Academic literature on the topic 'Swedish Architecture 19th Century'

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Journal articles on the topic "Swedish Architecture 19th Century"

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Vetushko-Kalevich, Arsenii. "Nordic Gods in Classical Dress." Journal of Latin Cosmopolitanism and European Literatures, no. 2 (November 13, 2019): 57–71. http://dx.doi.org/10.21825/jolcel.v2i0.8303.

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The 19th century in Sweden, like in many other European countries, saw a large decline in the quantity of Neo-Latin literary production. However, a range of skillful Latin poets may be named from this period: Johan Lundblad, Johan Tranér, Emil Söderström, Johan Bergman and others, engaged as well in translating from Swedish into Latin as in composing poems of their own. It was also in the 19th century that the longest Latin poem ever written in Sweden came out – “De diis arctois libri VI” by Carl Georg Brunius (1792–1869), remarkably neglected by the scholars, although it was published twice during the lifetime of its author (1822 and 1857). The subject of the poem fits perfectly in the intellectual movement of the period, namely national romantic interest in the Nordic antiquities. The six books represent a summary of Eddaic mythology from the creation of the Universe until the Ragnarök. Brunius’ admiration for the Scandinavian Middle Ages is apparent; later it turned out to be productive in architecture, the field in which Brunius is most remembered nowadays. Brunius does not seek to turn Scandinavian gods into Greek ones. He accurately follows his sources (both the prosaic and, to a somewhat smaller extent, the poetic Edda) in content, sometimes even in wording. However, it should be born in mind that the writer was a classicist by his education. Although many compositional traits of ancient epos are lacking in the poem, it is full of the allusions to classical authors at the phrasal level. Some of them are formulaic verse elements, others deliberate and exquisite quotations. It is this elegant combination of close adherence to the sources with the use of the ancient authors (Virgil, Lucretius, Ovid, Horace) that the paper is mainly focused on.
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Negulyaeva, T. V., and S. F. Dyadchenko. "Classicism in Saratov’s Later 19th Century Architecture." IOP Conference Series: Materials Science and Engineering 1079, no. 6 (March 1, 2021): 062019. http://dx.doi.org/10.1088/1757-899x/1079/6/062019.

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Welinder, Stig. "The word förhistorisk, ‘prehistoric’, in Swedish." Antiquity 65, no. 247 (June 1991): 295–96. http://dx.doi.org/10.1017/s0003598x00079771.

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Kinn, Kari, and Ida Larsson. "Pronominale demonstrativer: nye perspektiver fra norsk og svensk." Oslo Studies in Language 11, no. 2 (January 22, 2021): 201–24. http://dx.doi.org/10.5617/osla.8499.

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This paper is concerned with pronominal demonstatives (referred to as psychologically distal demonstratives by Johannessen 2008a, b) in older Norwegian spoken language, and written Swedish from the 19th century and the present-day. We show that pronominal demonstratives can be attested in speakers born in different parts of Norway in the 19th century, and in Swedish texts from the same period. However, the pronominal forms do not seem to be used in precisely the same way in the two languages. In Swedish, han/hon ‘he/she’ do not seem to behave formally like demonstratives. Instead, we propose that they are syntactically reduced pronouns at the edge of the DP, above the position for demonstratives, and that they double features lower down in the noun phrase. In Norwegian, on the other hand, han/hun are used as demonstratives already in the 19th century, in the way described for present-day Norwegian by Johannessen (2008a, b).
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Reiff, Daniel D. "Viollet-le-Duc and American 19th Century Architecture." Journal of Architectural Education 42, no. 1 (October 1988): 32–47. http://dx.doi.org/10.1080/10464883.1988.10758508.

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Reiff, Daniel D. "Viollet-le-Duc and American 19th Century Architecture." Journal of Architectural Education (1984-) 42, no. 1 (1988): 32. http://dx.doi.org/10.2307/1424998.

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Malm, Mats. "Punctuation, Voice, and Gender in 19th-Century Negotiations: Two Swedish Examples." Studia Neophilologica 90, sup1 (December 14, 2018): 114–24. http://dx.doi.org/10.1080/00393274.2018.1531251.

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Popławska, Irena, and Stefan Muthesius. "Poland's Manchester: 19th-Century Industrial and Domestic Architecture in Lodz." Journal of the Society of Architectural Historians 45, no. 2 (June 1, 1986): 148–60. http://dx.doi.org/10.2307/990093.

