narration, le texte renvoie à plusieurs explications possibles, contenues dans des théories extérieures à lui, comme par exemple la psychanalyse. Les interprétations psychanalytiques ont souvent visé à formuler un diagnostic sur le genre de pathologie dont le protagoniste serait atteint, au risque de réduire le personnage de l'inadapté à un simple malade à soigner, en le privant de sa vocation à remettre en cause toute la réalité. Les inadaptés dénoncent par leurs souffrances non seulement leur incapacité à vivre, mais aussi le caractère hypocrite et inhumain de la société, mais, parfois est-ce la leçon de Zeno ? - ils arrivent à survivre, mieux que les gens qui s'y sont intégrés.
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Schachter, Elizabeth. "Origin and identity : essays on Svevo and Trieste." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298099.
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KIM, HEE JUNG. "Italo Svevo e Yi Sang: uno studio possibile." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/641.
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La mia ricerca, che si avvale degli strumenti della letteratura comparata è basata sul concetto di ‘letteratura mondiale’elaborato da Durisin; egli sostiene la possibilità di portare avanti gli studi sullo sviluppo e sull’influenza elaborati da Bloom Bloom secondo cui la comparazione tra diverse letterature può essere effettuata anche in assenza di relazioni.In tale direzione, la ricerca comparatistica non neccessita di dipendere da un spazio geografico o da un periodo storico specifico. Perciò, il confronto tra Svevo e Yi Sang, tra letteratura italiana e coreana può essere un proficuo tema da affrontare mediante tale approccio ermeneutico, anche se non si dispone di alcuna connessione diretta fra i due autori.
L’Intento di questa tesi vuole essere quello di offrire qualche ulteriore elemento di riflessione sul significato storico della presenza di Svevo e Yi Sang nella cultura dei rispettivi paesi nel nostro secolo, sul valore permanentemente vivo della loro sconvolgente scoperta sugli spiragli di speranza che il loro ‘messaggio’ lascia ancora aperti, attraverso il tema della psicanalisi; la scoperta è quella della condizione malata dell’uomo del nostro tempo; e la speranza è una sorta di salvezza che potrebbe venire da una doverosa quanto dolorosa necessità di autoanalisi continua e spietata, che riconduca l’uomo nei limiti di una chiara presa di coscienza del suo essere ‘malato’, sì da disporlo ad una comprensione e gestione critica della realtà, attraverso una perlustrazione attenta della propria interiorità, con/senza infingimenti e autoinganni.My research, which uses the methods of comparative literature, is based on the concept of ‘world literature’ developed by Durisin; he supports the opportunity to pursue studies on the development and influence developed by Bloom from whom the comparison between different literatures can be done even in the absence of relations. Therefore, the comparison between Italo Svevo and Yi Sang, between Italian and Korean literature can be a fruitful issue to be addressed by this hermeneutical approach, even if there is not any direct connection between two authors. The intent of this thesis will be offered some further reflection on the historical significance of the presence of Svevo and Yi Sang in the culture of their country in this century, on the live value permanently of their shocking discovery (especially in the field of arts), on the ray of hope that their ‘message’ still leaves open, through the theme of psychoanalysis; the discovery is the condition of sick of our time; and the hope is a kind of salvation that could come from a painful duty as the need for continuous and ruthless self, which brings the man within the limits of a clear awareness of the importance of his being ‘sick’, so as to arrange an understanding and management criticism of reality, through a careful patrol of its interior, with/without self pretend.
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KIM, HEE JUNG. "Italo Svevo e Yi Sang: uno studio possibile." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/641.
Full textAbstract:
La mia ricerca, che si avvale degli strumenti della letteratura comparata è basata sul concetto di ‘letteratura mondiale’elaborato da Durisin; egli sostiene la possibilità di portare avanti gli studi sullo sviluppo e sull’influenza elaborati da Bloom Bloom secondo cui la comparazione tra diverse letterature può essere effettuata anche in assenza di relazioni.In tale direzione, la ricerca comparatistica non neccessita di dipendere da un spazio geografico o da un periodo storico specifico. Perciò, il confronto tra Svevo e Yi Sang, tra letteratura italiana e coreana può essere un proficuo tema da affrontare mediante tale approccio ermeneutico, anche se non si dispone di alcuna connessione diretta fra i due autori.
