Relevant bibliographies by topics / SVOD platforms

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'SVOD platforms'

Author: Grafiati
Published: 22 September 2021
Last updated: 30 July 2025

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Journal articles on the topic "SVOD platforms"

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Müller-Pérez, Jessica, Ángel Acevedo-Duque, Rina Alvarez-Becerra, and Irma Yomaira Verges. "A SVoD Platforms: A Comprehensive Analysis through Technology Adoption Models." Revista Venezolana de Gerencia 30, no. 109 (2025): 335–50. https://doi.org/10.52080/rvgluz.30.109.22.

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Nowadays, companies operating in the Over-The-Top (OTT) market, particularly those within the Subscription Video on Demand (SVoD) model, face increasing diversification and competitiveness with numerous alternatives. Unforeseen developments have necessitated adjustments in the pricing strategy of these platforms. Therefore, the objective of this research is to identify the primary factors affecting the intention of continued use of SVoD platforms through the technology acceptance model (TAM), the Value-based Adoption Model (VAM), and the extended Unified Theory of Acceptance and Use of Technol
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Rios, Sofia, and Alexa Scarlata. "Locating SVOD in Australia and Mexico: Stan and Blim contend with Netflix." Critical Studies in Television: The International Journal of Television Studies 13, no. 4 (2018): 475–90. http://dx.doi.org/10.1177/1749602018798158.

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This study employs a comparative analysis of industrial practices and marketing campaigns utilised by subscription video-on-demand (SVOD) platforms, Stan and Blim. It evaluates Stan’s creation and launch prior to the advent of Netflix in Australia, and the introduction of Blim well after Netflix had already established itself as the preferred SVOD in Mexico. Despite the substantial differences between the histories and impacts of these respective national television markets, this study identifies that both platforms have experienced relative success by capitalising on Netflix’s problematic ‘gl
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Redondo, Ignacio, and Diana Serrano. "Authorized and Unauthorized Consumption of SVOD Content: Modeling Determinants of Demand and Measuring Effects of Enforcing Access Control." Journal of Theoretical and Applied Electronic Commerce Research 19, no. 1 (2024): 467–85. http://dx.doi.org/10.3390/jtaer19010025.

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Consumers are attracted by the increasing number of available SVOD platforms, but it would be too expensive to pay the subscription fees for all of them. To reduce costs, consumers can combine the use of proprietary subscriptions, non-proprietary subscriptions, and illegal streaming sites. In turn, platforms could enforce access control, a decision that might produce the desired reduction in non-proprietary subscriptions but also an undesired reduction in proprietary subscriptions. The effects of this decision and the determinants of SVOD content demand remain largely unexplored. We propose a
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Palomba, Anthony. "How consumers' personalities, lifestyles and demographics predict SVOD genre and SVOD platform consumption." Journal of Contemporary Marketing Science 4, no. 3 (2021): 362–84. http://dx.doi.org/10.1108/jcmars-06-2021-0020.

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PurposeStreaming video on demand (SVOD) services are comprised of digital media content creation and content distribution that provide a vast array of genre content playable on an assortment of different technology platforms. Additionally, these digital services are equipped to collect data and information on consumers. However, these services do not capture extensive consumer demographics, lifestyles or personalities information.Design/methodology/approachTo resolve this discrepancy, collecting external information such as complete demographics, personalities and lifestyles of consumers can b
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Rodríguez-Camacho, Javier Alejandro, Andrés Laguna-Tapia, Jens Bürger, and Vania Landívar-Freire. "Content characterization of Latin American film productions on Netflix: a Bolivian perspective." Comunicación y Sociedad 2021 (September 1, 2021): 1–41. http://dx.doi.org/10.32870/cys.v2021.8037.

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We study international film flows between Bolivia and Latin America to explore the lack of Bolivian content on Netflix and its limited presence in other SVOD platforms. We characterize Netflix originals, third-party content, and recent Bolivian films, and develop a thematic analysis of their synopsis and genre description, completed with the results of a survey on the Bolivian consumption of streaming content. We identify common patterns in Netflix content and show how it differs from the more nationally minded Bolivian cinematic tradition. Our results point to a homogenizing effect SVOD platf
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Redondo, Ignacio, and Diana Serrano. "Incentivizing Video-on-Demand Subscription Intention Through Tiered Discounts and Anti-Piracy Messages." Journal of Theoretical and Applied Electronic Commerce Research 20, no. 1 (2025): 9. https://doi.org/10.3390/jtaer20010009.