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So far, 19th-century architecture in any of the three parts of the divided country of Poland has received virtually no attention from Western (and that includes German) architectural or town-planning historians. Lodz was undoubtedly the most important Polish town developed in the 19th century. The rapidity of the growth, especially in the later 19th century, was astonishing even by western European standards; the degree of preservation of late-19th-century industrial buildings-understood to include not only factories, but also workers' dwellings and factory owners' mansions-is considerable. After examining more briefly the early development of the textile colonies, which were supported very much by the State, the article deals in more detail with large industrial buildings erected by the most important entrepreneurs, Scheibler and Poznański. An attempt is made to relate the particular configuration of workers' houses and mansions to the social set-up locally and generally.
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Welinder, Stig. "The Ethnoarchaeology of a Swedish Village." Current Swedish Archaeology 2, no. 1 (December 28, 1994): 195–209. http://dx.doi.org/10.37718/csa.1994.12.

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The village of Nyberget, Dalarna, Central Sweden, during the 19th century is studied from an ethnoarchaeological point of view. The dynamic flexibflity and ambiguity of the cultural landscape of the village and its households are stressed. This is understood in relation to economic structure and gender roles. The concepts used in understanding the historical village form a challenging starting-point for understanding a prehistoric cultural landscape.
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Nowicki, Jan. "Gotyk polski?" Politeja 16, no. 1(58) (October 31, 2019): 341–59. http://dx.doi.org/10.12797/politeja.16.2019.58.18.

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Polish Gothic? Establishing Real and Imaginary Boundaries through Architecture in the II Half of the 19th Century Intensive development of national identities is a characteristic feature of the 19th century European science, culture and politics. In Poland this process was of great importance. Disintegration of the state and lack of its institutions resulted in even more determined attempts to define and divide what is “ours” from what is “foreign”. One of the most important ways of constructing this boundary was through architecture – its history and theory. In the second half of the 19th century more and more authors started to give their answers to the emerging question: are there any exceptional, individual features of Polish architecture? In this context I would like to investigate the concept of “Vistulian‑Baltic” style, which is interpreted by scholars as a first attempt to define Polish national style in architecture. Closer insight into 19th century narratives reveals how imaginary and real boundaries were established through architecture and its theory.
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Dissertations / Theses on the topic "Swedish Architecture 19th Century"

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Bodin, Anders. "Helgo Zettervalls arkitektur." Doctoral thesis, KTH, Arkitekturens historia och teori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-206814.

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Helgo Zettervall (1831–1907) was one of Sweden’s principal architects and design talents. He was professionally active for 40 years, from the late 1850s to the mid-1890s – a period of intensive building activity in Sweden. For the first twenty years of his career, he had his practice in Lund, and in the subsequent twenty years he lived in Stockholm as head of Sweden’s state authority for public buildings. Zettervall was very productive. His portfolio contains 281 projects, of which 160 were executed, ranging from large cathedral restorations with thousands of detailed drawings and large public buildings to porch extensions and smaller residences. This dissertation highlights Zettervall’s works by putting them in a context and by analysing their qualitative aspects. Carried out as a historiographical case study, the framework for the dissertation is the architectural monograph. The individual architectural projects are the core of the presentation, assembling and making archive material readily accessible, and the method is leaning towards that of an oeuvre complète raisonné. The method includes three distinct approaches: a factual accounting of documents and drawings, a context-setting frame story that provides the conditions, and an architectural analysis. Zettervall belonged to the first generation of architects who could receive a well-planned and broad training in Sweden. All of this training took place against a backdrop of what a specific assignment demanded in terms of responsiveness and understanding. Zettervall developed a special talent for utilizing new construction methods and materials. Each assignment was a challenge to investigate new design principles and new spatial ideas. The investigation shows that every project was unique for Zettervall, and that his various solutions depended on the specific situation, regarding site and program. Zettervall was a distinct pragmatic. Every assignment had its unique conditions, and thus had a unique solution.

QC 20170511

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Miller, Roger, and Torvald Gerger. "Social change in 19th-century Swedish agrarian society." Stockholms universitet, Samhällsvetenskapliga fakulteten, 1985. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-90220.

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Lawrence, Snezana. "Geometry of architecture and freemasonry in 19th century England." Thesis, Open University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395263.

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Gjörloff, Per M., and Robert Gustafsson. "The Terrible Turk : Anti-Ottoman Representations in the 19th Century Swedish Rural Press." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-23500.