L’Intento di questa tesi vuole essere quello di offrire qualche ulteriore elemento di riflessione sul significato storico della presenza di Svevo e Yi Sang nella cultura dei rispettivi paesi nel nostro secolo, sul valore permanentemente vivo della loro sconvolgente scoperta sugli spiragli di speranza che il loro ‘messaggio’ lascia ancora aperti, attraverso il tema della psicanalisi; la scoperta è quella della condizione malata dell’uomo del nostro tempo; e la speranza è una sorta di salvezza che potrebbe venire da una doverosa quanto dolorosa necessità di autoanalisi continua e spietata, che riconduca l’uomo nei limiti di una chiara presa di coscienza del suo essere ‘malato’, sì da disporlo ad una comprensione e gestione critica della realtà, attraverso una perlustrazione attenta della propria interiorità, con/senza infingimenti e autoinganni.My research, which uses the methods of comparative literature, is based on the concept of ‘world literature’ developed by Durisin; he supports the opportunity to pursue studies on the development and influence developed by Bloom from whom the comparison between different literatures can be done even in the absence of relations. Therefore, the comparison between Italo Svevo and Yi Sang, between Italian and Korean literature can be a fruitful issue to be addressed by this hermeneutical approach, even if there is not any direct connection between two authors. The intent of this thesis will be offered some further reflection on the historical significance of the presence of Svevo and Yi Sang in the culture of their country in this century, on the live value permanently of their shocking discovery (especially in the field of arts), on the ray of hope that their ‘message’ still leaves open, through the theme of psychoanalysis; the discovery is the condition of sick of our time; and the hope is a kind of salvation that could come from a painful duty as the need for continuous and ruthless self, which brings the man within the limits of a clear awareness of the importance of his being ‘sick’, so as to arrange an understanding and management criticism of reality, through a careful patrol of its interior, with/without self pretend.
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Cia, Patricia De. "Um romance no meio do caminho: La coscienza de Zeno e os paradoxos do fim do século." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-30032009-160301/.
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Romance inovador, sobretudo graças à incorporação da psicanálise à literatura, La coscienza di Zeno, de Italo Svevo, é também a obra-prima de um autor situado em diversas intersecções: ele escreveu de um local de fronteira entre várias culturas; numa língua que era sua por adoção; na transição entre dois séculos; em meio à alteração das configurações políticas e econômicas da Europa; em um período de intensa transformação das idéias e da forma de narrar. Este estudo busca levantar subsídios para melhor situar o romance em relação a seu tempo e ao complexo ambiente intelectual do fim do século XIX (caracterizado pelo conflito e pela coexistência de cientificismo e irracionalismo, positivismo e pessimismo), bem como em relação à tradição do romance europeu. Para isso, conta com o auxílio da crítica literária e sócio-histórica, além dos artigos e ensaios de Svevo.A breakthrough novel specially regarding its incorporation of psychoanalysis into literature , La coscienza di Zeno, by Italo Svevo, is also the masterpiece of an author placed in many intersections: he wrote from the boundaries of different cultures; in an adopted language; during the transition of two centuries; amid changes at the political and economical settings of Europe; and through the transformation of ideas and the narrative. This study aims to gather elements to better relate La coscienza to the complex intelectual environment of the late 19th century (marked by the conflict and the coexistence of scientism and irrationalism, positivism and pessimism), as well to the tradition of european novel. To this purpose, it benefits from the literary and sociohistorical criticism, and from Svevos articles and essays.
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Quélen, Dominique. "L'Art et la mort dans les romans d'Italo Svevo." Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb37619414j.
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Quélen, Dominique. "L'art et la mort dans les romans d'Italo Svevo." Paris 7, 1989. http://www.theses.fr/1988PA070136.
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Se sentant inadapté au monde qui l'entoure, le protagoniste svevien l'appréhende par des artifices (l'art, l'écriture, la drogue, etc. ) qui contribuent à l'en détacher. Il perçoit la réalité comme une machination destinée à l'entraîner dans une lutte pour la vie, donc à terme vers la mort. Son moyen de défense consiste dans l'annihilation de tout désir - ce que permet l'âge avancé du protagoniste de dernier roman - et le recueillement dans l'écriture, facteur enfin trouvé d'une maîtrise du réel par la formulation, donc la création, d'une réalité moins brute, et d'où la mort est évacuéeFeeling himself a misfit in the world, the svevian protagonist apprehends it through devices (art, writing, drugs, and so on) which contribute to turn him away from it. He perceives reality as a plot to carry him into a struggle for life, therefore finally towards death. His way of protecting himself consists in the annihilation of all desire - which is made easier to the protagonist of Svevo's third novel by his age - and in the contemplation through writing, thereby finally mastering reality, creating by expression a less crude one from which death is banished
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Céron, Emmeline. "Goethe, Musil, Svevo, de l'universalisme heureux à l'indétermination malheureuse." Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2010.