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Subscription video-on-demand (SVOD) platforms face high churn rates and substantial revenue losses from SVOD content piracy, all of which limit their ability to invest in acquiring/creating content compelling enough to win and retain subscribers. Based on social exchange theory, this study argues that platforms can improve relationships with SVOD content users by offering tiered discounts in exchange for advertising/loyalty and by promoting anti-piracy messages with a prosocial (threatening) approach that emphasizes harm to filmmakers (punishment for pirates). We hypothesize that these incenti
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Fisher, Nathan, Hyelim Lee, and Glenn Flansburg. "When the Known Well May Sell." Journal of Telecommunications and the Digital Economy 13, no. 1 (2025): 406–26. https://doi.org/10.18080/jtde.v13n1.1011.

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While Streaming Video on Demand (SVOD) consumers may express a desire for unlimited new and novel choices, excess choice can cause anxiety and choice overload. Further, familiarity can also influence perceptions of available choices. Addressing a gap in the literature on familiarity’s interaction with choice numeracy in an SVOD recommendation environment, this 2x2 experiment examines effects of choice-set size of TV sitcoms on potential use/perceptions of SVOD platforms and to what extent familiarity with the choices interacts with those perceptions through examining differences and interactio
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Schaffner, Brennan, Antonia Stefanescu, Olivia Campili, and Marshini Chetty. "Don't Let Netflix Drive the Bus: User's Sense of Agency Over Time and Content Choice on Netflix." Proceedings of the ACM on Human-Computer Interaction 7, CSCW1 (2023): 1–32. http://dx.doi.org/10.1145/3579604.

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Users often turn to subscription video on demand (SVOD) platforms for entertainment. However, these platforms sometimes employ manipulative tactics that undermine a user's sense of agency over time and content choice to increase their share of a user's attention. Prior research has investigated how interface designs affect a user's sense of agency on social media and YouTube. For example, YouTube's autoplay left users feeling like they had less control over their time. We extend this work by investigating the design elements of Netflix, the most used SVOD, for the impact they have on users' se
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Raats, Tim, and Tom Evens. "‘If you can’t beat them, be them’." MedieKultur: Journal of media and communication research 37, no. 70 (2021): 050–65. http://dx.doi.org/10.7146/mediekultur.v37i70.122208.

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Faced with heavy competition of global subscription-video-on-demand (SVOD) streaming services, along with increased pressure on fi nancing and distribution of domestic content, legacy media players are increasingly exploring the potential of local SVOD services as domestic alternatives to global platforms such as Netflix and Disney+, often in collaboration with other European broadcasters and/or distributors.This article presents an in-depth case study of Streamz, a domestic SVOD alternative launched in Belgium in September 2020. Building on scholarly work on media disruption and platform powe
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Subkhan, Farid, and Firqi Barrygian. "Pengaruh Brand Awareness, Brand Image, dan Brand Personality terhadap Keputusan Pembelian Layanan Hiburan Digital Subscription Video on Demand (SVOD)." Jurnal Administrasi Bisnis 13, no. 1 (2024): 72–83. http://dx.doi.org/10.14710/jab.v13i1.62101.

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The era of digitalization and the internet continues to influence consumer behavior changes in accessing digital entertainment services, such as the transition from CD–DVD players and Bluray Discs to Television on Demand (TVOD) and then to Subscription Video on Demand (SVOD) platforms such as Netflix, Amazon Prime Video, Disney+ Hotstar, HBO, Iflix, Vidio, etc. This study seeks to determine the influence of brand equity factors such as brand awareness, brand image, and brand personality on consumer purchase decisions for digital entertainment services “Subscription Video on Demand (SVOD).” The
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Dissertations / Theses on the topic "SVOD platforms"

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Nunes, Tomás Watts Rodrigues Sarmento. "The internationalization of film industries through SVOD platforms : the case of Nollywood." Master's thesis, 2020. http://hdl.handle.net/10400.14/35027.