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Islamophobia has been pack and parcel in the Western civilisation from the days of Charlemagne via the Crusades and the rise of Orientalism, as opposed to Occidentalism, to the modern day reporting of Islamic terrorist threat. Many were fascinated by the degree of civilisation and the exoticism of the Ottomans, especially the sexual virtues (or lack thereof) were of particular interest of the travellers into the Ottoman Empire. This image quickly came to change by the mid 19th century when clashes between the British Empire and the Ottomans were increasingly common, especially in India who were part of the British Empire with a large Muslim population whose loyalties were with the Sultan of Istanbul.   We have used a theoretical framework with the foundation in Edward Saïd’s orientalism as well as modern Islamic frame theory as published by Deepar Kumar, Ruth Wodak and J.R. Martins.   The broader aim of this thesis is, through the use of both theories used by media studies scholars as well as traditional historians to explore how the Swedish people viewed Muslims through the eyes of the rural press in the 19th century. In particular, which frames were used depicting the Ottomans and did the coverage of the Ottoman Empire change during the 19th century?
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Aspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.

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Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.

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Onori, Maurizia. "Neo-Mamluk and Neo-Norman funerary architecture in Palermo, 19th-20th century." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30295/.

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Divis, Katherine E. "On hallowed ground : the church architecture of the Indiana gas boom." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1314221.

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East Central Indiana's Gas Boom began when natural gas was discovered in 1886 and lasted until 1906 when the supply fell too short to meet the demand. The resource brought magnificent wealth to the region, as industries developed in the area and drew thousands of workers. The incredible population growth resulted in a building boom, creating new churches, houses, industrial buildings, and civic buildings. Although the resource ran out and many towns quickly decreased in population, the buildings remained as a testament to the Gas Boom years. Several styles of architecture were popular during this period, and for churches the predominant styles were Gothic Revival and Romanesque Revival. Using a sample of Gothic Revival and Romanesque Revival churches located across the nation as models, this thesis studies the Gas Boom churches of Alexandria, Elwood, and Hartford City to determine if they represented the national trends in church architecture during this period.
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Smith, Katherine. "Continuity and Change in a 19th Century Illustrated Devi Mahatmya Manuscript From Nepal." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3564.

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In the Hindu tradition of the Indian subcontinent, worship of the goddess has long been practiced as supreme embodiment of the divine. Around the second century, a Sanskrit Purana (ancient Hindu text that extols deities) titled the Markandeya Purana details the battles of the supreme Goddess Durga against the illusions and negative energy in the universe. This textual version of the Devi Mahatmya “Praise of the Goddess” serves as the foundation for the nineteenth century Nepalese illustrated Devi Mahatmya, commissioned by Tej Bahadur Rana from Pokhara district in Nepal. Because the folios closely follow the textual Devi Mahatmya, the illustrations’ amalgamation of styles demonstrates a double entendre of religious and political frameworks represented through Indian religious iconography with localized motifs and styles from Nepal. In this study, I argue that the illustrated Nepalese Devi Mahatmya indicates a shift in power from the Shah aristocracy to Rana oligarchy. This Devi Mahatmya contextualizes the social, religious, and historical events of nineteenth century Nepal, as a unique extension to the current scholarship about the Devi Mahatmya since it is dated and has a known patron. The intentional amalgamation of previous Newar styles, localized elements, and European décor reveals the mythical being contemporized, that is, drawing from English modernism to empower the Rana family, adding a unique flair to this manuscript as opposed to previous Devi Mahatmyas of Indian Guler or Newar style. Within the nineteenth century Nepali Devi Mahatmya, the background of this Devi Mahatmya is Guler-inspired, utilizing lightly hued backgrounds and landscapes, suggesting that the artist(s) had observed Guler compositions prior to this commission. The Nepali and Newar motifs contextualizes the Devi Mahatmyas commissioning in Pokhara, as these elements comment on the clan patriarch Jung Bahadur Rana and uncle of the patron usurping power from the Shah king, asserting a new Rana oligarchy that would last until 1951. As a result, this Devi Mahatmya is used as an offering to the goddess to legitimize Prime Minister Jung Bahadur Rana and the nephews that would follow his legacy.
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Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /." Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.

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Books on the topic "Swedish Architecture 19th Century"

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1941-, Watkin David, ed. Neoclassical and 19th century architecture. New York: Electa/Rizzoli, 1987.

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Middleton, Robin. Neoclassical and 19th century architecture. London: Faber, 1987.

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Architecture of the 19th century. Köln: Evergreen, 1994.

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Middleton, Robin. Neoclassical and 19th century architecture. London: Faber, 1987.

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1938-, Gerger Torvald, ed. Social change in 19th-century Swedish agrarian society. Stockholm, Sweden: Almqvist & Wiksell International, 1985.

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Nineteenth-century architecture. Cambridge [England]: Cambridge University Press, 1992.

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Getty Research Institute. 19th-century photography of ancient Greece. [Los Angeles, CA]: Getty Research Institute, 1997.

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1941-, Watkin David, ed. Architecture of the nineteenth century. Milano: Electa Architecture, 2003.