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La confrontation des utopies et de la Weltanschauung goethéennes avec les différents modes d’expression, dans les œuvres de fictions de Robert Musil et d’Italo Svevo, de la crise de la conscience européenne du début du XXème siècle et la rencontre, notamment, de l’âge d’or du roman de formation « heureux » qu’incarne l’œuvre de Goethe et de l’indétermination qui caractérise les œuvres de Svevo ou de Musil, permettent de mesurer l‘évolution de la conception de l’individu et du processus d’individuation ainsi que de sonder la nature des nouveaux enjeux qui accompagnent la permanence de préoccupations telles que les questions du Moi, de destin et de hasard, de morale, ou d’esthétique. D’autre part, il s’agit d’observer comment les idéaux et fantasmes mythiques (tentations faustiennes, désir de savoir absolu, idéal communautaire, mythe de l’androgyne primordial) qui habitent déjà la spiritualité goethéenne retrouvent une place dans le contexte crépusculaire de la crise européenne de l’individualité ou dans la figuration littéraire d’un monde en déclin, sans échapper cependant au caractère lucide et ironique des plumes respectives de Musil et de SvevoOn the one hand, the comparison of the Goethean utopias and Weltanschauung with the various modes of expression, in the works of fictions of Robert Musil and Italo Svevo, of the crisis of the European consciousness of the beginning of the XXth century and the meeting, in particular, between the golden age of the "happy" novel of formation that the work of Goethe embodies and the indetermination which characterizes the works of Svevo or Musil, allow to measure the evolution of both the conception of the individual and the process of individuation as well as to sound the nature of the new stakes which accompany the permanence of concerns such as the questions of the Me, the fate and the chance, the morality or the aesthetics. On the other hand, it is a question of observing how the ideals and the mythical fantasies (Faustian temptations, desire for absolute knowledge, ideal community, myth of the primitive androgyne) which already live in the Goethean spirituality find a place in the crepuscular context of the European crisis of the individuality or in the literary representation of a world in decline, without escaping however the lucid and ironic character of the respective styles of Musil and Svevo
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ANTONINI, GABRIELE. ""IL TEATRO ERA ALLORA IL SUO SOSPIRO". SVEVO DRAMMATURGO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6150.
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Seppur premiata da una fortuna minore rispetto a quella occorsa alle opere narrative, la produzione teatrale di Svevo rappresenta una parentesi determinante della sua carriera letteraria: il triestino, infatti, ci ha lasciato un corpus teatrale significativo, composto da tredici copioni, distribuiti su un arco biografico che si estende dal 1880, anno dell’Ariosto governatore, fino ad arrivare, con La rigenerazione, agli anni immediatamente precedenti alla morte. Si consideri, inoltre, che quella per il teatro fu una passione che accompagnò Svevo per l’intera esistenza, sia come frequentatore di spettacoli tanto in Italia quanto all’estero, sia come critico per le più importanti testate triestine.
Per questi motivi, è parso opportuno in questo lavoro di ricerca tornare su un tema – quello delle commedie di Svevo – meno considerato dalla critica. Nella prima sezione della tesi, intitolata Svevo e il teatro, dopo un rapido profilo della critica e della storia delle rappresentazioni, si è cercato di delineare i confini del rapporto che unì Svevo al mondo del palcoscenico. Nella seconda sezione di del lavoro, intitolata Trasgressione, ribellione e falsificazione nel teatro sveviano, sono state prese in analisi le pièces del triestino; le commedie sono state raggruppate in base a tre nuclei tematici: trasgressione, ribellione e falsificazione.Although rewarded by a minor fortune than that which occurred to the novels, Svevo’s plays are a determinant parenthesis of his literary career: in fact, the writer has left thirteen commedies, distributed over a biographical arch which extends from 1880, the year of Ariosto governatore, up to, with La rigenerazione, the years immediately preceding his death. Consider, too, that the theater was a passion that accompanied Svevo for the whole of life, both as a frequenter of shows in Italy and abroad, both as a critic for the most important newspapers in Trieste. For these reasons, it seemed appropriate in this research back on a theme - that of Svevo’s plays - less regarded by critics. In the first section of the thesis, entitled Svevo e il teatro, after a short outline of the criticism and of the history of representations, we tried to delineate the borders of the relationship that joined Svevo to the world of the stage. In the second section of the work, entitled Trasgressione, ribellione e falsificazione nel teatro sveviano, were taken into analysis the plays; comedies were grouped according to three themes: transgression, rebellion and forgery.
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ANTONINI, GABRIELE. ""IL TEATRO ERA ALLORA IL SUO SOSPIRO". SVEVO DRAMMATURGO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6150.