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Nollywood is the second largest film industry in the world in terms of films produced per year. This industry has been experiencing a huge growth in the last decade, becoming quite popular among African countries and the African diaspora. However, Nollywood still remains quite unfamiliar for global audiences. In recent years SVOD platforms have been disseminating international content online. This trend resulted in the popularization and internationalization of emerging film industries. Thus, we have been witnessing the creating of global phenomena such as the Spanish language series Money Hei
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Books on the topic "SVOD platforms"

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Mikulić, Borislav, and Mislav Žitko, eds. Metafilozofija i pitanja znanstvene metodologije: Radovi petog Okruglog stola Odsjeka za filozofiju. Filozofski fakultet Sveučilišta u Zagrebu - FF Press, 2020. http://dx.doi.org/10.17234/9789531759663.

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Zbornik Metafilozofija i pitanja znanstvene metodologije donosi izlaganja s istoimenog petog Okruglog stola nastavnika i studenata Odsjeka za filozofiju Filozofskog fakulteta te gostiju s drugih odsjekâ i institucija iz zemlje i inozemstva, održanog 7. prosinca 2019. Tematika petog okruglog stola koncipirana je kao radna teorijska platforma oko toposa i nedoumicâ vezanih za status i narav filozofske metode koje predstavljaju izazov za filozofe od antičkih vremena. Možemo li tvrditi da je filozofija kroz svoj povijesni razvoj stvorila posebne metode i načine postupanja s obzirom na predmete ist
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Book chapters on the topic "SVOD platforms"

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Cunningham, Stuart, and Oliver Eklund. "State Actor Policy and Regulation Across the Platform-SVOD Divide." In Palgrave Global Media Policy and Business. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95220-4_10.

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AbstractThere are rapidly growing concerns worldwide about the impact of content aggregation and distribution through digital platforms on traditional media industries and society in general. These have given rise to policy and regulation across the social pillar, including issues of privacy, moderation, and cyberbullying; the public interest/infosphere pillar, with issues such as fake news, the democratic deficit, and the crisis in journalism; and the competition pillar, involving issues based on platform dominance in advertising markets. The cultural pillar, involving the impact of SVODs on
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Marchi, Leonardo De, and Ana Atem Diamante. "Cultural Policies for the SVoD Market in Brazil." In Digital Platforms and the Global South. Routledge, 2023. http://dx.doi.org/10.4324/9781003391746-8.

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Deshmukh, Rutuja. "Lust Stories and the Politics of Private Viewing on SVOD Platforms." In Gender, Cinema, Streaming Platforms. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-16700-3_5.

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Paunksnis, Runa Chakraborty. "Four More Shots Please!: Postfeminism, SVOD Platforms, and “Empowered” Indian Women." In Gender, Cinema, Streaming Platforms. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-16700-3_4.

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Vinuela, Ana. "Policy and Regulation of Global SVOD Platforms in France." In Palgrave European Film and Media Studies. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-42182-2_1.

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Lobato, Ramon, and Alexa Scarlata. "Regulating Discoverability in Subscription Video-on-Demand Services." In Palgrave Global Media Policy and Business. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95220-4_11.

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AbstractIn recent years, the growing popularity of services such as Netflix, Amazon Prime Video, and Disney+ has raised complex challenges for media policy. Established policy approaches in a range of areas including audio-visual licensing, classification, censorship, and local production support are now being disrupted as governments grapple with the “Netflix effect” and its implications for national markets and institutions. Meanwhile, consumption practices are also changing as the algorithmically curated interfaces of SVOD services invite audiences to discover content in new ways. In partic
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López-Sanchez, Gema, and Francisco Utray. "Subscription Video on Demand (SVOD) Platform Accessibility Verification Method." In Biosystems & Biorobotics. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70316-5_147.

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Petruska, Karen, and Faye Woods. "Traveling without a Passport." In Transatlantic Television Drama. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663124.003.0004.