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Louisville architectural tours: 19th century gems. Atglen, PA: Schiffer Pub., 2008.

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Vandenbreeden, Jos. The 19th century in Belgium: Architecture and interior design. [Tielt, Belgium]: Lannoo, 1994.

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Book chapters on the topic "Swedish Architecture 19th Century"

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Moreno, D. Navarro, and M. J. Muñoz Mora. "Pedreño y Deu Pantheon: An example of late-19th-century funerary architecture in Spain." In History of Construction Cultures, 486–92. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-167.

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Peppas, N. A. "Academic Connections of the 20th Century U.S. Chemical Engineers: Influence of the 18th and 19th Century Swedish, French and German Chemists." In One Hundred Years of Chemical Engineering, 27–37. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2307-2_3.

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Jürgensen, Martin Wangsgaard. "The Properties of Style. Allusions to the Invisible in 19th-Century Church Art and Architecture." In In-visibility, 385–410. Göttingen: Vandenhoeck & Ruprecht, 2020. http://dx.doi.org/10.13109/9783666550713.385.

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Hawkes, Dean. "Tradition and Science: The Evolution of Environmental Architecture in Britain from 16th to 19th Century." In Addressing the Climate in Modern Age's Construction History, 131–45. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04465-7_6.

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Nilsson, Anders, and Lars Pettersson. "11. The State or the People? Government Policies and Popular Movements in Education and Training in 19th century Swedish Agriculture." In Rural History in Europe, 215–30. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.rurhe-eb.4.00057.

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GIBBERD, FREDERICK. "19TH CENTURY." In The Architecture of England, 38–39. Elsevier, 2014. http://dx.doi.org/10.1016/b978-1-4831-6687-2.50022-8.

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GIBBERD, FREDERICK. "19TH CENTURY • 1800–1837." In The Architecture of England, 34–35. Elsevier, 2014. http://dx.doi.org/10.1016/b978-1-4831-6687-2.50020-4.

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GIBBERD, FREDERICK. "19TH CENTURY • 1837–1900." In The Architecture of England, 36–37. Elsevier, 2014. http://dx.doi.org/10.1016/b978-1-4831-6687-2.50021-6.

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Ivars, Ann-Marie. "164. Swedish in Finland in the 19th century." In The Nordic Languages, Part 2, edited by Oskar Bandle, Kurt Braunmüller, Ernst Hakon Jahr, Allan Karker, Hans-Peter Naumann, Ulf Teleman, Lennart Elmevik, and Gun Widmark. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110197068-046.

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BOLI, JOHN. "Educational Development in Swedish History to the 19th Century." In New Citizens for a New Society, 62–77. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-08-036461-2.50011-1.

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Conference papers on the topic "Swedish Architecture 19th Century"

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Hill, Mark D. "21st century computer architecture." In the 19th ACM SIGPLAN symposium. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2555243.2558890.

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De Marco, Catia. "Translations of Swedish Literature in Italy in the 19th Century: An outline." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c111.

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Zehra Sarı, Fatma, and Nur Umar. "19th Century Public Buildings in Malatya City." In 3rd International Conference of Contemporary Affairs in Architecture and Urbanism. Alanya Hamdullah Emin Paşa Üniversitesi, 2020. http://dx.doi.org/10.38027/n332020iccaua316276.

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Brostoff, Lynn, Carol Lynn Ward Bamford, Tara Diba, Andrew Buechele, Murray H. Loew, and Jason M. Zara. "Optical coherence tomography of 19th century glass: facts and phantoms." In Optics for Arts, Architecture, and Archaeology VII, edited by Piotr Targowski, Roger Groves, and Haida Liang. SPIE, 2019. http://dx.doi.org/10.1117/12.2526170.

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Kokkinakis, Dimitrios, Ann Ighe, and Mats Malm. "Gender-Based Vocation Identification in Swedish 19th Century Prose Fiction using Linguistic Patterns, NER and CRF Learning." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0710.

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Shizhuo, Cheng, and Sun He. "The Influence of ‘The Experiment’ in 19th Century Britain on China." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.118.

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Mahroug, E., and A. Belakehal. "The evolution of heritage atmospheres in the medina of Tunis since the 19th century." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160141.

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Marwoto, I. "The 19th century traditional houses of the Banjar Islamic (Muslim) community: a display of power." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160181.

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Ponomarenko, Elena. "The Architecture of the Churches of Southern Urals in the 18th-19th Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.12.

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Stieglitz, Margarita. "Peculiarities of Stylistic Evolution of Mid-19th — Early 20th Century St. Petersburg Industrial Architecture." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.90.

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