Full textAbstract:
Seppur premiata da una fortuna minore rispetto a quella occorsa alle opere narrative, la produzione teatrale di Svevo rappresenta una parentesi determinante della sua carriera letteraria: il triestino, infatti, ci ha lasciato un corpus teatrale significativo, composto da tredici copioni, distribuiti su un arco biografico che si estende dal 1880, anno dell’Ariosto governatore, fino ad arrivare, con La rigenerazione, agli anni immediatamente precedenti alla morte. Si consideri, inoltre, che quella per il teatro fu una passione che accompagnò Svevo per l’intera esistenza, sia come frequentatore di spettacoli tanto in Italia quanto all’estero, sia come critico per le più importanti testate triestine.
Per questi motivi, è parso opportuno in questo lavoro di ricerca tornare su un tema – quello delle commedie di Svevo – meno considerato dalla critica. Nella prima sezione della tesi, intitolata Svevo e il teatro, dopo un rapido profilo della critica e della storia delle rappresentazioni, si è cercato di delineare i confini del rapporto che unì Svevo al mondo del palcoscenico. Nella seconda sezione di del lavoro, intitolata Trasgressione, ribellione e falsificazione nel teatro sveviano, sono state prese in analisi le pièces del triestino; le commedie sono state raggruppate in base a tre nuclei tematici: trasgressione, ribellione e falsificazione.Although rewarded by a minor fortune than that which occurred to the novels, Svevo’s plays are a determinant parenthesis of his literary career: in fact, the writer has left thirteen commedies, distributed over a biographical arch which extends from 1880, the year of Ariosto governatore, up to, with La rigenerazione, the years immediately preceding his death. Consider, too, that the theater was a passion that accompanied Svevo for the whole of life, both as a frequenter of shows in Italy and abroad, both as a critic for the most important newspapers in Trieste. For these reasons, it seemed appropriate in this research back on a theme - that of Svevo’s plays - less regarded by critics. In the first section of the thesis, entitled Svevo e il teatro, after a short outline of the criticism and of the history of representations, we tried to delineate the borders of the relationship that joined Svevo to the world of the stage. In the second section of the work, entitled Trasgressione, ribellione e falsificazione nel teatro sveviano, were taken into analysis the plays; comedies were grouped according to three themes: transgression, rebellion and forgery.
Books on the topic "Svevo"
More sourcesBook chapters on the topic "Svevo"
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Wild, Gerhard. "Svevo, Italo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18050-1.
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Gallistl, Maria. "Italo Svevo." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 33–38. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_1.
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Haefelin, Charlotte. "Svevo, Italo: Senilità." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18053-1.
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Gallistl, Maria. "Svevo, Italo: Die Erzählungen." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18051-1.
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Haefelin, Charlotte. "Svevo, Italo: Una vita." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18052-1.
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Sartori, Andrea. "Svevo: (A) Life and Writing." In Italian and Italian American Studies, 73–127. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-18850-3_3.
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Haefelin, Charlotte, and Maria Gallistl. "Svevo, Italo: La coscienza di Zeno." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18054-1.
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Buyze, David M. "Tensions in the Nation: Pamuk and Svevo." In Global Perspectives on Orhan Pamuk, 25–43. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137039545_3.
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Magris, Claudio. "Über Ettore Schmitz, der sich Italo Svevo nannte." In Mein Jahrhundertbuch, 55–60. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02728-3_19.
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Zhang, Xueyong, and Rudi Appels. "Genome Sequence-Based Features of Wheat Genetic Diversity." In Compendium of Plant Genomes, 93–111. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38294-9_6.
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AbstractCommon wheat is a hexaploid species crop that is widely recognized as an important staple food crop. The establishment of a gold standard reference genome sequences of the well-studied CHINESE SPRING, and its progenitors (including Triticum turgidum ssp. dicoccoides accession Zavitan, Triticum durum accession Svevo, Triticum urartu, Aegilops tauschii), in the last 5 years has dramatically promoted our understanding of wheat genome diversity and evolution through the resequencing of collections of wheat and its progenitors. In this chapter, we review progress in the analysis and interpretation of genome‑based studies of wheat focusing on geographic genome differentiation, interspecies gene flow, haplotype blocks, and gene diversity in breeding. We also consider approaches for efficiently discovering and integrating the genes and genome variations, hidden in Genebank collections, into wheat breeding programs.
Conference papers on the topic "Svevo"
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Tomassoni, Rosella, Melissa Benvenuto, and Monica Alina Lungu. "PSYCHOLOGY AND LITERATURE: THE CONSCIOUSNESS OF ZENO BY ITALO SVEVO." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.16.