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The speed and breadth with which global television is crossing borders has been accelerated by legal web-delivered platforms, particularly services like Netflix and Amazon Video internationally and Hulu in the United States. These sites are developing impressive reputations as prolific producers of “original” content, but this designation as original obscures the national origins of imported programming to claim all creative credit for the SVOD distributor. The authors identify a distinctive shift from long-standing practices surrounding imports on both sides of the Atlantic through the parate
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Can, Orcun. "The Bingeable Ms Gilmore: A Comparative Analysis of Narrative Structure in Broadcast TV Show Gilmore Girls and Netflix Original Show Gilmore Girls: A Year in the Life." In Binge-Watching and Contemporary Television Studies. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461986.003.0016.

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This chapter aims to analyse the elements of narrative structure in televisual series produced and distributed by subscription video-on-demand services (SVODs) to explore how these elements contribute to the bingeability of content. In order to compare narrative elements between broadcast television and internet television series, Gilmore Girls (The CW, 2000-7), a broadcast TV series that went on for seven seasons; and Gilmore Girls: A Year in the Life (Netflix, 2016), a Netflix Original mini-series consisting of four 90-minutes episodes is analysed. The cases have been chosen because of their
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Gillan, Jennifer. "TV Brand-Casting, Svod, and Ott at Comcast and Disney." In The Franchise Era. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474419222.003.0009.

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Jennifer Gillan’s chapter looks at how television sitcoms have become another promotional arm by which parent companies prop up their franchises. She considers how sitcoms can play a part in what she calls ‘transmedia marketing circuits,’ looking specifically at the content-as-promotion strategies connected to Black-ish (ABC, 2014-Present) and Parks and Recreation (NBC, 2009-2015). The essay demonstrates that, with the rapid spread of subscription video on demand services that are either directly owned by or are supplied with content from the studios, television content is but one group of rep
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Conference papers on the topic "SVOD platforms"

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Pylypchuk, Mykola, Natalia Porplytsya, Iryna Stasiv, Lyudmyla Honchar, Viktor Sopiha, and Ievgen Bondarenko. "Optimisation of SVD++ Method based on Adam’s Algorithm for Small E-Commerce Platforms." In 2024 14th International Conference on Advanced Computer Information Technologies (ACIT). IEEE, 2024. http://dx.doi.org/10.1109/acit62333.2024.10712569.

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Khlopova, Daria E. "ANALYSIS OF THE STATE AND DYNAMICS OF THE GLOBAL SVOD-PLATFORMS MARKET." In Science Present and Future: Research Landscape in the 21st century. Федеральное государственное бюджетное учреждение науки "Иркутский научный центр Сибирского отделения Российской академии наук", 2022. http://dx.doi.org/10.54696/isc_49741465.

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Suarez-Cousillas, Tara, Valentin-Alejandro Martinez-Fernandez, and Eva Sanchez-Amboage. "SVOD Platform Audience. The Case of Netflix, Blockbuster, Hulu and HBO." In 2019 14th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2019. http://dx.doi.org/10.23919/cisti.2019.8760790.

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Gupta, Ragini, Klara Nahrstedt, Niranjan Suri, and Jeffrey Smith. "SVAD: End-to-End Sensory Data Analysis for IoBT-Driven Platforms." In 2021 IEEE 7th World Forum on Internet of Things (WF-IoT). IEEE, 2021. http://dx.doi.org/10.1109/wf-iot51360.2021.9594944.

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Pejanović, Mirko. "Doprinos Adila Zulfikarpašića oblikovanju mirovnog sporazuma za Bosnu i Hercegovinu s deset multietničkih provincija 1992. i 1993. u Ženevi." In Panel razgovor "Adil Zulfikarpašić i liberalne političke inicijative". Bošnjački institut - Fondacija Adila Zulfikarpašića, 2021. http://dx.doi.org/10.52450/zraz08.

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U diskusiji na temu doprinosa Adila Zulfikarpašića oblikovanju mirovnog sporazuma za Bosnu i Hercegovinu s deset multietničkih provincija 1992. i 1993. godine na Ženevskoj mirovnoj konferenciji rasvjetljavam, na temelju ličnog sjećanja, sve aktivnosti koje je on provodio u saradnji sa državnom delegacijom ratnog Predsjedništva Republike Bosne i Hercegovine u pripremi takvog mirovnog sporazuma. Adil Zulfikarpašić je bio veoma zainteresovan za odvijanje pregovora na Ženevskoj mirovnoj konferenciji. Samoinicijativno je pozvao državnu delegaciju da dođe u Zürich i da u Bošnjačkom institutu koristi
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Bouten, Thijs, Nick Gralike, and Lars-Uno Axelsson. "Development, Atmospheric Testing and Field Operation of a Fuel Flexible Gas Turbine Combustion System for Crude Oil Volatile Organic Compounds." In ASME Turbo Expo 2022: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/gt2022-82390.

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Abstract Volatile Organic Compounds (VOCs) evaporate from crude oil due to their volatile characteristics. These VOCs are conventionally vented, thereby contributing significantly to the harmful emission in the crude oil loading, storage and transport on offshore platforms, ships, storage tanks, terminals and shuttle tankers. The VOCs can be captured by a VOC recovery system, thereby reducing the harmful emissions significantly. The heavier fractions (mainly C3+) out of VOCs can be stored as liquid VOC (LVOC). The non-condensable fraction is a surplus gas (SVOC) mainly consisting out of lighte
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Wong, Yew Lee, Jia Cheng Loh, Chen Zhen Li, and Chi Wee Tan. "A Comparative Study on Medical Image Watermarking using Hybrid Approach and RivaGAN." In International Conference on Digital Transformation and Applications (ICDXA 2021). Tunku Abdul Rahman University College, 2021. http://dx.doi.org/10.56453/icdxa.2021.1024.

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With the increased use of electronic medical records and computer networks, Medical Image Watermarking (MIW) now plays a very important role to preserve integrity and completeness of medical images. As of now, there are no perfect algorithms or solutions for invisible watermarking as there are trade-offs between visibility and robustness. In this study, we explored multiple implementations of image watermarking techniques using Hybrid Approach and Deep-Learning-Approach. The experiments to measure the limitations and robustness were done on a dataset of breast ultrasound images. 18 attacking m
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Xie, Yonghong, Aziguli Wulamu, Yantao Wang, and Zheng Liu. "Implementation of time series data clustering based on SVD for stock data analysis on hadoop platform." In 2014 IEEE 9th Conference on Industrial Electronics and Applications (ICIEA). IEEE, 2014. http://dx.doi.org/10.1109/iciea.2014.6931498.

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Reports on the topic "SVOD platforms"

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Lees, Shelley, and Mark Marchant. Key Considerations: Cross-Border Dynamics Between Uganda and Tanzania in the Context of the Outbreak of Ebola, 2022. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/sshap.2022.046.

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This brief summarises key considerations concerning cross-border dynamics between Tanzania and Uganda in the context of the outbreak of Ebola (Sudan Virus Disease, SVD) in Uganda. It is part of a series focusing on at-risk border areas between Uganda and four high priority neighbouring countries: Rwanda; Tanzania; Kenya and South Sudan. The current outbreak is of the Sudan strain of Ebola (SVD). SVD is used in this paper to refer to the current outbreak in East Africa, whereas outbreaks of Zaire Ebolavirus disease or general references to Ebola are referred to as EVD. The current outbreak bega
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Moro, Leben, and Alice Robinson. Key Considerations: Cross-Border Dynamics between Uganda and South Sudan in the Context of the Outbreak of Ebola, 2022. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/sshap.2022.045.

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This brief summarises key considerations concerning cross-border dynamics between South Sudan and Uganda in the context of the 2022 outbreak of Ebola in Uganda, and the risk of the spread of the virus into South Sudan. It is one of four briefs exploring cross-border dynamics in the context of the outbreak, alongside Kenya, Rwanda and Tanzania. The outbreak is of the Sudan strain of Ebola (Sudan Virus Disease, SVD). SVD is used in this paper to refer to the current outbreak in East Africa, whereas outbreaks of Zaire Ebolavirus disease or general references to Ebola are referred to as EVD. The o
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