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The present work aims to address the role that psychology plays within literary works starting from a "critical" reading aimed at understanding and recognizing the psychological and in some works also psychopathological traits present within the texts. Our goal will be to present the conscious and unconscious aspects of the various characters and identify the reasons that prompted the author to create and analyze certain psychological issues and certain environmental situations. The methodology that will be used will mainly be that indicated by Professor Antonio Fusco which aims and which tends to enhance the contribution of the Author's conscious Ego, of the emotional centers and of the unconscious contents of the mind following in part the line of the psychiatrist Silvano Arieti who in one of his main works illustrates the concept of �tertiary thinking� and sees it as a synthesis of unconscious, endoceptual and conceptual elements [1]. The aspects that will allow you to better understand the facets of a literary work will be reading, knowledge of the author's biography and identifying with the characteristic features of the characters. On the relationship between mind, art, literature and psychoanalysis over time we have had numerous contributions from not only Sigmund Freud, Carl Gustav Jung, but also many other authors. Just think of the various writers who have dealt with very important psychological and psychoanalytic themes through their novels; in the present work we will limit our attention to a psychological investigation of the work Zeno's conscience by Italo Svevo. Through the analysis of the characters and their inner life, it will be our task to be able to make the reader identify completely with the life described by the authors of the literary works. In this perspective, the psychologist will try to work alongside the traditional literary critic with the sole propose of providing a further humble investigative contribution. In conclusion, it can be said that the thread that binds psychology to many literary works is very thin.
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Zago, Renata Cristina de Oliveira Maia. "A I Bienal de São Paulo ou Pré Bienal de 1970." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3891.
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O presente artigo pretende discorrer sobre a I Bienal Nacional de São Paulo ou Pré- Bienal que aconteceu em 1970 e sua importância no cenário cultural da época. Para isso, desenvolvemos uma pesquisa pautada primordialmente em dados resgatados da documentação histórica gerada pelo evento (incluindo-se aqui também os artigos de jornais publicados pela imprensa do período) e conservada no Arquivo Histórico Wanda Svevo da Fundação Bienal.
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Zago, Renata Cristina de Oliveira Maia. "As bienais nacionais 1970-76." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3972.
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No início de setembro de 2005 iniciei a organização da documentação histórica das Bienais de São Paulo realizadas nos anos 1970, em especial da XI Bienal Internacional de São Paulo (1971) no Arquivo Histórico Wanda Svevo da Fundação Bienal de São Paulo. Para realizar este trabalho de maneira consistente e consciente foi preciso levantar além do material relativo a XI Bienal – catálogos da própria exposição, dados disponíveis no banco de dados daquela Fundação –, catálogos de outros eventos, como as Bienais Nacionais, a I Bienal Internacional do Livro (1970) e os Anais do Simpósio de Ciências e Humanismo (realizado em 1969, mas com a publicação datada de 1971); bem como realizar uma recorrente pesquisa ao Dossiê Ciccillo Matarazzo (fundo histórico em que se encontram documentos, fotografias e objetos pessoais do fundador da Bienal e do Museu de Arte Moderna de São Paulo), e ao acervo de livros e catálogos da Fundação Bienal. Após a etapa inicial do trabalho, ou seja, a higienização, a primeira leitura e identificação dos documentos, constatou-se que uma parte das informações pertencia à I Bienal Nacional, chamada Pré-Bienal 1970. Verificou-se então, que a função da mostra foi selecionar a representação brasileira da XI Bienal Internacional de São Paulo. Esse fato despertou meu interesse quanto ao caráter e a relevância destas mostras e sua projeção em âmbito nacional. Assim, além de iniciar a organização da documentação histórica pertencente a este certame (XI Bienal), iniciei uma pesquisa sobre as bienais nacionais.
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Zhu, Hui, Jessica Shih, David S. Long, John R. Hagaman, Nobuyo Maeda, and Morton H. Friedman. "Different Strains of Mice Exhibit Different Aortic Arch Geometry and Plaque Distribution: A Fluid Dynamic Effect." In ASME 2007 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2007. http://dx.doi.org/10.1115/sbc2007-175844.
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In earlier work, we observed different patterns of disease distribution in the aortic arches of apolipoprotien E (apoE)-deficient C57BL/6 (B6) and 129/SvEv (129) mouse strains [1]. In the relatively young mice (6 mo old), fatty plaques are seen mainly in the aortic root area, extending into the right innominate artery (RIA), with very little plaque in the more distal aortic arch in the B6 strain. However, in the 129 strain, plaques are found more in the inner curvature of the aortic arch but less in the sinus area than in B6 strain (Fig. 1).